| Title |
Author |
Type |
Date |
Words |
| The Spectral Medusa Head in Euripides' Bacchae. |
Pal, Abhisek |
Report |
Mar 22, 2026 |
5491 |
| Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555). |
Porter, David Andrew |
Report |
Apr 1, 2025 |
8731 |
| Mike Bartlett and the Brutalist Aesthetic. |
Kahn, Sam |
|
Sep 1, 2024 |
1537 |
| Arthur Miller's Suicidology of the Stage: Suicide and Dramatic Form in Death of a Salesman. |
Duddy, Nicholas |
|
Mar 22, 2024 |
738 |
| Art Acts: Reframing the White Gaze in Claudia Rankine's The White Card. |
Mcdonough, Carla J. |
|
Mar 22, 2024 |
770 |
| Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life. |
Crespan, Araceli Gonzalez |
|
Mar 22, 2024 |
800 |
| The Perfect Joke: Autopathography and Humor in Sarah Ruhl's The Clean House. |
Brown, Jeffrey M. |
|
Mar 22, 2024 |
735 |
| Under the Influence: Adaptation, Adultery, and Acceptance in Anton Chekhov's Uncle Vanya and Ryusuke Hamaguchi's Drive My Car. |
Reich, Paul D. |
|
Mar 22, 2024 |
629 |
| Euphoria in Unhappiness: Technology and Revelation in Jennifer Haley's Neighborhood 3: Requisition of Doom and The Nether. |
Scott Phillips, M. |
|
Mar 22, 2024 |
648 |
| A White Rose in a Mirror of Silver. |
Stern, Rachel |
Essay |
Feb 1, 2024 |
535 |
| The Laocoon Moment. |
Schröter, Jens |
Critical essay |
Aug 1, 2023 |
6821 |
| Retranslation as Polemical Conversation with Predecessors. |
Ciobanu, Elena |
|
Jun 22, 2023 |
3719 |
| Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment. |
Corredera, Vanessa I. |
Critical essay |
Jun 22, 2023 |
10710 |
| Re-writing Colonial History: A Contrapuntal Reading of Caryl Churchill's Cloud Nine. |
Rajbanshi, Chandana |
Critical essay |
Jun 22, 2023 |
4280 |
| Revive Odets! |
Kahn, Sam |
|
Feb 1, 2023 |
2210 |
| To Daniel K. Isaac, The Chinese Lady Is About the History of Asians in America. |
Tran, Diep |
|
Mar 1, 2022 |
1260 |
| What Are White People So Afraid Of? Claudia Rankine's Help. |
Clements, Alexis |
|
Mar 1, 2022 |
2037 |
| The Road (Back) to Hell: Inside Hadestowris Broadway reboot after 18 months of pandemic darkness. |
Gold, Sylviane |
|
Dec 1, 2021 |
974 |
| FACE VALUE: A playwright with an incredible eye for detail and a searing voice writes her own story of motherhood and facial paralysis. |
Blewett, Kelly |
Interview |
Oct 1, 2021 |
935 |
| A Credible Debt: Dekker as Host to Chaucer's Franklin. |
Hanna, Natalie |
|
Jun 22, 2021 |
9640 |
| Viable: A Life-Changing Story of Post-Abortive Redemption: Will be performed June 24 at NRLC convention. |
Morgan, Jessie |
|
Jun 1, 2021 |
709 |
| The 'Divine Comedy' gets a new movie adaptation that will soon be screening online. |
|
|
Mar 23, 2021 |
594 |
| Mother Medea and Her Children: Maternal Ambivalence in the Medean Plays of Marina Carr, Cherrie Moraga, and Rachel Cusk. |
Foster, Verna A. |
|
Mar 22, 2021 |
11407 |
| Radical Refusals and Indigenous Gifts of Love: A Conversation on Indigenous Theatre after bug. |
Alvis, Cole; Bonnell, Yolanda; Harvey, Kim Senklip; Lachance, Lindsay; Bhat, Sheetala |
|
Mar 22, 2021 |
8550 |
| DRESSY CIRCLE. |
Patience, Stephen |
|
Mar 1, 2021 |
2318 |
| Naima Zitane's Revolutionary Play, Dialy: Using the Vagina Trope to "Talk Back" to the Islamist Party's Calls for 'Halal' Art in Morocco. |
Tazi, Maha |
|
Jan 1, 2021 |
10958 |
| From Sight to Touch: Female Identity in Brian Friel's Molly Sweeney. |
Chang, Hawk |
Critical essay |
Sep 22, 2020 |
6820 |
| The playwright and his drama. |
|
|
Sep 16, 2020 |
1374 |
| Antigone on the Syrian Stage. |
Abd-Aun, Raad Kareem |
|
Sep 1, 2020 |
4073 |
| Ibsen in Modern Arabic Drama and Theater. |
Jezawi, Hanan K. Al-; Shetawi, Mahmoud F. Al- |
|
Sep 1, 2020 |
6277 |
| "[D]RUNK WITH THOSE THAT HAVE THE FEAR OF GOD": SHAKESPEARE ON SOCIAL DRUNKENNESS. |
Benson, Sean |
Essay |
Jun 22, 2020 |
6332 |
| "Collage With Jackhammer": James Reaney, the Art of Noises, and the Paraphonic Sound Collage. |
O'Driscoll, Michael |
Essay |
Jun 1, 2020 |
8322 |
| Undoing Shakespearean Temperance. |
Hunt, Maurice |
Essay |
Mar 22, 2020 |
9175 |
| Babel and the Bard: The Naked Englishman in the European Literary Polysystem. |
Coldiron, A.E.B. |
|
Jan 1, 2020 |
2638 |
| Shakespeare and the Transnational Mirror for Princes. |
Ng, Su Fang |
|
Jan 1, 2020 |
2523 |
| "Wit's Great Columbus": Aphra Behn Translates La Montre, or The Lover's Watch. |
Newman, Karen |
|
Jan 1, 2020 |
2497 |
| "Mark how he trembles in his ecstasy": Space, Place, and Self in The Comedy of Errors. |
Edwards, Jennifer J. |
|
Jan 1, 2020 |
2427 |
| Humorous Othello: Tarokaja Masuda's New Othello (1907) and the Value of Comedy. |
Oki-Siekierczak, Ayami; Hsu, Yi-hsin |
