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1-132 out of 132 article(s)
Title Author Type Date Words
The Politics of We-Narration: The One vs. the Many. Fludernik, Monika Critical essay Mar 22, 2020 5020
The Transitivity of "We" and Narrative Legions. Dwivedi, Divya Report Mar 22, 2020 5235
History and/through Oral Narratives: Relocating Women of the 1971 War of Bangladesh in Neelima Ibrahim's A War Heroine, I Speak. Biswas, Sanjib Kr; Tripathi, Priyanka Critical essay Jan 1, 2020 5939
Subaltern Women: Shadows of the Other in In Other Rooms Other Wonders. Almas, Neelum; Akhtar, Amer Critical essay Dec 31, 2019 6097
Old and New Uchinanchu (Okinawan) Tales: A Reflection on Family Methodology and Ethnic Epiphanies. Higa, Keith Personal account Sep 22, 2019 5808
Gendered Poetic Discourse and Autobiographical Narratives in Late Victorian Sonnet Sequences. Rigg, Patricia Critical essay Jun 22, 2019 10333
NATHAN ENGLANDER'S THE MINISTRY OF SPECIAL CASES AS JEWISH-AMERICAN ANACHRONOTOPE. Taub, Naomi Critical essay Mar 22, 2019 9930
The Ethics of Story-telling: Strategies of Voice in Leonardo Sciascia's Il consiglio d'Egitto. Albanese, Nicholas Critical essay Mar 22, 2019 7412
Writing and Discourse: Chimamanda Ngozi Adichie's Half of a Yellow Sun as a Civil War Narrative. Wosu, Kalu Critical essay Sep 15, 2018 4971
Using Personal Narratives to Reposition and Reimagine "the Chinese American Experience" in American History and Culture. Bodemer, Margaret B. Report Jan 1, 2018 5275
Five: Exploring the Gendered Nature of National Violence: The Intersection of Patriarchy and Civil Conflict in Tanella Boni's Matins De Couvre-Feu (Mornings under Curfew). Spleth, Janice Critical essay Dec 22, 2017 680
Yourcenar, et al.: Styron's Sources for The Confessions of Nat Turner. West, James L.W., III Dec 22, 2016 6260
"Taste in noises": Registering, evaluating, and creating sound and story in Jane Austen's persuasion. Nesbit, Kate Critical essay Dec 22, 2015 8740
Narrative, Orality, and Native-American Historical Consciousness: The Critique of Logocentrism in Louise Erdrich's Tracks. Butler, Jonathan Critical essay Dec 1, 2015 8667
Sulla tipologia dei romanzi in seconda persona (con un archivio provvisorio). Petronella, Annabella Critical essay Nov 1, 2015 4136
Concealment and revelation: an interdisciplinary approach to reader suspense. Flanders, Reshmi D. Critical essay Jun 22, 2014 7996
Breaking the narrative ties that bind in Shyam Selvadurai's Funny Boy. Bell, Katherine Critical essay Sep 1, 2012 8805
Rethinking postmodern narrativity: narrative construction and identity formation in Don DeLillo's White Noise. Wiese, Annjeanette Critical essay Jun 22, 2012 11837
Spanking the Form. Caponegro, Mary Critical essay Mar 22, 2012 2120
The Missing, the No-Longer, and the Not-Yet: Reading Robert Coover's "Apostrophe Trilogy". Quinn, Paul (British literary critic) Critical essay Mar 22, 2012 9805
Period Bob. Cayley, John Critical essay Mar 22, 2012 1869
The role played by objects in the work of Robbe-Grillet. Negrici, Dominic Critical essay Jan 1, 2012 2283
Jonathan Lethem's The Fortress of Solitude and Omega: the unknown, a comic book series. Coughlan, David Report Jun 22, 2011 12036
Multivocal narrative and the teacher as narrator: the case of Agnon's "two scholars who were in our town" [TEXT NOT REPRODUCIBLE IN ASCII]. Shapiro, Harvey Critical essay Jun 22, 2011 8544
The epistemology of fiction: knowing v. "knowing". Kafalenos, Emma Jun 22, 2011 2012
Socializing the narrative mind. Brockmeier, Jens Jun 22, 2011 2283
Post-Cartesian approaches to narrative and mind: a response to Alan Palmer's target essay on "Social Minds". Herman, David Jun 22, 2011 2631
Response to Alan Palmer's "social minds". Bortolussi, Marisa Jun 22, 2011 1910
Changing minds in narrative. Stockwell, Peter Jun 22, 2011 1465
The space between: a narrative approach to Alison Bechdel's Fun Home. Warhol, Robyn Report Jun 22, 2011 6512
The Little Death of Self. Boruch, Marianne Critical essay May 1, 2011 8041
Jewish comics; or, visualizing current Jewish narrative. Royal, Derek Parker Report Jan 1, 2011 5095
