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Title Author Type Date Words
The Colors of Enlightenment: Krzysztof Kieslowski's now-classic film trilogy has much to say about the fraught relationship between personal identities and a commerce-driven, transnational State. Fairchild, Steven Critical essay Jun 22, 2019 4272
Letting the Old Ways Die GENDER AND CHARACTERISATION IN A STAR IS BORN: The fourth rendition of one of Hollywood's most iconic titles, Bradley Cooper's film takes on the challenge of adapting an old story of love, fame and dysfunction to a twenty-first-century milieu. As ZOE GOODALL argues, however, its attempts to balance fidelity to the story with contemporary gender norms ultimately have uneven results. Goodall, Zoe Critical essay Jun 1, 2019 3087
American Horror GENRE AND THE POST-RACIAL MYTH IN GET OUT: Rife with symbolism and social commentary Jordan Peele's debut feature effectively employs and subverts well-worn horror tropes, constituting a work that is as entertaining as it is politically charged As ANTHONY CAREW explores, the film functions as both a scathing satire of liberal racism and an evocation of the everyday fears that African-American people must endure. Carew, Anthony Critical essay Jun 1, 2019 3920
Killing Time: ZERO DARK THIRTY'S THEATRE OF CRUELTY. Godfrey, Nicholas Critical essay Jun 1, 2019 3152
FILM A LA MODE: Juxtaposing East and West in Yellow Is Forbidden. Brammer, Rebekah May 1, 2019 2368
THE COST OF COUNTRY: Capital and Ownership in Undermined: Tales from the Kimberley. Siemienowicz, Rochelle May 1, 2019 2804
AGE OF ACCEPTANCE: Community and Inclusion in Sue Thomson's The Coming Back Out Ball Movie. Russell, Stephen A. May 1, 2019 2314
RHETORIC AND REMINISCENCE: Graham Freudenberg, Political Memory and The Scribe. Furze, Anders May 1, 2019 2567
Proof. Lucas, Rose Critical essay May 1, 2019 7072
Italian unification's blind spot: Verga's "Liberta" and Vancini's Bronte: Cronaca di un massacro che i libri di storia non hanno mai raccontato. Poggiolo-Kaftan, Giordana Critical essay May 1, 2019 7470
Fun until the end: The nightclub fantasy in the Italian cinema of the economic miracle. Mobili, Giorgio Critical essay May 1, 2019 8239
Tolkien's Allegory: Using Peter Jackson's Vision of Fellowship to Illuminate Male Adolescent Catholic Education. Zoeller, Adam P.; Malewitz, Thomas E. Report Mar 22, 2019 7227
The Quintessential Kalastajatorppa: A Cinematic Journey into a Time and a Space. Itkonen, Matti Critical essay Mar 22, 2019 5524
Expect the Unexpected: The Types of Planting and Payoff. Berliner, Todd Critical essay Mar 22, 2019 9241
Sex Between Women and Indianness: Vulnerable Casted Bodies. Navarro-Tejero, Antonia Mar 1, 2019 5941
The Commodified Body and Post/In Human Subjectivities in Frears's Dirty Pretty Things and Romanek's Never Let Me Go. Carrasco, Rocio Mar 1, 2019 6167
Building the Fourth Wall: ARCHITECTURE AND THE MOVING IMAGE: Film has a long and varied history of interacting with architecture, revealing a cinematic fascination with the aesthetic qualities, narrative possibilities and symbolic connotations of buildings. These structures may be silent and unmoving, but they nonetheless have a great deal of communicative potential on screen, as ANTHONY CAREW outlines. Carew, Anthony Critical essay Mar 1, 2019 3183
Lost in Landscape: NATURE AND DISPLACEMENT INISLAND OF THE HUNGRY GHOSTS Juxtaposing the human suffering and brutal bureaucracy of a Christmas Island detention centre with the perpetual cycles of the surrounding environment, Gabrielle Brady's film is an unusually poetic documentary representation of Australia's refugee policies. As ANDERS FURZE finds, it is a work that is as evocative as it is intimate. Furze, Anders Critical essay Mar 1, 2019 2438
Ingmar Bergman. Mattia, Joanna Di Critical essay Mar 1, 2019 6281
A Universal Picture The Gods of Hail, Caesar! Wilson, Jake Critical essay Mar 1, 2019 3223
Peeling Back the Layers: Exploring Metafiction in Birdman or (The Unexpected Virtue of Ignorance). Brammer, Rebekah Critical essay Mar 1, 2019 2241
Embracing Abjection, Reclaiming Agency: New Possibilities for the Zombie and the Social Recluse in NEET of the Living Dead. Nelson, Lindsay Critical essay Mar 1, 2019 8299
Park Chan-wook's Critique of Moral Judgment: The Handmaiden (2016). Choe, Steve Critical essay Mar 1, 2019 7085
The Abject Other and Terrorism in Tsui Hark's Detective Dee Series. Li, Haihong Critical essay Mar 1, 2019 8289
Conscientious abjection and chaosmopolitanisnr in Khavn de la Cruz's Ruined Heart. Brown, William Critical essay Mar 1, 2019 8069
"Just a Formality": Yakuza Sovereignty and Abject Exclusion in Kitano Takeshi's Outrage and Beyond Outrage. Kim, Se Young Critical essay Mar 1, 2019 8052