|
Dec 1, 2019 |
8129 |
| The Outlook of the Asian Shakespeare Association. |
Lei, Bi-qi Beatrice |
|
Dec 1, 2019 |
2320 |
| Shakespeare in Manga and Anime. |
Yoshihara, Yukari |
|
Dec 1, 2019 |
3943 |
| STROLLING WITH SHAKESPEARE AND FRIENDS: NEW EVIDENCE FROM THE LATE SEVENTEENTH CENTURY. |
Baker, Gerald |
Essay |
Oct 1, 2019 |
5317 |
| "BE NOT AFEARED": SYCORAX AND THE RHETORIC OF FEAR IN THE TEMPEST. |
Suner, Ahmet |
|
Jun 22, 2019 |
7897 |
| Marlowe and Shakespeare Cross Borders: Malta and Venice in the Early Modern World. |
Panja, Shormishtha |
Critical essay |
Jun 1, 2019 |
8734 |
| '[A]dore my topless villainy': Metatheatrical Rivalry in John Marston's Antonio's Revenge. |
Macrae, Mitchell |
Critical essay |
Jun 1, 2019 |
9964 |
| The Insatiate Countess, William Barksted's Hiren, the Fair Greek, and the Children of the King's Revels. |
Cathcart, Charles |
Critical essay |
Jun 1, 2019 |
8600 |
| Manuela Infante Makes Space For Ideas: The Chilean theatremaker, now touring the U.S., works at the intersection of spectacle and philosophy. |
Escalona, Fabian |
|
May 1, 2019 |
1711 |
| Gardens Vs. Walls: A 3-theatre co-production of Karen Zacarias's 'Native Gardens' sparks dialogue about border disputes and neighborly conduct. |
Gilroy, Maggie |
|
May 1, 2019 |
2889 |
| Sultanic Drag in Ben Jonson's Epicene. |
Zeman, Corinne |
|
Jan 1, 2019 |
2462 |
| A View from the Moon: Allegories of Representation in Tawfiq al-Hakim and H. G. Wells. |
Tabur, Merve |
|
Jan 1, 2019 |
9471 |
| Outside Looking in: Unexpected Encounters of Dramatic Time and Place. |
Bradley, Frank |
|
Jan 1, 2019 |
6911 |
| Approaching Sa'dallah Wannus's Drama: The Manifestos for a New Arab Theater. |
Alsaleh, Asaad |
|
Jan 1, 2019 |
5710 |
| The Taming of 'Kiss Me, Kate': The musical by Cole Porter, Bella Spewack, and Samuel Spewack started out more female-focused. What happened? |
Potter, Anne |
|
Jan 1, 2019 |
1968 |
| Shakespeare's Henry VI and Depression. |
Chopoidalo, Cindy |
Critical essay |
Dec 10, 2018 |
6344 |
| See Joan of Arc through her mother's eyes. |
Blaney, Retta |
|
Nov 30, 2018 |
1256 |
| ROLE CALL: PEOPLE TO WATCH. |
|
|
Nov 1, 2018 |
1629 |
| READ PLAYS RIGHT. |
Dembin, Russell M. |
|
Nov 1, 2018 |
793 |
| LOOSED THREADS: JENNIFER KRASINSKI ON THE ART OF REZA ABDOH. |
Krasinski, Jennifer |
Critical essay |
Oct 1, 2018 |
3030 |
| "The snow is a moving shroud": Still Stands the House and Murder on the Canadian Stage. |
Scott, Shelley |
|
Sep 22, 2018 |
7457 |
| ROLE CALL PEOPLE TO WATCH. |
|
|
Sep 1, 2018 |
1643 |
| Reading a Family: 'The Book of Joseph' at Everyman Theatre delved into a painful history--and into its narrator's reluctance to confront it. |
Wren, Celia |
|
Sep 1, 2018 |
2654 |
| Away Games for New Plays: NNPN goes beyond the rolling world premiere model to cross-pollinate new work across 3 cities. |
Madeson, Frances |
|
Sep 1, 2018 |
2033 |
| Nuove visioni drammaturgiche e sociali nel teatro e nella letteratura di Giuseppe Patroni Griffi. |
d'Amora, Mariano |
|
Aug 1, 2018 |
15184 |
| I "suoni dei sensi" e le partiture sonore nella lingua di scena del teatro di Ruggero Cappuccio. |
Lucia, Carmela |
|
Aug 1, 2018 |
8963 |
| "To Admire and Do Otherwise": Hopkins's Modified Translations of Shakespeare's Casket Song. |
Howard, Elizabeth |
Critical essay |
Jun 22, 2018 |
6229 |
| Cambio de genero literario en las adaptaciones de "El curioso impertinente" de Cervantes en la Restauracion inglesa. |
Figueroa Dorrego, Jorge |
Critical essay |
Jun 1, 2018 |
7691 |
| Asi hablo Proctor: Nietzsche y el superhombre en The Crucible, de Arthur Miller. |
Torkamaneh, Pouria; Ghaderi, Ali |
Critical essay |
Jun 1, 2018 |
7898 |
| LAW OF NATIONS AT ARENA STAGE, MARY KATHRYN NAGLE'S 'SOVEREIGNTY' SET OUT TO RECLAIM NATIVE STORIES--AND BODIES. |
Wren, Celia |
|
Apr 1, 2018 |
2799 |
| Ibsen, Our Contemporary: What gives this 19th-century Norwegian's plays their lasting power? 'Power' is the operative. |
Berson, Misha |
|
Apr 1, 2018 |
3022 |
| On Teaching Kim's Convenience: Asian American Studies, Asian Canadian Studies, and the Politics of Race in Asian Canadian Theatre and Performance Studies. |
Daniher, Colleen Kim |
Essay |
Mar 22, 2018 |
10614 |
| "SPEAKING PICTURES": WAYS OF SEEING AND READING IN ENGLISH RENAISSANCE CULTURE. |
Szonyi, Gyorgy E. |
Essay |
Mar 1, 2018 |
12090 |
| The Better 'Angels' of Our Nature: A NEW ATLANTA REVIVAL OF KUSHNER'S EPIC ASKED THE BIG QUESTIONS AND FOUND FRESH ANSWERS. |
Smith, Kelundra |
|
Mar 1, 2018 |
3218 |
| Something Eternal: 'Our Town' offers more than comforting nostalgia in a troubled American moment. |
Sherman, Howard |
Critical essay |
