| Title |
Author |
Type |
Date |
Words |
| PERFORMING GENDER, SEXUALITY, AND JEWISHNESS IN THE SONGS OF WILLIAM FINN'S MUSICAL FALSETTOLAND (1990). |
Badue, Alex |
Critical essay |
Sep 22, 2019 |
8244 |
| Mikrokosmos ~ Macro-Opportunities Bartok's Practical Piano Legacy. |
Zander, Autumn L. |
|
Aug 1, 2019 |
2687 |
| MUSIC REVIEWS. |
Roland-Silverstein, Kathleen |
|
May 1, 2019 |
2027 |
| ROOM FOR IMPROVEMENT: Catherine Damman on Robert Ashley. |
Damman, Catherine; Mellon, Andrew W. |
|
Apr 1, 2019 |
1641 |
| IN SEARCH OF JEAN WIENER: A BIBLIOGRAPHIC EXPLORATION OF HIS PUBLISHED MUSIC. |
Prochazka, David |
|
Mar 1, 2019 |
20860 |
| Reinventing Folklore: Max Jacob and Francis Poulenc. |
Neron, Martin |
Critical essay |
Mar 1, 2019 |
8869 |
| Modern Opera and Film. |
Chandler, Chuck |
Critical essay |
Mar 1, 2019 |
5409 |
| SYNTHESIZE ME: Sasha Frere-Jones on Eliane Radigue. |
Frere-Jones, Sasha |
|
Jan 1, 2019 |
738 |
| Seis Poemas Arcaicos for Voice and Piano by Manuel M. Ponce. |
Corvera, Jorge Barron |
Critical essay |
May 1, 2018 |
5446 |
| LYRIC INTELLIGIBILITY IN SOR JUANA'S NAHUATL TOCOTINES. |
Egan, Caroline |
Critical essay |
May 1, 2018 |
4913 |
| Orientalist Soundscapes, Barred Zones, and Irving Berlin's China. |
Higgins, Shawn M. |
Critical essay |
Jan 1, 2018 |
10627 |
| Aleksandr Skrjabin, the Russian Orpheus. |
Molina-Moreno, Francisco |
Critical essay |
Sep 22, 2017 |
7381 |
| Miloslav Kabelac: symphonist. |
Havlik, Jaromir |
Critical essay |
Apr 1, 2017 |
2900 |
| "Il teatro e la vita non son la stessa cosa?" Self-references and their cultural context in Leoncavallo's Pagliacci. |
Kuhn, Bernhard |
Critical essay |
Mar 22, 2017 |
8950 |
| Rossini: the Gourmet of 'Bel Canto'. |
Voicu, Cristina-Georgiana |
Critical essay |
Dec 22, 2016 |
2731 |
| Pavel Haas: Janacek's most gifted pupil? |
Pivoda, Ondrej; Spurny, Lubomir |
|
Jul 1, 2016 |
6135 |
| On the Castelnuovo-Tedesco version of Platero y yo. |
Skyrme, Raymond |
Critical essay |
May 1, 2016 |
5594 |
| The Via Pulchritudinis, Faure's Requiem, and the Eucharist. |
Pirtle, Carolyn |
Critical essay |
Mar 22, 2016 |
8080 |
| All Waltzed Out: Listening for World War I. |
Teleky, Richard |
Critical essay |
Sep 22, 2015 |
2187 |
| "A child is being beaten": Peter Pan, Peter Grimes, and a queer case of modernism. |
Crawford, Lucas |
Critical essay |
Dec 1, 2013 |
9035 |
| Research, practice, and musical magic: university of Toronto choirs sing the music of Ruth Watson Henderson. |
Livingston, Cecilia |
Essay |
Mar 22, 2013 |
2171 |
| Jenufa: the text is part of the chapter Janacek's work on the stage of the Brno National Theatre. |
|
Critical essay |
Jan 1, 2013 |
4784 |
| Schubert for starters: songs for the lieder novice. |
DeBoer, Katharine |
Reprint |
Jan 1, 2013 |
4585 |
| The songs of Jake Heggie. |
Carman, Judith |
|
Jan 1, 2013 |
459 |
| Francis Poulenc and Louise de Vilmorin, a surrealism a fleur de peau. |
Neron, Martin |
Critical essay |
Jan 1, 2013 |
6389 |
| Far from Banal-Poulenc's Banalites. |
Low, Peter |
Critical essay |
Jan 1, 2013 |
3706 |
| "A sun among men"--the E.E. Cummings songs of Paul Nordoff. |
De'Ath, Leslie |
Critical essay |
Jan 1, 2013 |
10033 |
| Debussy the man, his music, and his legacy: an overview of current research. |
