The Diary Of Heady Notes.
The 11 songs cut across genres - and belie the lazy label of an alt-country rock band that is sometimes accorded to the band. They're far more than that. Good guitar rock is how I'd classify Star Wars and the songs on that album become an earworm for days.
Best tracks: The upbeat Random Name Generator; and the mellower, You Satellite.
July 20: I realise that I have 210 Grateful Dead albums (some incomplete; some complete; most bootlegs) in the cloud, on my iPad and the iPods. A hopeless obsession? Probably.
But for Monday morning, I choose an album full of rareties and old songs: it's called Birth of the Dead. And it has the band in its early days performing songs such as Mindbender (Confusion's Prince), Don't Ease Me In (an instrumental version followed by the one with vocals). Pigpen is in full form through the two-disc collection.
Best tracks: A 1968 version of The Eleventh Jam of 15 minutes; and a Warner Brothers radio commercial exhorting people to buy Live/Dead (I kid you not!).
July 23: Midweek. I find Apple Music's Beats 1 Live Radio difficult to outdo for a playlist. Didn't check who was DJ-ing and from where (LA, NYC or London? Who knows?), but I got introduced to new artists such as Seinabo Sey, the Swedish (actually, she's part Gambian) R&B singer. Her single Pretend, released this year, is guaranteed to aurally seduce you to check out more of her work.
Also watch: Seinabo Sey - Younger
The other highlight of the Beats1 listening session was another young R&B artist, the American, Miguel. His single Coffee will hook you.
Best tracks: Sey's Hard Time; and Miguel's cover of Elton John's Bennie and the Jets.
July 24: I decide to take things back under my own control! And make a playlist. I take the easy way out: I take the three Little Feat albums that I have (Waiting for Columbus; Hoy-Hoy!; and their first studio album, Little Feat) and listen to them nonstop.
Also watch: Little Feat - Rainbow Theatre London 1977
The LA band's frontman, the late Lowell George's vocals, the band's eclectic influences and excellent musicians, including co-founder Bill Payne on the keyboards, make for a compelling listen. Sadly, Little Feat in that form was short-lived. The band was formed in 1969. George died in 1979 (a year after he produced the Grateful Dead's Shakedown Street).
Best tracks: Dixie Chicken; Tripe Face Boogie; and Rocket in my Pocket. Preferably all three heard in a row.
July 25: Mellow, lo-fi stuff is what I go for. New Jersey's Yo La Tengo with their vast catalogue of new, old and cover songs is it. Although Stuff Like That There, their new album will not be out before August end, they've been releasing a few songs, three till date.
And I begin with their cover of The Cure's Friday I'm in Love, acoustic-y and delightful. The others from the new album are Automatic Doom and Deeper Into Movies, which actually is a new interpretation of an old, more electric version of the song by the band (yes, they sometimes do those kind of covers too, re-tweaking their own compositions).
After the three, I go for their 1997 album I Can Hear the Heart Beating as One, and 1990's Fakebook, which has 11 cover songs, including Here Comes My Baby by Cat Stevens and Oklahoma U.S.A. by The Kinks, plus a few originals.
Best tracks: Friday I'm in Love; Yellow Sarong; and Upside-Down.
July 27: It's a Sunday and I need to get ready for tomorrow's inevitable blues. I go for the soundtrack to the movie Southpaw, which stars Jake Gyllenhaal as the boxer Billy Hope.
Mainly hip-hop and rap, and produced by Eminem who has two standout tracks on it, Phenomenal, and Kings Never Die (on which Gwen Stefani joins in), it features many stars from hip-hop, R&B and rap - 50 Cent, Joey Bada$$, Slaughterhouse and The Notorious B.I.G. The soundtrack is super and makes me want to watch the film, which, considering that it was released only on July 24, I haven't yet.
Best tracks: Phenomenal; R.N.S.; and Raw.
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