Mar 1, 2018 |
1494 |
| ROLE CALL. |
|
|
Feb 1, 2018 |
1610 |
| "MY MASTER CALLS ME": AUTHORITY AND LOYALTY IN KING LEAR. |
Davis, Matthew M. |
Critical essay |
Jan 1, 2018 |
8215 |
| Douglas Turner Ward Archives at Emory University. |
|
|
Jan 1, 2018 |
684 |
| Shakespeare's Myriad-Minded Stage as a Transnational Forum: Openness and Plurality in Drama Translation. |
Drabek, Pavel |
Essay |
Jan 1, 2018 |
4719 |
| Translating Shakespeare into Postwar French Culture: The Origins of the Avignon Festival (1947). |
March, Florence |
Essay |
Jan 1, 2018 |
4353 |
| "Dost dialogue with thy shadow?" Translating Shakespeare Today: Tradition and Stage Business. |
Modenessi, Alfredo Michel |
Essay |
Jan 1, 2018 |
4804 |
| Shakespeare's Digital Flow: Humans, Technologies and the Possibilities of Intercultural Exchange. |
O'Neill, Stephen |
Essay |
Jan 1, 2018 |
5211 |
| "Now no way can I stray": Interpreting Syntactic and Semantic Role Ambiguity in Shakespeare's Dramatic Verse with Non-native Performers and Readers. |
Ingham, Michael; Ingham, Richard |
Report |
Jan 1, 2018 |
8077 |
| Sejanus, the King's Men Altar Scenes, and the Theatrical Production of Paganism. |
Kuhn, John |
Critical essay |
Dec 1, 2017 |
9469 |
| '[Overhearing]': Printing Parentheses and Reading Power in Ben Jonson's Sejanus. |
Burrows, Ian |
Critical essay |
Dec 1, 2017 |
7466 |
| Beaumont's Lives. |
Munro, Lucy |
Critical essay |
Dec 1, 2017 |
7445 |
| Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher's The Scornful Lady in Print. |
Smith, Simon |
Critical essay |
Dec 1, 2017 |
7304 |
| The Future Francis Beaumont. |
Price, Eoin |
Essay |
Dec 1, 2017 |
7970 |
| DISSEMBLED IDENTITIES: FELIPE II AS A POSSIBLE CHARACTER IN ANTONIO COELLO Y OCHOA'S CELOS, HONOR Y CORDURA. |
Cull, John T. |
Essay |
Nov 1, 2017 |
5580 |
| OSCAR WILDE'S HUMILITY: A REASSESSMENT OF THE BALLAD OF READING GAOL. |
Beasley, Brett |
Critical essay |
Sep 22, 2017 |
7354 |
| Scottish Histories: Robert Greene's James the Fourth (c. 1590) in the Light (and Shadow) of David Lyndsay's Ane Satyre of the Thrie Estaitis (1552). |
Hillman, Richard |
Critical essay |
Sep 22, 2017 |
11189 |
| Construction and Demolition: Dissecting the Concept of Home in Three Devolutionary Plays. |
Beck, Andras |
Critical essay |
Sep 22, 2017 |
6847 |
| Making the Bedouins: Code-Switching as Model for the Translation of Multilingual Drama. |
Silver, Cassandra |
Essay |
Sep 22, 2017 |
8100 |
| The sounds of silence. |
|
|
Sep 1, 2017 |
385 |
| Ringside? Let's take down the ropes: theatre ought to grow our moral imagination in a time of crisis. How do we get there--and who is 'we'? |
Smith, Anna Deavere |
Essay |
Sep 1, 2017 |
7466 |
| Kiss. |
Calderon, Guillermo |
|
Sep 1, 2017 |
744 |
| Sejanus, the King's Men Altar Scenes, and the Theatrical Production of Paganism. |
Kuhn, John |
Critical essay |
Jul 1, 2017 |
9484 |
| '[Overhearing]': Printing Parentheses and Reading Power in Ben Jonson's Sejanus. |
Burrows, Ian |
Critical essay |
Jul 1, 2017 |
7473 |
| Much Virtue in O-Oh: A Case Study. |
Dessen, Alan C. |
Critical essay |
Jul 1, 2017 |
4249 |
| Beaumont400 Introduction: Beaumont400. |
Munro, Lucy |
Essay |
Jul 1, 2017 |
3572 |
| Reflective Entrapments: Intimacy and Distance in Dianna Fuemana's Mapaki. |
Jew, Kimberly M. |
Critical essay |
Jul 1, 2017 |
5313 |
| Transplacing Ophelia: Woman and nation in the earliest Russian Hamlets. |
Chernysheva, Daria |
Critical essay |
Jun 22, 2017 |
9745 |
| Inspiration from the "really real": David Henry Hwang's Yellow Face and documentary theatre. |
Boles, William C. |
Critical essay |
Jun 22, 2017 |
6953 |
| Jozefina Komporaly, ed. Andras Visky's Barrack Dramaturgy: Memories of the Body. |
|
Brief article |
Jun 22, 2017 |
232 |
| It's All for Sale: Market, Theater, and Flesh Trade in Ben Jonson's Bartholomew Fair. |
Cheng, Elyssa Y. |
Critical essay |
Jun 1, 2017 |
6420 |
| MUSICAL AGENCY IN CALDERON'S EL LAUREL DE APOLO. |
Gascón, Christopher D. |
Critical essay |
Jun 1, 2017 |
7989 |
| VIOLENT CONVERSIONS AND WARRIORBUREAUCRATS: COLONIAL MEXICO IN THE PLAYS OF JUAN RUIZ DE ALARCON. |
Post, Ben |
Report |
Jun 1, 2017 |
8454 |
| Shakespeare And The Curious Notepad. |
|
|
Apr 10, 2017 |
536 |
| Interrogating misconceptions of feminism in Tracy Chima Utoh's Our Wives Have Gone Mad Again and Stella 'Dia Oyedepo's The Rebellion Of The Bumpy-chested. |
Adeleke, E.B. |
Critical essay |
Apr 1, 2017 |
6368 |
| "A sensation of the action": the inscription of performance in the verse dramas of Augusta Webster. |
Steffes, Annmarie |
Critical essay |
Mar 22, 2017 |
9994 |
| Climacteric ages and the three seasons of the winter's tale. |
