| Title |
Author |
Type |
Date |
Words |
| JOANNE AKALAITIS with Tom McGlynn. |
McGlynn, Tom |
Interview |
May 1, 2026 |
4160 |
| HIRAN ABEYSEKERA & ROBERT HASTIE with Gerard Raymond. |
Raymond, Gerard |
Interview |
Apr 1, 2026 |
2160 |
| Manfred di Carmelo Bene Al Teatro alla Scala: un'intervista con Donato Renzetti. |
Zuppardo, Alessandro; Petruzzi, Carlo Alberto |
Interview |
Jun 22, 2025 |
3996 |
| "Inner Peace", "Reversal", and "Indeterminable Tao": Lin Zhaohua's Assimilation of Taoism. |
Zhao, Chengyun |
Critical essay |
May 8, 2025 |
11686 |
| Three Broadway luminaries on choreographing straight plays: Play Time. |
Gold, Sylviane |
Interview |
Nov 1, 2024 |
1437 |
| New pop musical 'La Llamada' has Catholic fingerprints all over it. |
Solis, Jose |
|
Jul 5, 2024 |
863 |
| Dialogue between the Concept of the Object in the Theater of Tadeusz Kantor and the Theatrical Praxis of the Periférico de Objetos. |
Cytlak, Katarzyna |
Report |
Jan 1, 2024 |
11793 |
| JATINDER VERMA'S BINGLISHING THE BRITISH STAGE. TRADAPTATION OF TARTUFFE AS A CASE IN POINT. |
Adamowicz-Pospiech, Agnieszka |
Critical essay |
Jan 1, 2024 |
5989 |
| Listening to the Play: Arin Arbus on Directing Waiting for Godot. |
Young, Paul David |
Interview |
Nov 1, 2023 |
1133 |
| Azerbaijan's Shusha hosts meeting of State Theater Directors of TURKSOY member countries-PHOTO-UPDATED. |
|
|
Oct 31, 2023 |
288 |
| 'Here Lies Love' musical about Imelda Marcos ignores Philippine Catholicism. |
McDermott, Jim |
|
Sep 29, 2023 |
1204 |
| New and Improved: Stage Directors and Choreographers Foundation launches its Professional Development Program. |
Caldwell, Rachel |
|
Apr 1, 2023 |
264 |
| The Hierarchy on Its Side Becomes a Circle: The Directing Practices and Mentorship of Yvette Nolan. |
Peters, Charlie |
|
Mar 22, 2023 |
7316 |
| On Theater and Theurgy: A Les Waters Compendium Illuminates the Director's Craft. |
Sims, Joey |
|
Feb 1, 2023 |
1065 |
| Shamcey Supsup reiterates no walkout ocurred after Celeste Cortesi's loss. |
|
|
Jan 21, 2023 |
701 |
| The Politics of Seeing Double: Klaus Michael Grüber’s Die Bakchen and the Visual Arts. |
Gerogianni, Irene |
Critical essay |
Nov 1, 2022 |
6786 |
| Quand se glisser dans la peau c'est s'immiscer dans la peau : antinoircite, proximite, resistance et le cas du spectacle SLAV. |
Howard, Philip S.S. |
Critical essay |
Sep 22, 2022 |
13941 |
| Space for Multiple Voices: An Interview with Director Reneltta Arluk. |
Peters, Charlie |
Interview |
Sep 22, 2022 |
5455 |
| Dancin' Again: What's it actually like to revive a beloved musical? |
Gold, Sylviane |
|
Sep 1, 2022 |
1257 |
| Seret Scott Wins Gordon Davidson Award: The award given by the Stage Directors and Choreographers Foundation will be presented in a virtual ceremony this fall. |
|
|
Jul 1, 2022 |
583 |
| In theater, when does criticism become too much to a point that it is verbal abuse? |
|
|
Mar 1, 2022 |
1905 |
| Clicking a Collaborative Path: Exploring What (re)Conciliation Can Look Like in inheritance: a pick-the-path experience. |
Smith, Annie |
Interview |
Mar 22, 2021 |
7200 |
| Dreaming New Worlds: Katz and Kerr in the 1970s. |
Newton, Alistair |
Interview |
Mar 22, 2021 |
5835 |
| MOLISSA FENLEY and LINDA SHELTON with Susan Yung. |
Yung, Susan |
Interview |
Mar 1, 2021 |
2095 |
| The Jerk Comes Full Circle: Reflections on Developing, Dramaturging, and Directing Fake Friends' Cinematic and Theatrical Feat. |
|
Interview |
Dec 1, 2020 |
1881 |
| Kamilah Forbes Wins 2020 Zelda Fichandler Award: The award from the Stage Directors and Choreographers Foundation includes a $5,000 prize. |
|
|
Oct 1, 2020 |
491 |
| Getting Under the Skin: Antiblackness, Proximity, and Resistance in the SLAV Affair. |
Howard, Philip S.S. |
Report |
Mar 22, 2020 |
10898 |
| An "Ironic" Hit Arrives on Broadway. |
Gold, Sylviane |
|
Sep 1, 2019 |
156 |
| Right Men, Wrong Man. |
Schrock, Madeline |
|
Sep 1, 2019 |
114 |
| Contemporary Women Stage Directors: Conversations on Craft. |
|
Book review |
Apr 1, 2019 |
116 |
| PEOPLE TO WATCH. |
Golub, Steph; Halvorsen, Caitlyn |
|
Apr 1, 2019 |
1557 |
| Kenny Leon Classics in Color. |
Smith, Kelundra |
Interview |
Mar 1, 2019 |