The Cartography of the Abject Nation in Thirst and Still Life. Yoo, Hyon Joo Critical essay Mar 1, 2019 8307
ROMA. Manning, Kathleen Brief article Mar 1, 2019 320
Shame. Heller-Nicholas, Alexandra Critical essay Jan 1, 2019 5752
The Colonized Masculinity and Cultural Politics of Seediq Bale. Lin, Chin-ju Critical essay Dec 10, 2018 5507
'I am That Very Witch': On The Witch, Feminism, and Not Surviving Patriarchy. Zwissler, Laurel Critical essay Dec 1, 2018 11439
A Journey into the Heart of God: Darren Aronofsky's Noah (2014) as a subversive Kabbalistic Text. Macumber, Lindsay; Abdul-Masih, Magi Critical essay Dec 1, 2018 9747
Ask the Beasts of the Southern Wild: Exploring Human Identity as Beast, Being and Beholder in Ask the Beasts: Darwin and the God of Love and Beasts of the Southern Wild. Clary, Stephanie Cherpak Critical essay Dec 1, 2018 13032
Myth and Monstrosity: Teaching Indigenous Films. Derry, Ken Critical essay Dec 1, 2018 9819
Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis. Weagel, Elisabeth Critical essay Dec 1, 2018 6207
Solidarity Beyond Obligation: Three Billboards Outside of Ebbing, Missouri. Chiou, Grace Critical essay Dec 1, 2018 11183
Trickster Ambivalence in Kwaw Ansah's Praising the Lord Plus One. Opoku-Agyemang, Adwoa Critical essay Dec 1, 2018 7286
Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat. Roy, Baijayanti Critical essay Dec 1, 2018 10070
Imagination and Invention: ALICE IN WONDERLAND ON SCREEN: For nearly as long as cinema has existed, it has been revisiting the magical world of Lewis Carroll's Alice's Adventures in Wonderland, finding new and idiosyncratic ways of adapting the classic text. Looking at six of these films, SUSAN BYE assesses how their visions of Alice converge and differ, and what they demonstrate about the creative potential of film technology. Bye, Susan Critical essay Dec 1, 2018 3618
Spectres of Childhood: MAGIC AND MEMORY IN THE SPIRIT OF THE BEEHIVE: One of the most remarkable films to emerge from Spain in the 1970s, Victor Erice's debut feature is a beautiful, eerie tale of life after the Spanish Civil War, channelled through the experiences and imagination of a young girl. As ANTHONY CAREW argues, it functions as both uneasy reverie and potent political metaphor. Carew, Anthony Critical essay Dec 1, 2018 3086
Chaos and Control: The Troubled Waters of Moonrise Kingdom. O'Brien, Gabrielle Critical essay Dec 1, 2018 3345
Goodbye to All That: Lost Innocence and Anti-nostalgia in The Last Picture Show. Di Mattia, Joanna Critical essay Dec 1, 2018 2901
An Old Film in a New Light: Lighting as the Key to Johannine Identity in "Ordet". Goodwin, Richard V. Critical essay Oct 1, 2018 6401
Myth and Ritual in Moonrise Kingdom. Haynes, Sarah F. Critical essay Oct 1, 2018 6905
Terrence Malick Beyond Nature and Grace: Song to Song and the Experience of Forgiveness. Zocchi, Elisa Critical essay Oct 1, 2018 10902
French & Italian Language & Literature. Critical essay Sep 22, 2018 1616
Emotional Contagion and Co-Authored Family Narratives in Parenthood. Moss-Wellington, Wyatt Critical essay Sep 22, 2018 7561
A Cross-Cultural Comparison of Infernal Affairs and The Departed. Wanlin, Li Critical essay Sep 22, 2018 7666
Alpha Female?: Redefining Heroism and Environmental Sustainability in Jeta Amata's Black November. Olajide, Salawu Critical essay Sep 15, 2018 5763
Werner Schroeter e Vincent Monnikendam: Il sangue di Napoli da una prospettiva straniera tra tradizione e internazionalismo. Rotondi, Armando Aug 1, 2018 6492
Neapolitan Leopardi and the Naples of Mario Martone. Bini, Daniela Critical essay Aug 1, 2018 6942
"Chisf e 'o paese d' 'o sole". La rappresentazione di Napoli in Rossellini e Martone. Coen, Carlo Aug 1, 2018 7005
Her Stonewall Legend: The Fictionalization of Sylvia Rivera in Nigel Finch's Stonewall. Mayora, Gabriel Critical essay Jun 22, 2018 10973
Selfish Giants and Child Redeemers: Refiguring Environmental Hope in Oscar Wilde's and Clio Barnard's The Selfish Giant. Maclear, Kyo Critical essay Jun 22, 2018 7293
Speaking truth to power. Milner, Henry Jun 22, 2018 1411
Asghar Farhadi. Crewe, Dave Essay Jun 1, 2018 5594
SUPERPOWER: HANNAH BLACK ON BLACK PANTHER. Black, Hannah Critical essay May 1, 2018 3029
Representing postpartum depression in contemporary cinema: Cristina Comencini's Quando la notte and Alina Marazzi's Tutto parla di te. DeLisle, Giulia Po Critical essay May 1, 2018 11607
Sweeping Conversations: Julie Dash's Daughters. Sabir, Wanda Ali Batin Critical essay Apr 1, 2018 7121
KEEPING UP WITH THE JONES: Melissa Anderson on Sophie Fiennes's Grace Jones: Bloodlight and Bami. Anderson, Melissa Critical essay Apr 1, 2018 1481