Pasler, Jann |
Critical essay |
Dec 1, 2012 |
9279 |
| Recycling Uhland: Brahms and the Wanderlieder. |
Horne, William |
Critical essay |
Dec 1, 2012 |
21534 |
| Music labelled mittelosteuropa. |
Bakla, Petr |
Essay |
Oct 1, 2012 |
3433 |
| Things lived and dreamt by a music editor: reflections on Josef Suk's oeuvre. |
Hajek, Jonas |
Essay |
Oct 1, 2012 |
3725 |
| Whitman's identity at war: contexts and reception of John Adams' The Wound-Dresser. |
Kim, Heidi Kathleen |
Critical essay |
Sep 22, 2012 |
7121 |
| Quoniam from Bach's B Minor Mass. |
Huebscher, Olivier |
|
May 1, 2012 |
1019 |
| Opera from the playground: Benjamin Britten's roles for children's voices. |
Zakresky, Kevin |
Critical essay |
May 1, 2012 |
3811 |
| The origin of the Verdi baritone. |
Seesholtz, John Clayton |
Critical essay |
May 1, 2012 |
3308 |
| Peter Graham's subversive etudes. |
Oplistilova, Iva |
Critical essay |
Apr 1, 2012 |
2612 |
| Pavel Borkovec between constructivism and lyricism. |
Haas, Petr |
Critical essay |
Apr 1, 2012 |
3163 |
| A fresh look at the songs of Virgil Thomson. |
Riley, Jessica |
Critical essay |
Mar 1, 2012 |
5125 |
| Roads less traveled: rediscovering the baritone song sets of Gerald Finzi. |
Schubert, David |
Critical essay |
Mar 1, 2012 |
7102 |
| Evolution of an edition, part 3: a missing link in the case of Beethoven's opus 2. |
Stroh, Patricia |
Report |
Mar 1, 2012 |
8616 |
| Music for public and private use: the cello-basso sonatas of Carlo Graziani. |
Parker, Mara |
Critical essay |
Mar 1, 2012 |
8223 |
| Video reviews. |
Andersen, Leslie |
Critical essay |
Mar 1, 2012 |
5240 |
| The curious memoirs of the Vietnamese composer Pham Duy. |
Schafer, John C. |
Critical essay |
Feb 1, 2012 |
20396 |
| Five American Duos for Viola and Mezzo-Soprano. |
Carman, Judith |
|
Jan 1, 2012 |
1412 |
| In musica bohemica ET slovaca the reception of John Cage's music in the Czech lands and Slovakia. |
Stastny, Jaroslav |
Essay |
Jan 1, 2012 |
8024 |
| Hassan Al Shafi'ie accused of insulting Saudis. |
|
Brief article |
Dec 19, 2011 |
244 |
| Editorial challenges in the early songs of Gabriel Faure. |
Howat, Roy; Kilpatrick, Emily |
Critical essay |
Nov 23, 2011 |
16524 |
| Hail, Cesar Franck: writing the life of the great Belgian composer. |
Stove, R.J. |
|
Nov 1, 2011 |
2065 |
| Eusebius, Florestan and friends: Schumann and the doppelganger tradition in German literature. |
Kautsky, Catherine |
Critical essay |
Oct 1, 2011 |
2993 |
| Musical, rhetorical, and visual material in the work of Feldman. |
Ozment, Kurt |
Critical essay |
Sep 1, 2011 |
6750 |
| William Walton's film scores: new evidence in the autograph manuscripts. |
Kuykendall, James Brooks |
Essay |
Sep 1, 2011 |
8593 |
| Six Canadian Composers You Should Know. |
Eatock, Colin |
Critical essay |
Jun 22, 2011 |
3222 |
| Antisemitism in Wagnerian opera. |
Leeson, Daniel N. |
Critical essay |
Jun 1, 2011 |
8223 |
| The new complete edition of the works of Dvorak stimulates new research. |
Kachlik, Jan |
Critical essay |
Apr 1, 2011 |
2359 |
| Gustav Mahler's second century: achievements in scholarship and challenges for research. |
Zychowicz, James L. |
Critical essay |
Mar 1, 2011 |
11497 |
