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Criticism and interpretation subtopic

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1-102 out of 102 article(s)
Title Author Type Date Words
Ovidian Retro-Metamorphosis on the Elizabethan Stage. Reid, Lindsay Ann Dec 1, 2018 8252
Underemployed Elizabethans: Gabriel Harvey and Thomas Nashe in the Parnassus Plays. Roberts, P.B. Critical essay Dec 1, 2018 8662
Xenophon and Plato in Elizabethan Culture: The Tyrant's Fear Before Macbeth. Dall'Olio, Francesco Critical essay Dec 22, 2017 13240
Klytaimestra Tyrannos: Fear and Tyranny in Aeschylus's Oresteia (with a Brief Comparison with Macbeth). Bierl, Anton Critical essay Dec 22, 2017 12913
Orestes and the Light of Day. Miola, Robert S. Critical essay Dec 22, 2017 4925
MUCEDORUS: FROM REVISION TO NOSTALGIA. Thomson, Leslie Critical essay Oct 1, 2017 9048
"Contrived in Nature's Shop": Countering Antitheatricality in The Woman in the Moon. Porter, Chloe Critical essay Jan 1, 2017 2760
The Tragedy of Master Arden of Faversham, True Crime, and the Literary Marketplace of the 1580s. O'Brien, Emily Critical essay Jan 1, 2017 3153
Shakespeare's Intents in Tents. Bergeron, David M. Critical essay Jan 1, 2017 9523
The Tempest's Other Plots. Sarkar, Debapriya Critical essay Jan 1, 2017 11499
Caesar as comic antichrist: Shakespeare's Julius Caesar and the Medieval English Stage Tyrant. Gray, Patrick Critical essay Mar 22, 2016 12104
Stage prayer in Marlowe and Jonson. Cox, John D. Critical essay Mar 22, 2016 7313
Boot and shtick. Bishop, Tom Jan 1, 2015 5939
Shakespeare's Scottish play in Scottish Gaelic'. Innes, Sim Jan 1, 2014 9127
Shylock and the use of stage doors. Ichikawa, Mariko Critical essay Oct 1, 2013 6363
Advertising status and legitimacy: or, why did Henry VIII's queens and children patronize travelling performers? Forse, James H. Essay Jul 1, 2013 11254
John Rastell's London stage: reconstructing repertory and collaborative practice. Giles-Watson, Maura Essay Jul 1, 2013 5649
New contexts for early Tudor plays: William Briton, an early reader of Gorboduc. Estill, Laura Essay Jul 1, 2013 5139
'To see the playes of theatre newe wrought': electronic editions and early Tudor drama. Hirsch, Brett D. Essay Jul 1, 2013 11141
"The hall must not be pestred": embedded masques, space, and dramatized desire. Ziegler, John R. Essay Jan 1, 2013 11381
Heywood's Silver Age: a flight too far? Mann, David Critical essay Jan 1, 2013 9000
A stage is the world. Millman, Noah Oct 1, 2012 1869
Saying farewell with shoes: the gift cycle and unresolved class tensions in The Shoemaker's Holiday. Lawson, Andrea C. Critical essay Jul 1, 2012 7333
'What makes thou upon a stage?': Child actors, royalist publicity, and the space of the nation in the Queen's Men's True Tragedy of Richard the Third. Roberts-Smith, Jennifer Critical essay Jul 1, 2012 5658
Shakespeare's beach house, or the green and the blue in Macbeth. Mentz, Steve Critical essay Jan 1, 2011 3518
Cognitive ecology as a framework for Shakespearean studies. Tribble, Evelyn; Sutton, John Critical essay Jan 1, 2011 3784
Predicting Elizabeth: prophecy on progress. Kapelle, Rachel Critical essay Jan 1, 2011 10059
Shakespeare Meets the Rocky Mountains: The Earl of Southesk in Western Canada, 1859. Bowers, Rick Critical essay Dec 22, 2010 3558
Epilogues, prayers after plays, and Shakespeare's 2 Henry IV. Stern, Tiffany Critical essay Oct 1, 2010 3765
All singing, 'all dancing: sexually explicit jigs were a major part of the attraction of the Elizabethan, Jacobean and restoration stage, as Lucie Skeaping explains. Skeaping, Lucie Critical essay Feb 1, 2010 3479
The real Shakespearean Tragedy: it's been 400-plus years. Is it time to translate the Bard into understandable English? Mcwhorter, John Jan 1, 2010 3012
Motley to the View: The Shakespearean Performance of Folly. Bell, Robert H. Critical essay Jan 1, 2010 8181
