Yorkton Short Film & Video Festival (5/26-29/05).
The 58-minute film is a fusion of poetry, prose, dance and sound directed by Veronica Tennant. Tennant, who has an Emmy Award to her credit as well as being a former prima ballerina, collected the Golden Sheaf for Best Director--Fiction at the awards gala Saturday evening. Ondaatje, best known for The English Patient, narrates the film. "This really is a film of love," said producer Peter Gentile shortly after accepting the major award at North America's longest--running film festival. He explained the film ran into a number of obstacles during production, including a funding situation that left them scrambling for dollars. "We were shooting while the power outage was going on in Toronto. We were in the dark, setting-up sets for the next day, but no matter what was in our way, we kept going."
Shadow Pleasures has been doing well on the festival circuit, and was nominated for four Geminis, picking up one for Art Direction, the only Golden Sheaf to elude the film, which went to Mark Gabriel for Yellow Bird. Gentile said winning awards at Yorkton is an honour, but he went farther than that. "These are the things that really keep you going," he said, adding collecting so much hardware in Yorkton "was beyond my wildest imagination. In the end, filmmaking is a hard way to make a living. It's not even a living. It's an affliction. It's something you just have to do." That being said, success is not always achieved, so when awards do come, it "gives you encouragement" as well as spurring one on to do better in the future.
The Best of Saskatchewan Golden Sheaf Award went to Escape from Iran: The Hollywood Option, from Regina-based Partners in Motion. The film commemorates the 25th anniversary of the Iranian hostage crisis and the part Canadians played in helping some of the hostages escape. Nova Herman, producer of the film, says the award was not expected. "It was a complete surprise to win. I watched a lot of the other shows nominated in the same category, and I was impressed."
Herman states the quality of the Best of Saskatchewan category speaks to the depth of filmmaking taking place in the province, and feels it's certainly possible to succeed in the industry from here. "I'm born and bred in Saskatchewan and proud to be a Saskatchewan filmmaker," she says, adding films produced here "can compete around the world." Five other films earned two Golden Sheaf Awards each this year: Their Brothers' Keepers: Orphaned by AIDS, Shipbreakers, Milo 55160, Hatching, Matching and Dispatching and Last Dance: The Life and Times of Rex Harrington.
The festival announced a major new award, the Grant McLean Memorial Award for Emerging Filmmakers, which will be presented for the first time next year. A native of Yorkton, McLean joined the NFB in 1941 as an assistant cameraman. For 26 years, he photographed, directed and produced numerous films, worked for 10 years as the Board's director of production, and spent 15 months as acting commissioner from 1965 to 1967. He began the change from film units to production pools and was responsible for initiating the NFB's first regional offices in the 1960s. He left the Board in 1967 when he was passed over for commissioner, and joined the private sector. Details of the criteria for the new award will be announced in the coming months.
A highlight of the 2005 festival was Revisiting Great Brittain, a two-day celebration of Canada's most renowned documentary filmmaker, Donald Brittain. Canada is justly famous for its documentary filmmaking, and there was no better practitioner in the genre than Brittain. Famous for films such as Bethune (1964), Memorandum (1965), Volcano: An Inquiry into the Life and Death of Malcolm Lowery (1976), Paperland: The Bureaucrat Observed (1979), Canada's Sweetheart: The Saga of Hal C. Banks (1985) and many others, Brittain's best work was produced decades ago, but they are still fresh.
For noted documentary filmmaker John Walker (Men of the Deeps), who participated in the two-day event, the answer comes from Brittain's skills as a filmmaker. "Why we continue to enjoy them is because they're well-crafted. That's why we're sitting here today," he offered, adding that starting on the road to become a filmmaker is as easy as buying a $5,000 camera, but it's the craft that makes works timeless. Daniel Cross, another documentary filmmaker, whose credits include a Golden Sheaf Award for Danny Boy, pointed out that his initial interest in the medium of film came about because of Brittain. "When I saw Volcano I really first fell in love with the idea of filmmaking," he said in the discussion panel. "I wanted to be a hockey player when I grew up, but when I saw Volcano, the only thing I wanted to be a was a filmmaker."
Calvin Daniels is the assistant editor and senior reporter with Yorkton This Week.
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|Title Annotation:||FESTIVAL WRAPS|
|Date:||Sep 1, 2005|
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