| Tan Dun Through the Lens of Western Media (Part I). |
Hung, Eric |
Column |
Mar 1, 2011 |
8120 |
| The touch of the violin, the coldness of the bell: synaesthesia, mimesis, and the unlocking of traumatic memory in Bunita Marcus's "the rugmaker" and Andra McCartney's "learning to walk". |
Johnson, Jenny Olivia |
Critical essay |
Jan 1, 2011 |
9876 |
| Trauma and recovery in Germaine Tailleferre's Six chansons francaises (1929). |
Heel, Kiri L. |
Critical essay |
Jan 1, 2011 |
18913 |
| Douglas Lilburn: nationalism now. |
Horrocks, Roger |
Critical essay |
Jan 1, 2011 |
8632 |
| Silence in Krzysztof Kieslowski's The Decalogue: a Cagian perspective. |
Weagel, Deborah |
Critical essay |
Jan 1, 2011 |
6484 |
| Walton's Facade and its descendants. |
Rice, Rebecca |
Critical essay |
Mar 1, 2010 |
3274 |
| The solo songs of Gioachino Rossini. |
Shannon, Pamela |
Essay |
Mar 1, 2010 |
5321 |
| "Dining on two dishes": Shakespeare, adaptation, and auditory reception of Purcell's the fairy-queen. |
Deutermann, Allison Kay |
Critical essay |
Jan 1, 2010 |
7561 |
| A dialogue begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes. |
Francis, Kimberly |
Critical essay |
Jan 1, 2010 |
12921 |
| Milos Stedron answers Michael Beckerman. |
Stedron, Milos |
|
Apr 1, 2009 |
466 |
| 4 Last songs. |
Friesen, Eric |
Critical essay |
Mar 22, 2009 |
1940 |
| Jews dreaming of acceptance: from the Brill Building to suburbia with love. |
Stratton, Jon |
Critical essay |
Jan 1, 2009 |
10706 |
| Women Composers and Music Technology in the United States: Crossing the Line. |
Keathley, Elizabeth L. |
Critical essay |
Jan 1, 2009 |
1889 |
| Arthur Vincent Lourie's Opera on Pushkin's Black Great-Grandfather. |
Emerson, Caryl; Moricz, Klara |
Critical essay |
Jan 1, 2009 |
10756 |
| The liturgical context of the Byron-Nathan Hebrew Melodies. |
Spector, Sheila A. |
Critical essay |
Sep 22, 2008 |
8498 |
| A music-political confession Bohuslav Martinu's Memorial to Lidice. |
Richter, Petra |
Critical essay |
Jul 1, 2008 |
3175 |
| The first evangelical oratorio. |
Bergt, Robert |
Critical essay |
Jun 1, 2008 |
4456 |
| Bach's Mass in B minor: an evangelical Catholic Testament. |
Senn, Frank C. |
Critical essay |
Jun 1, 2008 |
3600 |
| Chester Biscardi--a voice for our time. |
Sjoerdsma, Richard |
|
May 1, 2008 |
2563 |
| Georg Friedrich Handel. |
Kroll, Mark |
|
Jun 1, 2007 |
1805 |
| Dowland lute songs and the Cult of Elizabeth. |
Hurst-Wajszczuk, Kristine |
|
May 1, 2007 |
5400 |
| Still into the mystic: Steve Erickson assesses Van's long-running magic act. |
Erickson, Steve |
|
Feb 19, 2007 |
602 |
| Thomas Wolfe: Say It with Music--Continuum (2007). |
Magi, Aldo P. |
Critical essay |
Jan 1, 2007 |
7347 |
| Received wisdom: Damon Krukowski on Giacinto Scelsi. |
Krukowski, Damon |
|
Oct 1, 2006 |
1032 |
| 'Light' breaks through. |
Hofler, Robert |
|
May 2, 2005 |
765 |
| Downloading the siren's song: the technological management of otherness. |
Cooper, Simon |
Editorial |
Apr 1, 2005 |
1564 |
| Democracy's composer. |
Valiunas, Algis |
Critical essay |
Sep 22, 2004 |
5185 |
| Knowing Mendelssohn: a challenge from the primary sources. |
Cooper, John Michael |
|
Sep 1, 2004 |
25983 |
