Printer Friendly

Valet Parking: Park your senses with Sociedad Acustica's jazz service. (CD Player).

* Sociedad Acustica

* Opcion Sonica/Asha Records

Critics who believe that there is no such a thing as Mexican jazz claim that everything here sounds like mediocre copies of American styles. Close to 90% of the time, that assertion is right. Discovering original Mexican jazz implies a bit of searching. But it is worth it to find the few jewels that do exist.

A good example is the collective project Sociedad Acustica de Capital Variable. This workshop-type gathering of artists has just produced an icon of a new generation of experimental jazz. It is just as original if, not more so than its predecessor project La Banda Elastica from the 1980s and 1990s. Their originality comes from the use of sound sources other than musical instruments and an irreverent approach to the creation process.

The eclectic group has just released "Valet Parking' an ambitious 60-minute tour through brilliant brass, sharp percussion and virtuoso double bass and keyboard.

Brass master Marcos Miranda heads up the group, which has been together since 1994. In this collective work, Miranda coordinates a notable execution of soprano sax in the longest piece "Ra-NurAllah" and an impressive leading clarinet in "Raymundo"--probably the album's best piece--in which the sharp combination of whistles and brass brings unexpected harmony to what at first appears to be complete cacophony.

Huitzilin Sanchez shines on the keyboards in perfect tune with Miranda's brass, Miguel Cabuto's double bass and PedroApodaca's drums in the almost schizophrenic "Recapitulacion"--another glorious peak.

Toys (as in what children play with) provide a most unconventional sound source in the piece "Luviano."

Even though there is some filler material, which you might want to call bonus tracks, they do nothing to diminish the album's diversity.

Another track, "Basura Involutiva" sounds like the Jazz version of Nortec, the electronic music sound big along the Mexico-U.S. border, but its title makes you wonder whether this very experimental piece is a tribute to the new sound or a pejorative allusion to it.

Although the group is far from a consolidated project, this album shows that there is an array of talent in the works and a promising horizon for scarce, yet existent, Mexican jazz.
COPYRIGHT 2001 American Chamber of Commerce of Mexico A.C.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

Article Details
Printer friendly Cite/link Email Feedback
Author:R., Jose Fernandez
Publication:Business Mexico
Article Type:Brief Article
Geographic Code:1MEX
Date:Nov 1, 2001
Previous Article:Toy Story: Fun and games? (Art & Culture Watch).
Next Article:Circulo Vasco Espanol. (Inside Eating Out).

Related Articles
Big-name combo will squeeze into small space.
Reissue roundup: to SACD or not.
APA announces sixth American Jazz Piano Competition winner.

Terms of use | Privacy policy | Copyright © 2020 Farlex, Inc. | Feedback | For webmasters