Hunt, Maurice |
Critical essay |
Mar 22, 2017 |
4802 |
| Charles de Gaulle Airport: The camp as neoliberal containment site in two Trojan women adaptations. |
Zapkin, Phillip |
Critical essay |
Mar 22, 2017 |
7844 |
| The plague and immunity in Othello. |
Kim, Jaecheol |
Critical essay |
Mar 22, 2017 |
8279 |
| Resisting neoliberalism and patriarchy: Marina Carr's on Raftery's Hill and Lola Arias's La escualida familia. |
Diaz, Noelia |
Critical essay |
Mar 22, 2017 |
10783 |
| A founding, if you can keep it. |
Brown, Matthew |
Critical essay |
Mar 22, 2017 |
3441 |
| Can great art also be great history? |
Owen, Kenneth |
Critical essay |
Mar 22, 2017 |
3886 |
| Alexander Hamilton: the wrong hero for our age. |
Smith, Billy G. |
Critical essay |
Mar 22, 2017 |
1580 |
| Simulation, Violence, and Resistance in Euripides' Helen. |
Lush, Brian V. |
Critical essay |
Mar 22, 2017 |
19445 |
| Is it possible to experience the end of one's own life? |
Cosman, Doina |
Essay |
Mar 22, 2017 |
6251 |
| Of intertextuality: A comparative study of Doctor Faustus and The Rape of Lucrece. |
Koketso, Daniel |
Critical essay |
Mar 22, 2017 |
3748 |
| People to watch. |
|
|
Mar 1, 2017 |
1599 |
| From streamers to water: a dialogue with David Rabe and Quiara Alegria Hudes, who've each written play trilogies about war's effect on its fighters. |
Decaul, Maurice |
Interview |
Mar 1, 2017 |
2940 |
| Anarcho-feminist melodrama and the Manic Pixie Dream Girl (1929-2016). |
Solomon, Claire |
Critical essay |
Mar 1, 2017 |
6812 |
| Role call: people to watch. |
|
|
Feb 1, 2017 |
1594 |
| Shakespeare's secret helper? |
|
Brief article |
Jan 9, 2017 |
162 |
| An American tragedy: Quiara Alegria Hudes changed her mother/daughter drama into the musical 'Miss You Like Hell,' then the world changed even more. |
Tran, Diep |
|
Jan 1, 2017 |
1636 |
| Faith in the unseen: Helena's sacramental vision in All's Well That Ends Well. |
Avery, Joshua |
Critical essay |
Jan 1, 2017 |
6786 |
| Decolonizing Othello in search of black feminist North American identities: Djanet Sears' Harlem duet and Toni Morrison's Desdemona. |
Cucarella-Ramon, Vicent |
Critical essay |
Jan 1, 2017 |
7106 |
| The Influence of Children's Stagecraft: Chapel, School, and Popular Performance in the 1580s. |
McCarthy, Jeanne |
Essay |
Jan 1, 2017 |
3924 |
| "Contrived in Nature's Shop": Countering Antitheatricality in The Woman in the Moon. |
Porter, Chloe |
Critical essay |
Jan 1, 2017 |
2726 |
| Shakespeare in the 1580s. |
Loughnane, Rory |
Critical essay |
Jan 1, 2017 |
3151 |
| Shakespeare's Intents in Tents. |
Bergeron, David M. |
Critical essay |
Jan 1, 2017 |
9438 |
| "Accidental Judgments" and "Casual Slaughters" in Hamlet: Horatio's Eyewitness Account. |
Kiefer, Frederick |
Critical essay |
Jan 1, 2017 |
8349 |
| "Tanto che l'aro amazo": Violence in Angelo Beolco's Plays and in His Associates' Lives. |
Carroll, Linda L. |
Critical essay |
Jan 1, 2017 |
13546 |
| Star-crossed Lovers in Sarajevo in 2002: Shakespeare, My Contemporary? |
Ciric-Fazlija, Ifeta |
|
Dec 22, 2016 |
5616 |
| Shakespeare on Screen: A Second Update (2002-16). |
Fernandez, Jose Ramon Diaz |
|
Dec 22, 2016 |
13888 |
| "I knew not how to call her now": The bigamist's second wife in the Witch of Edmonton and all's lost by lust. |
Nicol, David |
Critical essay |
Dec 22, 2016 |
9870 |
| (Mis)reading Ibsen: Chinese Noras on and off the stage and Nora in her Chinese husband's ancestral land of the 1930s as reimagined for the globalized world today. |
Qi, Shouhua |
Critical essay |
Dec 22, 2016 |
10141 |
| Melancholy ontology, evental ethics, and the lost (m)other in Howard Barker's Theatre of Catastrophe: An analysis of 13 objects. |
Fakhrkonandeh, Alireza |
Critical essay |
Dec 22, 2016 |
16020 |
| The poetic forms of Shakespeare's three single-sentenced sonnets. |
Xuding, Wang |
Critical essay |
Dec 1, 2016 |
9979 |
| Shakespeare's tragedies recontextualized as comedies in Iran's state TV sitcom, Kolah Ghermezi. |
Ghandeharion, Azra; Heydari, Behnaz |
Critical essay |
Dec 1, 2016 |
7212 |
| Repetition as trapped emotion in Tennessee Williams's the glass menagerie. |
Kusovac, Olivera; Pralas, Jelena |
Critical essay |
Dec 1, 2016 |
10085 |
| The absurd as a representation: towards a hermeneutics of the inexplicable (the problematic case of Godot). |
Rybinska, Krystyna |
Critical essay |
Dec 1, 2016 |
7898 |
| Interrogating the evidence: tradition versus modernity and the suicide of Elesin in Wole Soyinka's Death and the King's Horseman. |
Ikyoive, Tertsea |
|
Dec 1, 2016 |
5967 |