IN THE REALM OF THE SENSES: JAMES QUANDT ON THE FILMS OF LUCRECIA MARTEL. Quandt, James Critical essay Apr 1, 2018 3590
"Hi Auntie": A Paradox of Hip Hop Socio-Political Resistance in Killmonger. Hodge, Daniel White Critical essay Apr 1, 2018 1592
Ancestors Change Constantly: Subversive Religious Colonial Deconstruction in the Religion of Black Panther. Gill, Jon Ivan Critical essay Apr 1, 2018 1214
Humanity's Second Chance: Darren Aronofsky's Noah (2014) as an Environmental Cinematic Midrash. Moore, Lila; Shapiro, Marianna Ruah-Midbar Critical essay Apr 1, 2018 11202
Dialectics of tradition and memory in Black Panther. Krishnamurti, Sailaja Critical essay Apr 1, 2018 1516
"Fake It Until You Make It:" A Reflection on Film, Hypocrisy, and Christian Ethics. Bartley, William Critical essay Apr 1, 2018 10860
The Ancestral Lands of Black Panther and Killmonger Unburied. Lewis, A. David Critical essay Apr 1, 2018 1563
The Semi-Anti-Apocalypse of Black Panther. Derry, Ken Critical essay Apr 1, 2018 2381
An Unlikely Heroine--Fat and Unemployed: Doris Dome's Film Die Friseuse (2010). Riegler, Roxane Critical essay Mar 22, 2018 8090
Welcome to Ugly Country: NOSTALGIA AND NATIONALISM IN STEPHAN ELLIOTT'S SWINGING SAFARI. Crewe, Dave Mar 22, 2018 2171
Ties That Bind: KRIV STENDERS' AUSTRALIA DAY AND THE PROBLEMS OF PATRIOTISM. Wallin, Zoe Mar 22, 2018 2024
Sense and Serendipity: DAVID WEN HAM'S ELLIPSIS. Judah, Tara Mar 22, 2018 1899
Stealing Time: FATHERHOOD, THE 'THIRD SPACE' AND SAM VOUTAS' KING OF PEKING. Jing, Leah Mar 22, 2018 2185
THE PAIN OF PURITY: Abuse and Collusion in Vivian Qu's Angels Wear White. Hans, Simran Mar 22, 2018 2543
SALT OF THE EARTH: Virtue and Vengeance in Mohammad Rasoulof's A Man of Integrity. Carew, Anthony Mar 22, 2018 2477
TURNING THE LENS: Looking and Reliving in Hong Sang-soo's Claire's Camera. Crewe, Dave Mar 22, 2018 2921
STATES OF LONELINESS: Proximity and Distance in On the Beach at Night Alone. Heslin, David Mar 22, 2018 2184
CUTTING THROUGH THE CHANBARA FILM: Takashi Miike's Blade of the Immortal. Douglas, James Robert Mar 22, 2018 2217
SINGING ONE'S STORY: Keeping Custom and Country in Westwind: Djalu's Legacy. Harris, Lauren Carroll Mar 22, 2018 2276
'DON'T DO IT AGAIN': Hearing, Seeing and Deep Listening in After the Apology. Knight, Aimee Mar 22, 2018 2234
CHANGING TIDES: Karina Holden's Blue, the Enviro-doc and Conservationism. Dunks, Glenn Mar 22, 2018 2310
HIGH PRICE TAG: Art and Absolution in Have You Seen the Listers? Carew, Anthony Mar 22, 2018 2449
TOO FAR NORTH: The Self-serving Cinema Verite of Atlantis, Iceland. Maslen, Kylie Mar 22, 2018 2420
LIVING IN AMERICA: Expression, Representation and Kate Hickey's Roller Dreams. Ward, Sarah Mar 22, 2018 1807
The Art of Meta-morphosis: Julian Rosefeldt's Manifesto. O'Brien, Gabrielle Mar 22, 2018 2238
Room to Move: Amiel Courtin-Wilson's The Silent Eye. Godfrey, Nicholas Mar 22, 2018 2199
Making Waves in a Man's World: Jane Campion's Women in The Piano and Top of the Lake: China Girl. Van Zweden, Sam Mar 22, 2018 2712
Against the Grain: THE DOCUMENTARY SENSIBILITY OF SUE BROOKS' FICTION FILMMAKING. Thomas, Steve Mar 22, 2018 2273
Dracula Untold. Sanna, Antonio Critical essay Mar 10, 2018 2223
Jane Campion. Carew, Anthony Essay Mar 1, 2018 5745
Urban Milieu, Domesticity, and Fatherhood in The Assassination of Jesse James by the Coward Robert Ford. Paryz, Marek Critical essay Jan 1, 2018 6286
Defending Home, Defending Homeland, Post 9/11: Jane Got a Gun. White, John Critical essay Jan 1, 2018 7650
Hidden in Plain View: Family, the Western, and the Syntax of Genre in A History of Violence. Mitchell, Lee Clark Critical essay Jan 1, 2018 5942
Shakespeare a part: Scenes of Translation in Jean-Luc Godard's Bande a part and the Nouvelle Vague. Calbi, Maurizio Critical essay Jan 1, 2018 5072
Juliet in Ram-Leela: A Passionate Sita. Panjwani, Varsha Critical essay Jan 1, 2018 3851
NAVIGATING THE MODERN WORLD. Andrews, Beverly Critical essay Jan 1, 2018 1312
Outback, Outbreak: YOLANDA RAMKE AND BEN HOWLING ON CARGO AND THE ZOMBIE FILM. Kidd, Briony Jan 1, 2018 2224
Blood Feuds and Blooalands: STEVEN KASTRISSIOS' ALBANIAN HORROR-FANTASY. Heller-Nicholas, Alexandra Jan 1, 2018 2274
Boys Will Be Boys: HORROR TROPES AND MALE PRIVILEGE IN CHRIS PECKOVER'S BETTER WATCH OUT. Robertson, Kate Jan 1, 2018 2299
Seeing Double: CINEMATIC TWINS IN RABBIT AND THAT'S NOT ME. O'Brien, Gabrielle Jan 1, 2018 1863
Into the Light: ALEX PROYAS' DARK CITY TWO DECADES ON. Catania, John Jan 1, 2018 1514
Lost in the Woods: GREG MCLEAN'S JUNGLE. Dunks, Glenn Jan 1, 2018 2177
