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The Guitar Works of Garoto.

GSP 1002CD

When Sao Paulo-born guitarist Bellinati began a serious investigation of his country's guitar music, he quickly found himself drawn to the work of the late Annibal Augusto Sardinha. Better known by his nickname, Garoto, the composer had created an enormous body of compositions in the 1930s and '40s that had all but been forgotten when the bossa nova era of the 1960s began.

"When I played some of Garoto's compositions for the first time," Bellinati writes, "I discovered that an important chapter of Brazilian folk music had been neglected--a period that preceded the beginning of bossa nova, a rich and original repertoire ... with excellent harmonic and technical levels."

The program of 24 choros (a style with classical overtones that was developed in Rio around the turn of the century), valsa-choros and chorinhos (little choros) will be a revelation to fans of the classical guitar and both classical and folk idioms. Bellinati, a versatile guitarist equally at home with classical, folk or jazz styles, has produced a charming recording of substantial historical importance that's as enjoyable as it is profound.
COPYRIGHT 1992 Organization of American States
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1992 Gale, Cengage Learning. All rights reserved.

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Author:Holston, Mark
Publication:Americas (English Edition)
Article Type:Sound Recording Review
Date:Nov 1, 1992
Words:181
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