Parallels and poetry: Shakespeare, Kyd, and Arden of Faversham. Jackson, MacDonald P. Critical essay Jan 1, 2010 7387
The 2010 Season at London's Globe Theatre. Shurgot, Michael W.; Smith, Peter J. Jan 1, 2010 7597
The Royal Shakespeare Company 2009: As You Like It: "reviewing Shakespearean Theatre: The State Of The Art," September 5-6, 2009, Shakespeare Centre, Stratford-upon-Avon. Thompson, Sara Conference notes Jan 1, 2010 1747
A fairy tale and a falling library, a bloody ghost, and a rabbit-skinning: Shakespeare (and Ford) on stage in 2009. Dessen, Alan C. Dec 22, 2009 5437
"Sumptuously re-edified": the reformation of sacred space in Titus Andronicus. Duncan, Helga L. Critical essay Dec 22, 2009 11847
"You were an actor with your handkerchief": women, windows, and moral agency. Lewis, Cynthia Critical essay Dec 22, 2009 7432
Analysing the concepts of Vengeance and Hono(u)r in Shakespeare's Hamlet and Sumarokov's Gamlet: a Corpus-based approach to literature. Keshabyan, Irina Critical essay Dec 1, 2009 8357
Introduction: Shakespeare, race, and performance. Thompson, Ayanna Sep 22, 2009 791
Strange episodes: race in stage history. Akhimie, Patricia Critical essay Sep 22, 2009 5494
Othello at the Market Theatre. Seeff, Adele Essay Sep 22, 2009 9252
Performing race on the original-practices stage: a call to action. Steigerwalt, Jenna Critical essay Sep 22, 2009 4567
A dramaturgical study of merrythought's songs in The Knight Of The Burning Pestle. Wong, Katrine K. Critical essay Jul 1, 2009 10427
The Merry Tanner, the mayor's feast, and the king's mistress: Thomas Heywood's 1 Edward IV and the ballad tradition. Corrigan, Nora L. Critical essay Jan 1, 2009 7044
Foreword. Zimmerman, Susan; Sullivan, Garrett Editorial Jan 1, 2009 366
Introduction. Astington, John H. Critical essay Jan 1, 2009 2018
Center or margin: revisions of the English renaissance in honor of Leeds Barroll. Drakakis, John Critical essay Jan 1, 2009 9430
Six characters in search of Shakespeare: Neil Gaiman's Sandman and Shakespearian mythos. Pendergast, John Critical essay Mar 22, 2008 6027
Human malevolence and providence in King Lear. Beauregard, David N. Mar 22, 2008 10333
Gismond of Salerne: an Elizabethan and Cupidean tragedy. Kingsley-Smith, Jane Critical essay Jan 1, 2008 8325
Early modern authorship in 2007. Wall, Wendy Critical essay Jan 1, 2008 2671
Puppets dallying: thoughts on Shakespearean theatricality. Gross, Kenneth Critical essay Sep 22, 2007 10797
"It's all about me. Deal with it.". Holland, Peter Sep 22, 2007 5602
One Piece at a Time. Shaughnessy, Robert Sep 22, 2007 6967
The Massacre at Paris and the danse macabre. Mackenzie, Clayton G. Critical essay Jun 22, 2007 7759
"What Good Newes from Barbary?" nascent capitalism, North-Africans and the construction of English identity in Thomas Heywood's drama. Lopez-Pelaez Casellas, Jesus Critical essay Jun 1, 2007 9544
Chicago and New York City: bats in Banquo's belfry. Nance, Kevin Mar 1, 2007 373
Shakespearean personalism. Curtright, Travis Jan 1, 2007 8306
Room for doubts in a nutshell: (in)finite spaces vs. spatial (in)definition in Hamlet. Gellert, Marcell Essay Jan 1, 2007 5251
The work of Elizabethan plotters, and 2 The Seven Deadly Sins. Gurr, Andrew Critical essay Jan 1, 2007 9962
A Hamlet of one's own: what's the point of transposing the play to drug-afflicted Oakland, Calif.? Iizuka, Naomi Critical essay Nov 1, 2006 1877
Speculations on Shakespearean cinematic liveness. Osborne, Laurie E. Critical essay Sep 22, 2006 6667
Face/off: some speculations on Elizabethan acting. Hyland, Peter Critical essay Jun 22, 2006 3851
'Greene's Baboone': Thomas Greene, ape impersonator? Steggle, Matthew Critical essay Jun 1, 2006 1508
Between heaven and hell: Shakespearian translation, adaptation, and criticism from a historical perspective. Hoenselaars, Ton Critical essay Jan 1, 2006 8055
Trans-formal translation: plays into ballets, with special reference to Kenneth MacMillan's Romeo and Juliet. Edgecombe, Rodney Stenning Critical essay Jan 1, 2006 7883
