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1-39 out of 39 article(s)
Title Author Type Date Words
High Tide of Heartbreak: Has theatre Wounded me as much or more than it's healed me? Hudes, Quiara Alegria Oct 1, 2018 3035
ROLE CALL: PEOPLE TO WATCH. May 1, 2018 1619
Role call: people to watch. May 1, 2017 1610
People to watch. Nov 1, 2016 1796
People to watch. Oct 1, 2016 1741
People to watch. Mar 1, 2016 1693
TV or not TV. Holtham, J. Essay Feb 1, 2016 3454
Role call. Oct 1, 2015 5022
15 after 20: Part 2: time, creativity, persistence, regret, love: How have these forces shaped the lives of a 15-member cadre of dedicated actors over 20 years? London, Todd Discussion Oct 1, 2015 9285
No appointment necessary: how the Dramaturgy Open Office Hour Project demystifies the profession by providing more direct access to it. Bent, Eliza Oct 1, 2015 1302
Both side now: can a professional critic also be a working artist? Cote, David Jul 1, 2015 1862
The write stuff: how the culture of silence helps get writing done. Bent, Eliza Dec 1, 2014 1355
Aspectos interactivos del humor basado en el lenguaje en las comedias de Shakespeare: la dinamica de los juegos de palabras de las damas de compania. Adamczyk, Magdalena Essay Jun 1, 2014 7953
Shakespeare's opening nights. Brief article Sep 3, 2012 140
Implosion explosion: 13P combusts, but its recipe for playwright-driven productions lives on. Bent, Eliza Sep 1, 2012 1082
Not just about nightingales: in a quartet of early plays, the young Williams played at politics and found a style. Firestone, Lonnie Sep 1, 2011 1485
Aspects psychologiques de la comedie roumaine d'inspiration francaise pendant le XIXe siecle. Boboc, Alina Critical essay Jun 1, 2011 1791
Shades of gray in black and white: in a series of new works, playwrights revisit race. Cox, Gordon Mar 15, 2010 956
Russ Tutterow fresh twists: at Chicago Dramatists, he offers a novel approach to new-play development--actually producing new works. Reid, Kerry Mar 1, 2010 1514
Mark Jackson Deutsch by design: an affinity for German theatre flavors his genre-bending work in the Bay Area. Veltman, Chloe Apr 1, 2009 2136
Shakespeare on the road: tracking the tours with the REED web project. MacLean, Sally-Beth; Somerset, Alan Jan 1, 2009 3984
Nothing to prove; Playwright Dee Jae Cox took on secret love and the LA theater scene this year. Silva, Fernanda Dec 1, 2008 517
A critic infiltrates Paula Vogel's boot camp: the results, she says, are transformational. Rousuck, J. Wynn Dec 1, 2008 2136
Sometimes a Great Notion: Portland Center Stage. Brief article Sep 1, 2008 299
Looking both ways: Gina Gionfriddo, Rolin Jones and Adam Rapp on traveling the two-way street between theatre and screen. Hart, Sarah Discussion Jul 1, 2008 4713
Playwrights' Center stages Japanese exchange. Skinner, Quinton Nov 5, 2007 529
TV lures moonlighting scribes: playwrights straddle stage, tube divide. Blankenship, Mark Apr 2, 2007 952
Mee and you and everyone we know. Blankenship, Mark Sep 19, 2005 429
Pop culture takes center stage: young dramatists turn to '80s icons and cult faves for legit inspiration. Pincus-Roth, Zachary Mar 14, 2005 943
B'way tuners play six-degree games: in this generation of young creatives, musical theater has only a few points of separation. Hofler, Robert Mar 7, 2005 1094
Isolation from larger centres breeds innovation. Brief Article Jul 1, 2001 504
Jean-Claude van Itallie: dreamers welcome. Berkrot, Peter May 1, 1999 909
Lost and found: in W. David Hancock's haunted world, every object has a story. McNulty, Charles Nov 1, 1998 1035
The glory years: Lanford Wilson returns to form with a compassionate new play, 'Book of Days.'. Jones, Chris Nov 1, 1998 2067
Sam Shepard's identity dance. Shewey, Don Jul 1, 1997 4897
Why I write for television. Rebeck, Theresa Dec 1, 1995 1193
Erik Ehn: bowling for transcendence. Weeks, Jerome Jan 1, 1995 1201
Keith Reddin: who can you trust? Abarbanel, Jonathan Sep 1, 1994 1134
Steve Tesich: the only kind of real rebel left, he figures, is a moral person. Coen, Stephanie Jul 1, 1992 1255

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