| Doug Wright: the Tony- and Pulitzer-winning playwright of I am My Own Wife on the connection between The Little Mermaid and the Marquis de Sade. |
Musto, Michael |
Interview |
Dec 1, 2016 |
1234 |
| News in brief. |
|
|
Dec 1, 2016 |
531 |
| People to watch. |
|
|
Dec 1, 2016 |
1770 |
| The timely ring of 'Wedding Band': Alice Childress's seldom-produced interracial love story, though set a century ago, gave off fresh sparks at the Intiman. |
Berson, Misha |
|
Dec 1, 2016 |
3336 |
| Apres le deluse: the NOLA project unearthed up-to-the-minute issues--and some comic gold--in Gabrielle Reisman's time-hopping new play. |
O'Quinn, Jim |
|
Nov 1, 2016 |
2977 |
| The cornelian ethics of flight and the case of Horace. |
Ekstein, Nina |
Critical essay |
Nov 1, 2016 |
3843 |
| The play incubators: can a play get made without a production? At a few indispensable development hubs, that's the only way. |
Hart, Sarah |
|
Oct 1, 2016 |
3507 |
| The most-produced plays and playwrights of 2016-17. |
Tran, Diep |
|
Oct 1, 2016 |
429 |
| Things we've noticed this year. |
|
Brief article |
Oct 1, 2016 |
159 |
| The breakdown. |
|
|
Oct 1, 2016 |
510 |
| Earbud playhouse: podcasts are giving theatre artists a quick, cheap, flexible way to make their own audio drama. |
Considine, Allison |
|
Sep 1, 2016 |
2313 |
| Beyond Merrie England: Gavin Stamp on Shakespeare and architecture. |
Stamp, Gavin |
|
Jul 1, 2016 |
1133 |
| Cottage days. |
Napoleon, Davi |
|
Jul 1, 2016 |
501 |
| The bearable lightness of being: In Sarah Ruhl's for Peter Pan on her 70th birthday, everyday reality takes flight. |
Anderson, Tara |
|
Jul 1, 2016 |
3099 |
| 'Shelter' from the storm: was Marissa Chibas's CalArts project about immigration documentary or fantasy, scripted or devised? Yes. |
Henerson, Evan |
|
Jul 1, 2016 |
2148 |
| Sung silence: complicity, dramaturgy, and song in Heywood's rape of Lucrece. |
Bretz, Andrew |
Critical essay |
Jul 1, 2016 |
7101 |
| 'An honest pair of oars': players, watermen, and A Chaste Maid in Cheapside. |
Spain-Savage, Christi |
Critical essay |
Jul 1, 2016 |
4640 |
| 'I trac'd him too and fro': walking the neighbourhood on the early modern stage. |
Tomlin, Rebecca |
Critical essay |
Jul 1, 2016 |
4661 |
| In the mean season: Richard II and the nostalgic politics of hospitality. |
Johanson, Kristine |
Critical essay |
Jul 1, 2016 |
9504 |
| The World Remembers Shakespeare. |
|
|
Apr 24, 2016 |
652 |
| Whole story of Luther's life on trial onstage. |
Blaney, Retta |
|
Apr 22, 2016 |
1230 |
| Showbiz leaders changing the game. |
|
|
Apr 5, 2016 |
5013 |
| News in brief. |
|
Brief article |
Apr 1, 2016 |
298 |
| No escape in Atlanta; at Actor's Express, Freddie Ashley confronts his hometown with difficult, meaty work. Next: Janine Nabers's Serial Black Face. |
Blankenship, Mark |
|
Apr 1, 2016 |
1984 |
| Turning over feudalism with communism and the process of remaking society in David Hare's Fanshen. |
Ozmen, Ozlem |
Critical essay |
Mar 22, 2016 |
8065 |
| Caesar as comic antichrist: Shakespeare's Julius Caesar and the Medieval English Stage Tyrant. |
Gray, Patrick |
Critical essay |
Mar 22, 2016 |
12104 |
| Stage prayer in Marlowe and Jonson. |
Cox, John D. |
Critical essay |
Mar 22, 2016 |
7313 |
| Among actions, objects, and ideas: the telescope in Thomas Tomkis's Albumazar. |
Appler, Vivian |
Critical essay |
Mar 22, 2016 |
9867 |
| Lin-Manuel Miranda and Jeremy McCarter's Hamilton: The Revolution. |
Begley, Robert |
Critical essay |
Mar 22, 2016 |
3177 |
| Birds, humans, and taking flight in Shakespeare's first tetralogy. |
Szatek-Tudor, Karoline |
Critical essay |
Mar 22, 2016 |
9232 |
| Go ask Alice Chan. |
Tran, Diep; Evans, Suzy; Dembin, Russell M.; Considine, Allison |
|
Mar 1, 2016 |
1200 |
| Property brothers: with 'Butler,' Florida Studio Theatre found a way to engage its audiences on issues of racism--and entertain them in the bargain. |
Thomas, Aaron C. |
|
Mar 1, 2016 |
2973 |
| Tom Stoppard's The Hard Problem: a consideration. |
Baker, William |
Critical essay |
Mar 1, 2016 |
5354 |
| People to watch. |
|
|
Feb 1, 2016 |
1780 |
| Ruzante speaks truth to venetian power: some hows, whys, whens, and wherefores. |
Carroll, Linda L. |
Critical essay |
Jan 1, 2016 |
9038 |
| Introduction. |
Henderson, Diana E. |
Essay |
Jan 1, 2016 |
1991 |
| The critical process of Terence Hawkes. |
Drakakis, John |
Essay |
Jan 1, 2016 |
9398 |
| The importance of being impudent. |
Charnes, Linda |
Essay |
Jan 1, 2016 |
4186 |
| The "stretched metre of an antique song": jazzin' the food of love. |
Ingham, Mike |
Essay |
Jan 1, 2016 |
4461 |
| Star Wars and Shakespearean Spacetime: on mentors and our collective future. |
Henderson, Diana E. |
