| Title |
Author |
Type |
Date |
Words |
| In Search of Humanity: A Bakhtinian Dialogic Study of The Sound and the Fury. |
Wang, Yue |
Critical essay |
Mar 19, 2021 |
7900 |
| Revisiting Bernard Rose's Frankenstein: Ugliness and Exclusion. |
Sharma, Mridula |
Critical essay |
Mar 19, 2021 |
4443 |
| Hugo, Hegel, and Architecture. |
Fernandez, Jose Luis |
Critical essay |
Mar 19, 2021 |
6297 |
| PERSECUTION AND LONGING OF YEMENITE JEWS IN THE HANDSOME JEW. |
Alwuraafi, Ebrahim Mohammed |
Critical essay |
Mar 1, 2021 |
10763 |
| Human Nature and Civil Society in Jane Austen. |
Vachris, Michelle Albert; Bohanon, Cecil E. |
Critical essay |
Jan 1, 2021 |
5419 |
| A Lesson in Humility, a Lesson for Our Times: Alessandro Manzoni's The Betrothed. |
Mingardi, Alberto |
Critical essay |
Jan 1, 2021 |
7184 |
| Liberty Befits All: Stowe and Uncle Tom's Cabin. |
Wright, Robert E. |
Critical essay |
Jan 1, 2021 |
5114 |
| Economics Meets and Peace: Tolstoy's Implicit Social Theory. |
Brennan, Geoffrey; Waterman, A.M.C. |
Critical essay |
Jan 1, 2021 |
6538 |
| The Political Economy of Joseph Conrad. |
Whaples, Robert M. |
Critical essay |
Jan 1, 2021 |
7377 |
| The Autopoietic World of Franz Kafka. |
Dnes, Antony W. |
Critical essay |
Jan 1, 2021 |
6805 |
| Philanthropic Exchange in Ralph Ellison's Invisible Man. |
Bohanon, Cecil E.; Vachris, Michelle Albert |
Critical essay |
Jan 1, 2021 |
6841 |
| Myths of Femininity in American Gods. |
Perez-Amezcua, Luis Alberto; Junco, Ethel |
Critical essay |
Dec 22, 2020 |
7550 |
| "Seeing" the Malinche Myth as Nomad Subject in Laura Esquivel's Como agua para chocolate. |
Mukherjee, Indrani |
Critical essay |
Dec 22, 2020 |
7361 |
| Monstrous Heroes, Epic Monsters: A Contemporary Graphic Adaptation of Beowulf. |
Sanchez, Maria Porras |
Critical essay |
Dec 22, 2020 |
5803 |
| Structural Maladies in Family Systems: Fusion, Parentification, and Coalition in Joyce Carol Oates's Expensive People. |
Gu, Yue |
Critical essay |
Dec 22, 2020 |
6418 |
| ON THE CASE, AGAIN AND AGAIN, WITH NERO WOLFE. |
Mustich, James |
Critical essay |
Dec 22, 2020 |
1531 |
| Colonialismo interno y la tierra baldia en Serena, de Ron Rash. |
Gonzalez Groba, Constante |
Critical essay |
Dec 1, 2020 |
8985 |
| "Soy la unica autora": inautenticidad e intertextualidad en NW de Zadie Smith. |
Perez Zapata, Beatriz |
Critical essay |
Dec 1, 2020 |
7219 |
| Populismo y precariedad en la ficcion india distopica contemporanea: When the Moon Shines by Day de Nayantara Sahgal y Leila de Prayaag Akbar. |
Herrero, Dolores |
Critical essay |
Dec 1, 2020 |
8376 |
| Words, Images, and the Body: Memory Media and Ethical Predicaments in Middle C and The Piano Lesson. |
Fan, Fang; Yuan, Kong |
Critical essay |
Dec 1, 2020 |
4862 |
| The Battered Hearts that Throb in Agony: Environmental Pollution in Ojaide's The Activist. |
Nwoma, Chukwu Romanus; Eni, Onyekachi |
Critical essay |
Dec 1, 2020 |
7482 |
| Self-Differentiation and the Marginalized Idol of Love in Patrick Suskind's Perfume. |
Alzoubi, Najah A.; Al-Shawabkieh, Sumaya S.; Neimneh, Shadi S. |
Critical essay |
Dec 1, 2020 |
8409 |
| Richard Wagner vs Klaus Mann: An ArtistMan Image in the Context of the Faustian Theme in Mephisto. |
Stepanova, Anna |
Critical essay |
Dec 1, 2020 |
10679 |
| Alienation, Loss and Despair: An Analysis of Modernist Strains in Ethan Frome. |
Khan, Salman Hamid; Khan, Abdul Hamid |
Critical essay |
Sep 30, 2020 |
2991 |
| Reflections of Antimodernism in Kingsley Amis's Lucky Jim. |
Beyad, Maryam Soltan; Bassir, Seyed Iman |
|
Sep 22, 2020 |
12851 |
| Biljana Jovanovic, a Rebel with a Cause or: On 'a General Revision of Your Possibilities'. |
Matijevic, Tijana |
Critical essay |
Sep 22, 2020 |
9159 |
| THE KNOWER, THE SAYER, AND THE DOER IN NORMAN MACLEAN'S A RIVER RUNS THROUGH IT. |
Mayo, James |
Critical essay |
Sep 22, 2020 |
7134 |
| The Logic of Adventure: Marlow's Moral Malady in Lord Jim. |
Mcgregor, Rafe |
Critical essay |
Sep 22, 2020 |
5921 |
| Redemptive Mourning: Virginia Woolf's Transformation of the Elegiac Form. |
Ball, Andrew J. |
Critical essay |
Sep 22, 2020 |
6774 |
| Existentialist's Traits in Hermann Hesse's Siddhartha: An Ontological Inquiry. |
Kumar, Prashant; Devi, Rajnee |
Critical essay |
Sep 22, 2020 |
6037 |
| The Mythifcation of History and the Historification of Myth: Myth and Mimesis in Shashi Tharoor's The Great Indian Novel. |
Biswas, Pooja Mittal |
Critical essay |
Sep 22, 2020 |
7314 |
| The Unicorn as the Embodiment of the Numinous in the Works of Peter S. Beagle. |
Laszkiewicz, Weronika |
Critical essay |
Sep 22, 2020 |
6268 |
| Fearless Joy: Tom Bombadil's Function in The Lord of the Rings. |
Chapman-Morales, Robert B. |
Critical essay |
Sep 22, 2020 |
9724 |
| Tolkien's Tom Bombadil: An Enigma "(Intentionally)". |
Jacobs, Suzanne |
Critical essay |
Sep 22, 2020 |
13827 |
| THE RISE OF GITL PODKOYNIK: REREADING ABRAHAM CAHAN'S YEKL THROUGH THE LENS OF ITS HEROINE. |
Rogovin, Or |
Critical essay |
Sep 22, 2020 |
9740 |
| RETHINKING THE STORIES OF REMBRANDT'S HAT, BY BERNARD MALAMUD. |
Burch, C. Beth; Burch, Paul-William |
Critical essay |
Sep 22, 2020 |
8349 |
| Contagion of the World: Minor Intimacies in The Voyage Out. |
Prigozhin, Aleksandr |
Critical essay |
Sep 1, 2020 |
8547 |
| The Battle of Stalingrad: Gerald McGhie reflects on a famous novel about one of the defining struggles of the Second World War. |
McGhie, Gerald |
Critical essay |
Sep 1, 2020 |
2144 |
