Title  |
Author |
Type |
Words |
| "Establishing shot": Artists Space. |
Hudson, Suzanne |
Critical essay |
549 |
| "Possessed": Western Bridge. |
Hall, Emily |
Critical essay |
541 |
| "The Art of Science": International Center of Photography. |
Hudson, Suzanne |
Critical essay |
555 |
| "The big nothing": Institute of Contemporary Art, Philadelphia. |
Demos, T.J. |
Critical essay |
908 |
| "Treble": SculptureCenter, New York. |
Cox, Christoph |
Critical essay |
968 |
| AA Bronson: John Connelly presents. |
Ammirati, Domenick |
Critical essay |
579 |
| Albert Oehlen: Luhring Augustine. |
Avgikos, Jan |
Critical essay |
580 |
| American self-consciousness in politics and art. |
Danto, Arthur Coleman |
|
2792 |
| Anish Kapoor: Barbara Gladstone Gallery. |
Kuspit, Donald |
Critical essay |
459 |
| Arturas Raila: CAC Vilnius. |
Psibilskis, Liutauras |
Critical essay |
499 |
| Being there: Michael Fried on two pictures by Jeff Wall. |
Fried, Michael |
|
1861 |
| Black light: David Hammons and the poetics of emptiness. |
Ligon, Glenn |
|
3080 |
| C'est la guerre: J. Hoberman on Cannes and the contemporary war film. |
Hoberman, J. |
Critical essay |
1799 |
| Chairman Now: Tom Vanderbilt on Rem Koolhaas's Content. |
Vanderbilt, Tom |
|
987 |
| Choire Sicha: Choire Sicha is editorial director of Gawker Media and writes frequently for the New York Observer and the New York Times. |
|
|
915 |
| Christopher Knowles: Gavin Brown's Enterprise. |
Kastner, Jeffrey |
Critical essay |
606 |
| Cindy Sherman: Metro Pictures. |
Avgikos, Jan |
Critical essay |
535 |
| Conor Kelly: Peer. |
Mac Giolla Leith, Caoimhin |
Critical essay |
493 |
| David Krippendorff: Massimo Audiello. |
Panicelli, Ida |
Critical essay |
606 |
| Double exposure: David Rimanelli on Timothy Greenfield-Sanders's XXX. |
Rimanelli, David |
|
1869 |
| Electoral collage: a portfolio. |
Deller, Jeremy |
|
353 |
| Ene-Liis Semper: Galerie Martin Janda Raum Aktueller Kunst. |
Huck, Brigitte |
Critical essay |
533 |
| Erick Swenson: James Cohan Gallery. |
Dailey, Meghan |
Critical essay |
521 |
| Ernesto Neto: Galerie Max Hetzler. |
Fricke, Harald |
Critical essay |
534 |
| Fall 2004 preview: three times a year Artforum looks ahead to the coming season. The following survey previews fifty shows opening around the world between September and December. |
|
Calendar |
6669 |
| Felix Gmelin: Maccarone Inc. |
Sundell, Margaret |
Critical essay |
576 |
| Francesco Vezzoli: Fondazione Prada. |
Verzotti, Giorgio |
Critical essay |
563 |
| Gareth James: American Fine Arts, Co. |
Kelsey, John |
Critical essay |
588 |
| Gedi Sibony: Canada. |
Schambelan, Elizabeth |
Critical essay |
524 |
| Helen Chadwick: Barbican Art Gallery. |
Schwabsky, Barry |
Critical essay |
561 |
| Helena Almeida: Centro Cultural de Belem. |
Melo, Alexandre |
Critical essay |
510 |
| Historical survey. |
Griffin, Tim |
Interview |
1734 |
| Howardena Pindell: Sragow Gallery. |
Schwendener, Martha |
Critical essay |
557 |
| Information man: David Joselit on Jon Kessler's "Global Village Idiot". |
Joselit, David |
|
898 |
