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1-203 out of 203 article(s)
Title Author Type Date Words
I Have Nothing to Say / and I Am Saying It. Connelly, Jackie Essay Mar 22, 2020 5366
ARTISTIC CONTROL AND PARTNERSHIP: JEWISH STUDIES PROGRAMS AND THE INCUBATION OF NEW MUSICAL WORKS. Cohen, Judah M. Report Sep 22, 2019 8344
OPENCITTS "ABSCHIED": TEJU COLE, GUSTAV MAHLER, AND ELLIPTICAL COSMOPOLITANISM. Epstein, Josh Critical essay Sep 22, 2019 9586
My Mission Is to Shine a Light on the World. Brown, Oscar, Jr. Jun 22, 2019 367
Virtuous versifying: A Composition About Rhymes. Ball, Eric L. Viewpoint essay Mar 22, 2019 4701
Reinventing Folklore: Max Jacob and Francis Poulenc. Neron, Martin Critical essay Mar 1, 2019 8869
A Personal Perspective on Afro-Cuban Rhythmic Integration in Contemporary Jazz Composition. Zaldivar, Rafael Personal account Nov 30, 2018 7760
Capturing a Musical Reaction to Literature: A Conversation with Lusterlit's Susan Hwang & Charlie Nieland. Johnson, Michelle Interview Sep 1, 2018 2583
2017-2018 MTNA NATIONAL COMPETITION Winners. List Jun 1, 2018 2432
That's How the Light Gets In Remembering Leonard Cohen. Posner, Michael Critical essay Dec 22, 2017 2777
Strong characters drive strong scores: 'Fences,' 'Founder,' 'Gold,' 'Miss Sloane,' 'Live by Night,' 'Patriots Day' take character cues. Burlingame, Jon Jan 3, 2017 1277
Dancing about astrophysics: Pharrell Williams, Hans Zimmer, Benjamin Wallfisch unite for 'Hidden Figures' score. Burlingame, Jon Jan 3, 2017 669
They write the songs (and the Books): there are no undergraduate degree programs in the craft of making musicals. Can it be carefully taught? Evans, Suzy Jan 1, 2017 2957
"Not my cup of tea": can we teach composition beyond musical genre?/<< Ce n'est pas du tout mon genre >> : peut-on enseigner la composition au-dela du genre musical? Eddington, Alex Essay Jan 1, 2017 2230
Well noted: the music in 'Resident Evil' ranges from moody to heavy metal. Barker, Andrew Dec 14, 2016 344
Scores, libraries, and web-based, self-publishing composers. Underwood, Kent Report Dec 1, 2016 10089
Composer sets family tone: 'Manchester by the Sea' score is a mother-daughter collaboration. Burlingame, Jon Nov 22, 2016 497
Early songbirds often miss out on the gold: well-regarded scores from films released at start in the year tend to go missing at Oscars. Burlingame, Jon Nov 1, 2016 561
Composers cross the sonic barrier: tunesmiths blur the lines between music and sound to deliver movie scores that become part of the narrative. Tapley, Kristopher Oct 18, 2016 877
Musical growth/Le developpement musical. Kuzmich, Natalie Sep 22, 2016 1389
Tunesmiths Vie for Emmy Music Nods: the six composers in the limited series, movie or specials category share insights into their work for television. Burlingame, Jon Interview Sep 6, 2016 847
Future film scorers grasp the baton: ASCAP Workshop teaches the skills, and the love, of orchestral scoring. Burlingame, Jon Aug 23, 2016 497
North Texas students create website for composers. Brief article Apr 1, 2016 178
A view behind the scenes during the creation of a symphonic poem Saint-Exupery: de coeur, de sable et d'etoiles/Dans les coulisses de la creation du poeme symphonique Saint-Exupery: de coeur, de sable et d'etoiles. Babin, Louis Essay Jan 1, 2016 2439