Essay |
Jan 1, 2016 |
4356 |
| From West Side Story to Hamlet, Prince of Cuba: Shakespeare and Latinidad in the United States. |
Gatta, Carla Della |
Essay |
Jan 1, 2016 |
2250 |
| Chaste exchanges and theatrical legitimacy in measure for measure. |
Gillen, Katherine |
Critical essay |
Jan 1, 2016 |
1786 |
| Glitches and Green Worlds in the Sonnets. |
Harrison, Matthew |
Essay |
Jan 1, 2016 |
1971 |
| Part-believed Shakespeare. |
Keegan, Daniel L. |
Critical essay |
Jan 1, 2016 |
1797 |
| Sounding spaces: The Tempest's uncanny near-east echoes. |
Wood, Jennifer Linhart |
Critical essay |
Jan 1, 2016 |
2523 |
| Incited minds: rethinking early modern girls. |
Bicks, Caroline |
Essay |
Jan 1, 2016 |
10007 |
| Shakespeare and the girl masquer. |
Williams, Deanne |
Essay |
Jan 1, 2016 |
9850 |
| Jewel, purse, trash: reckoning and reputation in Othello. |
Kolb, Laura |
Critical essay |
Jan 1, 2016 |
13451 |
| "Bid the players make haste": speed-making and motion sickness in Hamlet. |
Northway, Kara |
Critical essay |
Jan 1, 2016 |
11319 |
| "Ne'er was dream so like a waking": the temporality of dreaming and the depiction of doubt in The Winter's Tale. |
Robertson, Lauren |
Critical essay |
Jan 1, 2016 |
11019 |
| The Year's Work in Marlowe Studies, 2015-16. |
McInnis, David |
|
Jan 1, 2016 |
5050 |
| Sacramental usury in the Merchant of Venice. |
Colston, Ken |
Critical essay |
Jan 1, 2016 |
10517 |
| The formal and moral challenges of T. S. Eliot's Murder in the Cathedral. |
Wilson, James Matthew |
Critical essay |
Jan 1, 2016 |
13286 |
| SHAKESPEARE'S BUTTERFLIES. |
Barrett, Chris |
Essay |
Jan 1, 2016 |
6411 |
| HAMLET AND OUR PROBLEMS. |
Kuczynski, Michael P. |
|
Jan 1, 2016 |
3857 |
| SHAKESPEARE IN ERROR. |
Mentz, Steve |
|
Jan 1, 2016 |
2788 |
| A struggle of genres, or a dialogue: a post-Bakhtinean view of Shakespeare's Measure for Measure. |
Shaitanov, Igor |
Critical essay |
Dec 11, 2015 |
6480 |
| 'Tortilla Curtain' stays fresh. |
McDade, Joe |
|
Nov 1, 2015 |
522 |
| Maternal practice and maternal presence in Jane Harrison's Stolen. |
Hughes, Emma |
Critical essay |
Nov 1, 2015 |
6636 |
| October: Almanac. |
Brockett, Oscar G. |
Brief article |
Oct 1, 2015 |
273 |
| Oregon's "and" man: Bill Rauch isn't resting on the laurels of the nation's largest Shakespeare company--he's pushing it to do more, and be more, all the time. |
Weinert-Kendt, Rob |
|
Oct 1, 2015 |
3444 |
| This season in names (and gender). |
Tran, Diep |
|
Oct 1, 2015 |
482 |
| Not alone: Both Bryan Doerries and KJ Sanchez use theatre to confront the toughest human challenges, from battlefield trauma to prison. |
Weinert-Kendt, Rob |
|
Oct 1, 2015 |
3224 |
| To Armenia with love and loss: writing a play about ancestors consumed by an atrocity became an unexpected passport to a homecoming. |
Nichols, Adriana Sevahn |
Personal account |
Oct 1, 2015 |
2045 |
| Towards reconciliation: immigration in Marty Chan's The Forbidden Phoenix and David Yee's lady in the red dress. |
Chang, Eury Colin |
Critical essay |
Sep 22, 2015 |
9811 |
| Carmen Aguirre's The Refugee Hotel and the space between limited and unlimited hospitality. |
Rabillard, Sheila |
Critical essay |
Sep 22, 2015 |
11142 |
| Le temps de l'immigre dans Silences, Addolorata et Deja l'agonie de Marco Micone. |
Martinez, Manuel Garcia |
Critical essay |
Sep 22, 2015 |
7656 |
| Langston Hughes and performing transnational presence: Scottsboro Limited and Harvest. |
Tougas, Ramona |
Critical essay |
Sep 22, 2015 |
10120 |
| Re-proofing the "zero part of speech" in Hamlet. |
Freeman, John |
Critical essay |
Sep 22, 2015 |
8744 |
| The social meaning of Money in Dekker's The Shoemakers Holiday and Shakespeare's The Merchant of Venice. |
Lee, Huey-ling |
Critical essay |
Sep 22, 2015 |
13034 |
| Introduction: rethinking Wole Soyinka: 81 years of protracted engagement. |
Joseph, Celucien L. |
|
Sep 15, 2015 |
4679 |
| From Chibok with love. |
Soyinka, Wole |
|
Sep 15, 2015 |
2394 |
| A bibliography of secondary sources on Wole Soyinka, 1988-1990: a work in progress. |
Gibbs, James |
|
Sep 15, 2015 |
20627 |
| Wole Soyinka: chronology and selected bibliography. |
Joseph, Celucien L. |
|
Sep 15, 2015 |
1159 |
| The bard's lost play. |
Potenza, Alessandra |
Brief article |
Sep 7, 2015 |
182 |
| Seven brave new works draw packed houses by the Bay. |
Hurwitt, Sam |
|
Sep 1, 2015 |
1355 |
| The rattled hymn of a tiger cub. |
Tran, Diep |
|
Sep 1, 2015 |
409 |
| A people's park history. |
Fuhrman, Amy |
Brief article |
Sep 1, 2015 |
149 |
| Cast-aside characters. |
Weinert-Kendt, Rob |
Brief article |
Sep 1, 2015 |
284 |
| Music behind 'bars'. |