MAKING PEACE: Resignation, the Road Movie and Kirsten Tan's Pop Aye: CHRONICLING THE PILGRIMAGE OF A DISENCHANTED MIDDLE-AGED MAN--AND HIS ELEPHANT COMPANION--BACK TO HIS CHILDHOOD HOME IN NORTH-EASTERN THAILAND, POP AYE IS ALSO A STORY ABOUT CONFRONTING ONE'S PAST AND PERSISTING PROBLEMS, IN THE SERVICE OF BETTER POSSIBILITIES FOR THE FUTURE. Crewe, David Jan 1, 2018 2009
INSIDE AND OUT: Afghan Life in Shahrbanoo Sadat's Wolf and Sheep. Ward, Sarah Jan 1, 2018 1954
FLIGHT OF FANCY: Falconry, Affluence and Yuri Ancarani's The Challenge. Carew, Anthony Jan 1, 2018 2684
SONGLINES ON SCREEN: Naina Sen's The Song Keepers and Aboriginal Histories. Jan 1, 2018 2559
A STORY OF MAN AND COUNTRY: Sera Davies' Namatjira Project. Redwood, Thomas Jan 1, 2018 2351
GHOST HOUSE: Rewriting the 'Haunted' Narrative in Florian Habicht's Spookers. Russell, Stephen A. Jan 1, 2018 2180
LIFE LAID BARE: Sascha Ettinger Epstein's The Pink House and the Sex Industry. Harris, Lauren Carroll Jan 1, 2018 2085
BAND APART: Music, Memory and Kriv Stenders' The Go-Betweens: Right Here. Crittenden, Jasmine Jan 1, 2018 2015
Nolan's Batman Saga: Realism and Heroism. Birzer, Bradley J. Jan 1, 2018 3750
What Will You Do with Other Life? SCI-FI, SUBJECTIVITY AND TECHNOLOGY. Campbell, Mel Jan 1, 2018 2917
The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp. Willems, Gertjan Critical essay Dec 1, 2017 6958
Cinema e televisione, da conflitto a sinergia: La mafia uccide solo d'estate di Pierfrancesco Diliberto. Paparcone, Anna Nov 1, 2017 9478
Fixing Ground Zero: Race and Religion in Francis Lawrence's I Am Legend. Heyes, Michael E. Critical essay Oct 1, 2017 8678
Depictions of Catholic and Protestant Bodies in Elizabeth (dir. Kapur, 1998). DeSilva, Jennifer M.; Orewiler, Alison R. Critical essay Oct 1, 2017 12100
Now That was a Nice Hanging: The Hateful Eight as Parable? Walsh, Richard G. Critical essay Oct 1, 2017 8611
Scorsese's Silence: Film as Practical Theodicy. Deweese-Boyd, Ian Critical essay Oct 1, 2017 9578
FILLED WITH BIG IDEAS, IMAGES, AND DISTORTED FACTS: THE PASTICHE OF TODD HAYNES' I'M NOT THERE. Grochowski, Thomas Critical essay Sep 22, 2017 7133
Reconfiguring the Garden of Eden: suspended temporality in Jim Jarmusch's "Only Lovers Left Alive". Angelis, Christos Critical essay Sep 22, 2017 5066
"MAY THE WAR BE REMEMBERED BUT NOT REPEATED": ENGENDERING PEACE IN NADINE LABAKI'S WHERE DO WE GO NOW? Sinno, Nadine Critical essay Sep 22, 2017 11273
The Witty, Wistful Films of Whit Stillman. Paletta, Anthony Sep 1, 2017 4680
Game theory: Adam Jasper on Harun Farocki's final project. Jasper, Adam Critical essay Sep 1, 2017 1701
Dunkirk: miracle or blunder? Byas, Steve Aug 21, 2017 4505
A Ghost Story. Brief article Jul 1, 2017 176
THE GENDERED PSYCHOLOGY OF POLITICAL REVOLUTION AND COUNTERCULTURAL DISSENT IN ANTONIONI'S ZABRISKIE POINT. Pera, Aurel Critical essay Jul 1, 2017 2622
Does Nature Abhor a Vacuum of Patriarchy? Missing Fathers in the Films of Whit Stillman. Foley, Michael P. Critical essay Jun 22, 2017 8817
Habemus papem: The Young Pope mixes up some memes. Riddick, Ruth Jun 22, 2017 1451
Dystopia distilled in Stories Women Tell. Barbato, Lauren Jun 22, 2017 1710
Eraserhead: un commentaire. Pinard, Louis Critical essay Jun 22, 2017 4191
RICHARD LINKLATER. Carew, Anthony Jun 1, 2017 5745
Light Through the DARKNESS Using CAMELS to Analyse Steve McQueen's Hunger: JEREMY GUZMAN explores how Steve McQueen expertly uses the language of cinema to tell this harrowing true story of Irish activist Bobby Sands and his plight during the 1981 hunger strike. Guzman, Jeremy Jun 1, 2017 2692
Best in the West: Genre, John Wayne and the American Dream in John Ford's The Searchers. McFarlane, Brian Jun 1, 2017 3938
Looking for a Way Out: Reimagining the Gaze in Carol. O'brien, Gabrielle Jun 1, 2017 3015
The persistence of memory: J. Hoberman on Paz Encina. Hoberman, J. Critical essay May 1, 2017 1590
Gnosticism, technology and the soul in Cuaron's Gravity. Britz, Karli Critical essay Apr 1, 2017 6835
Two-spirit Mexica youth and transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), and Libertad (2015). Estrada, Gabriel S. Critical essay Apr 1, 2017 15097
Shot in the dark: James Quandt on the films of Albert Serra. Quandt, James Critical essay Mar 1, 2017 3904
No nook of English ground secure: Dennis Lim on the films of Patrick Keiller. Lim, Dennis Critical essay Feb 1, 2017 1996
Subtle cues help 'Moonlight' editors illuminate characters: crew filled with his college classmates is quickly on the same page with director Barry Jenkins. Galas, Marj Interview Jan 24, 2017 555
A Teacher's Responsibility: James Baldwin and I Am Not Your Negro. Swain, Amy E. Jan 1, 2017 1612
From Text(s) to Screen: Adapting Genius. Zahlan, Anne R. Critical essay Jan 1, 2017 3239
