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Dance Magazine:
Captivate the choreographer: seven tips to nail auditions for guest choreographers.

Within an hour of my first day as a professional dancer, I remember thinking, Maybe I'm not cut out for this. Dwight Rhoden was creating a new Carmina Burana on BalletMet Columbus, and every company dancer, trainee and apprentice was packed into one studio to audition. Arms and legs were thrashing around me, forming dozens of different versions of what Rhoden and his assistant demonstrated at the front of the studio. As a 20-year-old, apprentice, I thought Rhoden's choreography was...

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