<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>Publications by Post Script</title><description>Resent articles by the &quot;Post Script&quot; from The Free Library</description><link>http://www.thefreelibrary.com</link><language>en-us</language><copyright>Farlex, Inc.</copyright><lastBuildDate>Sun, 15 Nov 2026 05:01:01 GMT</lastBuildDate><ttl>360</ttl><image><title>Free Online Library</title><link>http://www.thefreelibrary.com</link><url>http://www.thefreelibrary.com/_/static/TFLbyFarlex.gif</url><width>175</width><height>65</height></image><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Post Script: A Forty-Year Journey (1981-2021).</title><link>http://www.thefreelibrary.com/Post+Script%3a+A+Forty-Year+Journey+(1981-2021).-a0679086540</link><description><![CDATA[<P>EDITOR'S NOTE</P><P>We have tried to make this index as complete and accurate as possible. Should you see any omissions or entries that need to be emended, please contact: Vivian Freeman Chaffin * Vivian.Freeman@yellowrosetype.com Gerald Duchovnay * postscriptjournall@gmail.com</P>]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Argentine Documentarian Alejandra Perdomo and the Ecosystems of Change.</title><link>http://www.thefreelibrary.com/Argentine+Documentarian+Alejandra+Perdomo+and+the+Ecosystems+of...-a0679086539</link><description><![CDATA[<P>Alejandra Perdomo (1964) believes she was born in Buenos Aires, but she grew up in Quilmes, a few kilometers from the Argentine capital, where she studied Image Design and Sound, as well as radio and TV writing. She later enrolled in workshops on documentary filmmaking that marked her path as a documentarian. Her films are concerned with questions related to human rights and violence and do so...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Underground Impulses: Elena Pardo&#39;s Mexican Multimodal Media Praxis.</title><link>http://www.thefreelibrary.com/Underground+Impulses%3a+Elena+Pardo%27s+Mexican+Multimodal+Media+Praxis.-a0679086538</link><description><![CDATA[<P>Mexican animator, cinematographer, and experimental filmmaker Elena Pardo (b. 1976) has made dozens of short and feature-length documentaries, films, videos, and animations over a career that spans more than twenty-five years. Her award-winning, co-directed 2004 feature documentary, El Rey de los Coleaderos (dir. Hector Hernandez Gutierrez and Elena Pardo), has screened widely. In 2013 she...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Another Argentina: The Indigenous Wichi Seen by Daniela Seggiaro.</title><link>http://www.thefreelibrary.com/Another+Argentina%3a+The+Indigenous+Wichi+Seen+by+Daniela+Seggiaro.-a0679086537</link><description><![CDATA[<P>Daniela Seggiaro was born in 1979 in Salta, Argentina. Ever since she graduated from Universidad de Buenos Aires in Image Design and Sound, she has been shooting documentaries, writing scripts for movies and collaborating with fellow video artists. In 2012, she debuted with her first fiction feature film, Nosilatiaj. La belleza, in the Berlinale. The film won a series of awards such as FIPRESI...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Multilingual Paraguay in Paz Encina&#39;s Cinematography.</title><link>http://www.thefreelibrary.com/Multilingual+Paraguay+in+Paz+Encina%27s+Cinematography.-a0679086536</link><description><![CDATA[<P>Paz Encina was born in Asuncion, Paraguay, in 1971 and studied film at the Universidad del Cine in Buenos Aires, Argentina. Her two feature films, Paraguayan Hammock (2006) and Memory Exercises (2016) have taken center stage in the international art-house film scene. The former was awarded the FIPRESCI (International Federation of Film Critics) prize at the 59th edition of the Cannes Film...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>The Cuban &quot;Sugar Curtain&quot; Deconstructed in the Cinema of Camila Guzman Urzua.</title><link>http://www.thefreelibrary.com/The+Cuban+%22Sugar+Curtain%22+Deconstructed+in+the+Cinema+of+Camila...