| Symbiosis of Women and Nature: An Ecofeministic Study of Indigenous Women in Doris Pilkington's Under the Wintamarra Tree. |
Rathna, P. |
Critical essay |
Sep 1, 2020 |
5365 |
| Minority Discourse: A Concave View of Hybridity in Ayad Akhtar's American Dervish. |
Haque, Syrrina Ahsan Ali |
Critical essay |
Sep 1, 2020 |
4193 |
| Writing the Body as subversion in Alexandra Chreiteh's Always Coca-Cola. |
Balaa, Luma |
Critical essay |
Aug 1, 2020 |
7076 |
| A Gynocritical Study of Rowan Coleman's Novel, the Summer of Impossible Things. |
Jamal, Yumna; Hashmi, Farah |
Critical essay |
Jun 30, 2020 |
6248 |
| Mrs. Harker and Dr. Van Helsing: Dracula, Fin-de-Siecle Feminisms, and the New Wo/Man. |
Winstead, Karen A. |
Critical essay |
Jun 22, 2020 |
9784 |
| LUD-IN-THE-MIST AS MEMENTO MORI: EXISTENTIAL ANXIETY AND THE CONSOLATIONS OF AN AESTHETIC THEOLOGY IN HOPE MIRRLEES'S FANTASY NOVEL. |
Arnell, Carla |
Critical essay |
Jun 22, 2020 |
12395 |
| Tweaking the Sublime: Translating the Poetics of the Sublime in Charlotte Bronte's Jane Eyre. |
Klitgard, Ida |
Critical essay |
Jun 22, 2020 |
4959 |
| On Compassion and the Sublime Black Body: Octavia E. Butler's Parable of the Sower. |
Johnson, Ikea M. |
Critical essay |
Jun 22, 2020 |
5789 |
| The Shock of Recognition: Conrad's Influence on Eliot. |
Meyers, Jeffrey |
Critical essay |
Jun 22, 2020 |
2409 |
| PHILIP ROTH'S JEWISH AMERICA. |
Siegel, Robert |
Critical essay |
Jun 22, 2020 |
1801 |
| Liminal Space and Minority Communities in Kate O'Brien's Mary Lavelle (1936). |
Finlay-Jeffrey, Amy |
Critical essay |
May 1, 2020 |
7658 |
| Pendulum Riders: An Analysis of Gender Positioning in Roles in Anita Shreve's All He Ever Wanted. |
Qureshi, Abdul Waheed; Khan, Rab Nawaz |
Critical essay |
Mar 31, 2020 |
4246 |
| Taming of the Monster: Marlow's Shadow in Heart of Darkness. |
Khan, Muhammad Yousaf; Khattak, Nasir Jamal |
Critical essay |
Mar 31, 2020 |
2930 |
| Tears of Potentiality, Love of Liquid Rupture. |
Tsagdis, Georgios |
Critical essay |
Mar 22, 2020 |
7701 |
| Salman Rushdie as Diasporic Myth-Maker: Myth and Memory in Midnight's Children. |
Biswas, Pooja Mittal |
Critical essay |
Mar 22, 2020 |
7946 |
| Writing Young Refugees in Contemporary English Fiction: Chris Cleave's The Other Hand. |
Buonanno, Giovanna |
Critical essay |
Mar 22, 2020 |
4216 |
| The Man in The High Castle: An Awry Reality Through Post-Truth. |
Edman, Timucin Bugra; Peaci, Davut; Gozen, Hacer |
Critical essay |
Mar 22, 2020 |
12256 |
| A Cosmic Shift in The Screwtape Letters. |
Dickieson, Brenton D.G. |
Critical essay |
Mar 22, 2020 |
13380 |
| "I Wolde be there / Bygonde the water": Consolation in Pearl and The Silver Chair. |
Schubert, Tiffany E. |
Critical essay |
Mar 22, 2020 |
7765 |
| "No Sex Please, We're Narnians": Turkish Delight, Twelfth Night, and the Problem of Susan. |
Gordon, Andy |
Critical essay |
Mar 22, 2020 |
12435 |
| Useful Little Men: George R.R. Martin's Dwarfs as Grotesque Realists. |
Young, Joseph Rex |
Critical essay |
Mar 22, 2020 |
8392 |
| The Inner Consistency of Mythology: The Mythological Kernel and Adaptation in The Golden Compass. |
Barnim, Douglas A. |
Critical essay |
Mar 22, 2020 |
9190 |
| Tom Bombadil and the Spirit of Objectivity. |
Inkpen, Dani |
Critical essay |
Mar 22, 2020 |
6571 |
| "Her Enchanted Hair": Rossetti, "Lady Lilith," and the Victorian Fascination with Hair as Influences on Tolkien. |
Colvin, Kathryn |
Critical essay |
Mar 22, 2020 |
7668 |
| The "Polish Inkling": Professor Przemyslaw Mroczkowski as J.R.R. Tolkien's Friend and Scholar. |
Neubauer, Lukasz |
Critical essay |
Mar 22, 2020 |
13709 |
| "I Fixed the Dates" and Other Details The Logic and Illogic of Chronology and Topography in Frederic Henry's Caporetto Retreat. |
Roos, Michael Kim |
Critical essay |
Mar 22, 2020 |
6213 |
| "Don't Write Anything that Will Bother the Italian Censor": Pasolini and the Filming of A Farewell to Arms in 1950's Italy. |
Mastandrea, Martina |
Critical essay |
Mar 22, 2020 |
6837 |
| The Elephant's Eye and the Maji-Maji War: A Non-Anthropocentric Reading of David's African Story in The Garden of Eden. |
Ng, Lay Sion |
Critical essay |
Mar 22, 2020 |
5075 |
| Hemingway's Military Surgeons. |
Monteiro, George |
Critical essay |
Mar 22, 2020 |
4466 |
| The Influence of Spanish Writers on Hemingway. |
Monteiro, George |
Critical essay |
Mar 22, 2020 |
5920 |
| Mariano Rivera: Hemingway Hero. |
Tackach, James |
Critical essay |
Mar 22, 2020 |
3470 |
| The Origin of Mercy in A Farewell to Arms: A Speculation. |
Paul, Steve |
Critical essay |
Mar 22, 2020 |
1845 |
| Pleasure-, and Need-Producing Mezcal. Fragmentaria. |
Gurguta, Lenus; Aprodu, Narcis; Preotu, Adriana; Diaconu, Ioan Florin; Pirvu, Bogdan C.S. |
Critical essay |
Mar 22, 2020 |
3985 |
| "All the Fervor of a Camp-Meeting": Race and Revivalism in Uncle Tom's Cabin. |
Wilhelm, Julie |
Critical essay |
Mar 22, 2020 |
10434 |
| The Automobile as an Epistemological Question in John O'Hara's Appointment in Samarra. |
Juarez, Luigi A. |
Critical essay |
Mar 22, 2020 |
9657 |
| Of Beasts Blond and Damned: Fascist and Hysterical Bodies and Djuna Barnes's Nightwood. |
Ng, Zhao |
Critical essay |
Mar 1, 2020 |
9583 |
| The Revival of The Handmaid's Tale: Empowering Women's Rights in the Twenty-First Century. |
Altaher, Bassmah B. |
Critical essay |
Jan 1, 2020 |
5630 |
| AUTHOR-ITY AND THE FRAME TALE IN LEONARDO PADURA'S LAS CUATRO ESTACIONES. |
Garcia, Adrian M. |
Critical essay |
Jan 1, 2020 |
8153 |