Wisdom, Barry |
|
Sep 1, 2015 |
408 |
| A Streetcar Named Desire: Serenbe Playhouse. |
Tran, Diep |
|
Sep 1, 2015 |
650 |
| Mercy a Virtue of Consciousness in Shakespeare's The Merchant of Venice. |
Aslam, Humaira |
Critical essay |
Aug 31, 2015 |
3527 |
| From court to playhouse and back: Middleton's appropriation of the masque. |
Baird, Caroline |
Essay |
Jul 1, 2015 |
12092 |
| 'We have this day, expell'd our men the stage': dating the prologue and epilogue of The Parson's Wedding. |
Miyoshi, Riki |
Critical essay |
Jul 1, 2015 |
1773 |
| Performing the Tragedy of Mariam and Constructing Stage History. |
Wray, Ramona |
Critical essay |
Jul 1, 2015 |
7215 |
| Daniel's Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance. |
Arshad, Yasmin; Hackett, Helen; Whipday, Emma |
Essay |
Jul 1, 2015 |
7079 |
| A Performance Studies Approach to The Tragedy of Mariam. |
McCutcheon, Rebecca |
Critical essay |
Jul 1, 2015 |
5240 |
| Annapurna: Jobsite Theater. |
Tran, Diep |
|
Jul 1, 2015 |
654 |
| William, Williams everywhere! Streetcar's late author inspires an array of festivals in his name. How many are too many? |
Mandell, Jonathan |
|
Jul 1, 2015 |
2820 |
| It's Hamil-time! |
Tran, Diep |
|
Jul 1, 2015 |
562 |
| Nottage's steel town blues. |
Weinert-Kendt, Rob |
|
Jul 1, 2015 |
449 |
| Inge rebirth. |
Evans, Suzy |
Brief article |
Jul 1, 2015 |
301 |
| "The naked fellow": performing feral reversion in King Lear. |
Heffernan, Julian Jimenez |
Critical essay |
Jun 22, 2015 |
11888 |
| Gender, authenticity, and diasporic identities in Adebayo's Moj of the Antarctic and Iizukas 36 views. |
Moll, Ellen |
Critical essay |
Jun 22, 2015 |
12539 |
| Beyond Praxis: Leone de' Sommi's apology of theater and Judaism in his Quattro dialoghi in materia di rappresentazioni sceniche. |
Leisawitz, Daniel |
Critical essay |
Jun 22, 2015 |
7667 |
| A tale of three designers: the mystery of design attribution in Belaso and Long's The Darling of the Gods staged at His Majesty's Theatre, London, in 1903. |
Edwards, Lydia |
Critical essay |
Jun 1, 2015 |
4785 |
| A culture of development: the royal court and the young writers' programme. |
Love, Catherine |
Essay |
Jun 1, 2015 |
5248 |
| "At the end of everything": confession and critique in Michel Tremblay's: Damnee Manon, Sacree Sandra. |
Bloom, Myra |
Critical essay |
Jun 1, 2015 |
8957 |
| '"The Flick" should be two hours longer! I chickened out!'. |
Cox, Cordon |
Brief article |
May 12, 2015 |
246 |
| An immigration story. |
Tran, Diep |
Brief article |
May 1, 2015 |
155 |
| Afterimages of fern. |
Weinert-Kendt, Rob |
|
May 1, 2015 |
396 |
| A sense of place: PJ Paparelli and the American Theater Company ponder Chicago's public housing crisis in a new documentary play. |
Connors, Thomas |
|
May 1, 2015 |
1440 |
| Collaborators at the Taj: playwright Rajiv Joseph didn't just write Guards at the Taj for actors Arian Moayed and Omar Metwally--he took them to the actual site. |
Buchwald, Linda |
|
May 1, 2015 |
1507 |
| David Greenspan's afterimages. |
Shaw, Helen |
|
Apr 1, 2015 |
416 |
| Killing the crocodile. |
Bent, Eliza |
|
Apr 1, 2015 |
384 |
| Oscar Wilde, the remix. |
Smart, Lauren |
Brief article |
Apr 1, 2015 |
291 |
| Chica power. |
Evans, Suzy |
Brief article |
Apr 1, 2015 |
292 |
| Chekhov, our contemporary: a critic argues that no other playwright--not even Shakespeare--tells us more about the way we live now. |
Copeland, Roger |
|
Apr 1, 2015 |
5647 |
| Airline highway. |
Tran, Diep |
|
Apr 1, 2015 |
749 |
| Paganism and Dance(s) as instruments of Bakhtinian Carnivalesque as reflected in Brian Friel's Dancing at Lughnasa. |
Yelmis, Imran |
Critical essay |
Mar 22, 2015 |
5717 |
| Stoppard's Travesties: parodying and mystifying Wilde's aesthetics. |
Koyuncu, Nevin Yildirim |
Critical essay |
Mar 22, 2015 |
5722 |
| An autoethnographic reading of Djanet Sears's The Adventures of a Black Girl in Search of God. |
Keleta-Mae, Naila |
Report |
Mar 22, 2015 |
7167 |
| Ambivalent pathways of progress and decline: the representation of aging and old age in Joanna McClelland glass's drama. |
Gual, Nuria Casado |
Essay |
Mar 22, 2015 |
8991 |
| Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. |
Warden, Claire |
|
Mar 22, 2015 |
7502 |
| The tragicomic moment: republicanism in Beaumont and Fletcher's Philaster. |
Park, Judy H. |
Critical essay |
Mar 22, 2015 |
11267 |
| Vondel's Brothers and the power of imagination. |
Bussels, Stijn |
Critical essay |
Mar 22, 2015 |
8214 |
| Brothers and "gentles" in the life of King Henry the fifth. |
Hunt, Maurice |
Critical essay |
Mar 22, 2015 |
9535 |
