Sapphic screen: drawing back the curtain on the queer female players of Hollywood's golden age.
There were others he wanted to interview but who declined, such as the late Bea Arthur. "I kept trying to interview her and we talked over the phone many times over the years ... She liked the idea of the book but didn't want to be in it," says Hadleigh.
Those who did agree to interviews were guarded, if not hostile. It's almost shocking to read that a furious Barbara Stanwyck ended a cat-and-mouse interview with Hadleigh and asked him to leave her house when he raised the topic of marriages of convenience (it's speculated that Stanwyck's marriage to Robert Taylor was a "lavender marriage.") All the women interviewed were deeply conflicted and closeted, including Edith Head, who gave Hadleigh an 8-page contract to sign, stipulating that the interview not be published in her lifetime. "That generation of women just didn't want the reality [of coming out]," he tells me. "They came from a time when Hollywood had nothing to do with reality." Even Jodie Foster's coming out at the 2013 Golden Globe Awards has been followed by silence. "I don't think you'll ever see her memoirs," says Hadleigh. "By her own nature she's a very closed person. When people are working in their commercial prime... they're that much more difficult to access in terms of reality."
Another factor that hides queer women in plain sight is often their bisexuality, which is more common among Hollywood women than men. Add to that the fact that many Hollywood biographers impose their own morality on the subjects they admire, and history can become straightwashed. Take, for example, the relationship between Katharine Hepburn and Spencer Tracy. Was it real or staged? "We may never know," muses Hadleigh. "He was a good cover for her. That's always a big factor in Hollywood. And so, forever more it's 'Tracy and Hepburn.' Of course it comes out eventually that he was bisexual and so chronically alcoholic he may have been impotent and not able to have sex after a certain age." But Hollywood's made its mind up about Hepburn: The Aviator portrays her as a neurotic heterosexual and not the brilliant bisexual that she actually was.
And then there are the smoke screens conjured by the stars themselves. As Mae West once said, "It's not the men you see me with that counts; it's who you don't see me with that does."
For example: "With Garbo, we know that she was basically lesbian," asserts Hadleigh. "But to what degree she was bisexual we don't know. Did she have relationships with gay men like Gayelord Hauser and Cecil Beaton? It's possible, especially if both those men were trying to force themselves to be straight for the sake of their image."
But outing a star, according to Hadleigh, is neither an ethical or effective alternative. "Because if you say X is gay, lesbian or bi and they say they're not, that's what the media goes with--and much of the public. Very often with outing it has to do with how admired is the person. So if it's a Cary Grant or a Katharine Hepburn, it's much more difficult to get it out that these people were bisexual because they were so esteemed."
The new generation of actors is making a difference. "I think they're so much more open about their sexuality, especially the women. If they're attracted to another female they'll say it publicly," says Hadleigh, citing Jennifer Lawrence and Amy Schumer. So maybe one day we'll have a third edition of Hollywood Lesbians. But for now, this one is certainly a most fascinating read.
Hollywood Lesbians is now available from Riverdale Ave Books.
Caption: Director, Dorothy Arzner
Caption: Greta Garbo
Caption: Barbara Stanwyck
Please note: Illustration(s) are not available due to copyright restrictions.
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|Date:||Feb 1, 2017|
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