| "A clown is happy only when he is somebody else": Singularity and Autobiography in Henry Miller's The Smile at the Foot of the Ladder. |
Clegg, John |
Critical essay |
Jan 1, 2020 |
5077 |
| In Quest of Tania of Tropic of Cancer. |
Honda, Yasunori |
|
Jan 1, 2020 |
5188 |
| Paris 1932: An Outline of an Investigation of Three Modern Novels: Louis-Ferdinand Celine's Journey to the End of the Night Samuel Beckett's Dream of Fair to Middling Women Henry Miller's Tropic of Cancer. |
Jensen, Finn |
Critical essay |
Jan 1, 2020 |
11522 |
| Reading Gender: Negotiating the Subverted Feminine Self and Gender in Moth Smoke. |
Rafique, Hina; Mukhtar, Summaira |
Critical essay |
Dec 31, 2019 |
7678 |
| Conceptualization of Reality in Roy's The God of Small Things: A Baudrillardian Analysis. |
Khan, Mohsin; Mashori, Ghulam Mustafa |
Critical essay |
Dec 31, 2019 |
8459 |
| Exploring the Inner World: Study of Raja Gidh in the light of Ghazalian Theory of Soul and Freudian Psychoanalysis. |
Mazhar, Shumaila |
Critical essay |
Dec 31, 2019 |
8797 |
| FROM IMMATERIAL TO PRECARIOUS LABOR: CONSIDERING RESTAURANT WORK IN STEWART O'NAN'S LAST NIGHT AT THE LOBSTER. |
Macintosh, John |
|
Dec 22, 2019 |
8593 |
| Image Schemas as Emotional Attractors in The Crying of Lot 49: To Live Narratives is to Feel Narratives. |
Silvera-Roig, Marta |
Critical essay |
Dec 22, 2019 |
10631 |
| RECREATING THE WOMB SPACE: THE UNBORN NARRATOR AND THE FEMALE BODY AS A SITE OF POWER STRUGGLE IN THE FOURTH WORLD BY DIAMELA ELTIT. |
Scerbo, Rosita |
Critical essay |
Dec 1, 2019 |
7837 |
| GENDER AND THE QUESTION OF MODERNITY IN EARLY TWENTIETHCENTURY SPAIN: DE-ESSENTIALIZING FEMININITY IN ANGELA BARCO'S FEMINA (1910). |
Antorino, Thomas |
Critical essay |
Dec 1, 2019 |
8312 |
| Ecological Redistribution and Historical Sustainability in Wu Ming-yi's Two Novels. |
Tsai, Lin-chin |
Critical essay |
Dec 1, 2019 |
10812 |
| Doris Lessing, Antipsychiatry, and Bodies that Matter. |
Myler, Kerry |
Critical essay |
Dec 1, 2019 |
9555 |
| Law & Literature: Re-opening the Case of L'Etranger. |
Normey, Rob |
Column |
Nov 1, 2019 |
1043 |
| The Concept of Universal Citizenship in Kamila Shamsie's Burnt Shadows. |
Ullah, Zia; Ullah, Anayat; Jabeen, Afifa |
Critical essay |
Sep 30, 2019 |
2351 |
| What Do Semicolons Mean? Historical Analysis and an Interpretive Experiment. |
Glausser, Wayne |
Critical essay |
Sep 22, 2019 |
7211 |
| The Disappearance of 1984. |
Maleuvre, Didier |
Critical essay |
Sep 22, 2019 |
8177 |
| Buddhist Recognition in Ralph Ellison's Invisible Man. |
Johnson, Ikea M. |
Critical essay |
Sep 22, 2019 |
7386 |
| FRANKENSTEIN'S GHOSTS. |
Anderson, Emily Hodgson |
Critical essay |
Sep 22, 2019 |
7703 |
| NARRATION AND THE OPTATIVE IN TESS OF THE D 'URBER VILLES AND THE FRENCH LIEUTENANT'S WOMAN. |
Fong, Ryan D. |
Critical essay |
Sep 22, 2019 |
10030 |
| ARNOLD BENNETT'S MOVING PICTURES: EARLY FILMIC VISION IN ANNA OF THE FIVE TOWNS. |
Minarich, Megan |
Critical essay |
Sep 22, 2019 |
10929 |
| LEGENDARY AFFECT: INTIMACIES IN WILLA CATHER'S DEATH COMES FOR THE ARCHBISHOP. |
Lutes, Jean M. |
Critical essay |
Sep 22, 2019 |
10423 |
| OPENCITTS "ABSCHIED": TEJU COLE, GUSTAV MAHLER, AND ELLIPTICAL COSMOPOLITANISM. |
Epstein, Josh |
Critical essay |
Sep 22, 2019 |
9586 |
| DIGITAL SCREENS AND NATIONAL DIVIDES IN MOHSIN HAMID'S EXIT WEST. |
Naydan, Liliana M. |
Critical essay |
Sep 22, 2019 |
9414 |
| The Arch and the Keystone. |
Fliecer, Verlyn |
Conference notes |
Sep 22, 2019 |
6276 |
| Innocence in Lewis's Perelandra and Twain's King Arthur's Court. |
Dorman, S. |
Critical essay |
Sep 22, 2019 |
2766 |
| The Child's Voyage and the Immram Tradition in Lewis, Tolkien and Pullman. |
Swank, Kris |
Critical essay |
Sep 22, 2019 |
11620 |
| Doubles at Work: The Three Rovers in J.R.R Tolkien's Roverandom. |
Marchant, Jennifer |
Critical essay |
Sep 22, 2019 |
8270 |
| The Talking Beasts as Adam and Eve: Lewis and the Complexity of "Dominion". |
Graham, Jean E. |
Critical essay |
Sep 22, 2019 |
7068 |
| What man am I?" The hero's journey, the beginning of individuation, and Taran Wanderer. |
ButcHart, Liam |
Critical essay |
Sep 22, 2019 |
8963 |
| Spatial Consciousness and Spiritual Practice in Austen's Mansfield Park. |
Benis, Toby R. |
Critical essay |
Sep 22, 2019 |
9835 |
| A Cafe is a Very Different Thing: Hemingway's Cafe as Church and Home. |
Betsworth, Leon |
Critical essay |
Sep 22, 2019 |
8208 |
| "We Were in Switzerland Together": Catherine and Frederic and the Lake Scene in A Farewell to Arms. |
Guill, Stacey |
Critical essay |
Sep 22, 2019 |
4450 |
| If DeLillo was an E-Lit Writer: DeLillo's Language as Visual Art in the Digital Age. |
Xie, Licheng |
Critical essay |
Sep 22, 2019 |
4698 |
| Analysing e-lit as Work of Literature: Is it Possible? |
De Gregorio Robledo, Yolanda |
Critical essay |
Sep 22, 2019 |
3113 |
| History and Precarity: Glen Cook and the Rise of Picaresque Epic Fantasy. |
Wise, Dennis Wilson |
Critical essay |
Sep 22, 2019 |
9067 |
| Staring into Black: China Mieville's This Census-Taker, the Fantastic, and Perceptual Coding. |
Baker, Daniel |
Critical essay |
Sep 22, 2019 |
9230 |
| Sed illae puellae: Transgender Studies and Apuleius's The Golden Ass. |
Blood, H. Christian |
Critical essay |
Sep 22, 2019 |
12663 |
| Andrew J. Kappel Prize in Literary Criticism, 2019. |
Elam, Michele |
Critical essay |
Sep 1, 2019 |
948 |
| Mark Haddon. |
Teisch, Jessica |
Critical essay |
Sep 1, 2019 |
1506 |