| The plainsong of The Double Dream of Spring: John Ashbery, Olivier Messiaen, and rituals of the sacred. |
Jacobs, J.L.; Schleifer, Ronald |
Critical essay |
Jun 22, 2004 |
10084 |
| An introduction to the piano music of Jeno Takacs. |
Perkins, Jerry |
|
Apr 1, 2004 |
3564 |
| Art nouveau: parallels in the piano music of: V. Novak, J. Suk and M. K. Ciurlionis. |
Mikes, Vitezslav |
Critical Essay |
May 1, 2003 |
3132 |
| A Singing Faith - Composer John Tavener. |
GREER, HERB |
|
Apr 1, 2003 |
2015 |
| Canadian themes and variations: in the second of two articles, Eric Domville assesses some distinctively local additions to a universal art. |
Domville, Eric |
|
Mar 22, 2003 |
2155 |
| Composer of spiritual communions: Argentine-born composer Osvaldo Golijov creates a movable, musical feast, spanning a range of styles and themes rooted in the human spirit. |
Bach, Caleb |
|
Mar 1, 2003 |
3702 |
| Xenakis: ... tireless renewal at every instant, at every death ... |
Reynolds, Roger |
Critical Essay |
Jan 1, 2003 |
20775 |
| Xenakis in miniature: style and structure in a r. (Hommage a Ravel) for piano (1987). |
Squibbs, Ronald |
|
Jan 1, 2003 |
11710 |
| The writings of Iannis Xenakis (starting with Formalized Music). |
Kanach, Sharon |
|
Jan 1, 2003 |
4034 |
| Carl Czerny: composer of the Biedermeier age. |
Zaluski, Iwo; Zaluski, Pamela |
Biography |
Nov 1, 2002 |
2044 |
| Chrom-vanad universal and the heavenly organ the inconspicuous horologe of dreamers created by Jaroslav Koran has been here ten years. |
Klusak, Pavel |
|
Nov 1, 2002 |
902 |
| Three economical operas. |
Kratochvil, Matej |
|
Nov 1, 2002 |
822 |
| The apocalyptic visions of Lubos Fiser. |
Pszczolka, Jaroslav |
|
Sep 1, 2002 |
2797 |
| Josef Berg. |
Stastny, Jaroslav |
|
Sep 1, 2002 |
3188 |
| To make the best of this beautiful life. |
Brezina, Ales |
Brief Article |
Sep 1, 2002 |
601 |
| The life of Petr Rybar. |
|
Brief Article |
Sep 1, 2002 |
1518 |
| Peteris Vasks. (Music Reviews). |
Engelhardt, Jeffers |
|
Jun 1, 2002 |
3311 |
| Who's Listening to Lloyd Webber?: Critical disapproval hasn't cooled the ardor of a vast, adoring public. (New CDs). |
LaChiusa, Michael John |
|
Feb 1, 2002 |
1775 |
| Uncovering Sondheim: A previously unrecorded musical and an old score to savor. (New CDs). |
Wood, Mark Dundas |
Brief Article |
Feb 1, 2002 |
503 |
| A lot more Sondheim, a little more dancing. (Dance Theater). |
Gold, Sylviane |
Brief Article |
Feb 1, 2002 |
860 |
| "Love is the essence of the eternal feminine": Richard Wagner's concept of femininity with reference to Brunnhilde. |
Rieger, Eva |
|
Jan 1, 2002 |
6126 |
| Their paths, her ways: comparison of text settings by Clara Schumann and other composers. |
Burstein, L. Poundie |
|
Jan 1, 2002 |
6775 |
| Recovered in Kiev: Bach et al. A Preliminary Report on the Music Collection of the Berlin Sing-Akademie. |
Wolff, Christoph |
|
Dec 1, 2001 |
4408 |
| Emmanuel Chabrier & The Art of French Song: 19th and 20th Century Repertoire & Charles Gounod. (Music Reviews). |
Di Grazia, Donna M. |
|
Dec 1, 2001 |
2176 |
| Kembangan in the music of Lou Harrison. |
Alves, Bill |
|
Jun 22, 2001 |
7005 |
| Berg's femmes fatales. |
Coleman, Alexander |
|
Jun 1, 2001 |
2080 |
| B'way says bye to `Phantom' funk. |
GOLDMAN, WILLIAM |