Violence in Fairy Tales: Basile's Lo cunto de li cunti and Garrone's Il racconto dei racconti. Mazzoni, Cristina Critical essay Jan 1, 2017 7846
"On a More Meaningful Scale": Marketing Utopia in Watchmen. Murphy, Graham J. Critical essay Jan 1, 2017 7127
The films of Jacques Demy: introduction. Hill, Rodney F. Critical essay Dec 22, 2016 5210
Jacques Demy's Bay of Angels: a New Wave Mode of Production. Neupert, Richard Critical essay Dec 22, 2016 4334
Cubism and the Carnivalesque in Jacques Demy's Demoiselles de Rochefort. Virtue, Nancy Critical essay Dec 22, 2016 10692
Demy in the New Hollywood: Model Shop. Ramaeker, Paul Critical essay Dec 22, 2016 10460
A Dance in Disguise: Figure Movement and Genre Play in Peau D'Ane. Oyallon-Koloski, Jenny Critical essay Dec 22, 2016 8008
Memories of Jacques Demy in the Cinema of Andre Techine. Boulange, Guillaume Critical essay Dec 22, 2016 6765
Reinventing Reality: Demy and his Sets. Berthome, Jean-Pierre Critical essay Dec 22, 2016 4463
Pedro Almodovar grows up: after the campy I'm So Excited and the heightened, melodramatic The Skin I Live In, the Spanish auteur's new film, Julieta, is a complex, dramatic exploration of motherhood. Thomas, June Critical essay Dec 1, 2016 1208
PAST IMPERFECT: HISTORY, IDEOLOGY, AND THE CULTURE OF CONSPIRACY IN OLIVER STONE'S PRESIDENTIAL TRILOGY. Moldovan, Raluca Report Dec 1, 2016 9503
Thoughts on Xenophobia, disruptive nation and "Man on Ground". Chasi, Colin Critical essay Nov 1, 2016 8549
Whiplash drumming to a different beat: in this confronting take on the master-apprentice trope, Damien Chazelle challenges viewers to consider how far the protagonist should--and how far they themselves would go to achieve success. Nelson, Susanna Critical essay Oct 1, 2016 2974
Smoke and mirrors in the South: Elia Kazan's A Streetcar Named Desire. Crittenden, Jasmine Critical essay Oct 1, 2016 2676
Artificial intimacy: Technology and Human Connection in Her. Carew, Anthony Critical essay Oct 1, 2016 3516
Six ways of looking at Anomalisa. Smith, David L. Critical essay Oct 1, 2016 10742
Between documentary and fiction: The films of Kore-eda Hirokazu. Yamada, Marc Critical essay Oct 1, 2016 7345
Bearing witness: The sight of a sacrifice in Cristian Mungiu's beyond the hills. Girdwood, Megan Critical essay Oct 1, 2016 7445
The crimes of love. The (un)censored version of the flood story in Noah (2014). Kosior, Wojciech Critical essay Oct 1, 2016 11958
Zen Noir vis-a-vis Myers-Briggs personality typology: Semiotic multivalency as grounds for dialog. Godfrey, Edward J. Critical essay Oct 1, 2016 9280
MAILER'S NEW MAN: DIFFERING MASCULINITIES IN THE FILM TOUGH GUYS DON'T DANCE. Donnelly, Ashley M. Critical essay Sep 22, 2016 4167
THE TRITENESS OF TRAUMA AND TIME: NON-LINEAR NARRATIVE IN TOUGH GUYS DON'T DANCE. Robinson, Kathleen "Kat" Critical essay Sep 22, 2016 2522
Matters of consequence: growing up with the Little Prince. Aranjuez, Adolfo Critical essay Jul 1, 2016 3634
A vote of one's own: suffragette and women's rights. Leslie, Carolyn Critical essay Jul 1, 2016 3634
Sound and fury: ambition, absence and anger in Justin Kurzel's Macbeth: this interpretation of one of Shakespeare's most revered traqedies stays true to the essence of the source text, at the same time managing to feel both contemporary and original. Ward, Sarah Cover story Jul 1, 2016 3212
Missing communism in 1985 and 2015 Greece: nostalgia in Rinio Dragasaki's short film Dad, Lenin and Freddy. Filippaki, Iro Critical essay Jul 1, 2016 4293
Manipulation and memory in John Huston's The Battle of San Pietro. Evangelista, Matthew Critical essay Jun 22, 2016 12882
Deactivating feminism: Sigourney Weaver, James Cameron, and Avatar. Nesbitt, Jennifer P. Critical essay Jun 22, 2016 8295
Cinema as refuge: Frank Borzage and the mystical tradition. Bilton, Alan J. Critical essay Jun 22, 2016 7578
A cinema of resistance: P. Adams Sitney on the films of Jean-Marie Straub and Daniele Huillet. Critical essay May 1, 2016 4985
Looking for Hitchcock: reviewing literature on an icon. McFarlane, Brian Critical essay Apr 1, 2016 3500
Fear takes flight: adaptation, paranoia and punishment in The Birds. Stitson, Roger Critical essay Apr 1, 2016 2675
The blonde who knew too much: revisiting Marnie. Smith, Nathan Critical essay Apr 1, 2016 3323
Allegory and ambiguity in the films of Majid Majidi: a theodicy of meaning. Zargar, Cyrus Ali Critical essay Apr 1, 2016 9673
Different images of God: theological-aesthetical evaluation of films by Andrey Zvyagintsev and Pavel Lungin. Kondyuk, Denys Critical essay Apr 1, 2016 5993
"Noah's beasts were the stars": Arthur Melbourne Cooper's Noah's Ark (1909). Shepherd, David Critical essay Apr 1, 2016 6981