-a0679086535</link><description><![CDATA[<P>Camila Guzman Urzua was born in Santiago de Chile in 1971. When she was two years old, fleeing from Pinochet's dictatorship, her family sought exile in Havana, where she lived until 1990. Since then she has lived in Spain, England, Chile, France, and now she resides in Argentina. She studied film in London at the LCPDT (London College of Printing and Distributive Trades), and at Les Ateliers...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Jeanine Meerapfel&#39;s Films on Memory and the Argentine Dictatorship: A Retrospective.</title><link>http://www.thefreelibrary.com/Jeanine+Meerapfel%27s+Films+on+Memory+and+the+Argentine+Dictatorship%3a+A...-a0679086534</link><description><![CDATA[<P>Jeanine Meerapfel was born in Buenos Aires in 1943 to parents who had fled Nazi Germany. After studying journalism in Argentina, in 1964 she moved to Germany as a recipient of a DAAD (German Academic Exchange Service) scholarship. At the Ulm School of Design, she received training from two prominent figures of the New German Cinema, Alexander Kluge and Edgar Reitz. Meerapfel--a film director,...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Marcela Said: Aftermaths of Pinochet&#39;s Chile.</title><link>http://www.thefreelibrary.com/Marcela+Said%3a+Aftermaths+of+Pinochet%27s+Chile.-a0679086533</link><description><![CDATA[<P>Marcela Said was born in Santiago, Chile, in 1972, one year before the CIA-backed coup that toppled the elected socialist government of Salvador Allende and ushered in the military dictatorship of General Augusto Pinochet, who would stay in power from September 11, 1973 until March 11, 1990. The junta imposed a hardline neo-liberal, free-market economic model, in service of which it brooked no...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Visions of Puerto Rico and Mexico Through the Lens of Sonia Fritz Macias.</title><link>http://www.thefreelibrary.com/Visions+of+Puerto+Rico+and+Mexico+Through+the+Lens+of+Sonia+Fritz...-a0679086532</link><description><![CDATA[<P>Sonia Fritz Macias is affectionately known by her Puerto Rican friends as "La Borimex," a conjunction of Boricua, namely of Puerto Rican descent, and Mexican. She was born in Mexico City in 1953 to a German father and a Mexican mother, and has lived in Puerto Rico since 1985. Fritz studied Communications at the Universidad Nacional Autonoma de Mexico (UNAM) and has an MFA from Vermont College...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Helena Solberg: Latin American Films--Made in USA.</title><link>http://www.thefreelibrary.com/Helena+Solberg%3a+Latin+American+Films--Made+in+USA.-a0679086531</link><description><![CDATA[<P>Helena Solberg was born in Sao Paulo, Brazil, on June 17, 1938. After earning a degree in Romance Languages in 1960 at the Pontifical Catholic University of Rio de Janeiro, she made her first documentary A entrevista, as Cinema Novo was emerging, in 1966. In 1970 she released her first fiction film, a short called Meio-dia. She moved to Washington, D.C., in 1970, where she founded the...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Alicia Scherson: Women&#39;s Roles and Challenges in the Film Industry.</title><link>http://www.thefreelibrary.com/Alicia+Scherson%3a+Women%27s+Roles+and+Challenges+in+the+Film+Industry.-a0679086530</link><description><![CDATA[<P>Alicia Scherson (b. 1974) became a key figure of contemporary Chilean cinema after participating with Play in the 2005 Valdivia International Film Festival (FICValdivia). Her directorial debut received international recognition when Scherson was awarded the Best New Narrative Director prize in the 2005 Tribeca Film Festival.</P>]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>On Finding the Comfort Zone in Mariana Chenillo&#39;s Challenging Mexican Films.</title><link>http://www.thefreelibrary.com/On+Finding+the+Comfort+Zone+in+Mariana+Chenillo%27s+Challenging+Mexican...