The narrator's voice and the sense of Sense and Sensibility. Folsom, Marcia McClintock Critical essay Jan 1, 2011 4435
Narratology and cognitive science: a problematic relation. Ryan, Marie-Laure Dec 22, 2010 10965
The problem of omniscience in John Updike's Roger's Version. Silver, James Critical essay May 1, 2010 807
Messing with metonymic and synecdochic selves: a reading of female subject-making in Fae Myenne Ng's Bone/Metonomik ve sinekdotik bireyler: Fae Myenne Ng'nin Bone adli eserinde kadin oznenin kurgulanmasi. Abidi, Siham Arfaoui Critical essay Sep 22, 2009 5581
Immersions in the cognitive sublime: the textual experience of the extratextual unknown in Garcia Marquez and Beckett. Abbott, H. Porter Critical essay May 1, 2009 6327
The return of omniscience in contemporary fiction. Dawson, Paul Critical essay May 1, 2009 9553
Lost in the gutter: within and between frames in narrative and narrative theory. Berlatsky, Eric Critical essay May 1, 2009 13358
Beyond the frame: cognitive science, common sense and fiction. Grishakova, Marina Critical essay May 1, 2009 5822
Place, space, and Michal Govrin's Snapshots. Rimmon-Kenan, Shlomith Critical essay May 1, 2009 7966
Maupassant's Empty frame: A new look at "Boule de Suif". Moreau, John Critical essay Mar 22, 2009 6245
Spatial historiography and empire in Michel Butor's Degres. Haacke, Paul Critical essay Mar 22, 2009 6006
Marching through memory: revising memory in E. L. Doctorow's The March. Hales, Scott Critical essay Jan 1, 2009 6757
Whispering to the converted: narrative communication in Rudyard Kipling's Letters of Marque and Indian fiction. Sergeant, David Jan 1, 2009 7075
Thinking differently can bring great stories. Hallman, Tom, Jr. Apr 1, 2008 912
Into Africa: narrative and authority in Hemingway's The Garden of Eden. Silbergleid, Robin Critical essay Mar 22, 2008 9534
Emotion is the heart of every narrative story. Hallman, Tom Jr. Mar 1, 2008 971
The I that tells itself: a Bakhtinian perspective on Narrative Identity. Erdinast-Vulcan, Daphna Essay Jan 1, 2008 8160
Who controls the narrative?: a stylistic comparison of different versions of Raymond Carver's "So Much Water So Close to Home". Arai, Keiko Critical essay Sep 22, 2007 9122
Voicing the drowned girl: poems by Hilde Domin, Ulla Hahn, Sarah Kirsch, and Barbara Kohler in the German tradition of representing Ophelia. Owen, Ruth J. Critical essay Jul 1, 2007 5997
Booth's The Rhetoric of Fiction and China's critical context. Shen, Dan May 1, 2007 10328
Fiction as restriction: self-binding in new ethical theories of the novel. Hale, Dorothy J. May 1, 2007 10827
Making readers. Shaw, Harry E. May 1, 2007 9251
Estranging unreliability, bonding unreliability, and the ethics of Lolita. Phelan, James May 1, 2007 8583
The Rhetoric of reference; or, Shostakovich's ghost quartet. Rabinowitz, Peter J. May 1, 2007 9914
Musikale narratief in Benjamin Britten se opera Billy Budd/musikale narratief in Benjamin Britten se opera Billy Budd. Vermeulen, Karen; Spies, Bertha Critical essay Apr 1, 2007 6109
"Every picture tells a story, don't it?" (1): the complex role of narratives in disability cases (2). Dinerstein, Robert D. Viewpoint essay Jan 1, 2007 9084
Notes on construing the avatars of a text: the evolution of narrative in Desvignes' La Seconde Visite. Curtis, Jerry L. Critical essay Nov 1, 2006 1211
The journey into the text: reading Rulfo in Carlos Reygadas's 2002 feature film Japon. Rowlandson, William Critical essay Oct 1, 2006 5584
A theory of narrative empathy. Keen, Suzanne Oct 1, 2006 15163
Theory of fiction: a non-Western narrative tradition. Gu, Ming Dong Oct 1, 2006 15226
Speed, rhythm, movement: a dialogue on K. Hume's article "narrative speed". Baetens, Jan; Hume, Kathryn Oct 1, 2006 3325
'...Bringing facts into some connexion with each other....': Ludwig Becker's narrative strategies in his Burke and Wills illustrations. Heckenberg, Kerry Sep 22, 2006 6749
The poet and the detective: defining the psychological puzzle film. Panek, Elliot Sep 22, 2006 11016