| Colonial Ignorance and World Construction: On Albert Wendt's Black Rainbow and The Adventures of Vela. |
Rieder, John |
Critical essay |
Jul 18, 2019 |
7968 |
| "The Riotous Conflagration of Beauteous Language": Flowery Style, Defamiliarization, and Empathie Imagination in Epic Fantasy. |
Oliver, Matthew |
Critical essay |
Jul 18, 2019 |
11472 |
| The Heterotopian Qualities of the Fantasy Worlds in J. K. Rowling's Harry Potter Books and Cassandra Clare's The Mortal Instruments. |
Oppermann, Eva |
Critical essay |
Jul 18, 2019 |
8538 |
| Conceptual Metaphors for Women in Literary Canvas: A Study of Hamid's Moth Smoke. |
Ijaz, Tehreem; Yousaf, Muhammad |
Critical essay |
Jun 30, 2019 |
8992 |
| Shaking Silhouette: Gendered Spaces in Bina Shah's Slum Child. |
Mehmood, Sadaf |
Critical essay |
Jun 30, 2019 |
7880 |
| Native American Historicity: Social and Cultural Embedment in Erdrich's Tracks. |
Shafiq, Qasim; Bhatti, Shaheena Ayub |
Critical essay |
Jun 30, 2019 |
5571 |
| Voice of Dissent: A Critique of Nadeem Aslam's Representation of Islam. |
Khan, Waheed Ahmad; Ullah, Muqaddas |
Critical essay |
Jun 30, 2019 |
4519 |
| J. R. R. Tolkien: The Philosophical Basis of Sub-Creative Words. |
Odriozola, Jon Mentxakatorre |
Critical essay |
Jun 22, 2019 |
9124 |
| Confessing Compassion: Waugh's Penitential Performance in Sword of Honour. |
DeCoste, D. Marcel |
Critical essay |
Jun 22, 2019 |
9671 |
| FUZZY LOGIC: MODERN MATHEMATICS AND MYOPIC AESTHETICS IN MARTIN CHUZZLEWIT. |
Simon, Leslie S. |
Critical essay |
Jun 22, 2019 |
12145 |
| "THE SPIRITS OF ALL THREE SHALL STRIVE WITHIN ME": BOURDIEUAN MULTIFORM CAPITAL AND DICKENSIAN CHARACTERIZATION. |
Young, Rosetta |
Critical essay |
Jun 22, 2019 |
10792 |
| "ALIVE TO DISTANT, AND DEAD TO NEAR": MASOCHISM, SUICIDE, AND MASCULINITY IN NORTH AND SOUTH. |
Morrissey, Colleen |
Critical essay |
Jun 22, 2019 |
10510 |
| SHAPES OF COGNITION IN TYPOGRAPHICAL FICTIONS. |
Ghosal, Torsa |
Critical essay |
Jun 22, 2019 |
9112 |
| LOKI AND ODIN: OLD GODS REPURPOSED BY NEIL GAIMAN, A. S. BYATT, AND KLAS OSTERGREN. |
Hume, Kathryn |
Critical essay |
Jun 22, 2019 |
7400 |
| The Arretos Kore: Mythical Voices in Contemporary Greek Fiction. |
Savva, Stefanie; Apanomeritaki, Eirini |
Report |
Jun 22, 2019 |
6937 |
| Clytemnestra Returns: A Philosophical Inquiry into her Moral Identity in Colm Toibin's House of Names. |
Lucuara, Mayron Estefan Cantillo |
|
Jun 22, 2019 |
5775 |
| American Gods and Where to Find Them:Modern Myth and Material Experience. |
Sodemann, Jesper Skytte |
|
Jun 22, 2019 |
7632 |
| Music, Myth and Modernity: From Nietzsche's The Birth of Tragedy to Thomas Mann's Doctor Faustus. |
Torabi, Josh |
|
Jun 22, 2019 |
8066 |
| Twenty-First Century Noir: From Millenium Trilogy to Trilogy and White City Trilogy: The Arrival of Constitutional Heroes. |
Oropesa, Salvador |
|
Jun 22, 2019 |
7025 |
| Multiple Positioning: Responses to Cultural Difference in Readings of Abdulrazak Gurnah's Novel By the Sea. |
King, Christa Knellwolf |
Critical essay |
Jun 22, 2019 |
7746 |
| The "Madness" of What Wasn't Known Then: Reading Orphan of Asia through the Lens of Memory. |
Chi, Chienyn |
Critical essay |
Jun 22, 2019 |
8669 |
| THE WRITING ON THE WALL: BELSHAZZAR IN THE FICTION OF CHARLES DICKENS. |
Thompson, Terry W. |
|
Jun 22, 2019 |
5606 |
| ON REVERENCE AND ITS DISCONTENTS. |
White, Thomas |
Critical essay |
Jun 1, 2019 |
11919 |
| (Im-)personal Intensities in Virginia Woolf's To the Lighthouse. |
Yang, Julian Chih-Wei |
Critical essay |
Jun 1, 2019 |
11270 |
| LATVIANS DOWN AND OUT IN ENGLAND AND IRELAND: CONTEMPORARY MIGRATION TALES. |
Lams, Ojars; Dimins, Dens |
Critical essay |
Jun 1, 2019 |
6173 |
| Writing at, writing to, the lover, the other and the possibility of conversation. |
Fallon, Kathleen Mary |
Critical essay |
May 1, 2019 |
4323 |
| LITERARY ARABIC AND ISLAMIC VALUES AS THE NEW CONDITIONED STIMULI FOR THE GOOD CITIZEN STATUS IN MAISSA BEY'S BLEU BLANC VERT. |
Horner, Lavinia Adina |
|
May 1, 2019 |
4879 |
| Found in Translation: Eka Kurniawan and the Politics of Genre. |
Downes, Meghan |
Critical essay |
Apr 1, 2019 |
7197 |
| The Trope of Pensioners' Plight in Gabriel Marquez' No One Writes To The Colonel And Akachi Adimora-Ezeigbo's Trafficked. |
Olaniyan, Solomon; Olaniyan, Gabriel |
Critical essay |
Mar 22, 2019 |
5004 |
| Admiration to Love, Love to Matrimony: A Russellian Reading of Jane Austen's Pride and Prejudice. |
Sundriyal, Ankita |
Critical essay |
Mar 22, 2019 |
4862 |
| The Ethics of Story-telling: Strategies of Voice in Leonardo Sciascia's Il consiglio d'Egitto. |
Albanese, Nicholas |
Critical essay |
Mar 22, 2019 |
7412 |
| 'THERE WAS SOMETHING GENTLEMANLY ABOUT YOUR PAINTING': ART AND BEAUTY'S TRUTH IN WAUGH'S BRIDESHEAD REVISITED. |
Zunac, Mark |
Critical essay |
Mar 22, 2019 |
7767 |
| THE SOLIDITY OF THE SELF: TURNING AND RETURNING IN A PASSAGE TO INDIA. |
Melfi, Mary A. |
Critical essay |
Mar 22, 2019 |
9116 |
| "To Love Beyond Breath, Beyond Reason": A. L. Kennedy's So I Am Glad. |
Aliaga-Lavrijsen, Jessica |
Critical essay |
Mar 22, 2019 |
6272 |
| From "Purified with Fire" to "That Impression of Permanence": Holgrave's Conversion in The House of the Seven Gables. |
Huang, Zhongfeng |
Critical essay |
Mar 22, 2019 |
8136 |
| HISTORY AND STORIES OF MESTIZAJE IN THE SPANISH CARIBBEAN: ROSARIO FERRE'S MALDITO AMOR/SWEET DIAMOND DUST. |
Ortega, Gema |
Critical essay |
Mar 22, 2019 |
7641 |
| GUNSLINGER ROLAND FROM YEATS'S TOWERS CAME(?): A LITTLE-STUDIED INFLUENCE ON STEPHEN KING'S DARK TOWER SERIES. |
