Printer Friendly

Practice to Deceive: The Amazing Stories of Literary Forgery's Most Notorious Practitioners.

Joseph Rosenblum. Practice to Deceive: The Amazing Stories of Literary Forgery's Most Notorious Practitioners. New Castle, Del.: Oak Knoll Press, 2000. xx, 394 PP.; $39-95 (cloth). ISBN 1-58456-010-X.

Forgery is as ineluctably fascinating as a naked body or a train wreck. It seems highly likely that most forgers want to fail--that is, to be unmasked--because paradoxically only by failing does a forger gain renown. Doubtless for every William Henry Ireland who has been steered into the history books by a dedicated cicerone like Edmond Malone, there are others whose `talents,' for whatever reason, have remained secret; and a genius, even for criminality, known to none but the perpetrator, must yield an unsatisfying sort of pleasure, despite its appreciable effect of keeping a person out of jail or at least free from obloquy.

Almost everything conceivably of any value has been forged, as the wonderful 1990 British Museum exhibition "Fake?" extensively demonstrated. In the specific field of bibliography widely construed, texts, manuscripts, books, bindings, dust-jackets, type, etc., have all to greater or lesser degree attracted the attention of forgers. (I am hard pressed to think of any examples of forged paper, apart from the special case of currency, but there must surely be some.) As early as 1907, J.A. Farrer (1849-1925) published the classic account of some of the most famous forgers in his still highly important Literary Forgery, a book, alas, with no list of sources but nevertheless replete with scholarly details not discoverable elsewhere. (Farrer was an interesting man who wrote many other books on subjects ranging from Adam Smith to Zululand.) Farrer died before Carter and Pollard publicly disclosed the Wise and Forman forgeries, but he did write about a number of the same literary criminals dealt with by Joseph Rosenblum in his new book, Practice to Deceive. (Although my advice may be unwelcome to some and perhaps offensive to others, I do think that authors should not dedicate their books to their cats, as Rosenblum has done. It tends to prejudice the reader at an especially prospective and susceptible moment.)

In 1998, Rosenblum published a translation of a contemporary account of Vrain-Denis Lucas, the extraordinary forger of letters, under the title The Prince of Forgers, and earlier he contributed an essay on Thomas James Wise to a 1997 volume of the Dictionary of Literary Biography devoted to bibliographers. (The chapter on Wise in the book under review is a revised version of that essay.) He has, therefore, a demonstrated interest in the subject of forgery. In Practice to Deceive, he devotes chapters to nine forgers of texts, books, and manuscripts: George Psalmanazar, James Macpherson, Thomas Chatterton, William Henry Ireland, John Payne Collier, George Gordon Byron, Vrain-Denis Lucas, T.J. Wise, and Mark Hofmann. All of these men are, of course, well known, and all have been much written about. Hofmann, who also murdered two people, is still alive at age 46, and since 1988 he has been serving a life sentence without parole in a prison in Utah.

Rosenblum's book is well documented, but it is not a work of original scholarship. He has combed the extensive literature on his nine forgers and has read the primary documents--Psalmanazar's and Ireland's memoirs, Chatterton's and Macpherson's poetry and so on--and his stories are based on this reading of the primary sources as well as on what others have written. He is a good gatherer and he writes well enough, and the reader who has only a passing knowledge of the subject will be edified and entertained. The specialist will find little new, if anything, but then the book is not intended for specialists. I caught a few errors, or instances of what is asserted as fact seeming unlikely. Rosenblum states on p. 261, for example, that there are "only about a dozen copies" extant of Robert Browning's first book, Pauline (1833). I have worked in three academic libraries, none of which particularly specialized in Georgian and Victorian poetry, and two of them owned copies of Pauline. There are, in any case, fourteen copies recorded in OCLC, not including McGill's or the Ashley Library copy at the British Library. The copy at the Clark Library was acquired from Rosenbach in 1924, and even then it was described as one of eighteen known copies. If we assume that there are at least a few copies in private collections, two dozen copies seems a more likely estimate for the survival rate of this book. The sector of the bibliophilic world that has Locker-Lampson and especially Wise at its point of origin is rife with these sorts of figures--only two copies of this book survive, only one copy of that book survives--and they rarely stand up to close scrutiny.

Practice to Deceive is exactly what it was meant to be: a diverting read for anyone interested in books. It would have benefited from closer proofreading. The names of Descartes, Hofmann, and Buxton Forman are spelled wrong on occasion, the last on the rear panel of the dust-jacket, and Rosenblum's own book, The Prince of Forgers, lacks the "The" in the list of his books on p. [ii]. The book is amply documented, however, and it has a useful bibliography of sources at the end.
William Andrews Clarke Memorial Library, UCLA
COPYRIGHT 2001 Bibliographical Society of Canada
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001 Gale, Cengage Learning. All rights reserved.

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:Review
Publication:Papers of the Bibliographical Society of Canada
Article Type:Book Review
Date:Mar 22, 2001
Previous Article:Ottmar Mergenthaler: The Man and his Machine.
Next Article:The Alphabet Versus the Goddess: The Conflict between Word and Image.

Terms of use | Privacy policy | Copyright © 2019 Farlex, Inc. | Feedback | For webmasters