| Jenny Perlin: Gallery 400. |
Yood, James |
Critical essay |
506 |
| Joe Andoe: Feigen Contemporary. |
Wilson, Michael |
Critical essay |
561 |
| John O'Reilly: Howard Yezerski Gallery. |
Miller, Francine Koslow |
Critical essay |
632 |
| Julie Mehretu: the Gallery at Redcat. |
Miles, Christopher |
Critical essay |
505 |
| Kai Althoff: Institute of Contemporary Art, Boston. |
Rimanelli, David |
Critical essay |
1801 |
| Kelly Mark: Tracey Lawrence Gallery. |
Mahovsky, Trevor |
Critical essay |
556 |
| Larry Sultan: San Francisco Museum of Modern Art. |
Helfand, Glen |
Critical essay |
587 |
| Learning from Las Vegas: Eric Banks on Frank Sinatra's paintings. |
Banks, Eric |
|
906 |
| Loony tunes: Dennis Cooper on DIG! |
Cooper, Dennis |
|
999 |
| Made in Hong Kong: Geoffrey O'Brien on the films of Shaw Brothers studio. |
O'Brien, Geoffrey |
Critical essay |
2502 |
| Manhattan project: Jeffrey Kastner on Friends of William Blake. |
Kastner, Jeffrey |
|
1004 |
| Manifesta 5: various venues, Donostia-San Sebastian, Spain. |
Kantor, Jordan |
Critical essay |
951 |
| Mario Sala: Galerie Erika and Otto Friedrich. |
Reust, Hans Rudolf |
Critical essay |
518 |
| Material witness: Martin Herbert on Santiago Sierra. |
Herbert, Martin |
|
878 |
| Michael Minelli: Michael Kohn Gallery. |
Hainley, Bruce |
Critical essay |
564 |
| Michal Rovner: Pacewildenstein. |
Richard, Frances |
Critical essay |
627 |
| Mira Schendel: Museo Tamayo Arte Contemporaneo. |
Bartelik, Marek |
Critical essay |
507 |
| Monika Sosnowska: Galleria Continua. |
Pasini, Francesca |
Critical essay |
518 |
| On the road. |
|
Calendar |
784 |
| Openings: Doron Solomons. |
Kraynak, Janet |
Critical essay |
1414 |
| Out of the vox: Martha Rosler on art's activist potential. |
Rosler, Martha |
|
1364 |
| Philipp Lachenmann: Galerie Andreas Binder. |
Smolik, Noemi |
Critical essay |
525 |
| Pia Fries: Galerie Mai 36. |
|
Critical essay |
494 |
| Player Piano: Kevin Pratt on museum design. |
Pratt, Kevin |
|
860 |
| Rico Gatson: Ronald Feldman Fine Arts. |
Panicelli, Ida |
Critical essay |
632 |
| Rodney Graham: 303 Gallery. |
Burton, Johanna |
Critical essay |
534 |
| Roni Horn: Art Institute of Chicago. |
Kirshner, Judith Russi |
Critical essay |
592 |
| Sister Gertrude Morgan: American Folk Art Museum. |
Borum, Jenifer P. |
Critical essay |
503 |
| Tactics inside and out: Gregg Bordowitz on Critical Art Ensemble. |
Bordowitz, Gregg |
|
3437 |
| Techniques of today: Bennett Simpson on Bernadette Corporation. |
Simpson, Bennett |
|
2194 |
| The art of politics. |
Griffin, Tim |
|
935 |
| The United States of America v. Steven Kurtz. |
Liese, Jennifer |
|
1009 |
| Tony Oursler: Margo Leavin Gallery. |
Tumlir, Jan |
Critical essay |
538 |
| Tracey Moffatt: Museum of Contemporary Art. |
Green, Charles |
Critical essay |
563 |
| Turn, turn, turn: Martin Herbert on the 2004 Turner Prize. |
Herbert, Martin |
|
850 |
| Urbino legend: David Drogin on Raphael. |
Drogin, David |
|
740 |
| Willem De Kooning: Gagosian Gallery/Mitchell-Innes & Nash, New York. |
Cooper, Harry |
Critical essay |
941 |
September 1, 2004