Montgomery, Abigail L. |
Critical essay |
Mar 22, 2019 |
6242 |
| Nursery Crimes: A Tough Egg to Crack. Wordplay, Genre, and Metafiction. |
Anastasaki, Elena |
Critical essay |
Mar 22, 2019 |
8698 |
| The Inhuman at the Limits of Literary Imagination. |
Simek, Nicole |
Critical essay |
Mar 22, 2019 |
5399 |
| Concealed Solemnities: Miltonic Inversions in Alan Hollinghurst's The Folding Star. |
Frontain, Raymond-Jean |
Critical essay |
Mar 22, 2019 |
19746 |
| Newtonianism, Thermodynamics, and Information Theory in Zola's Le Ventre de Paris. |
Byron, Thomas |
Critical essay |
Mar 22, 2019 |
10845 |
| NATHAN ENGLANDER'S THE MINISTRY OF SPECIAL CASES AS JEWISH-AMERICAN ANACHRONOTOPE. |
Taub, Naomi |
Critical essay |
Mar 22, 2019 |
9930 |
| "A LITTLE MORE JEWISH, PLEASE": BLACK AND JEWISH SECULARLY AND INVISIBILITY IN FRAN ROSS'S OREO. |
Bromberg, Eli |
Critical essay |
Mar 22, 2019 |
10731 |
| BETWEEN JEW AND NATURE: TRACING JEWISH ETHICS IN THE ECOLOGICAL IMAGINATION OF BERNARD MALAMUD'S DUBIN'S LIVES. |
Clementi, F.K. |
Critical essay |
Mar 22, 2019 |
13433 |
| REWRITING REPUBLICAN MOTHERHOOD: MENTORSHIP AND MOTHERHOOD IN SUSANNA ROWSON'S CHARLOTTE TEMPLE AND MENTORIA. |
Mcclain, Dana C. |
Critical essay |
Mar 22, 2019 |
11072 |
| CHRISTIAN CONVERSION TO THE MODEL MINORITY IN JOHN OKADA'S NO-NO BOY. |
Santos, Jorge |
Critical essay |
Mar 22, 2019 |
9090 |
| NOVEL(ISTIC) REALITIES IN/OF AN UNSAFE HAVEN: CROSSROADS FOR REFUGEES AND SCHOLARS. |
Hout, Syrine |
Critical essay |
Mar 22, 2019 |
11979 |
| "ADDRESSING A VIRUS, A WAR, OR ONESELF": EVERYDAY LIFE IN RABIH ALAMEDDINE'S KOOLAIDS: THE ART OF WAR. |
Donica, Joseph |
Critical essay |
Mar 22, 2019 |
11614 |
| SACRED, SECULAR, SACRED AGAIN: DEVICTIMIZATION IN THE MOOR'S LAST SIGH. |
Juhasz, Tamas |
Critical essay |
Mar 22, 2019 |
9557 |
| Nineteen Eighty-Four at 70: We need a Utopian edition of George Orwell's dystopian novel. |
Rodden, John |
Critical essay |
Mar 22, 2019 |
3319 |
| Locating and Vindicating Josephine Tey's Detective Fiction. |
Monnickendam, Andrew |
Critical essay |
Mar 22, 2019 |
6878 |
| The Reception of Muriel Spark in Spain. |
Monterrey, Tomas; Alsua, Edurne Goni |
Critical essay |
Mar 22, 2019 |
7455 |
| History, Slavery, and The Phantom in Alice Thompson's Pharos. |
Tym, Linda |
Critical essay |
Mar 22, 2019 |
7944 |
| Violence and Identity Conflicts in Two Contemporary Scottish and Egyptian Novels. |
Zakarriya, Jihan |
Critical essay |
Mar 22, 2019 |
8254 |
| The Ethos of Honor and Francie Brady's Psychosocial Anger in The Butcher Boy. |
Kim, Sangwook |
Critical essay |
Mar 22, 2019 |
7985 |
| A.E. Ellis and The Rack: An Unpublished Letter. |
Meyers, Jeffrey |
Critical essay |
Mar 22, 2019 |
3588 |
| The Awful Grace of God: Patterns of Liminality in Greene's The Heart of the Matter. |
Melfi, Mary Ann |
Critical essay |
Mar 22, 2019 |
8261 |
| Dan Simmons's The Terror, Inuit "Legend," and the Embodied Horrors of History. |
Thiess, Derek J. |
Critical essay |
Mar 22, 2019 |
9036 |
| Coin: Money and the Gift Mentality in The Song of Ice and Fire. |
Rosu, Anca |
Critical essay |
Mar 22, 2019 |
10743 |
| JANE AUSTEN AND THE SEX-POSITIVE NOVEL. |
Lynch, Deidre Shauna |
|
Mar 22, 2019 |
1276 |
| "A PAIR OF FINE EYES": JANE AUSTEN'S TREATMENT OF SEX. |
Chandler, Alice |
Critical essay |
Mar 22, 2019 |
7389 |
| RECUPERATING ROMANCE: READING LENNOX READING SHAKESPEARE. |
Rivero, Albert J. |
|
Mar 22, 2019 |
1095 |
| INTRODUCTION: A SPECIAL ISSUE ON EDITING ULYSSES. |
Rossman, Charles |
|
Mar 22, 2019 |
2454 |
| PREFIGURING GENRE: FRONTISPIECE PORTRAITS FROM GULLIVER'S TRAVELS TO MILLENIUM HALL. |
Barchas, Janine |
Critical essay |
Mar 22, 2019 |
8282 |
| CORMAC MCCARTHY FOR THE AGES. |
Parrish, Timothy |
|
Mar 22, 2019 |
1047 |
| CORMAC MCCARTHY'S THE ROAD AS APOCALYPTIC GRAIL NARRATIVE. |
Cooper, Lydia R. |
Critical essay |
Mar 22, 2019 |
9952 |
| Enchanting Histories of the Empires in Rushdie's The Enchantress of Florence. |
Coskun, Kubra Kangulec |
Critical essay |
Mar 22, 2019 |
4633 |
| Toward the Mastery of Submission: Robert Cohn's Problem with Masochism in The Sun Also Rises. |
Sion, Ng Lay |
Critical essay |
Mar 22, 2019 |
6097 |
| Walking through the Valley of the Shadow of Death : Pip's Comfortless Progress through a Decaying World in Great Expectations. |
Sonmez, Margaret J.-M. |
Critical essay |
Mar 22, 2019 |
8863 |
| Chase Riboud's Hottentot Venus (2003) and the Neo-Victorian: The Problematization of South-Africa and the Vulnerability and Resistance of the Black Other. |
Ruiz, Maria Isabel Romero |
|
Mar 1, 2019 |
6415 |
| Memory in T/Rubble: Tackling (Nuclear) Ruins. |
Parlati, Marilena |
|
Mar 1, 2019 |
5717 |
| Motherhood, Vulnerability and Resistance in The Elysium Testament by Mary O'Donnell. |
De Pablos, Maria Elena Jaime |
|
Mar 1, 2019 |
5373 |
| Resilience as Regeneration in Kate Atkinson's Life After Life. |
Garcia, Beatriz Dominguez |
Critical essay |
Mar 1, 2019 |
5676 |
| Sex Between Women and Indianness: Vulnerable Casted Bodies. |
Navarro-Tejero, Antonia |
|
Mar 1, 2019 |
5941 |
| Subverting Transnormativity: Rage and Resilience in Kim Fu's For Today I Am a Boy. |
Ruthven, Andrea |
|
Mar 1, 2019 |
6283 |
| Trespassing Physical Boundaries: Transgression, Vulnerability and Resistance in Sarah Kane's Blasted (1995). |
Guerrero, Paula Barba; Calvo, Ana Ma. Manzanas |
|
Mar 1, 2019 |
6811 |
| Vulnerability and Resistance in Carmen Aguirre's Mexican Hooker #1. |
Mesa, Cinta |
|
Mar 1, 2019 |
6768 |