1146 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
Feb 1, 2019 |
1580 |
| "Give me your hands". |
Shaughnessy, Robert |
|
Jan 1, 2019 |
3652 |
| Guillermo Cienfuegos. |
Considine, Allison |
Interview |
Dec 1, 2018 |
597 |
| AWARDS & PRIZES. |
|
Awards list |
Nov 1, 2018 |
688 |
| ROLE CALL. |
|
|
Oct 1, 2018 |
1590 |
| OFFSTAGE. |
Dembin, Russell M. |
Interview |
Oct 1, 2018 |
662 |
| "Pedant Needs More Paunch": Reviving Robertson Davies's Annotations from his Performance Copy of The Taming of the Shrew. |
McKague, Cathleen |
|
Sep 22, 2018 |
9718 |
| 'A Midsummer Night's Dream' turns into a nightmare in Tehran. |
|
Brief article |
Sep 21, 2018 |
195 |
| AWARDS & PRIZES. |
|
|
Sep 1, 2018 |
601 |
| ROLE CALL PEOPLE TO WATCH. |
|
|
Sep 1, 2018 |
1643 |
| 'Oklahoma!: Still Okay? Two new revivals--one ebulliently LGBTQ, another brooding and immersive--make this musical warhorse run in new directions. |
Cote, David |
Column |
Sep 1, 2018 |
1962 |
| llana M. Brownstein Dramaturg's Dramaturg: Company One's director of new work questions everything, including herself. |
Grossman, Rachel |
Interview |
Jul 1, 2018 |
2065 |
| The Travelling Theater of Manuel Ramos Otero. |
Diaz, Carmen Graciela |
Biography |
Jun 22, 2018 |
9517 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
May 1, 2018 |
1611 |
| Liesl Tommy Won't Take No For an Answer: How the Tony-nominated director makes space for women of color in the theatre, not just herself. |
Tran, Diep |
Interview |
May 1, 2018 |
2151 |
| OFFSTAGE. |
|
Interview |
May 1, 2018 |
828 |
| Mean Girls the Musical Is Totally Grool: Casey Nicholaw brings the wickedly funny movie to Broadway this month. |
Gold, Sylviane |
|
Apr 1, 2018 |
861 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
Apr 1, 2018 |
1650 |
| 'Whatever we do, it's important that we think about children'. |
Maries, Thomas |
Interview |
Mar 1, 2018 |
1209 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
Mar 1, 2018 |
1521 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
Jan 1, 2018 |
1578 |
| BLESS THE HOST. |
Considine, Allison |
|
Jan 1, 2018 |
393 |
| DEVELOPING A SENSE OF DIRECTION: HOW SIX DIRECTORS DISCOVERED AND HONED THEIR CRAFT--AND FOUND CAREERS ALONG THE WAY. |
Considine, Allison |
|
Jan 1, 2018 |
3875 |
| PAVING THE WAY: FIVE VETERAN DIRECTORS: HOW THEY GOT HERE, AND WHAT THEY'RE PASSING ON. |
Cabral, Fabiana |
|
Jan 1, 2018 |
2336 |
| LEARNING TO LEAD: 10 MFA DIRECTING PROGRAMS DESIGNED TO TRAIN WELL-ROUNDED DIRECTORS. |
Mullaney, Laura |
|
Jan 1, 2018 |
1675 |
| FELLOWSHIPS AHOY. |
|
|
Jan 1, 2018 |
811 |
| THE GENERATIVE GENERATION: A MAKE-IT-NEW TREND GAINS CURRENCY WITH AUDIENCES AND ACADEMIA. |
Newton, Pamela |
|
Jan 1, 2018 |
2693 |
| Property Rights and Wrongs: Playwrights have well-established protections for their work, but how about directors and designers?. |
McKee, Jenn |
|
Jan 1, 2018 |
2388 |
| The Fountainhead Play: Taking a Stand on Ideas. |
Begley, Robert |
Critical essay |
Dec 22, 2017 |
2578 |
| Peter Hall: 1930-2017. |
Horowitz, Jeffrey |
In memoriam |
Nov 1, 2017 |
768 |
| Top Girls: As more women take the helm of major U.K. theatres, the question isn't just what took so long but what's next. |
Jonas, Susan |
Interview |
Oct 1, 2017 |
2135 |
| Real talk: some of documentary theatre's leading lights discuss the art of the interview--and the deeply personal playmaking that comes after. |
Parenteau, Amelia |
Interview |
Sep 1, 2017 |
2930 |
| Trans-Pacific Partnership: Japan's Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago. |
Cummings, Scott T. |
Conference notes |
Sep 1, 2017 |
2138 |
| Barbara Simonsen, ed. The Art of Rehearsal: Conversations with Contemporary Theatre Makers. |
|
Brief article |
Jun 22, 2017 |
143 |
| Role call: people to watch. |
|
|
May 1, 2017 |
1598 |
| An aesthetic in progress: how writer/director Stan Lai improvised a new theatre from old forms. |
|
Interview |
May 1, 2017 |
3025 |
| Entrances & exits. |
|
|
Mar 1, 2017 |
309 |
| People to watch. |
|
|
Mar 1, 2017 |
1599 |
| Lila Neugebauer: People person: the busy and passionate off-broadway director has built her career on ensembles and new work. |
Evans, Suzy |
Interview |
Feb 1, 2017 |