Character and complexity in American Independent cinema: 21 Grams and Passion Fish. Newman, Michael Z. Sep 22, 2006 6677
Woody's Melindas and Todd's stories: complex film narratives in the light of literary modernism. Metz, Walter Critical essay Sep 22, 2006 9901
The boundaries of Mitleidsdramaturgie: some clarifications concerning lessing's concept of 'mitleid'. Martinec, Thomas Jul 1, 2006 8780
Gathering the limbs of the text in Shelley Jackson's Patchwork Girl. Sanchez-Palencia Carazo, Carolina; Almagro Jimenez, Manuel Critical essay Jun 1, 2006 8439
Charted territory: Canadian literature by women, the genealogical plot, and sky lee's disappearing moon cafe. Gordon, Neta May 1, 2006 9039
Narrative identity and narrative imperialism: a response to Galen Strawson and James Phelan. Eakin, Paul John May 1, 2006 4146
Semantics, pragmatics, and narrativity: a response to David Rudrum. Ryan, Marie-Laure May 1, 2006 4767
On the very idea of a definition of narrative: a reply to Marie-Laure Ryan. Rudrum, David May 1, 2006 4974
The collective voice in The Madonna of Excelsior: narrating transformative possibilities/ Die kollektiewe stem in The Madonna of Excelsior: die beskrywing van transformatiewe moontlikhede. Zulu, N.S. Apr 1, 2006 7380
The rejection of beauty in Waugh's Brideshead Revisited. White, Laura Critical essay Mar 22, 2006 6526
The dramatic conversion of Nicholas Barber in Barry Unsworth's Morality Play. Russell, Richard Rankin Critical essay Mar 22, 2006 9105
Ethics and "night thoughts": "truer than the truth". Mandel, Miriam B. Critical essay Mar 22, 2006 2299
The last good country. Putnam, Ann Critical essay Mar 22, 2006 1896
House of Leaves: reading the networked novel. Pressman, Jessica Critical essay Mar 22, 2006 9244
The impression of a deeper darkness: Ian McEwan's Atonement. Mathews, Peter Critical essay Mar 1, 2006 5694
"Driving in the Reverse Gear": Alienation and Non-Linear Chronology in Paula Vogel's How I Learned to Drive. Cummins, Amy Elizabeth Critical essay Jan 1, 2006 888
"Centaur meditating on a saddle": fabric and function of the narrative voice in William Gaddis' Jr. Chenetier, Marc Critical essay Jan 1, 2006 9184
"How I want thee, humorous Hogart": the motif of the absent artist in Swift, fielding and others. Rogers, Pat Jan 1, 2006 7187
"He used to wear a veil": pursuing the other in Algernon Blackwood's "the listener". Thompson, Terry W. Critical essay Jan 1, 2006 5296
Lost in the art(ifice) of male language: finding the female author in Paola Capriolo's Il doppio regno. Hipkins, Danielle Critical essay Jan 1, 2006 8547
W. G. Sebald's painters: the function of fine art in his prose works. Fuchs, Anne Critical essay Jan 1, 2006 9614
Toward the north star: Eudora Welty's "A Worn Path" and the slave narrative tradition. Moberly, Kevin Critical essay Dec 22, 2005 9004
The story as cure in Richard Ford's "Occidentals". Duffy, Brian Critical essay Dec 22, 2005 7215
The autobiographical self: phenomenology and the limits of narrative self-possession in Anne Carson's Autobiography of Red. Murray, Stuart J. Critical essay Dec 1, 2005 8920
Who's here? Thoughts on narrative identity and narrative imperialism. Editorial Oct 1, 2005 3368
Telling and listening: constraints and opportunities. Aull, Felice Oct 1, 2005 6442
I know that I know that I know: reflections on Paul John Eakin's "what are we reading when we read autobiography?". Butte, George Oct 1, 2005 4351
The technique of flashback in selected Northern Sotho literary texts. Phala, R.S. Aug 1, 2005 8677
Speaking of Godwin's Caleb Williams: the talking cure and the psychopathology of enlightenment. Faflak, Joel Critical essay Jun 1, 2005 9659
"I don't like not knowing how the world works": examining preservice teachers' narrative reflections. Dome, Nancy; Prado-Olmos, Patricia; Ulanoff, Sharon H.; Ramos, Reyna G. Garcia; Vega-Castaneda, Lill Mar 22, 2005 9732
Fun and speculation: Sense and Sensibility and Pride and Prejudice as revisions. Klenck, Deborah J. Knuth Critical essay Jan 1, 2005 6180
Fragment and focus: Jane Austen and the art of the blazon. Jones, Susan E. Critical essay Jan 1, 2005 2340