Brief Article |
May 28, 2001 |
534 |
| An operatic skeleton on the western frontier: Zitkala-Sa, William F. Hanson, and The Sun Dance Opera. |
Smith, Catherine Parsons |
|
Jan 1, 2001 |
14107 |
| Najm and Sheikh Imam: the rise and decline of political song in Egypt. |
Mostafa, Dalia Said |
Brief Article |
Jan 1, 2001 |
254 |
| Form and the concept album: aspects of modernism in Frank Zappa's early releases. |
Borders, James |
|
Jan 1, 2001 |
13838 |
| Formalized accelerando: an extension of rhythmic techniques in Nancarrow's acceleration canons. |
Callender, Clifton |
|
Jan 1, 2001 |
5191 |
| Iannis Xenakis: Regard, disregard; liberation. |
Rahn, John |
|
Jan 1, 2001 |
1193 |
| The radiance of Iannis Xenakis (1922-2001). |
Estrada, Julio |
|
Jan 1, 2001 |
4369 |
| Xenakis. |
Delio, Thomas |
|
Jan 1, 2001 |
4507 |
| The unity of Xenakis's instrumental and electroacoustic music: The case for "Brownian movements". |
Solomos, Makis |
|
Jan 1, 2001 |
2610 |
| Emmanuel Chabrier & French musical tradition. |
Penrose, James F. |
|
Jan 1, 2001 |
4999 |
| The other Rota. |
Simon, John |
|
Sep 1, 2000 |
4391 |
| Giovanni Contino. |
NAGAOKA, MEGUMI |
Critical Essay |
Sep 1, 2000 |
2296 |
| Luciano Berio. |
LOCHHEAD, JUDY |
Critical Essay |
Sep 1, 2000 |
1804 |
| THE REHABILITATIONS OF SHOSTAKOVICH. |
KINETZ, ERIKA |
|
Aug 14, 2000 |
1794 |
| Debussy's "Soupir": An Experiment in Permutational Analysis. |
Wheeldon, Marianne |
Critical Essay |
Jun 22, 2000 |
6915 |
| For Marty. |
Anderson, Allen |
Brief Article |
Jun 22, 2000 |
343 |
| Echoes of Petrarch: Martin Boykan and Musical Narrative. |
Anderson, Paul Thomas |
|
Jun 22, 2000 |
4275 |
| Elton John's The Road to El Dorado. |
Steele, Bruce C. |
Brief Article |
Apr 25, 2000 |
495 |
| How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher. |
HENZE, CATHERINE A. |
Critical Essay |
Mar 22, 2000 |
12185 |
| The great ghastly. |
Mermelstein, David |
|
Feb 1, 2000 |
1758 |
| The Saint-Saens enigma. |
Stove, R. J. |
|
Jan 1, 2000 |
4066 |
| THE KURT WEILL EDITION BY THE EDITORIAL BOARD OF THE EDITION. |
|
Excerpt |
Dec 1, 1999 |
1515 |
| A NEW EDITION OF DIE DREIGROSCHENOPER CHALLENGES, PRINCIPLES, AND SOLUTIONS. |
HINTON, STEPHEN |
Critical Essay |
Dec 1, 1999 |
5862 |
| RECONSTRUCTING A BROADWAY OPERETTA THE CASE OF KURT WEILL'S FIREBRAND OF FLORENCE. |
GALAND, JOEL |
Critical Essay |
Dec 1, 1999 |
3642 |
| ON THE EDITORIAL PRINCIPLES OF THE KURT WEILL EDITION. |
SCHUBERT, GISELHER; HARSH, EDWARD |
Critical Essay |
Dec 1, 1999 |
1411 |
| THE KURT WEILL EDITION. |
|
|
Dec 1, 1999 |
852 |
| Tchaikovsky at the millennium. |
Jacobs, Laura |
Critical Essay |
Sep 1, 1999 |
5022 |
| "YES I WROTE IT, BUT I DIDN'T MEAN IT": HEARING THE UNINTENDED IN NIIMI TOKUHIDE'S OHJU (1988). |
NUSS, STEVEN |
Critical Essay |
Jun 22, 1999 |
19108 |
| STRAVINSKY'S SECOND CRISIS: READING THE EARLY SERIAL SKETCHES. |
SMYTH, DAVID |
Critical Essay |
Jun 22, 1999 |
7381 |
| IMPROVISATION: AN ALWAYS-ACCESSIBLE INSTRUMENT OF INNOVATION. |
KUTSCHKE, BEATE |
|
Jun 22, 1999 |
5010 |
| Aspects of narrativity and temporality in Britten's 'Winter Words.'. |
Paetsch, Annabelle |
|
Nov 1, 1998 |
8085 |
| ORIENTATION TO HERMANN HESSE. |
BLUMRODER, CHRISTOPH VON |
Critical Essay |