Rivette's The Nun: Religion between Sadism and Masochism. Stellino, Paolo; Rozzoni, Claudio Critical essay Apr 1, 2016 7436
The seal of the confessional: Robert Lepage's Le Confessionnal in social and cultural context. Reinhartz, Adele Critical essay Apr 1, 2016 6678
Tracking the fallen apple: ineffability religious tropes, and existential despair in Nuri Bilge Ceylan's Once Upon a Time in Anatolia. Kickasola, Joseph Critical essay Apr 1, 2016 7012
"Aftertones of Infinity": biblical and Darwinian evocations in Terrence Malick's The Tree of Life and To the Wonder. Robbins, Gregory Allen Critical essay Apr 1, 2016 6124
The complicit gaze: Michael Haneke's cinema of guilt. Blumenthal-Barby, Martin Critical essay Mar 22, 2016 8042
Dominant tendencies of 80s Hollywood revisited thirty years later. Alpert, Robert Essay Mar 22, 2016 5605
What ever happened to Hollywood? Rushton, Richard; Bettinson, Gary Essay Mar 22, 2016 6281
The ideological train to globalization: Bong Joon-ho's The Host and Snowpiercer. Taylor, Brandon Critical essay Mar 22, 2016 2702
"Grief is worthless": identity, consequence, & close-ups in The Counselor. Mitchell, Lee Clark Critical essay Mar 22, 2016 5850
On the off-screen voice: sound & vision in Spike Jonze's Her. Bordun, Troy Critical essay Mar 22, 2016 6259
Hitchcock's Vertigo. Lippe, Richard Critical essay Mar 22, 2016 2550
Peter Jackson's The Hobbit: A Beautiful Disaster. Oziewicz, Marek Critical essay Mar 22, 2016 10357
Voices of a generation: is Master of None the definitive millennial comedy? Murphy-Gill, Meghan Mar 1, 2016 982
Eros and contemplation: the Catholic vision of Terrence Malick's To the Wonder. Urda, Kathleen E. Critical essay Jan 1, 2016 6523
Melodrama, sickness, and paranoia: Todd Haynes and the woman's film. Belau, Linda; Cameron, Ed Critical essay Jan 1, 2016 5860
Exiled childhood. Framing Traumas in Cristina Comencini's Don't Tell. Lanslots, Inge Critical essay Dec 22, 2015 5680
Master of suspense. Bowman, James Essay Dec 22, 2015 2756
Hou's the boss. Chang, Justin Dec 16, 2015 935
Fellini and the auteurists. Sbragia, Albert Critical essay Sep 22, 2015 8628
A path less traveled: rethinking spirituality in the films of Alejandro Jodorowsky. Breckenridge, Adam Critical essay Sep 22, 2015 8918
Beyond the confines of tolerance in Rachid Buchareb's London River: theological discussion and educational approach to an open ended film. Thoma, Panayiotis A. Critical essay Sep 22, 2015 9815
Climbing a ladder to heaven. Gnostic vision of the world in Jacob's Ladder (1990). Kwiatkowski, Fryderyk Critical essay Sep 22, 2015 8177
"I ain't so sure but what the Lord done put these folks in our path for a reason": latter-day saints building communities through dancing in John Ford's Wagon Master. Pettigrew, Ian Dwayne Critical essay Sep 22, 2015 6751
Technicolour noir: Diao Yinan's black coal, thin ice. Carew, Anthony Sep 22, 2015 2586
Tradition and the individual artist: reflections on modernism in Woody Allen's Shadows and Fog. Owens, Joana Critical essay Sep 22, 2015 7368
Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott's Prometheus (2012). McWilliam, David Critical essay Sep 22, 2015 6060
'The tropics make it difficult to mope': the imaginative geography of Alexander Payne's the descendants (2011). Palencia, Carolina Sanchez Critical essay Jul 1, 2015 6894
Treading water: Dean Francis' Drown. Smith, Nathan Jun 22, 2015 2212
Bloody good comedy: what we do in the shadows. Carew, Anthony Jun 22, 2015 2036
Taking Shakespeare to the streets. Judah, Tara Jun 22, 2015 2363
The road less travelled: Matthew Saville's Felony. Synnott, Ashleigh Jun 22, 2015 1659
Stunted growth: Kasimir Burgess' Fell. Douglas, James Robert Jun 22, 2015 2216
Still life: the films of Tsai Ming-Liang. Carew, Anthony Jun 22, 2015 3083
Years of being styled: Wong Kar Wai's many Grandmasters. Godfrey, Nicholas Jun 22, 2015 2177
Old recipe, new flavour: Ritesh Batra's The Lunchbox. Masukor, Sarinah Jun 22, 2015 2427
Looking and longing: Shahram Mokri's Fish & Cat. Ward, Sarah Jun 22, 2015 1939
For peace, not profit: Lynette Wallworth's Tender. Schenkel, Hanna Jun 22, 2015 2579
Struggling with silence: Rachel Perkins' Black Panther Woman. Scott-Stevenson, Julia Jun 22, 2015 2122
The horror and the humanity: Wang Bing's 'Til Madness Do Us Part. Ward, Sarah Jun 22, 2015 2341
Songs from the heart, sung on the street: Daniel Ziv's Jalanan. Edwards, Dan Jun 22, 2015 2436
Night Cries: A Rural Tragedy. Williams, Deane Jun 22, 2015 5449
Transnational Film Culture in New Zealand. Hardy, Ann Jun 22, 2015 1484
Celluloid Ceiling: Women Film Directors Breaking Through. Pickering, Karen Jun 22, 2015 1191