1666 |
| The routledge companion to Jacques Lecoq. |
|
|
Dec 22, 2016 |
546 |
| News in brief. |
|
|
Dec 1, 2016 |
531 |
| The timely ring of 'Wedding Band': Alice Childress's seldom-produced interracial love story, though set a century ago, gave off fresh sparks at the Intiman. |
Berson, Misha |
|
Dec 1, 2016 |
3336 |
| Two theatres, both home: founded a decade apart and now merged, Pregones and Puerto Rican Traveling Theatre keep the cart rolling. |
Cabral, Fabiana |
Interview |
Dec 1, 2016 |
2442 |
| Fresh canon fodder: the Sol Project isn't just scoring production's for Latinx playwrights it's hoping to make their work bloom and plant seeds for more. |
Solis, Jose |
Conference notes |
Dec 1, 2016 |
1430 |
| The ageless 'Beauty Queen': daughter becomes mother in Druid of Galway's 20th-anniversary staging of Martin McDonagh's landmark play. |
Dembin, Russell M. |
Interview |
Dec 1, 2016 |
1578 |
| Offstage. |
Tran, Diep |
Interview |
Dec 1, 2016 |
869 |
| The Subjectiles at Work: The Secret Art of The 9 Fridas. |
Su, Tsu-Chung |
Critical essay |
Dec 1, 2016 |
13069 |
| Princes theatre: Harold Prince has always made work that matters to him--and most often to a wide audience. |
Firestone, Lonnie |
Interview |
Nov 1, 2016 |
3829 |
| Impossible things. |
Eyring, Teresa |
|
Oct 1, 2016 |
912 |
| Aaron Posner's many hats: whether directing, writing, or irreverently adapting, the D.C.-based artist isn't afraid of bringing himself to all his work. |
Wren, Celia |
Interview |
Oct 1, 2016 |
1826 |
| Brechtian breakout. |
|
|
Sep 1, 2016 |
1134 |
| Hail to the chiefs: how a bit of timely edutainment has become a timeless call to civic action. |
Bent, Eliza |
|
Sep 1, 2016 |
1236 |
| People to watch. |
|
Interview |
Jul 1, 2016 |
1768 |
| Scribes take bigger risks in short runs: writers revel in the chance to tell complete stories and break the rules--even as they wonder if their networks will back them up. |
Verini, Bob |
Interview |
Jun 14, 2016 |
680 |
| Ivo van Hove: 'every play is a contemporary play, even Shakespeare'. |
Cox, Gordon |
Interview |
May 24, 2016 |
387 |
| Untapped potential: George C. Wolfe revives the story of Shuffle Along, the nearly forgotten 1921 hit that changed the American musical. |
Weinert-Kendt, Rob |
Interview |
May 1, 2016 |
2691 |
| Back with 'Vengeance': Sholem Asch's contested Yiddish classic is grist for Paula Vogel and Rebecca Taichivian's meditative new play-within-a-play. |
Rizzo, Frank |
Interview |
May 1, 2016 |
2055 |
| How do I film thee? If you can make a Sonnet Project in NYC, Ross Williams figures, you can make it anywhere. |
Miller, Stuart |
Interview |
May 1, 2016 |
1926 |
| One on one. |
Rizzo, Frank |
Interview |
May 1, 2016 |
846 |
| Life after 'August': Tracy Letts and Anna D. Shapiro came up together in Chicago theatre. Now they're kicking off her Steppenwolf regime with Letts's enigmatic 'Mary Page Marlowe'. |
Evans, Suzy |
Interview |
Mar 1, 2016 |
2958 |
| 'I'm interested lately in ... trusting the audience more': Joe Mantello. |
Cox, Gordon |
Interview |
Feb 16, 2016 |
295 |
| Entrances & exits. |
|
|
Feb 1, 2016 |
369 |
| Book of numbers. |
Barker, Jeremy M. |
|
Feb 1, 2016 |
546 |
| A win for 'confederacy': the Huntington's staging of a celebrated novel was its biggest hit ever. But can it continue to adapt? |
Goodwin, Jeremy D. |
|
Feb 1, 2016 |
3338 |
| Molto Malta: a diary of directing a cryptic British play on an oft-misunderstood Mediterranean island. |
Barton, Dave |
Personal account |
Feb 1, 2016 |
2050 |
| People to watch. |
|
|
Jan 1, 2016 |
1723 |
| Ivo Van Hove's sound and vision. |
Newton, Pamela |
|
Jan 1, 2016 |
573 |
| Front & center. |
Weinert-Kendt, Rob |
|
Jan 1, 2016 |
1188 |
| Shape shifter on a liquid stage: Thaddeus Phillips makes a kind of puppet theatre in which his own intense, mercurial presence is the central object being manipulated. |
Blumenthal, Eileen |
Biography |
Jan 1, 2016 |
2343 |
| "Now keep out of the way, Whitelaw": self-expression, agency, and directorial control in W. B. Yeats's and Samuel Beckett's Theatre. |
Simpson, Hannah |
Essay |
Dec 22, 2015 |
7724 |
| Role call: people to watch. |
|
|
Dec 1, 2015 |
1777 |
| Awards & prizes. |