Reflections in Shakespeare translation. Morse, Ruth Critical essay Jan 1, 2006 5488
Do characters have souls? Callaghan, Dympna Critical essay Jan 1, 2006 1804
The persistence of character. Desmet, Christy Critical essay Jan 1, 2006 3865
Jack Cade, the skin of a dead lamb, and the hatred for writing. Chartier, Roger Critical essay Jan 1, 2006 5423
Accidental Shakespeare. Yates, Julian Critical essay Jan 1, 2006 13800
Legitimizing magic in The Birth of Merlin. Isaac, Megan Lynn Critical essay Jan 1, 2006 5411
Southern Shrews: marriage and slavery in American appropriations of Shakespeare. Desmet, Christy Critical essay Jan 1, 2006 9553
Hamlet, reconciliation, and the just state. Tiffany, Grace Critical essay Dec 22, 2005 10535
Structuring and revision in 1 Henry VI. Vincent, Paul J. Critical essay Sep 22, 2005 11450
The sacralization of revenge in Antonio's Revenge. Spinrad, Phoebe S. Critical essay Jun 22, 2005 6985
Marlowe's texts and oral transmission: towards the Zielform. Pettitt, Thomas Critical essay Jun 22, 2005 11657
The Merry Wives of Windsor: the performance of community. Holland, Peter Critical Essay Jun 22, 2005 5650
Fields goes good will hunting. Brief Article Mar 21, 2005 261
'Plucking a crow' in The Comedy of Errors. Godman, Maureen Critical essay Jan 1, 2005 6777
Dramatists against theory: the affective dramaturgy of Cinthio, Lope de Vega, and William Shakespeare. Richmond, Hugh Macrae Critical Essay Dec 22, 2004 4648
The spell of history: how Shakespeare's war-soaked 'tetralogies'--in 3 epic stagings--are shedding new light on our troubled times. Nunns, Stephen Critical Essay Oct 1, 2004 2841
Bringing Cheek by Jowl's As You Like It out of the closet: the politics of gay theater. Bulman, James C. Critical Essay Sep 22, 2004 6669
Introduction: whither Shakespop? Taking stock of Shakespeare in popular culture. Abele, Elizabeth Critical Essay Sep 22, 2004 4054
Crossover dreams: reflections on Shakespeareans and popular culture. Plasse, Marie A. Critical Essay Sep 22, 2004 2727
The propaganda imperative: challenging mass media representations in McKellen's Richard III. Johnson, Jared Scott Critical Essay Sep 22, 2004 6834
Hamlet, synecdoche and history: teaching the tropes of "new remembrance". Acheson, Katherine O. Critical Essay Sep 22, 2004 10823
"Hamlet, Part Eight, The Revenge" or, sampling Shakespeare in a postmodern world. Smith, Kay H. Critical Essay Sep 22, 2004 6781
Hamlet 9/11: sound, noise, and fury in Almereyda's Hamlet. Fedderson, Kim; Richardson, J. Michael Critical Essay Sep 22, 2004 9342
Henry of Monmouth and the gown-of-needles. Romotsky, Sally Robertson Sep 22, 2004 8849
Shakespeare and integrated casting. Berry, Ralph Jul 1, 2004 2516
Magic mirrors in Richard II. Schuler, Robert M. Jun 22, 2004 12723
Memory, composition, and the relationship of King John to The Troublesome Raigne of King John. Groves, Beatrice Jun 22, 2004 5490
Rowe's Shakespear (1709) and the Tonson house style. Hamm, Robert B., Jr. Critical Essay Jun 22, 2004 10347
Negotiations between text and stage in Romeo and Juliet. Lichtenfels, Peter; Hunter, Lynette Jun 22, 2004 9880
Disorder in the house of God: disrupted worship in Shakespeare and others. Boehrer, Bruce Mar 22, 2004 8071
The uses of interpretation in Hamlet. Croxford, Leslie Critical Essay Jan 1, 2004 10646
The serious comedy of Twelfth Night: dark didacticism in Illyria. Marciano, Lisa Critical Essay Sep 22, 2003 7147
Shakespeare's Venetian paradigm: stereotyping and Sadism in The Merchant of Venice and Othello. Hunt, Maurice Critical Essay Mar 22, 2003 7815
Editing Shakespeare for the stage: a comparative analysis of Act I Scene iv of Romeo and Juliet. Tabi, Katalin Critical essay Jan 1, 2003 11200
'Arden winketh at his wife's lewdness, & why!': a patrilineal crisis in Arden of Faversham. Martin, Randall Critical essay Jul 1, 2001 8280

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