Our sky romance: how do we love astronomy? Let Timothy Ferris count the ways.
ABOUT 10 MINUTES INTO watching Timothy Ferris's Seeing in the Dark, I thought, "This is the TV show that we wanted to make!" By "we" I mean the editors of Sky & Telescope. We've often talked about our desire for a show or series, light on science, focusing on how easy and enjoyable stargazing is (the primary ingredients for the late Night Sky magazine). In some respects, Ferris has given us exactly that. He's taken his lifetime of experience and offers a demonstration of the various ways astronomy fulfills people's lives.
The show, based on Ferris's book of the same title (S&T: November 2002, page 62), isn't a science documentary, but a testament to a love of the night sky. Amateur astronomers stargaze for different reasons. Each gets a thrill in his or her own way, be it introducing city dwellers to craters on the Moon, taking photos of distant nebulae, or contributing to professional research.
Much of the program is autobiographical. Ferris explains how his cosmic interests developed, from his first spyglass to his current personal observatory equipped with a Go To telescope. How I wish I was Ferris in his youth! I certainly wasn't born at the right time and living in the right place to pack up with high-school friends for a night on the beach to stargaze.
The peek into the author's past just lays the foundation for the program. He introduces us to other amateur astronomers, from all walks of life. Some will be familiar to S&T readers. Ferris doesn't bring us to desolate mountaintop observatories; instead we visit city sidewalks, woodland retreats, and in the case of astrophotographer Rob Gendler, a suburban driveway. The highest peak reached is Breezy Hill in Vermont, to chat with the telescope makers of Stellafane.
Despite Ferris's humble beginnings and the basic-but-beautiful craft of Stellafane's tinkerers, the film soon showcases the high-tech equipment prevalent in the hobby today. Modern amateur astronomy has blurred the line with professional astronomy thanks to digital imaging and remotely operated telescopes.
To show how easy it is to set up a personal observatory in the Internet Age, the four brothers of Software Bisque set out to install a computerized telescope in an empty dome at New Mexico Skies, an observing resort and "telescope farm" at which anyone can buy time on a scope for personal use. The facility was ready to go in about three hours.
But there's no brotherly bustle to assemble the telescope. Like the rest of the show, the action is unharried. The buzz of a city street crowded with sidewalk astronomers is as busy as it gets. Ferris's soothing narration enhances the sense that no matter where he takes us, it's as if we're enjoying a quiet night alone under the stars.
This mellowness is in contrast to so many documentary programs about astronomy that focus on cosmic hot topics such that they become akin to tabloid television. I loathe clips of flashy animations repeated several times--or worse, alternately shown flopped and/or played at different speeds. Seeing in the Dark has no such "junk video." That's not to say that there aren't state-of-the-art special effects. Space artist Don Davis created several mesmerizing sequences, especially a journey through the Andromeda Galaxy.
A companion website promises extra goodies (www.pbs.org/seeinginthedark), but it will launch after this issue goes to press. Among the resources that should be available is access to the remote telescope that Ferris set up with Team Bisque.
Although I watched the program on a preview DVD, I'll still tune in to see it in high-definition. Shortly after the broadcast premiere, the film will be available on standard and high-definition DVDs.
By reading this magazine you're already a sky afficionado to some degree. So to you, this show is preaching to the choir. But if you convince other people to watch it, maybe they'll understand you a bit better.
Featured observer--and musician--Michael Koppelman sums up the attitude of most amateur astronomers when he explains how he managed to image light from a star that exploded 11 billion years ago. Seeing the universe with our own eyes, he says, is "pretty dang cool."
Associate editor STUART GOLDMAN missed the show's production crew at Stellafane in 2006 because he went to his high-school reunion instead.
|Printer friendly Cite/link Email Feedback|
|Title Annotation:||Seeing in the Dark|
|Author:||Goldman, Stuart J.|
|Publication:||Sky & Telescope|
|Article Type:||Television program review|
|Date:||Sep 1, 2007|
|Previous Article:||Your sky, my sky.|
|Next Article:||Arped and ready: this is a handsome tome designed by two knowledgeable observers who know what they're doing.|