|
|
Dec 1, 2015 |
327 |
| 20 QUESTIONS. |
|
Interview |
Dec 1, 2015 |
852 |
| Oklahoma! Fisher Center. |
Tran, Diep |
|
Nov 1, 2015 |
657 |
| The outsider's insider: Director Niegel Smith likes to walk on theatre's wild side, but can he keep the show going at NYC's Flea Theater? |
Mandell, Jonathan |
Interview |
Nov 1, 2015 |
2532 |
| In the realm of the senses: the epic, engaging, environmental aesthetic of director/creator Rachel Chavkin has given her career a comet-like trajectory. |
Tran, Diep |
Biography |
Oct 1, 2015 |
2295 |
| Linda Keprtova: squeezing an idea until the juice runs out. |
Vostrelova, Michaela |
Interview |
Oct 1, 2015 |
2271 |
| Le Tour du monde en 80 jours: entretien avec Hugo Belanger. |
De Viveiros, Genevieve |
Interview |
Sep 22, 2015 |
1928 |
| Roger Rees: 1944-2015. |
Timbers, Alex |
In memoriam |
Sep 1, 2015 |
1114 |
| The rattled hymn of a tiger cub. |
Tran, Diep |
|
Sep 1, 2015 |
409 |
| Ebrahim Alkazi b. 1925. |
Allana, Amal |
Biography |
Sep 1, 2015 |
1153 |
| PJ Paparelli: 1974-2015. |
Karam, Stephen |
In memoriam |
Jul 1, 2015 |
822 |
| The $1.99 play: how to have a real-world theatre experience with just and your smartphone. |
Bent, Eliza |
|
Jul 1, 2015 |
1259 |
| Debbie Devine: tightrope act: theatrical excellence or community service? It's a false choice for L.A.'s 24th Street Theatre, which strives mightily for both. |
Morris, Steven Leigh |
|
May 1, 2015 |
1852 |
| Collaborators at the Taj: playwright Rajiv Joseph didn't just write Guards at the Taj for actors Arian Moayed and Omar Metwally--he took them to the actual site. |
Buchwald, Linda |
|
May 1, 2015 |
1507 |
| 20 Questions. |
|
Interview |
May 1, 2015 |
872 |
| Rocker Alice. |
Wrappe, Megan |
Brief article |
Apr 1, 2015 |
156 |
| Channeling the greats. |
Tran, Diep |
Interview |
Apr 1, 2015 |
366 |
| The accidental director. |
Evans, Suzy |
Interview |
Apr 1, 2015 |
1980 |
| The rule breakers: what happens when 2 artists who never worked on a musical team up with a pro to turn a graphic memoir into theatre? |
Evans, Suzy |
|
Apr 1, 2015 |
2285 |
| George Luscombe directing Chicago '70 at Toronto Workshop Productions: an insider's subjective account. |
Bush, Steven |
|
Mar 22, 2015 |
3072 |
| Arguing with 'The Good Book': after having a hit with Homer, Denis O'Hare and Lisa Peterson take on the story behind the greatest story ever told. |
Thielman, Sam |
Interview |
Mar 1, 2015 |
1626 |
| Does Othello have to be black? If that sound like a stupid question, talk it over with actor BILL PULLMAN and director STEIN WINGE. |
Weinert-Kendt, Rob |
|
Mar 1, 2015 |
2332 |
| 20 Question. |
|
Interview |
Mar 1, 2015 |
714 |
| 'Everybody brings something different to the party'. |
Shapiro, Anna D. |
Brief article |
Feb 25, 2015 |
241 |
| Mike Nichols: 1900-2015. |
Paulus, Diane |
In memoriam |
Feb 1, 2015 |
662 |
| Staging activism: Zsa Zsa Gershick teaches from all platforms. |
Kay, Sheryl |
Interview |
Jan 1, 2015 |
342 |
| Direction for directors. |
Evans, Suzy |
|
Jan 1, 2015 |
754 |
| "I suggested to Rob, "Why don't we throw out the opening"': James Lapine. |
Cox, Gordon |
Brief article |
Dec 16, 2014 |
268 |
| Joanna Settle's unsettling year. |
Weinert-Kendt, Rob |
|
Dec 1, 2014 |
769 |
| Disappearing acts: the magic of presence in works by Italy's Romeo Castellucci and Iran's Nassim Soleimanpour. |
Bent, Eliza |
|
Dec 1, 2014 |
1192 |
| Destroying the audience: Young Jean Lee talks about the traps she lays for her public. |
Bent, Eliza |
Interview |
Nov 1, 2014 |
3583 |
| A museum of many colors: George C. Wolfe brings the Civil Rights Movement to vivid life in Atlanta. |
Kompanek, Christopher |
Interview |
Nov 1, 2014 |
2120 |
| Let's talk about the weather: NACL Theatre connects climate change, community and performance. |
Braverman, Isabel |
|
Nov 1, 2014 |
1358 |
| Hershey Felder: artists and repertoire. |
Weiss, Hedy |
Biography |
Nov 1, 2014 |
2054 |
| 20 Questions. |
|
Biography |
Nov 1, 2014 |
876 |
| Comeback story: on the Town returns to Broadway--with a choreographic makeover. |
Schwab, Kristin |
|
Oct 1, 2014 |
1046 |
| A modern Moreau. |
Evans, Suzy |
Brief article |
Oct 1, 2014 |
255 |