| There Is No Such City: The Myth of Odessa in Post-Soviet Immigrant Literature. |
Wanner, Adrian |
Critical essay |
Mar 1, 2019 |
10009 |
| From Self-fictionalization to Self-(dis)engagement: Autofiction in Frederic Beigbeder's Windows on the World. |
Chevrette, Eric |
Critical essay |
Mar 1, 2019 |
9344 |
| She Got Up and Went Away: Rachel Cusk on Making an Exit. |
Valihora, Karen |
Critical essay |
Mar 1, 2019 |
7299 |
| SOCIAL (IN)JUSTICE, OR THE CONDITION OF GLOBAL CAPITALISM IN THE LOST CHILD (2015) BY CARYL PHILLIPS. |
Fratczak-Dabrowska, Marta |
Critical essay |
Mar 1, 2019 |
7206 |
| "THE DARTS TO WOUND WITH ENDLESS LOVE!" ON HANNAH COWLEY'S RESPONSE TO FRANCES BURNEY'S EVELINA. |
Paluchowska-Messing, Anna |
Critical essay |
Mar 1, 2019 |
6629 |
| THE TITANIC SERIES: REFLECTIONS ON CAMBRIDGE UNIVERSITY PRESS'S EDITION OF THE LITERARY WORKS OF JOSEPH CONRAD. |
Watts, Cedric |
Critical essay |
Mar 1, 2019 |
8226 |
| MARLOW'S GAZE IN LORD JIM BY JOSEPH CONRAD: BETWEEN LIGHT AND SHADOWS. |
Sokolowska, Katarzyna |
Critical essay |
Mar 1, 2019 |
9339 |
| Widows and Concubines: Tradition and Deviance in the Women of Raja Rao's Kanthapura. |
Ranmuthugala, M.E.P. |
|
Mar 1, 2019 |
6119 |
| BEYOND REALISM: IAN MCEWAN'S ATONEMENT AS A POSTMODERNIST QUEST FOR MEANING. |
Ascari, Maurizio |
Critical essay |
Jan 1, 2019 |
7084 |
| SCREWTAPE'S REMEDY FOR LOVE: C. S. LEWIS AND OVID. |
Boler, Michael |
Critical essay |
Jan 1, 2019 |
7215 |
| THE FANTASTIC BESTIALIZATION OF THE BIOPOLITICAL SUBJECT IN MARIE DARRIEUSSECQ'S TRUISMES. |
Vredenburgh, Amanda |
Critical essay |
Jan 1, 2019 |
3997 |
| SUTURE SELF: CONSTRUCTING FEMININITY IN EDMOND DE GONCOURT'S CHERIE. |
Phenix, Sara |
Critical essay |
Jan 1, 2019 |
4393 |
| CARIBBEAN QUEENS: BRIDGES BETWEEN THE WORLD OF THE LIVING AND THE REALM OF SOULS. |
Gomez Menjivar, Jennifer Carolina |
Critical essay |
Jan 1, 2019 |
4979 |
| Infinite Monstrosity: Justice, Terror, and Trauma in Frankenstein in Baghdad. |
Botting, Fred |
Critical essay |
Jan 1, 2019 |
8574 |
| A View from the Moon: Allegories of Representation in Tawfiq al-Hakim and H. G. Wells. |
Tabur, Merve |
|
Jan 1, 2019 |
9471 |
| Tensions at the Table: Dining-Room Dynamics in Abbeys and Castles. |
Jones, Hazel |
Critical essay |
Jan 1, 2019 |
3966 |
| The Implicit Dramas of Northanger Abbey. |
Folson, Marcia McClintock |
Critical essay |
Jan 1, 2019 |
6166 |
| Marvelous Miss Morland. |
Harris, Jocelyn |
|
Jan 1, 2019 |
4844 |
| "Real Solemn History" and Cassandra Leigh Cooke's Battleridge. |
Ford, Susan Allen |
Critical essay |
Jan 1, 2019 |
7625 |
| "Don't Know Much about History": History and Histrionics, Moderation and Passion in Northanger Abbey. |
Kenney, Theresa |
Critical essay |
Jan 1, 2019 |
5625 |
| Northanger before the Tilneys: Austen's Abbey and the Religious Past. |
Moore, Roger E. |
Critical essay |
Jan 1, 2019 |
7550 |
| Roses, Hyacinths, and Pineapples: Historical and Ecocritical Concerns in Northanger Abbey and The Mysteries of Udolpho. |
Nakagawa, Tomoko |
Critical essay |
Jan 1, 2019 |
5028 |
| Jane Austen's Textual Revisions in "The Watsons": A Preliminary Study. |
Wilkes, Joanne |
Critical essay |
Jan 1, 2019 |
4539 |
| "Save Us from Deceiving Ourselves": What Jane Austen's Prayers Reveal about Self-Deception in Emma. |
Zaman, Mira |
Critical essay |
Jan 1, 2019 |
6249 |
| The Goddess in the Mist. |
Bayles, Martha |
Essay |
Jan 1, 2019 |
2392 |
| "Orc Talk": Soviet Linguistics in Middle-Earth. |
Ashford, David |
Critical essay |
Jan 1, 2019 |
6443 |
| The Ontological Task of the Hero In Philip K. Dick's The Cosmic Puppets. |
Sims, Christopher |
Critical essay |
Jan 1, 2019 |
12889 |
| Disruptive Colonial Discourse and Spatial Disorientations: Misrepresentation of the American and Indian Territories in the British Fictional Narratives of Wars of Independence. |
Khan, Saleem Akhtar; Awan, Muhammad Safeer |
Critical essay |
Dec 31, 2018 |
4665 |
| Critique of Representation of Pashtuns and their Cultural Values in Khaled Hosseini's The Kite Runner. |
Khan, Waheed Ahmad; Afsar, Ayaz |
Critical essay |
Dec 31, 2018 |
4945 |
| SEXUAL SELECTION AND FEMALE CHOICE IN AUSTEN'S NORTHANGER ABBEY. |
Lau, Beth |
Critical essay |
Dec 22, 2018 |
8967 |
| "HER LIFE IS MINE, TO USE AS I SEE FIT": THE TERROR OF CONSENT IN ARTHUR MACHEN'S THE GREAT GOD PAN. |
Morse, Samantha |
Critical essay |
Dec 22, 2018 |
8312 |
| Romola's "Thinking Bodies": Reading for Proprioception with George Eliot; or, Postural Consciousness as Psychological Realism. |
Bellows, Alyssa |
Critical essay |
Dec 22, 2018 |
7400 |
| Dickens's Hyperbolic Style Revisited: Verbs That Describe Sounds Made by Animals Used to Report the Words of Male Villains. |
Ruano, Pablo |
Critical essay |
Dec 22, 2018 |
7184 |
| "The Whole Content of My Being Shrieks in Contradiction against Itself": Uncanny Selves in Sayed Kashua and Philip Roth. |
Grumberg, Karen |
Critical essay |
Dec 22, 2018 |
10455 |
| The Place, Makom, Nonplace: Between Netivot and Tel Aviv in Shimon Adaf's Panim zeruvei hamah (Sunburnt Faces). |
Dekel, Yael |
Critical essay |
Dec 22, 2018 |
5942 |
| A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacia (2006). |
Bortolotto, Maria Cenna |
Critical essay |
Dec 20, 2018 |
6149 |
| Changez/Cengiz's Changing Beliefs in The Reluctant Fundamentalist. |
Kennedy, Valerie |
Critical essay |
Dec 20, 2018 |
6610 |
| Albert Camus' Social, Cultural and Political Migrations. |
Lebdai, Benaouda |
Critical essay |
Dec 10, 2018 |
5702 |
