Printer Friendly

Damage control.

Although all dancers know the importance of warming up before a class, rehearsal, or performance, professional dancers in Broadway shows, according to a survey by Louis C. Galli, D.P.M., are neglectful of this vital precaution. Galli found that Broadway dancers sustain injuries primarily caused by little or no warm-up, fatigue, and the fact that female dancers are sometimes required to dance in shoes with high heels.

Broadway dancers perform eight shows weekly--on steps, on both flat and raked surfaces, and in different heel heights, from flat to four inches. They may be doing choreography that incorporates ballet, jazz, tap, and modem dance all in the same performance. In addition, they perform with intensity for a short period, rest, and then return to the stage as many as five or six times throughout the evening.

Galli's frequent treatment of injured Broadway dancers led him to conduct a two-year survey (see graphs) that included the casts of Miss Saigon, Phantom of the Opera, Cats, Kiss of the Spider Woman, Les Misgrables, and other shows. "There is a distinct correlation," says Galli, "between injuries and the lack of preperformance warm-up or classwork. In more than one hundred twenty-five questionnaires gathered from show dancers, injuries range from lower back pain to ankle sprains, causing missed performances from one show to three weeks."

If the show does not remain stimulating through rehearsals and changes in cast, a low level of interest in the performance is fostered. Boredom and inattention set the stage for injury. "When this happens and classwork is excluded from a weekly schedule," explains Galli, "there is no muscular compensation for repetition of the show's choreography on the body and for changes in the height of heels."

Maintaining physical condition requires a fifteen-minute warm-ups, if the dancer is under thirty years old; thirty minutes if the dancer is over thirty. "A proper warm-up increases circulation, strengthens muscles, and permits nerve impulses to travel faster throughout the muscular system," says Galli. But a proper warm-up does not consist of a few bounces, a brief stretch, and a kick or two. [See "Warm Up," Personsal You, January, page 92, and "Cool Down," August, page 44.! Statistically, the survey shows that dancers who take at least two classes weekly and warm up before every performance are injured seventy percent less often. It also shows that when this group is injured, time missed from performances is cut in half.

While taking class and warming up may hold little interest for a performer who is adding vocal and drama training to expand career opportunities, finding a new exercise method that stimulates the dancer physically and mentally, costs less than an injury.

Louis C. Galli, D.P.M., is in private practice in New York City and has treated dancers in professional companies sin ce 1974.
COPYRIGHT 1994 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1994, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:injury prevention for Broadway dancers
Author:Horosko, Marian
Publication:Dance Magazine
Date:Dec 1, 1994
Previous Article:Show Boat.
Next Article:Jule Styne.

Related Articles
To your health: from injury to peak performance.
Becoming a dancer: gotta dance!
Advice for Dancers.
Finding the Key to Confidence.
The 10 Percent Solution.
Advice for dancers.
Advice for dancers.
Advice for dancers: former New York City Ballet dancer Linda Hamilton, Ph.D., is a lecturer, a psychologist in private practice, and the author of...
How they healed: five dancers on coming back from injury.

Terms of use | Privacy policy | Copyright © 2021 Farlex, Inc. | Feedback | For webmasters |