| In praise of second acts: Tina Packer and JON JORY talk about their post-artistic directorship lives, new hobbies and the state of training in America. |
Landis, Kevin |
Interview |
Oct 1, 2014 |
2806 |
| The Funniest German you've probably never heard of: the extravagant work of Herbert Fritsch plunders classic come music-theatre and his country's surreal history. |
Savran, David |
Interview |
Oct 1, 2014 |
1607 |
| Seeker of hard-won joy. |
Shaw, Helen |
Interview |
Sep 1, 2014 |
3619 |
| Les Miserables: Dallas Theater Center. |
Almond, Karen |
|
Sep 1, 2014 |
452 |
| Lisa Wolpe 1,000 to 1: playing Shakespearean Men is her specialty--and now her international mission, as well. |
Avila, Elaine |
Interview |
Sep 1, 2014 |
2091 |
| Comrades at the helm? A director makes the case for sharing the work with a compatible partner. |
Haj, Joseph |
|
Sep 1, 2014 |
1981 |
| Not a prank: Prankster Ramez Galal mourns the death of his father. |
|
Brief article |
Aug 14, 2014 |
104 |
| Nicholas Martin: 1938-2014. |
Durang, Christopher |
In memoriam |
Jul 1, 2014 |
817 |
| Chekhov with an F. |
Tran, Diep |
Brief article |
Jul 1, 2014 |
293 |
| Stop hitting yourself: Rude Mechs/LCT3. |
Tran, Diep |
Interview |
Jul 1, 2014 |
556 |
| It's about time: a new staging of a sci-fi classic is the latest wrinkle in Tracy Young's genre-hopping, ensemble-focused career. |
Henerson, Evan |
Interview |
Jul 1, 2014 |
1853 |
| The Debessonet Protocol. |
Shaw, Helen |
Brief article |
Jul 1, 2014 |
118 |
| A (literally) magical Tempest. |
Evans, Suzy |
|
May 1, 2014 |
449 |
| The well of wellness. |
Bent, Eliza |
|
May 1, 2014 |
364 |
| Nanny status. |
Weinert-Kendt, Rob |
Brief article |
May 1, 2014 |
248 |
| The Little Prince: Lookingglass Theatre. |
Tran, Diep |
|
May 1, 2014 |
579 |
| 'Audition'. |
Anderson, Tasha |
Brief article |
Apr 1, 2014 |
290 |
| Improvisation. the mere mention. |
Reichert, Nick |
Brief article |
Apr 1, 2014 |
284 |
| Alex timbers's .excellent adventure: AS THE DOWNTOWN DARLING BECOMES AN UPTOWN HEAVYWEIGHT, CAN HE KEEP THE MUSIC GOING? AN INTERVIEW BY ERIK HAAGENSEN. |
Haasgensen, Erik |
Interview |
Apr 1, 2014 |
3288 |
| Yellow face theatre J. |
Tran, Diep |
Interview |
Apr 1, 2014 |
769 |
| School for democracy: interactive theater in Soviet and post-Soviet Russia. |
Prokhorova, Tatyana; Shamina, Vera |
Essay |
Mar 22, 2014 |
5874 |
| "It's crazy, that was us": the implicated and compliant audience in The Boys of Foley Street. |
Barre, Nelson |
Essay |
Mar 22, 2014 |
5487 |
| Clean up on aisle six: closing the gap between spectator and performance in Uli Jaeckle's Discounter. |
Rhinehart, Brian |
Critical essay |
Mar 22, 2014 |
3663 |
| The rite stuff. |
Bent, Eliza |
Interview |
Mar 1, 2014 |
450 |
| On the block: where you live. |
Suzy, Evans |
|
Mar 1, 2014 |
374 |
| Defining the relationship. |
|
|
Mar 1, 2014 |
5080 |
| The anna: sprinting steadily from Steppenwolf to Broadway and back again, the Tony-winning director isn't even out of breath. |
Kompanek, Christopher |
Interview |
Mar 1, 2014 |
2871 |
| William Poel's 1927 production of Samuel Rowley's When You See Me, You Know Me. |
Howe, Joanna |
Essay |
Feb 1, 2014 |
9070 |
| Elfriede Jelinek: feminism, politics and a gender and queer theoretical perspectivation of Krankheit oder Moderne Frauen & Ulrike Maria Stuart. |
Babka, Anna; Clar, Peter |
Critical essay |
Jan 1, 2014 |
9207 |
| Broadway on the elbe. |
|
|
Jan 1, 2014 |
506 |
| A Yentl for a new age. |
Napoleon, Davi |
Brief article |
Jan 1, 2014 |
255 |
| Marie antoinette. |
Erickson, T. Charles |
Interview |
Jan 1, 2014 |
870 |
| Romeo castellucci the art of lnterru an interview with Italy's premier director. |
Bent, Eliza |
Interview |
Jan 1, 2014 |
2799 |
| The Grotowski Papers: what was it like to be a lab rat for the Polish master's research in California? A participant takes you inside the Work. |
Fowler, Keith |
|
Jan 1, 2014 |
2971 |
| 'Oedipus' Wrecks: when Laurence Olivier and Peter Brook locked horns over Seneca's tragedy at Britain's National Theatre, their feud became as legendary as the production. |
Rosenthal, Daniel |
Essay |
Jan 1, 2014 |
4198 |
| Front & center. |
Bent, Elizn |
Interview |
Dec 1, 2013 |