-a0679086529</link><description><![CDATA[<P>Mariana Chenillo was born in Mexico in 1977. After she graduated from the Centro de Capacitacion Cinematografica, specializing in directing, she wrote and directed a number of documentaries and short films.</P><P>As screenwriter and director of her feature films, Chenillo tends to draw on her personal experiences and on her observation of how people cope with physical and emotional issues,...]]></description></item><item><pubDate>Fri, 1 Jan 2021 00:00:00 </pubDate><title>Introduction: Interviews with Latin American Women Filmmakers.</title><link>http://www.thefreelibrary.com/Introduction%3a+Interviews+with+Latin+American+Women+Filmmakers.-a0679086528</link><description><![CDATA[<P>Gender imbalance has historically prevailed in filmmaking worldwide. In Latin America, women film directors and producers were rare until the 1990s, and only since the early 2000s did their presence begin to grow significantly. There were, however, a number of women who participated in moviemaking during the silent years of cinema, at the beginning of the twentieth century, mainly in...]]></description></item><item><pubDate>Tue, 22 Sep 2020 00:00:00 </pubDate><title>The Encyclopedia of Contemporary Spanish Film.</title><link>http://www.thefreelibrary.com/The+Encyclopedia+of+Contemporary+Spanish+Film.-a0661839435</link><description><![CDATA[<P>The Encyclopedia of Contemporary Spanish Film. Eds. Salvador Jimenez Murguia and Alex Pinar. Rowman &amp; Littlefield, 2018. 558 pp. Hardback $125. ISBN 978-1-4422-7132-6.</P><P>In The Encyclopedia of Contemporary Spanish Film, Salvador Jimenez Murguia and Alex Pinar endeavor an ambitious project: to present a broad guide to Spanish film. The editors stated objective is to offer a text that...]]></description></item><item><pubDate>Tue, 22 Sep 2020 00:00:00 </pubDate><title>IN A LONELY JOURNAL: A SELECTED BIBLIOGRAPHY OF SCHOLARLY ARTICLES ON FILM NOIR, 1946-2019.</title><link>http://www.thefreelibrary.com/IN+A+LONELY+JOURNAL%3a+A+SELECTED+BIBLIOGRAPHY+OF+SCHOLARLY+ARTICLES+ON...-a0661839434</link><description><![CDATA[<P>One may rightly ask why there should be another bibliography on film noir. Doesn't every book ever published on the subject include a bibliography? Though true with few exceptions, the bibliographies one finds in book-length treatments of film noir often tend to be lists of works cited within the volume at hand, rather than exhaustive bibliographies on the subject. In addition, film noir,...]]></description></item><item><pubDate>Tue, 22 Sep 2020 00:00:00 </pubDate><title>&#39;WOULD THAT IT WERE SO SIMPLE&#39;: VISIONS OF STARDOM IN A STAR IS BORN (1954) AND HAIL, CAESAR! (2016).</title><link>http://www.thefreelibrary.com/%27WOULD+THAT+IT+WERE+SO+SIMPLE%27%3a+VISIONS+OF+STARDOM+IN+A+STAR+IS+BORN...-a0661839433</link><description><![CDATA[<P>I.</P><P>It's the early 1950s in Los Angeles, and Esther Blodgett and Eddie Mannix both have a choice to make: to be a star, or to continue living out their ultimately not-so-meaningful lives. Esther, a singer, has worked her way up to mid-level gigs with an itinerant band, and she's just finished a stint playing at a club in L.A. She is supposed to leave in the morning for San Francisco, the...]]></description></item><item><pubDate>Tue, 22 Sep 2020 00:00:00 </pubDate><title>A MATTER OF LIFE AND DEATH: THE UNSPEAKABLE OTHERS IN ISRAELI CINEMA.</title><link>http://www.thefreelibrary.com/A+MATTER+OF+LIFE+AND+DEATH%3a+THE+UNSPEAKABLE+OTHERS+IN+ISRAELI+CINEMA.-a0661839432</link><description><![CDATA[<P>ABSTRACT</P><P>Israeli films made prior to the mid1990s avoided direct reference to the Holocaust. Despite being a critically significant theme in research and in daily life in Israel, it was surprisingly absent from the central stage of Israeli cinema. Moreover, delicate matters regarding questions of morals and ethics--let alone the role of the privileged and those who held morally ambiguous...]]></description></item><item><pubDate>Tue, 22 Sep 2020 00:00:00 </pubDate><title>RAGE AND GLORY: THE FILMS OF ISRAELI FILMMAKER AVI NESHER.