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Articles from Studies in the Humanities (March 1, 2019)

1-13 out of 13 article(s)
Title Author Type Words
"Just a Formality": Yakuza Sovereignty and Abject Exclusion in Kitano Takeshi's Outrage and Beyond Outrage. Kim, Se Young Critical essay 8052
Conscientious abjection and chaosmopolitanisnr in Khavn de la Cruz's Ruined Heart. Brown, William Critical essay 8069
Dog and Thief: Two Modes of Abject Agency Crossing over East Asian Capital Networks in Global Korean Cinema. Jeong, Seung-Hoon Critical essay 7987
Embracing Abjection, Reclaiming Agency: New Possibilities for the Zombie and the Social Recluse in NEET of the Living Dead. Nelson, Lindsay Critical essay 8299
Introduction--Global East Asian Cinema: Abjection and Agency. 8653
Must an International Chinese (Auteur) Filmmaker Make a Martial Arts Film? Genre Filmmaking and Industrialised Cultural Production in Global East Asian Cinema. Chan, Felicia Critical essay 6628
Park Chan-wook's Critique of Moral Judgment: The Handmaiden (2016). Choe, Steve Critical essay 7085
Preface. Dube, Reena Editorial 570
Rebuilding Humanity: Gaze of the Exile and Chinese Independent Cinema. Fan, Victor Critical essay 8038
Seeking Agency and Forging Identity Through Documentary: Wuna Wu's Farewell 1999 and Let's Fall in Love. Sang, Tze-Lan Deobrah Critical essay 5921
Spy, Abjection, and Post-Socialist Identity: Chinese Neo-Spy Films since 2009. Yang, Min Critical essay 7486
The Abject Other and Terrorism in Tsui Hark's Detective Dee Series. Li, Haihong Critical essay 8289
The Cartography of the Abject Nation in Thirst and Still Life. Yoo, Hyon Joo Critical essay 8307

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