Unwriting the body: sexuality and nature in Lars von Trier's Nymph()maniac and Toni Morrison's Sula. Norris, Marcos Critical essay Jun 22, 2015 8159
A feminist reading of Hitchcock's Marnie. Jacobowitz, Florence Critical essay Jun 22, 2015 7197
The man with the movie camera: Godard's Adieu au langage. Jacobowitz, Florence; Lippe, Richard Critical essay Jun 22, 2015 1842
Undoing the claim of objectivity: contradictions at the heart of Bergtji van der Haak, Saudi Solutions (2005). Nasser, Anisa Saeed Mohammed Critical essay Apr 1, 2015 7122
Personal identity and angelic touch in Wim Wenders' Wings of Desire. Venner, Chris Critical essay Apr 1, 2015 5120
An evil threat to marriage, children and the future: queer theory, "The Passion of the Christ," and evangelical political rhetoric. Wolff, Richard Critical essay Apr 1, 2015 9665
The non-place between sacred and profane: utopian gestures in the apparatus of semiocapitalism in Laurent Cantets L'emploi du temps. Nagypal, Tamas Critical essay Apr 1, 2015 9343
The movie mogul, Moses and Muslims: Islamic elements in Cecil B. DeMille's The Ten Commandments (1956). Calabria, Michael D. Critical essay Apr 1, 2015 7828
Understanding Tony Scott: authorship and post-classical Hollywood. Arnett, Robert Mar 22, 2015 7146
Telling our love story: AIDS, adaptation and Neil Armfield's Holding the Man. Kagan, Dion Mar 22, 2015 3712
Loss in translation: Hong Khaou's Lilting. Barber, Laurence Mar 22, 2015 2397
Queer capers: All About E and lesbian cinema. Benson, Chloe Mar 22, 2015 2274
After Priscilla: the queer screen twenty-one years on. Dunks, Glenn Mar 22, 2015 2600
Doing it for the kids: gayby baby and same-sex families. Crittenden, Jasmine Mar 22, 2015 2506
Playing it straight: homonormativity, equal adoption rights and The Dream Children. Crewe, David Mar 22, 2015 2516
Love blooms shadows: Visakesa Chandrasekaram's Frangipani. O'Brien, Gabrielle Mar 22, 2015 2052
Scratching the surface: skin deep and 'universal' narratives. Frost, Zenobia Mar 22, 2015 2181
Old hands, new breed: Mad Max: Fury Road and evolving gender roles. Gallagher, Cavan Mar 22, 2015 3263
Paranoid Australia: alone in a Strangerland. Harris, Lauren Carroll Mar 22, 2015 2797
Elegy on the pioneer trail: John Maclean's Slow West. Masukor, Sarinah Mar 22, 2015 2154
Odyssey across the outback: Jeremy Sim's Last Cab to Darwin. Dolgopolov, Greg Mar 22, 2015 2052
True-blue space travel: Shane Abbess' Infini. Conway, Bridget Mar 22, 2015 1605
Expectedly unexpected: repetition and understatement in the films of Hong Sang-Soo. Carew, Anthony Mar 22, 2015 2993
Clarifying the past: Joshua Oppenheimer's The Look of Silence. Schenkel, Hanna Mar 22, 2015 3148
An uphill battle: Jennifer Peedom's Sherpa. Scott-Stevenson, Julia Mar 22, 2015 2224
The Devil's playground: Part 32. McFarlane, Brian Mar 22, 2015 6998
What rough beast? Denunciation and annunciation in Jo Sung-Hee's End of Animal. Ross, David A. Critical essay Jan 1, 2015 2621
Bad girls and illicit interludes: Ingmar Bergman outside the box. Humphrey, Daniel Critical essay Jan 1, 2015 11878
"What's your name, kid?": The acousmatic voiceovers of Private Edward P. Train in The Thin Red Line. Stivers, Clint; Benson, Kirsten F. Critical essay Jan 1, 2015 9701
The difference between crows and blackbirds: Alfred Hitchcock and the treason of images. Longacre, Jeffrey Critical essay Jan 1, 2015 9722
"Like an Animal": figures on the move in The Godfather. Little, William G. Critical essay Jan 1, 2015 9364
In Italy the dead rule': Marco Bellocchio's 'Italian difference' between Manzoni-Camerini and Bene-Godard. Marchesini, Manuela Critical essay Nov 1, 2014 18417
Rumor has it wrong: Adel Imam did not verbally attack Khaled Yousif. Brief article Oct 27, 2014 146
I am Cuba and the space of revolution. Oukaderova, Lida Critical essay Sep 22, 2014 6663
Historical cinematic space: the architecture of culture in Jean Renoir's Le Grande Illusion and Yasujiro Ozu's Tokyo Story. Cairns, Graham Critical essay Sep 22, 2014 7086
"The eyes are alive!" Envisioning history in Ernst Lubitsch's The Eyes of the Mummy (1918). Ascarate, Richard John Critical essay Sep 22, 2014 9172
The non-Western of the New West, 1973-75. McCracken, Janet Critical essay Sep 22, 2014 7989
The portraiture of Edvard Munch (Peter Watkins, 1973). Peacock, Steven Essay Sep 22, 2014 4626
The return of the Bergfilm : Nordwand (2008) and Nanga Parbat (2010). Schaumann, Caroline Essay Sep 22, 2014 9189
The demands of holocaust representation: formal considerations in Margarethe von Trotta's Rosenstrasse. Cormican, Muriel Critical essay Sep 22, 2014 9532