| Mikhail Bulgakov, Mykola Kulish, and Soviet theater: how internal transnationalism remade center and periphery. |
Fowler, Mayhill C. |
Essay |
Mar 22, 2015 |
12476 |
| Minerva Victrix: The Daughter-in-Law, A Power Play. |
Stovel, Nora Foster |
|
Mar 22, 2015 |
5615 |
| From the Pits to the Kitchens: The Dynamics of Food and Eating in The Fight for Barbara and The Daughter-in-Law. |
Atayurt-Fenge, Zeynep Z. |
|
Mar 22, 2015 |
7114 |
| Theater practicum model. L'insegnamento della lingua attraverso il teatro di Luigi Pirandello. |
Georgeo, Monica; Lorenzini, Simona |
Critical essay |
Mar 22, 2015 |
7787 |
| August Wilson for everyone. |
Reid, Kerry |
|
Mar 1, 2015 |
701 |
| It was the darkest of times. |
Millburn, N.J. |
|
Mar 1, 2015 |
457 |
| 20,000 leagues in 2 hours. |
Wrappe, Megan |
Brief article |
Mar 1, 2015 |
230 |
| The mysteries of selfhood. |
Bent, Eliza |
Brief article |
Mar 1, 2015 |
297 |
| Belly Up to Bard: want a cocktail with your classics? Troupes are attracting new audiences to old plays by mixing sauce and Shakespeare. |
Miller, Stuart |
|
Mar 1, 2015 |
2812 |
| Virtual everything. |
Tran, Diep |
|
Feb 1, 2015 |
477 |
| The kindness of neighbors. |
Bent, Eliza |
|
Feb 1, 2015 |
363 |
| Free to be. |
Evans, Suzy |
Brief article |
Feb 1, 2015 |
149 |
| Looking for intimacy (in All the Wrong Places). |
Tran, Diep |
Brief article |
Feb 1, 2015 |
253 |
| A serving of Shame. |
Weinert-Kendt, Rob |
Brief article |
Feb 1, 2015 |
330 |
| Kickshaws. |
Morice, Dave |
|
Feb 1, 2015 |
4501 |
| Gender war stories. |
Weinert-Kendt, Rob |
|
Jan 1, 2015 |
396 |
| She wants it and she wants it now. |
Wrappe, Megan |
Brief article |
Jan 1, 2015 |
313 |
| Performance spaces in Thomas Chaundler's Liber apologeticus. |
Tiner, Elza C. |
Critical essay |
Jan 1, 2015 |
6670 |
| Labienus and Sceva: two classical supporting characters and their early modern dramatic life in Fletcher and Massinger's The False One. |
Dimitrova, Miryana |
Critical essay |
Jan 1, 2015 |
4795 |
| By the wind grieved, ghosts, come back again: Thomas Wolfe and Arthur Miller. |
Flora, Joseph M. |
|
Jan 1, 2015 |
4285 |
| Moving with Marlowe (& Co.): relocation, appropriation, and personation in Thomas Dekker's the Shoemaker's Holiday. |
Frazer, Paul |
Critical essay |
Jan 1, 2015 |
10144 |
| Marlovian models and itinerant identities: Dido, Tamburlaine, and the Discourse of Colonialism. |
Hopkins, Lisa |
Critical essay |
Jan 1, 2015 |
7228 |
| The legacy of Mephistopheles: Marlowe's magical influence on The Late Lancashire Witches. |
Johnston, Bronwyn |
Critical essay |
Jan 1, 2015 |
8342 |
| Dido, Queen of Carthage, Hamlet, and the transformation of Narcissism. |
McAdam, Ian |
Critical essay |
Jan 1, 2015 |
13339 |
| Fortune's breath: rewriting the classical storm in the drama of Christopher Marlowe and William Shakespeare. |
Preedy, Chloe Katherine |
Critical essay |
Jan 1, 2015 |
9281 |
| The year's work in Marlowe studies: 2014. |
McInnis, David |
Essay |
Jan 1, 2015 |
6913 |
| Heywood's epic theater. |
Bayer, Mark |
Critical essay |
Dec 22, 2014 |
8324 |
| Tedium: an essay on drag, attunement, theater, and translation. |
Kruger, Loren |
Critical essay |
Dec 22, 2014 |
8861 |
| "I'll find a day to massacre them all": Tamora in Titus Andronicus and Catherine de Medicis. |
Carney, Jo Eldridge |
Critical essay |
Dec 22, 2014 |
7877 |
| Dario Fo's uses of Gramsci: notes for a case study. |
Scapolo, Andrea |
Essay |
Dec 22, 2014 |
6812 |
| The canon and Shakespeare's plays on the contemporary East Asian stage. |
Wang, I-Chun |
Essay |
Dec 20, 2014 |
5312 |
| Performing gender and fictions of the nation in David Hwang's M. Butterfly. |
Balaev, Michelle |
Critical essay |
Dec 1, 2014 |
4115 |
| Eat your heart out. |
Bent, Eliza |
|
Dec 1, 2014 |
327 |
| There but for the grace of dog. |
Weinert-Kendt, Rob |
Brief article |
Dec 1, 2014 |
286 |
| A vast offstage conspiracy: two sharp new plays follow truth-tellers who gave their lives uncovering criminal government plots of the 1980s. |
Butler, Isaac |
|
Dec 1, 2014 |
1970 |
| Disappearing acts: the magic of presence in works by Italy's Romeo Castellucci and Iran's Nassim Soleimanpour. |
Bent, Eliza |
|
Dec 1, 2014 |
1192 |
| Gods of the theatre. |
Weiner-Kendt, Rob |
|
Nov 1, 2014 |
472 |
| Conquering a Marlowe classic. |
Tran, Diep |
Brief article |
Nov 1, 2014 |
151 |
| Permanent residency? |
Wrappe, Megan |
Brief article |
Nov 1, 2014 |
322 |
| The faith to let go. |
Evans, Suzy |
Brief article |
Nov 1, 2014 |
312 |
| Southern discomfort. |
Weinert-Kendt, Rob |
Brief article |
Nov 1, 2014 |
270 |
| In the woods: Fiasco Theater & McCarter Theatre Center. |
Tran, Diep |
|
Nov 1, 2014 |
544 |
