Printer Friendly

Primitive perfection.

BETTER men than I am have tried, and sometimes succeeded, in defining just what "folk art" is. Art critic Herbert Read in his 1931 book The Meaning of Art called it "peasant art" ...

"objects made by uncultured people in accordance with a native and indigenous tradition owing nothing to outside influence".

I venture to suggest that, within certain boundaries, folk art is what you want it to be. Add the word naive and/or primitive, where justified, to the description of an object and the limit for today's collectors is near endless.

We purchased a piece of folk art last weekend. In an otherwise uninspiring collectors' fair, we found a small but complete Napoleonic prisoner of war work set of bone dominoes. Each no bigger than a postage stamp, the dominoes were contained in their original pierced and decorated box with sliding lid. The next day we watched the BBC Antiques Roadshow's Jon Baddeley enthusing about a model of a sailing ship with the same history.

During the period 1756-1816, thousands of captured soldiers and sailors, many of whom had been conscripted or pressed into service and forced to leave their jobs as jewellers, woodworkers, and craftsmen, spent years in the prison hulks moored outside this country's ports. With no money to feed themselves, the men turned to fashioning all manner of intricate articles using the bones from their meagre rations, which they sold to support themselves.

The crudest examples were pictures - often of the ships they served on - made from the straw from their bedding. The most elaborate are fabulous bone ship models, the hulls, masts and fitments made from beef bones rescued from their soup, the rigging from their hair.

Some of the most popular among these handicrafts were games and games boxes, playing cards, chess sets, spillikins and other pastimes, which were particularly popular with the French.

Needless to say, the Roadshow ship model was worth thousands, even in its dismantled and somewhat decrepit state. We bargained hard and paid PS140 for our dominoes, but they represent what I call folk art: objects made by hand by artists usually self-taught with little or nothing in the way of tools other than their own imagination, motivated by necessity or the desire to add decoration to the otherwise utilitarian.

Embroidered samplers are perhaps one of the purest forms of folk art. These date from the 16th century as a method of recording different stitches and designs. By the 18th century, however, the sampler became an essential tool in a child's education. Boys and girls were taught the alphabet and how to read by stitching samplers, while simple arithmetic enabled pupils to count stitches and calculate the positions in which to start and end decorative borders and patterns.

Scripture training was provided by verses which adopted moral and religious overtones and when samplers began to carry embroidered pictures of houses, figures and animals such as deer, lions, sheep and birds, the educational value of the art form was complete. Interestingly, woolwork embroideries were made by sailors and convalescing soldiers in the aftermath of the Crimean and the Great Wars.

Naive paintings of horses and farm animals attract strong interest and prices to match, the larger and more strangely built the creatures appear, the better they are appreciated. Some were done by freelance coach and sign painters while others were painted by peripatetic artists, often with scant ability, who travelled around the country seeking commissions from farmers proud of their herds or an animal that had performed well in the show ring. It paid to flatter, hence the animals' often exaggerated proportions. Look particularly for those giving the name of the farmer and his prize animal and its dimensions.

The list of folk art is expansive: treen objects (literally of a tree) such as Welsh love spoons wood and bone lace bobbins; Valentines made from shells, carved whales' teeth, known as scrimshaw, made on long, lonely voyages; duck decoys used by hunters to lure their prey; apple corers made from the knuckle bones of sheep; ships' figureheads; weather vanes; tavern signs; trench art, items made from the spent shell cases and other detritus of war; early Staffordshire flatbacks, decorative ceramic figures meant to stand on hearth or mantelpiece let me know when you'd like me to stop.

Tate Britain, currently hosting an exhibition called British Folk Art - it runs until August 31 - is one place to see some of the more unusual items. The show spans some 300 years from the mid-17th right up to the mid-20th century, but the Industrial Revolution sounded the death knell of folk art because the skills traditionally needed to construct utility items were no longer in demand.

The Victorian age was geared to mechanising production and there was little time left for making one-off artefacts.

Or it was until about 1860 when a return to folk style and traditional craftsmanship was led by William Morris and John Ruskin. It was grandly called the Arts and Crafts Movement, which began in Britain and spread quickly across Europe and North America.

ART FAIR COLLECTORS looking to purchase folk art should visit the Antiques for Everyone summer fair at the National Exhibition Centre, Birmingham, which runs from July 24-27.

John Shepherd and his partner Erna Hiscock, who kindly supplied most of the illustrations on this page, have been exhibiting at the fairs there for 20 years and carry a stock of good pottery, samplers, treen, tools, pictures and fabrics, attracting lots of buyers including interior decorators and American trade.

The Clarion Events fair is open 11am-6pm Thursday to Saturday, 11am-5pm Sunday, and admission is PS12 including parking.

CAPTION(S):

Life-sized painted chalk cat was made in America. Price: Upwards of PS5,000

Superbly detailed Napoleonic prisoner of war bone model of the 118-gun Achille plus, top left, war work bone games compendium with painted playing cards, dominoes and dice (Photos: Antique Collectors' Club/Clive Lloyd) and a Napoleonic prisoner of war miniature bone fireplace with accessories. (PS550)
COPYRIGHT 2014 MGN Ltd.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2014 Gale, Cengage Learning. All rights reserved.

Article Details
Printer friendly Cite/link Email Feedback
Publication:Daily Post (Conwy, Wales)
Date:Jul 12, 2014
Words:999
Previous Article:diy.donny.
Next Article:Passengers compensated; travel NEWS.
Topics:

Terms of use | Copyright © 2018 Farlex, Inc. | Feedback | For webmasters