Re-pairing Jane Austen. Melko, Matthew Jan 1, 2005 1147
Racial wounding and the aesthetics of the middle voice in Absalom, Absalom! and Go Down, Moses. Gwin, Minrose C. Critical essay Sep 22, 2004 6776
The poetics of ruptured mnemosis: telling encounters in William Faulkner's Absalom, Absalom! Wulfman, Clifford E. Critical essay Sep 22, 2004 11540
The radiance of the fake: Pylon's postmodern narrative of disease. Gaylord, Joshua Critical essay Sep 22, 2004 10602
Adapting Chekhovian mood. Smorodinskaya, Tatiana Jun 22, 2004 7184
Voice inverse. Prins, Yopie Mar 22, 2004 6905
Archiving "archiving". O'Driscoll, Michael; Bishop, Edward Personal account Mar 1, 2004 6635
The novel novel: a look at alternative formats in today's YA literature. Whitney, Kim Ablon Jan 1, 2004 2651
Omniscience. Culler, Jonathan D. Critical Essay Jan 1, 2004 6864
Talking narrative: a conversation with David Antin. McHale, Brian Interview Jan 1, 2004 12363
Rearranging the pyramid: news can take a few lessons from fiction. Larocque, Paula Excerpt Dec 1, 2003 3446
The power of story: what journalism can learn from country music. Kunkel, Thomas Oct 1, 2003 793
Exploring the great divide: high and low, left and right. Scholes, Robert Oct 1, 2003 13186
Theory of mind and experimental representations of fictional consciousness. Zunshine, Lisa Oct 1, 2003 11622
For want of a better term?: polyphony and the value of music in Bakhtin and Kundera. Benson, Stephen Oct 1, 2003 10544
Bifurcated narratives in the poetry of Robinson Jeffers, C. K. Williams, and Denis Johnson. Soldofsky, Alan Oct 1, 2003 8427
Simms's bosky gothic, the "region of doubt and shadow". Fisher, Benjamin F. Critical Essay Jun 22, 2003 10030
The battered woman syndrome in Simms's fiction. Shillingsburg, Miriam J. Critical Essay Jun 22, 2003 5329
Nabokov's Primer: letters and numbers in the real life of Sebastian Knight. Zwart, Jane Critical Essay Mar 22, 2003 8979
Narrative beginnings in Amy Tan's The Joy Luck Club: a feminist study (1). Romagnolo, Catherine Critical Essay Mar 22, 2003 8900
Modernity's "Mr. Rambler": Tobias Wolff's exploration of vanity and self-deception in The Night in Question. Hanley, Brian Critical Essay Mar 22, 2003 6223
Legal narratives of self-defense and self-effacement in 'Their Eyes Were Watching God.'(Critical Essay) Korobkin, Laura H. Critical Essay Mar 22, 2003 10939
Sighting/siting/citing the scar: trauma and homecoming in Faulkner's soldiers' pay. Wulfman, Clifford E. Critical Essay Mar 22, 2003 5696
Deliberate unknowing and strategic retelling: the ravages of cultural desire in Charles Brockden Brown's Edgar Huntly. Hustis, Harriet Critical Essay Mar 22, 2003 7558
The stones of Venice, time, and remembrance: calculus and proust in Across the River and into the Trees. Stoltzfus, Ben Critical Essay Mar 22, 2003 4519
Henry James on safari in Ernest Hemingway's Green Hills of Africa. (Notes). Jungman, Robert E.; Tabor, Carole Critical Essay Mar 22, 2003 1677
Why we published "first person fiction". Griffin, Amy Mar 1, 2003 1722
Short-circuiting the dialectic: narrative and slapstick in the cinema of Buster Keaton. Trahair, Lisa Critical Essay Oct 1, 2002 10104
Bambara's feisty girls: resistance narratives in Gorilla, My Love. Muther, Elizabeth Critical Essay Sep 22, 2002 8040
"From the Seen to the Told": the construction of subjectivity in Toni Morrison's Beloved. Fuston-White, Jeanna Critical Essay Sep 22, 2002 8193
"Where is that voice coming from?": Walker Percy and the Demonic. (Special Feature). Desmond, John F. Critical Essay Jun 22, 2002 4722
Suffering, silence, and the female voice in German fiction around 1800. Richards, Anna Topic Overview Jan 1, 2002 9416
"Sounds that creep inside you": female narration and voiceover in the films of Jane Campion. McHugh, Kathleen A. Jun 22, 2001 12707
Historicizing unreliable narration: unreliability and cultural discourse in narrative fiction. Zerweck, Bruno Mar 22, 2001 11721
The subversion of history in Memorial do Convento. Arnaut, Ana Paula Jan 1, 1999 5668

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