Pier Paolo Pasolini's "Mandatory Challenge": Jesus from La ricotta to The Gospel according to Saint Matthew. Mugnai, Metello Critical essay Sep 22, 2014 5979
Moral dilemma in Nollywood: virtue celebration or vice glorification? Omoera, Osakue Stevenson; Anyanwu, Chukwuma Report Sep 1, 2014 4396
Jazzy black humor. Gehring, Wes D. Sep 1, 2014 932
How waiting for "Superman" (Almost) changed the world. Russo, Alexander Critical essay Jun 1, 2014 10855
Stanley Schupak doesn't live here anymore': Un/becoming transsexual and coming home in Duncan Tucker's Transamerica. Sandercock, Tom Critical essay May 1, 2014 9100
Working bodies, dislocated identities: class and masculinities in Derek Cianfrance's films. Marling, Raili Essay Mar 22, 2014 6184
From children's book to epic prequel: Peter Jackson's transformation of Tolkien's The Hobbit. Riga, Frank P.; Thum, Maureen; Kollmann, Judith Critical essay Mar 22, 2014 9635
For further study: Dusan Makavejev. Frank, Alison Essay Mar 22, 2014 4402
Zombie Republic: Property and the Propertyless Multitude in Romero's Dead Films and Kirkman's The Walking Dead. Keetley, Dawn Critical essay Mar 22, 2014 8059
"Love, What Have You Done to Me?" Eros and agape in Alfred Hitchcock's I Confess. O'Brien, Catherine M. Critical essay Mar 1, 2014 8449
The holy fool in late Tarkovsky. Efird, Robert O. Critical essay Mar 1, 2014 8433
The Virgin Mary on screen: Mater Dei or just a mother in Guido Chiesa's Io Sono con Te (I Am with you). Johnson, Timothy J.; Ottaviani-Jones, Barbara Critical essay Mar 1, 2014 5067
Ten economic lessons from the treasure of the Sierra Madre. Whaples, Robert Critical essay Jan 1, 2014 5636
Flanerie, spatial practices and nomadic thought in Antonioni's La notte. Haaland, Torunn Critical essay Dec 22, 2013 10786
O Brother! Why Bother? Bayles, Martha Dec 22, 2013 2705
Evaluating elysium. Carlton, Sean Critical essay Nov 1, 2013 623
Re-imagining the colonial landscape: notions of faith, healing, and prestige in Goffredo Alessandrini's Abuna Messias. Tamis-Nasello, Annemarie Critical essay Sep 22, 2013 3558
"Sawwaru Waynkum?" Human rights and social trauma in Waltz with Bashir. Rastegar, Kamran Critical essay Jun 22, 2013 10525
Towards a revolutionary space. Repass, William Critical essay Jun 22, 2013 3229
Aki Kaurismaki and the art of getting by. Saint-Cyr, Marc Critical essay Jun 22, 2013 4179
Two approaches to school violence. Lightning, Robert K. Critical essay Jun 22, 2013 2174
Constructions of Non-Diegetic hope in don mckeiiar's last night. Christopher, David Critical essay Jun 22, 2013 3374
High and low art, inadequacy of words, and self-referentiality in Pasolini's "Che cosa sono le nuvole?". Bini, Daniela Critical essay Jun 18, 2013 9155
Eng and the Entertainment Film in the People's Republic of China. Rezaie, Munib Critical essay Jun 1, 2013 5640
Hollywood and Shanghai Cinema in the 1930s. Xiang, Adrian Song Critical essay Jun 1, 2013 5476
Virtuality, Nationalism, and Globalization in Zhang's Hero. Zhu, Ping Critical essay Jun 1, 2013 6454
For a Cinema of inbetween-ness: Emanuele Crialese's Nuovomondo (2006). Heyer-Caput, Margherita Critical essay May 22, 2013 6095
The communards of Wall Street: on Zoe Beloff's The Days of the Commune. Livingston, Jason May 1, 2013 712
Redford keeps company with America: film on the Weather Underground fits comfortably in a canon that examines nation from all angles. Foundas, Scott Apr 9, 2013 863
Spirit(uality) in the films of Terrence Malick. Barnett, Christopher B. Critical essay Apr 1, 2013 7595
The problem of evil and humans' relationship with God in Terrence Malick's The Tree of Life. Manninen, Bertha Alvarez Critical essay Apr 1, 2013 7800
Jest in time: the problems and promises of the holy fool in Francesco, giullare di Dio, Ordet, and Ikiru. Doebler, Peter L. Critical essay Apr 1, 2013 14694
"O Great God!" Humility and camera movement in Roberto Rossellini's The Flowers of St. Francis. Ponder, Justin Critical essay Apr 1, 2013 8001
The sins of Leo McCarey. Blake, Richard A. Critical essay Apr 1, 2013 10697
Homeric heroes in Ethan and Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) and No Country for Old Men (2007). Roberts, Vaughan S. Critical essay Apr 1, 2013 7188
An embarrassment of riches: James Quandt on the films of Terrence Malick. Quandt, James Apr 1, 2013 3653
Sharon Lockhart and Steve McQueen: inside the frame of structural film. Bacal, Edward Critical essay Mar 22, 2013 7609
A room of its own: screening space and spectatorial experience in Yang Fudong's fifth night and Omer fast's continuity. Filippo, Maria San Critical essay Mar 22, 2013 2498
The war on art and zero dark thirty. Boughn, Michael Critical essay Mar 22, 2013 6751

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