Jan 1, 1998 |
12629 |
| THROUGH THE SENSORY LOOKING-GLASS: THE AESTHETIC AND SERIAL FOUNDATIONS OF GESANG DER JUNGLINGE. |
DECROUPET, PASCAL; UNGEHEUER, ELENA |
Critical Essay |
Jan 1, 1998 |
12115 |
| ON THE SERIAL SHAPING OF STOCKHAUSEN'S GRUPPEN FUR DREI OR CHESTER. |
MISCH, IMKE |
Critical Essay |
Jan 1, 1998 |
13894 |
| THE TRANSLATION OF RHYTHM INTO PITCH IN STOCKHAUSEN'S KLAVIERSTUCK XI. |
TRUELOVE, STEPHEN |
Critical Essay |
Jan 1, 1998 |
4296 |
| The passing of time. |
Milsom, John |
|
Nov 1, 1997 |
1179 |
| Performance prerogatives in Schubert. |
Levin, Robert D. |
|
Nov 1, 1997 |
2903 |
| Riemannian variations on a theme by Milton Babbitt. |
Soderberg, Stephen |
|
Jun 22, 1997 |
2993 |
| What's the use of the twelve-tone system? |
Dubiel, Joseph |
|
Jun 22, 1997 |
6912 |
| Milton Babbitt's 'Three Theatrical Songs' in perspective. |
Forte, Allen |
|
Jun 22, 1997 |
3672 |
| Listening to Milton Babbitt's electronic music: the medium and the message. |
Morris, Robert |
|
Jun 22, 1997 |
4248 |
| Still being an American composer: Milton Babbitt at eighty. |
Mead, Andrew |
|
Jun 22, 1997 |
8357 |
| A body without organs: three approaches - Cage, Bach, and Messiaen. |
Asplund, Christian |
|
Jun 22, 1997 |
6528 |
| Listen harder. |
Mostel, Raphael |
Column |
Mar 24, 1997 |
1251 |
| Not only rows in Richard Swift's 'Roses Only.' (musical piece by composer Richard Swift) |
Morris, Robert D. |
|
Jan 1, 1997 |
10604 |
| Banqueting with the emperor 'Desiderata' in honor of Richard Swift. |
Williams, E.W., Jr. |
|
Jan 1, 1997 |
1868 |
| On association, realization, and form in Richard Swift's 'Things of August.' (1985 musical piece by composer) |
Hanninen, Dora A. |
|
Jan 1, 1997 |
15389 |
| History and archetypes. |
Treitler, Leo |
|
Jan 1, 1997 |
5016 |
| The horrors of identification: Reich's 'Different Trains.' (composition by musician Steve Reich) |
Cumming, Naomi |
|
Jan 1, 1997 |
9441 |
| Modal formations and transformations in the first movement of Chou Wen-Chung's 'Metaphors.' (composer and his musical piece) |
Lai, Eric |
|
Jan 1, 1997 |
7457 |
| Robert Moevs's 'Heptachronon' for solo cello. |
Wilkinson, Carlton |
|
Jan 1, 1997 |
6939 |
| Ernesto Lecuona: the Chopin of the tropics. |
Holston, Mark |
Biography |
Nov 1, 1996 |
1442 |
| Why listen to Boulez? |
Said, Edward W. |
|
Nov 6, 1995 |
2336 |
| Liturgical music: if played in church, it may be Twin Cities sound. |
Gibeau, Dawn |
Cover Story |
May 12, 1995 |
2196 |
| Her music is Mexican at heart. |
Gibeau, Dawn |
Cover Story |
May 12, 1995 |
852 |
| Palestrina, a musician and composer in the market-place. |
O'Regan, Noel |
|
Nov 1, 1994 |
9064 |
| Reconsidering Palestrina. |
Phillips, Peter |
|
Nov 1, 1994 |
2497 |
| William Crotch on 'The Creation.' (Haydn's oratorio) |
Irving, Howard |
|
Nov 1, 1994 |
9768 |
| Richard Strauss. |
Said, Edward W. |
|
Mar 19, 1990 |
2583 |
| John Zorn. |
Santoro, Gene |
|
Jan 30, 1988 |
1268 |
| Music; Mikel Rouse. |
Santoro, Gene |
|
Sep 5, 1987 |
1472 |
| Henry Threadgill. |
Santoro, Gene |
Biography |
Jul 18, 1987 |
2398 |
| The Vienna Philharmonic: the complete Beethoven symphonies and concertos. |
Said, Edward W. |
|
May 9, 1987 |
1262 |
| Music. |
Hamilton, David |
|
Jul 5, 1986 |
1031 |