| Disability, Victorian Biopolitics and Oscar Wilde's Dorian Gray. |
Wong, Hiu Wai |
Critical essay |
Dec 10, 2018 |
6696 |
| Virginia Woolf, Charles Darwin, and the Rebirth of Tragedy. |
Lempert, Manya |
Critical essay |
Dec 1, 2018 |
13935 |
| NARRATIVES OF CONFESSION: RELIGION AND PATRIARCHY IN THE FICTION OF SHAHRAZ AND HOSSEINI. |
Yaqoob, Munazza |
Critical essay |
Dec 1, 2018 |
7289 |
| NO SEX IN THE CITY AND POSTFEMINIST DISCURSIVITY FROM ARAB DIASPORA. |
Abdullah, Muhammad |
Critical essay |
Dec 1, 2018 |
7386 |
| SAUDI NOVELISTS' RESPONSE TO TERRORISM THROUGH FICTION: A STUDY IN COMPARISON TO WORLD LITERATURE. |
Al-Moghales, Mashhoor Abdu; Adel, Abdel-Fattah M.; Ahmad, Suhail |
Critical essay |
Dec 1, 2018 |
11810 |
| Human Rights and Displacement in Literature: The Case of M. Mwangi's Kill Me Quick and K. Kombani's The Last Villains of Molo. |
Kula, Anna |
Critical essay |
Dec 1, 2018 |
7264 |
| PROCESSES OF SURVIVAL AND RESISTANCE: INDIGENOUS SOLDIERS IN THE GREAT WAR IN JOSEPH BOYDEN'S THREE DAY ROAD AND GERALD VIZENOR'S BLUE RAVENS. |
Gasztold, Brygida |
Critical essay |
Dec 1, 2018 |
9319 |
| Unhu/Ubuntu and the Shona Economy: Teaching the Traditional Economic Ethos in Zimbabwean Secondary Schools through Patrick Chakaipa's Pfumo Reropa. |
Eunitah, Viriri |
Critical essay |
Oct 1, 2018 |
3451 |
| Biblical Echoes and Allusions: Proverbs as Intertextual Pathways in Patrick Chakaipa's Pfumo Reropa. |
Mapara, Jacob |
Critical essay |
Oct 1, 2018 |
5656 |
| Meet the Good Soldier Svejk, Patron Saint of Malingerers and Saboteurs: A 1920S-ERA NOVEL SHEDS LIGHT ON EASTERN EUROPEAN ANTI-AUTHORITARIANISM. |
Collins, Will |
Critical essay |
Oct 1, 2018 |
1836 |
| "FAIREST OBSERVERS" AND "RESTLESS WATCHERS": CONTESTED SITES OF EPISTEMOLOGY IN FRANCES BURNEY'S CAMILLA. |
Pond, Kristen |
Critical essay |
Sep 22, 2018 |
10274 |
| JOSEPH CONRAD'S ATMOSPHERIC MODERNISM: ENVELOPING FOG, NARRATIVE FRAMES, AND AFFECTIVE ATTUNEMENT. |
Abramson, Anna Jones |
Critical essay |
Sep 22, 2018 |
12260 |
| SPECTERS OF IDEOLOGY IN JOSEPH CONRAD'S OSTROMO. |
Meehan, Adam |
Critical essay |
Sep 22, 2018 |
9353 |
| Mourning the Human: Working through Trauma and the Posthuman Body in Lev Grossman's The Magicians Trilogy. |
Vinci, Tony M. |
Critical essay |
Sep 22, 2018 |
9060 |
| We Are All Abnegation Now: Suffering Agency in the Divergent Series. |
Lee, Jasmine; Alexander, Jonathan |
Critical essay |
Sep 22, 2018 |
6296 |
| "I have to figure out who I am": Embodied Self, Time, and the Ethics of Adolescence in David Levithan's Every Day. |
Donner, Mathieu |
Critical essay |
Sep 22, 2018 |
10695 |
| "Sticky" Identities: Race, Gender, and Sexuality in Nalo Hopkinson's The Chaos. |
Shaw, Kristen |
Critical essay |
Sep 22, 2018 |
11421 |
| Veronique Tadjo: Is there hope beyond the divisions in contemporary Africa? |
Snyman, Elisabeth |
Critical essay |
Sep 22, 2018 |
4766 |
| Images of woman and her search for happiness in Cynthia Jele's Happiness is a four-letter word. |
Makombe, Rodwell |
Critical essay |
Sep 22, 2018 |
5923 |
| Representation of racial and sexual 'others' in Afrikaans popular romantic fiction by Sophia Kapp. |
Vitackova, Martina |
Essay |
Sep 22, 2018 |
5696 |
| The Crisis of Interpretation in the Allegorical Reading of Iris Murdoch's The Unicorn. |
Nejad, Soheila Farhani |
Critical essay |
Sep 22, 2018 |
6873 |
| The Process Of Salvation in Pearl and The Great Divorce. |
Dunai, Amber |
|
Sep 22, 2018 |
8582 |
| Paradise Retold: Lewis's Reimagining Of Milton, Eden, and Eve. |
Muth, Benita Huffman |
|
Sep 22, 2018 |
10321 |
| DOMINANCE, SILENCE, AND HOMOEROTIC PLEASURES IN NAKISANZE SEGAWA'S THE TRIANGLE. |
Nabutanyi, Edgar Fred |
Critical essay |
Sep 22, 2018 |
2923 |
| THE HUXLEY TRAP. |
Douthat, Ross |
Excerpt |
Sep 22, 2018 |
1003 |
| The Art of Redemption V. S. Naipaul's The Enigma of Arrival: V. S. Naipaul's novels continue to transcend the fashionable trends in literature because he confronted the themes that have marked the greatest works of fiction. |
Folks, Jeffrey |
Critical essay |
Sep 22, 2018 |
4606 |
| Whispering Glades Seventy Years On. |
Manley, Jeffrey |
Critical essay |
Sep 22, 2018 |
6868 |
| 'To live outside the trial' Anarchist implications in Foucauldian readings of Franz Kafka's In the Penal Colony and The Trial. |
Tulley, David |
Critical essay |
Sep 22, 2018 |
7759 |
| The Recepteur and the Emetteur: A Case Study of Paternity in the Works of Chinua Achebe, Tsitsi Dangarembga, and Chimamanda Ngozi Adichi. |
Denkyi-Manieson, Gladys Agyeiwaa |
Critical essay |
Sep 15, 2018 |
7741 |
| Destructive Ethnic Consciousness and the Search for National Unity in Cyprian Ekwensi's Iska. |
Okereke, Emmanuel Chibuzor |
Critical essay |
Sep 15, 2018 |
5242 |
| Writing and Discourse: Chimamanda Ngozi Adichie's Half of a Yellow Sun as a Civil War Narrative. |
Wosu, Kalu |
Critical essay |
Sep 15, 2018 |
4971 |
| Discursive Vulnerability and Identity Development: A Triangular Model of Bioforces in Cultural Ecological Analysis of American Romance Fiction. |
Mazloomian, Maryam; Mohammadi, Nahid |
Critical essay |
Sep 1, 2018 |
7959 |
| Ambivalence and Its Implications from the Standpoints of Modern and Postmodern Ethics in Coetzee's Life and Times of Michael K. |
Teimouri, Mahdi |
Critical essay |
Sep 1, 2018 |
6465 |
| Psychosis in Hybridity: Locating the Identity of the Postcolonial Subject in Kiran Desai's The Inheritance of Loss. |
Yerima, Dina; Opata, Damian U. |
Critical essay |
Sep 1, 2018 |
5939 |