394 |
| Standard rates may apply. |
Purdy, Jason |
Brief article |
Dec 1, 2013 |
251 |
| The necessit of anarchy. |
Dudley, David |
|
Dec 1, 2013 |
3143 |
| This lovely, delicate, fragile thing: an actor's recollection of how The Glass Menagerie first made its way to Broadway. |
Vandecarr, Paul |
Interview |
Dec 1, 2013 |
2766 |
| The barometer project: how a one-minute play festival takes a community's pulse. |
Bent, Eliza |
Interview |
Dec 1, 2013 |
1288 |
| Diamond "Dream". |
|
Brief article |
Nov 1, 2013 |
255 |
| Such sweet sorrow. |
Weinert-Kendt, Rob |
|
Nov 1, 2013 |
494 |
| About this issue's cover. |
Antliff, Allan |
|
Sep 22, 2013 |
464 |
| New directions. |
|
|
Sep 1, 2013 |
311 |
| Bernard Sahlins: 1922-2013. |
Sweet, Jeffrey |
In memoriam |
Sep 1, 2013 |
613 |
| Robert Sickinger: 1927-2013. |
Hecht, Stuart |
In memoriam |
Sep 1, 2013 |
749 |
| 401[GONE] Crowded Fire Theater. |
|
|
Sep 1, 2013 |
470 |
| The Mary necessities: give her a text, a set and a cast, and Mary Zimmerman can make magic--even with a beloved Disney film based on a thorny source. |
Weinert-Kendt, Rob |
Interview |
Sep 1, 2013 |
2112 |
| Fox finds its stage coach: producer McCollum teams with studio on broad theatrical venture. |
Cox, Gordon |
|
Aug 5, 2013 |
685 |
| Slapstick drug warriors. |
Bent, Eliza |
|
Jul 1, 2013 |
460 |
| From the bones of giants. |
Goodwin, Jeremy D. |
|
Jul 1, 2013 |
339 |
| Dirty filthy love story: Rogue Machine Theatre. |
Mersola, Rob |
|
Jul 1, 2013 |
609 |
| USITT keynote address 2013. |
Goodman, Rob |
|
Jun 22, 2013 |
2932 |
| A different Mary assumes the stage. |
Blaney, Retta |
|
May 10, 2013 |
1636 |
| Tony's daunting demands: Broadway nominees describe challenges faced on way to winners' circle. |
Hofler, Robert |
|
May 7, 2013 |
1259 |
| Almanac. |
|
Brief article |
May 1, 2013 |
225 |
| Allen Nause inveterate traveler: the Oregon-based director takes his cue and sometimes his wattage from audiences around the globe. |
Johnson, Barry |
|
May 1, 2013 |
1437 |
| La casa de los espiritus (The House of the Spirits). |
|
Interview |
May 1, 2013 |
620 |
| Maria Striar keeping it small: Clubbed Thumb's leader is connecting artists to opportunities, uptown to downtown--and her own company to its next chapter. |
Miller, Stuart |
Essay |
May 1, 2013 |
1894 |
| Spring fever: Bogart, Jones and Twist revisit a legendary succes de scandale 100 years later. |
Sigman, Matthew |
|
Apr 1, 2013 |
3014 |
| Jiri Herman: Schubert is for me a journey to paradise. |
Kopacova-Hradecka, Dita |
Interview |
Apr 1, 2013 |
2086 |
| The kids stay in the picture. |
|
Brief article |
Feb 1, 2013 |
189 |
| Volpone: Red Bull Theater. |
|
|
Feb 1, 2013 |
667 |
| Clean team: Annie's moppet-moves mop up. |
Gold, Sylviane |
|
Jan 1, 2013 |
857 |
| Gender construction. |
|
Brief article |
Jan 1, 2013 |
280 |
| Woyzeck meets Wilson. |
Avila, Robert |
|
Jan 1, 2013 |
439 |
| Greece prosecutes theater producers for blasphemy. |
|
Brief article |
Jan 1, 2013 |
210 |
| Stars align for Grandage's vision. |
Benedict, David |
|
Dec 3, 2012 |
841 |
| Albert Marre. |
|
Brief article |
Dec 1, 2012 |
110 |
| Those evil machines. |
Warner, Justin |
|
Dec 1, 2012 |
426 |
| Fine feathers. |
Styles, Hunter |
Brief article |
Nov 1, 2012 |
259 |
| Hard moments crashing. |
Barker, Jeremy M. |
Interview |
Nov 1, 2012 |
352 |
| Why writers trust Pam Mackinnon: even Edward Albee figures she's the kind of director who's watching his back. |
Kompanek, Christopher |
Interview |
Nov 1, 2012 |
2722 |
| A Geechee "Macbeth". |
|
Brief article |
Oct 1, 2012 |
286 |
| House / Divided: the Builders Association. |
|
|
Oct 1, 2012 |
714 |
| Serban rekindles the fire in Chekhov: but why, a critic protests, should Romanian audiences have all the luck? |
Blumenthal, Eileen |
Column |
Oct 1, 2012 |
3183 |
| The Tempest Hartford Stage. |
|
|
Sep 1, 2012 |
497 |
| Welcome to the fearless indie theater universe. Population? Growing strong: Episode Two: London-town, UK! |
Skillman, Crystal |
Essay |
Sep 1, 2012 |
1818 |
| Archiving Lee and Lynn. |
|
Brief article |
Jul 1, 2012 |
170 |
| Beyond Anne Frank. |
|
Brief article |
Jul 1, 2012 |
191 |
| Job satisfaction among technical directors in the performing arts. |