</title><link>http://www.thefreelibrary.com/RAGE+AND+GLORY%3a+THE+FILMS+OF+ISRAELI+FILMMAKER+AVI+NESHER.-a0661839431</link><description><![CDATA[<P>Avi Nesher's many award-winning films have been integral to Israeli cinema, placing him as one of Israel's all-time greatest filmmakers. With twenty feature films to his credit as director, his work has received prestigious awards and nominations at major international festivals and has won several Ophir Awards (the Israeli equivalent of the Academy Awards) over the last thirty years. After...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>SOUND OF SILENTS: ALLOY ORCHESTRA.</title><link>http://www.thefreelibrary.com/SOUND+OF+SILENTS%3a+ALLOY+ORCHESTRA.-a0651086726</link><description><![CDATA[<P>Labeled by the late Roger Ebert as "the best in the world at accompanying silent films," Alloy Orchestra is a three-man musical ensemble that writes new music and performs live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects, they thrash and grind soulful music from unlikely sources. For nearly thirty years, Alloy has performed globally at...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>CARLOS REYGADAS: HIS TIME.</title><link>http://www.thefreelibrary.com/CARLOS+REYGADAS%3a+HIS+TIME.-a0651086725</link><description><![CDATA[<P>In March of 2019, IU Cinema hosted acclaimed Mexican film director Carlos Reygadas. The visit and film series were presented in partnership with Indiana University's Arts and Humanities Council and their spring cultural celebration called Mexico Remixed, along with the Office of the Provost. Special thanks to Ed Comentale and Provost Lauren Robel. The curated program was the very first...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>ALEXANDRE O. PHILIPPE: A FILMMAKER&#39;S FILMMAKER.</title><link>http://www.thefreelibrary.com/ALEXANDRE+O.+PHILIPPE%3a+A+FILMMAKER%27S+FILMMAKER.-a0651086724</link><description><![CDATA[<P>Swiss American filmmaker Alexandre O. Philippe has written and directed numerous award-winning films and documentaries, many of which take on the role of unpacking the most influential works of master filmmakers. His 2018 film, 78/52: Hitchcock's Shower Scene, is a documentary about Alfred Hitchcock's iconic shower scene from Psycho. The film premiered at the Sundance Film Festival and...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>ANA LILY AMIRPOUR: HER WAY.</title><link>http://www.thefreelibrary.com/ANA+LILY+AMIRPOUR%3a+HER+WAY.-a0651086723</link><description><![CDATA[<P>Words like audacious, daring, fearless, visceral and uncompromising are often mixed with rad, ninja, firecracker, carnal, stingray and even bad-ass when describing Ana Lily Amirpour's style as a filmmaker and the way she carries herself as a person. She has been in the spotlight since the premiere of her debut feature film, A Girl Walks Home Alone at Night, the "Iranian vampire spaghetti...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>JULIE DASH: CHALLENGING THE PARADIGM.</title><link>http://www.thefreelibrary.com/JULIE+DASH%3a+CHALLENGING+THE+PARADIGM.-a0651086722</link><description><![CDATA[<P>Julie Dash's rich filmography explores the spectrum of Black women's experiences across wide swaths of geography and time. The year 2016 marked the twenty-fifth anniversary of her film Daughters of the Dust; the BFC/A [Black Film Center/Archive at IU] and IU Cinema thought it to be the perfect time to screen the newly released digital restoration of the film. Dash previously visited Indiana...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>JOHN BOORMAN: CONJURER OF CINEMA.</title><link>http://www.thefreelibrary.com/JOHN+BOORMAN%3a+CONJURER+OF+CINEMA.-a0651086721</link><description><![CDATA[<P>"John Boorman is an intoxicated moviemaker, with a wonderful kind of zeal," raved film critic Pauline Kael. Indeed, his impassioned cinematic forays have followed Lee Marvin through a criminal labyrinth, Sean Connery into a dystopian future, four city-dwellers down a harrowing river journey, a merry child through the rubble of the London Blitz, and King Arthur on his quest for the Holy...