Tribute to Jonathan Hess.
Trained as a scholar of German and comparative literature at Yale University, Johns Hopkins University, and the University of Pennsylvania, Hess moved decisively into the field of Jewish studies with his pathbreaking second book, Germans, Jews and the Claims of Modernity. Building on the work of historians who had begun to question long-held assumpdons about German Jewish assimilation, Hess showed not only that nineteenth-century German Jews resisted the impulse toward homogeneity but that they actively critiqued the terms of the debate over emancipation. "Assimilation may have been modernity's injunction to the Jews, but it was one that was contested from the very beginning," he wrote. (1) Hess recovered a vital tradition of opposition to dominant models of Enlightenment universalism grounded in the Jewish tradition itself.
If Hess focused in his second book primarily on Jewish philosophers, such as Moses Mendelssohn, he broke new ground in his third book by moving into the domain of fiction. Middlebrow Literature and the Making of German-Jewish Identity revealed what had long remained a kind of terrae incognita for Jewish studies: the vast body of popular literature produced by and for Jews in the nineteenth century. Hess did not discover a new Kafka here, but that was the point. He focused on the works of "middlebrow" authors such as Leopold Kompert and Ludwig Philippson, works with relatively modest aesthetic ambitions that were aimed at the rapidly acculturating Jewish middle class. As Hess brilliantly demonstrated, these writers borrowed the genres and conventions of the popular European literature of their day--from the sentimental novel to the adventure tale--but used them to address specifically Jewish concerns. Often taking up the same subjects that were hotly debated in the very Jewish newspapers in which their work appeared, these authors used fictional narrative to experiment with imaginative solutions to the pressing social problems facing the Jewish community of the time, such as intermarriage and intergenerational conflict. Hess once again allowed us to see the question of assimilation in a new light by showing how nineteenth-century German Jews eagerly embraced the forms of the dominant culture--in this case, the literary forms--while transforming them into something specifically Jewish.
Although I had read and admired his work for years, I only got to know Jonathan Hess personally during the period when he was working on Middlebrow Literature. As it happens, I was working on a very similar book focused on nineteenth-century French Jewish writers. After a series of electrifying discussions in which we lamented how difficult it was to teach popular literature that had not been republished since the nineteenth century, we teamed up with Nadia Valman, a specialist of English Jewish literature, to edit Nineteenth-Century Jewish Literature: A Reader. This book, which contains luminous original translations by Hess of many of the works from the 1840s through the 1860s that he analyzed in Middlebrow Literature, sought to make a whole new area of Jewish culture available to scholars and other interested readers. It allowed us to tell a different story about the development of modern Jewish literature, one that shifted the focus from Eastern to Western Europe, from Hebrew and Yiddish to languages not normally considered "Jewish," and from the end of the nineteenth century to the middle. The ability to read and teach these texts in a modern edition also enables scholars to appreciate in a direct, hands-on way the important role that literary culture had in forming modern Jewish identities.
Hess's last book, which appeared shortly before his death, both builds on his prior work and moves in bold new directions. Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage is an exuberant account of how a single play--S. H. Mosenthal's Deborah--traveled across continents and media over a sixty-year period, allowing audiences around the world to share in the suffering of its Jewish heroine. As Hess demonstrates, the play's clever manipulation of melodramatic theatrical codes, which transcended the boundaries of language and nation, helped create sympathy for the plight of Jews and thus fostered the development of liberalism and universalism. This book about a tearjerker puts a new spin on Salo Baron's injunction to avoid the "lachrymose" view of Jewish history: it reveals the vital need to study the dynamics not just of antisemitism but also of philosemitism in order to account for the complicated role that Jews came to play in modernity's political imagination. By mining the popular theatrical archives of multiple countries and engaging with cutting-edge work in performance theory, the book also highlights the increasingly important place that popular culture has come to play in Jewish studies, a transformation of the field that Hess helped bring about.
Jonathan Hess's brilliance, wit, and deep learning are apparent in everything he wrote. As anyone who had the pleasure of engaging with him at a conference or in the classroom knows, his was an irrepressible, electrifying intelligence, one that made ideas come alive. He will be sorely missed by scholars in the field and beyond.
(1.) Hess, Germans, Jews, 8.
Hess, Jonathan M. Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage. Philadelphia: University of Pennsylvania Press, 2017.
---. Germans, Jews and the Claims of Modernity. New Haven, CT: Yale University
---. Middlebrow Literature and the Making of German-Jewish Identity. Stanford, CA: Stanford University Press, 2010.
Hess, Jonathan M., Maurice Samuels, and Nadia Valman, eds. Nineteenth-Century Jewish Literature: A Reader. Stanford, CA: Stanford University Press, 2013.
Maurice Samuels is the Betty Jane Anlyan Professor of French at Yale University, where he also directs the Yale Program for the Study of Antisemitism. He is the author of The Spectacular Past: Popular History and the Novel in Nineteenth-Century France (Cornell University Press, 2004); Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (Stanford University Press, 2010); and The Right to Difference: French Universalism and the Jews (University of Chicago Press, 2016). With Jonathan Hess and Nadia Valman, he coedited Nineteenth-Century Jewish Literature: A Reader (Stanford University Press, 2013).
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|Title Annotation:||IN MEMORIAM|
|Date:||Mar 22, 2019|
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