Engler, Mark L. |
Survey |
Jun 22, 2012 |
4286 |
| Jiri Zizka: 1948-2012. |
Fraser, Alison |
In memoriam |
May 1, 2012 |
760 |
| Hunchback Catalyst theatre. |
|
Interview |
May 1, 2012 |
897 |
| Modern 'Interlude'. |
Harris, Paul |
|
Apr 30, 2012 |
538 |
| The feast: an intimate tempest: Chicago Shakespeare Theater in association with redmoon Theater. |
Brosilow, Michael |
|
Apr 1, 2012 |
415 |
| David Wheeler: 1925-2012. |
London, Todd |
In memoriam |
Mar 1, 2012 |
735 |
| A Camp-free Carrie? |
Haverkate, Julie |
Brief article |
Feb 1, 2012 |
302 |
| Once in a lifetime: American Conservatory Theater. |
|
|
Feb 1, 2012 |
571 |
| A year for reinvention. |
Benedict, David |
|
Jan 2, 2012 |
695 |
| Liviu Ciulei: 1923-2011. |
Serban, Andrei |
In memoriam |
Jan 1, 2012 |
622 |
| A soldier's tale. |
Bent, Eliza |
Brief article |
Jan 1, 2012 |
172 |
| Supporting roles: assisting is a rite of passage for many artists. Are they getting ahead--or just getting coffee? |
Chapman, David F. |
|
Jan 1, 2012 |
4561 |
| The Neutrality Trap: the great minds of 20th-century theatre wanted to free our thinking about theatre spaces. How did we end up in a black box? |
Dachs, Joshua |
|
Jan 1, 2012 |
2330 |
| Journey to a new world: how a cast of 181 very different performers came together - and went on an Odyssey. |
Bent, Eliza |
|
Jan 1, 2012 |
1150 |
| From the archives: a show at Brooklyn Museum presents the work of the key American artists of the 1920s, yet it seems recognition came later for many of them. Aside from Stefan Hirsch, all appear unknown to Walter Sinclair, writing in 1925. |
O'Byrne, Robert |
|
Jan 1, 2012 |
756 |
| Crucible fires up auds. |
Benedict, David |
|
Dec 5, 2011 |
696 |
| 'Caucus!' tunes into 2012 satire. |
Johnson, Ted |
|
Dec 5, 2011 |
375 |
| Edward Hastings: 1931-2011. |
Moore, Tom |
In memoriam |
Dec 1, 2011 |
742 |
| Triple threats: Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order. |
Weinert-Kendt, Rob |
Interview |
Dec 1, 2011 |
1978 |
| Persian puppets warmly received in London. |
|
Brief article |
Nov 25, 2011 |
173 |
| Ring of Truth. |
Goldman, David P. |
|
Nov 16, 2011 |
1284 |
| Magno in his own words. |
Taylor, Nicole Estvanik |
Brief article |
Nov 1, 2011 |
169 |
| Sam gold on the high wire: the New York director balances classics and new plays, in big venues and small, while stripping away the safety net. |
Bent, Eliza |
Biography |
Nov 1, 2011 |
2740 |
| What is a National Theatre? Robert Alfoldi battles to invigorate Hungary's premier stage with visions of the her and now. |
Avila, Robert |
|
Nov 1, 2011 |
2385 |
| Notes on a Streetcar'." Kazan, Cronyn shared carte Blanche. |
Cox, Gordon |
|
Oct 17, 2011 |
511 |
| The Blue Dragon. |
Andrews, Beverly |
Interview |
Oct 1, 2011 |
995 |
| Everybody Loves "Lucy". |
|
Brief article |
Oct 1, 2011 |
205 |
| Not Afraid of the big bad Woolf. |
Schulenburg, Gus |
|
Oct 1, 2011 |
348 |
| 'Turandot' bridges an opera Gulf. |
Vivarelli, Nick |
|
Sep 19, 2011 |
436 |
| Over martinis, driving somewhere. |
Linney, Romulus; Cooney, Eleanor |
Interview |
Sep 1, 2011 |
2012 |
| Eccentric, eclectic, energetic: sandy rudd, a life in the limelight. |
Sasman, Laura |
Interview |
Sep 1, 2011 |
657 |
| Arthur Laurents:1917-2011. |
Saint, David |
In memoriam |
Sep 1, 2011 |
699 |
| Getting it right: things are going swimmingly at American players theatre. A visiting director tries to figure out why. |
Posner, Aaron |
|
Sep 1, 2011 |
1488 |
| London, England. |
Taylor, Nicole Estvanik |
|
Sep 1, 2011 |
527 |
| The modern self as puppet in Woyzeck on the Highveld/Die moderne self as toneelpop in Woyzeck on the Highveld. |
Krueger, A. |
Critical essay |
Aug 1, 2011 |
4764 |
| Of Africa and things African (in Canada). |
Keeney, Patricia; Rubin, Don |
|
Jul 1, 2011 |
3902 |
| I can see my father from here: the political is intensely personal in Jonathan Moscone and Tony Taccone's 'ghost light'. |
Avila, Robert |
|
Jul 1, 2011 |
4321 |
| From plywood to pixels: career transitions from theatre to video game design. |
Bradley, Catherine; Warshaw, Sydney |
|
Jun 22, 2011 |
3715 |
| Most honored guests: on June 12, the stage is theirs. |