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>POROUS BORDERS: THE DOCUMENTARY FILMS OF NATALIA ALMADA.</title><link>http://www.thefreelibrary.com/POROUS+BORDERS%3a+THE+DOCUMENTARY+FILMS+OF+NATALIA+ALMADA.-a0651086720</link><description><![CDATA[<P>From the transnational dimensions of narcocorridos to the material expression of symbolic power in the form of extravagant mausoleums, Natalia Almada's films offer unique and intimate portrayals of cultural phenomena stemming from the Mexican drug trade. Departing from the experience of common people, these films shed light on the complex interrelations between violence, immigration, the...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>MERYL STREEP: POWERING THE EMPATHY MACHINE.</title><link>http://www.thefreelibrary.com/MERYL+STREEP%3a+POWERING+THE+EMPATHY+MACHINE.-a0651086719</link><description><![CDATA[<P>In late 2013, IU Cinema led a nomination for Streep to receive an honorary degree, Doctorate of Humane Letters, from Indiana University. Along with the nomination letter from Founding Director Jon Vickers, letters supporting the degree were collected from IU faculty and outside friends, including Kristin Thompson, film scholar and co-author of Film Art: An Introduction, and Laura Emerick, arts...]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>INTRODUCTION: INTERVIEWS FROM INDIANA UNIVERSITY CINEMA.</title><link>http://www.thefreelibrary.com/INTRODUCTION%3a+INTERVIEWS+FROM+INDIANA+UNIVERSITY+CINEMA.-a0651086718</link><description><![CDATA[<P>I was honored to be asked by Post Script to guest edit this double issue of the journal. The offer came as I was wrapping up my twenty-five-plus years in film exhibition and my ten-year tenure as Founding Director of Indiana University Cinema. This collection of interviews provides me the opportunity to share some of IU Cinema's highlights from the past decade.</P>]]></description></item><item><pubDate>Wed, 1 Jan 2020 00:00:00 </pubDate><title>FROM THE GENERAL EDITOR.</title><link>http://www.thefreelibrary.com/FROM+THE+GENERAL+EDITOR.-a0651086717</link><description><![CDATA[<P>In the nearly forty years that Post Script has been publishing, we have aimed to present a balance of articles, an occasional interview of a filmmaker, and possibly a book review or two. Prior to this current double issue, only our special issue on cinematographer Vittorio Storaro (29.2, Winter/Spring 2010), included almost all interviews. In addition to extended comments Storaro made at UCLA...]]></description></item><item><pubDate>Sun, 22 Sep 2019 00:00:00 </pubDate><title>Annual Bibliography of Film Studies--2018.</title><link>http://www.thefreelibrary.com/Annual+Bibliography+of+Film+Studies--2018.-a0624690166</link><description><![CDATA[<P>INTRODUCTION</P><P>With this its 38th edition, Post Script's Bibliography of Film Studies continues in its aim to provide researchers at all levels--undergraduate, graduate, and professional--a reliable and wide-ranging research tool. While not a comprehensive listing of every film-related article of the given year, the Bibliography seeks to catalogue the most important film commentary in...]]></description></item><item><pubDate>Sun, 22 Sep 2019 00:00:00 </pubDate><title>1968 and Global Cinema.</title><link>http://www.thefreelibrary.com/1968+and+Global+Cinema.-a0624690165</link><description><![CDATA[<P>1968 and Global Cinema. Eds. Christina Gerhardt and Sara Saljoughi. Detroit: Wayne State UP, 2018.422 pp. Paper $31.99. ISBN: 978-08143-4293-0.</P><P>1968 could best be understood as the single most tumultuous year of a decade marred by unpopular American military intervention in Southeast Asia and later culminating with hostile protests by students and factory workers against the de Gaulle...]]></description></item></channel></rss>