| An Existential Crisis: The Significance of the Opening and Concluding Passages of Robert Walser's Jacob Von Gunten. |
Ahmadian, Mahdi; Hanif, Mohsen |
Critical essay |
Sep 1, 2018 |
4079 |
| Angela Carter's The Infernal Desire Machines of Doctor Hoffman: A Subversive Cartesian Thought Experiment. |
Birlik, Nurten |
Critical essay |
Sep 1, 2018 |
8824 |
| Romanticism and Nostalgia from Afar: Signification of Home for a Political Exile in Leila S. Chudori's "Home". |
Prasasti, Wigati Dyah; Suarcaya, Putu |
Critical essay |
Sep 1, 2018 |
6607 |
| Exploring Literary Multilingualism in Indian Diasporic Writing. |
Chakravarty, Urjani |
Critical essay |
Sep 1, 2018 |
9483 |
| Ishmael Reed's Mimicry of Stowe's Uncle Tom's Cabin and the Formation of Neo-HooDoo Slave Narrative in Flight to Canada. |
Ramin, Zohreh; Roshnavand, Farshid Nowrouzi |
Critical essay |
Sep 1, 2018 |
6756 |
| Men in the Land of Promise: Immigration and Challenges to Masculinity in M.G. Vassanji's No New Land. |
Adjei, Edwin Asa |
|
Sep 1, 2018 |
5353 |
| Stealing Sleep: Expanding the Conversation on the Literary Politics of Sleep and Insomnia. |
Huebener, Paul |
Critical essay |
Sep 1, 2018 |
9275 |
| Farewell to Naples: Ferrante's Story of a New Name. |
Palma, Pina |
Critical essay |
Aug 1, 2018 |
6997 |
| PARALLEL NARRATIVES, COLORFUL VISIONS: ENCLOSURE AND LIBERATION IN TRACY CHEVALIER'S THE VIRGIN BLUE. |
Michailidou, Artemis |
|
Jul 1, 2018 |
7815 |
| Trouble in Paradise: Misbehaviour and Disbelief in The Isle of Pines. |
Hall, Sam Gilchrist |
Critical essay |
Jul 1, 2018 |
5852 |
| Willful Adolescents in La Marchesa Colombia Un matrimonio in provincia and Sibilla Aleramo's Una donna. |
Marrone, Claire |
Critical essay |
Jun 22, 2018 |
7115 |
| Roots and Routes: Immigration in Andrea Camilleri's Montalbano Series. |
Mazzucchelli, Chiara |
Critical essay |
Jun 22, 2018 |
9062 |
| The Functions of Sicilian in Camilleri's Il ladro di merendine. |
Russi, Cinzia |
Critical essay |
Jun 22, 2018 |
11631 |
| DEATH, RESURRECTION, AND MEANING IN FINNEGANS WAKE: A PROCESS THEOLOGY APPROACH. |
Brick, Martin |
Critical essay |
Jun 22, 2018 |
7108 |
| GEORGE ORWELL, DESIRE, AND ENCOUNTERS WITH RURAL SEX IN MID-CENTURY ENGLAND. |
Wood, Jamie |
Critical essay |
Jun 22, 2018 |
9981 |
| CONRAD'S EROTIC WOMEN. |
Wexler, Joyce |
Critical essay |
Jun 22, 2018 |
10572 |
| JOYCE AND HEIDEGGER: APPROPRIATIONS OF THE PAST TOWARD A NEW PHILOSOPHY OF TRANSCENDENCE. |
Irven, Donovan |
Essay |
Jun 22, 2018 |
12044 |
| REDEFINING FAMILY IN JENNIFER JOHNSTON'S FOOLISH MORTALS. |
Reisman, Mara |
Critical essay |
Jun 22, 2018 |
10922 |
| A MOST COPIOUS DIGRESSION: AN ERASMIAN ANALYSIS OF THE RHETORIC OF VIRGINIA WOOLF'S COMMENTS ON LETTERS IN JACOB'S ROOM. |
Arrington, Phillip |
Critical essay |
Jun 22, 2018 |
9309 |
| MORE THAN A CONSCIOUS FEELING: READING EVELINA'S MIND IN TIME. |
Eron, Sarah |
Critical essay |
Jun 22, 2018 |
13152 |
| "OBLIGED TO YIELD": THE LANGUAGE OF PATRIARCHY AND THE SYSTEM OF MENTAL SLAVERY IN MANSFIELD PARK. |
Stampone, Christopher |
Critical essay |
Jun 22, 2018 |
8090 |
| "THIS IS NOT A PARABLE": TRANSFORMATIONS OF THE PRODIGAL SON IN TURGENEV, DOSTOEVSKY, AND COETZEE. |
Bolin, John |
Critical essay |
Jun 22, 2018 |
10820 |
| Lesbian 'Growth' and Epistemic Disobedience: Placing Gabby Rivera's Juliet Takes a Breath within Puerto Rican Literature and Queer Theory. |
Martinez-Reyes, Consuelo |
Critical essay |
Jun 22, 2018 |
10252 |
| Free Indirect Discourse and the Problem of the Will in Two Novels by William Godwin. |
Manganaro, Thomas Salem |
Critical essay |
Jun 22, 2018 |
9966 |
| The Late Victorian Economy of Countenance in Strange Case of Dr. Jekyll and Mr. Hyde. |
Suner, Ahmet |
Critical essay |
Jun 22, 2018 |
6004 |
| From Sausages to Hoplites of Ham and Beyond: The Status of Genetically Modified Pigs in Margaret Atwood's MaddAddam Trilogy. |
Koziol, Slawomir |
Critical essay |
Jun 22, 2018 |
12344 |
| Traumatic Geographies: Mapping the Violent Landscapes Driving YA Rape Survivors Indoors in Laurie Halse Anderson's Speak, Elizabeth Scott's Living Dead Girl, and E. K. Johnston's Exit, Pursued by a Bear. |
Moore, Amber |
Critical essay |
Jun 22, 2018 |
11293 |
| Good Vampires Don't Eat: Anorexic Logic in Stephenie Meyer's Twilight Series. |
Dunn, Emma |
Critical essay |
Jun 22, 2018 |
10318 |
| Reading Discourses of Violence in Gloria Naylor's The Women of Brewster Place. |
Singh, Rajni; Sonal, Smrity |
Critical essay |
Jun 1, 2018 |
7061 |
| To the Lighthouse: Memory and Art Therapy. |
Ghasemi, Parvin; Sasani, Samira; Abbaszadeh, Jafar |
|
Jun 1, 2018 |
5640 |
| Existential Failure in Franz Kafka's The Metamorphosis. |
Farahmandian, Hamid; Haonong, Pang |
Critical essay |
Jun 1, 2018 |
3213 |
| "The Burden of Representation": Absence and the Deferral of Meaning in Yasmine Ghata's The Calligraphers' Night. |
Mukattash, Eman |
Critical essay |
Jun 1, 2018 |
10759 |
| Andre Brink's Rumors of Rain: An Intersection of Entangled Liminal Beings. |
Amani, Golchin; Bezdoode, Zakarya |
Critical essay |
Jun 1, 2018 |
8491 |
| "Newark's Just a Black Colony": Race in Philip Roth's American Pastoral. |
Hwang, Jung-Suk |
|
Jun 1, 2018 |
12261 |
| THE UNFORGETTABLE AND INVISIBLE TRUTH: A STUDY OF ACQUAINTANCE RAPE IN YEJIDE KILANKO'S DAUGHTERS WHO WALK THIS PATH. |
Dodhy, Shamaila |
Critical essay |
Jun 1, 2018 |
3374 |
| Dancing into Life: Affective Ontogenesis in Philip Roth's The Human Stain. |
Lee, Shu-yu |
Critical essay |
Jun 1, 2018 |
9644 |