Hofler, Robert |
|
May 9, 2011 |
269 |
| Irene Lewis: hang on to the big questions. |
Stoudt, Charlotte |
Interview |
May 1, 2011 |
567 |
| Drug trip with greek chorus. |
Weinert-Kendt, Rob |
|
May 1, 2011 |
331 |
| Theatre plain and tall: the Great Plains Theatre Conference offers a collegial atmosphere for theatre artists of many stripes. |
Bent, Eliza |
|
May 1, 2011 |
1886 |
| Diane Paulus's different drummer. |
Wallenberg, Christopher |
Brief article |
May 1, 2011 |
109 |
| German opera director Prof. Joachim Herz donates his library to the Estonian academy of music and theatre. |
Rauna, Ilvi |
Brief article |
Apr 1, 2011 |
317 |
| Is frugality the next act for Taymor? |
Cox, Gordon |
Brief article |
Mar 21, 2011 |
262 |
| Viva la MaMa: Ellen Stewart's friends, collaborators, admirers and "babies" remember the woman who invented American alternative theatre--and changed the face of world theatre. |
|
|
Mar 1, 2011 |
3758 |
| David Gallo expanding universes: whether designing a backdrop for August Wilson or an arena for Phish, the designer sees each project as a fresh start. |
Pender, Rick |
|
Mar 1, 2011 |
1927 |
| Jesus lives it up on stage in Wichita. |
Bradshaw, David Mark |
|
Feb 1, 2011 |
703 |
| Haunted by Hallie. |
|
Brief article |
Feb 1, 2011 |
211 |
| Rock and brimstone. |
Walat, Kathryn |
|
Feb 1, 2011 |
330 |
| The singular Laura Eason: how the many facets of one theatre artist--adaptor, actor, artistic director--have forged a major playwriting voice. |
Weinert-Kendt, Rob |
|
Feb 1, 2011 |
2968 |
| Ferdinand the Bull: Theatre IV. |
Sanford, Susan; Schaum, Mercedes |
|
Feb 1, 2011 |
558 |
| Sydney, Australia and London, England. |
Taylor, Nicole Esvanik |
Brief article |
Jan 1, 2011 |
153 |
| Toward a national heterotopia: ancient theaters and the cultural politics of performing ancient drama in modern Greece. |
Ioannidou, Eleftheria |
|
Dec 22, 2010 |
7081 |
| Touring the Ivies with Iphigenia, 1915. |
Slater, Niall W. |
|
Dec 22, 2010 |
5381 |
| Editor's note. |
O'Quinn, Jim |
Column |
Dec 1, 2010 |
365 |
| Beauty and the supercomputer: in surprising ways, visionary director Julie Taymor's big 'spider-man' gamble brings her full circle to her avant-garde roots. |
Copeland, Roger |
|
Dec 1, 2010 |
4447 |
| Skewed views are helmer's B'way calling card. |
Cox, Gordon |
|
Nov 15, 2010 |
401 |
| Israel Hicks: 1943-2010. |
Thompson, Kent |
In memoriam |
Nov 1, 2010 |
524 |
| Do you know where your children are? |
Greene, Hannah |
|
Nov 1, 2010 |
380 |
| Jazz hands. |
Taylor, Nicole Estvanik |
Brief article |
Nov 1, 2010 |
308 |
| Sundance on the move: Philip Himberg's Sundance theatre lab is angling to become the American theatre's premiere new-work development center. Is it working? |
Gener, Randy |
|
Nov 1, 2010 |
4488 |
| The Glass Menagerie. |
Stage, Triad |
|
Nov 1, 2010 |
522 |
| Tampere, Finland. |
Taylor, Nicole Estvanik |
|
Nov 1, 2010 |
524 |
| 20 Questions. |
|
Interview |
Nov 1, 2010 |
773 |
| El estado del teatro. Cronica de un encuentro. Las Palmas 2009. |
Oliva, César |
|
Nov 1, 2010 |
11253 |
| And the raven, never flitting, still is sitting, still is sitting. |
Potter, Polyxeni |
Report |
Oct 1, 2010 |
1378 |
| One-stop tuner-shopping. |
|
Brief article |
Oct 1, 2010 |
196 |
| Slings and arrows galore. |
Henerson, Evan |
|
Oct 1, 2010 |
406 |
| Trip Cullman: things get funnier, the director figures, when there's clarity in the chaos. |
Grode, Eric |
|
Oct 1, 2010 |
1462 |
| MONTBLANC dedicates max reihardt pen for young directors. |
|
|
Sep 7, 2010 |
546 |
| Zimmerman tunes in to Voltaire. |
Connors, Thomas |
|
Sep 1, 2010 |
406 |
| Galileo connecticut repertory theatre. |
|
|
Sep 1, 2010 |
466 |
| Yoshioida. |
Oida, Yoshi |
Interview |
Sep 1, 2010 |
872 |
| The unqueering of As You Like It. |
Tracy, Ryan |
Critical essay |
Jul 1, 2010 |
2459 |
| New generations program: future collaborations. |
|
Brief article |
Jul 1, 2010 |
224 |
| Regions of honor. |
|
|
Jul 1, 2010 |
587 |
| Craig Noel: 1915-2010. |
O'Brien, Jack |
In memoriam |
Jul 1, 2010 |
348 |
| 20 questions. |
Stein, Peter |
Interview |
Jul 1, 2010 |
871 |
| Miranda writes U ticket. |
Dore, Shalini |
Interview |
Jun 28, 2010 |
117 |