When today's composers become an inspiration to develop musical creativity in schools/S'inspirer des compositeurs d'aujourd'hui pour developper la creativite musicale. Cavanagh, Claire Essay Jan 1, 2016 2384
Watching popcorn pics as a kid paid off. Cray, Tim Interview Dec 15, 2015 455
"The Music Between Us": Ethel Smyth, Emmeline Pankhurst, and "Possession". Lumsden, Rachel Critical essay Jun 22, 2015 14003
Composers' personal learning composing Canadian music for strings. Duncan, Adam; Andrews, Bernie W. Report Jun 22, 2015 4130
Composers scale up on epic pic projects. Burlingame, Jon Dec 10, 2014 1016
J. S. Bach, allegory, and the "Kreuz" motif, part 2. De'Ath, Leslie Report Nov 1, 2014 4346
The new ancients and the old moderns. Montanani, Dylan J. Essay Jun 22, 2014 6656
Digging deeper: singing the music of elliott carter. Arnold, Tony Essay Jun 22, 2014 2345
Elliott Carter's Ezra Pound. Duplessis, Rachel Blau Essay Jun 22, 2014 5736
Textures and contrasts: Elliott Carter's poems of Louis Zukofsky. Ragosta, Ray Essay Jun 22, 2014 4198
Make music now ... ready, set, go! Friesen, Douglas Jan 1, 2014 1018
Hearing the Cry in Black Diasporic and Latina/o Poetics. Neyra, Rachel E. Ellis Essay Dec 1, 2013 6946
Silence, ready-mades, and critical thinking. Kuzmich, Natalie Essay Sep 22, 2013 1402
Composing educational music for strings in the Canadian context: composer perspectives. Andrews, Bernard W. Report Sep 22, 2013 6789
Compositional Process of "Through the Looking Glass". Smith, Philip Essay Aug 1, 2013 654
Women in music: piano music written for one hand by women composers: Part I. Wiley, Adrienne E. Essay Aug 1, 2013 3661
Osborne named MTNA Distinguished Composer of the year. Brief article Jun 1, 2013 187
2012-2013 MTNA National Competition: winners. List Jun 1, 2013 2471
20th-century theory it's about time: the compositional techniques of Maurice Ravel. Menard, Tonya Essay Apr 1, 2013 2407
Research, practice, and musical magic: university of Toronto choirs sing the music of Ruth Watson Henderson. Livingston, Cecilia Essay Mar 22, 2013 2171
New works and young musicians Les oeuvres nouvelles et les jeunes. Babin, Louis Report Mar 22, 2013 2729
Make music! Mar 1, 2013 231
The Harold S. Orendorff Music Library at Indiana University of Pennsylvania. Rahkonen, Carl Brief article Feb 22, 2013 127
America's music: teaching the works of American composers. Laughlin, Mark Feb 1, 2013 3295
Inherent creativity and the road to happiness: improvisation and composition in the music classroom. Giddings, Steve Jan 1, 2013 2081
The creative hornist composing Made Easy. Agrell, Jeffrey Oct 1, 2012 3888
Music labelled mittelosteuropa. Bakla, Petr Essay Oct 1, 2012 3433
Things lived and dreamt by a music editor: reflections on Josef Suk's oeuvre. Hajek, Jonas Essay Oct 1, 2012 3725
On a Pianist's Eightieth Birthday. Williams, Donald Mace Sonnet Sep 22, 2012 158
Composition instruction and cognitive performance: results of a pilot study. Bugos, Jennifer; Jacobs, Edward Report Sep 1, 2012 5007
Miroslav Srnka's forest phase and flying carpet. Bakla, Petr Interview Apr 1, 2012 5595
Peter Graham's subversive etudes. Oplistilova, Iva Critical essay Apr 1, 2012 2612
Pavel Borkovec between constructivism and lyricism. Haas, Petr Critical essay Apr 1, 2012 3163
Starting with soundscape. Friesen, Doug Column Mar 22, 2012 596
Antonin Dvorak's "third life": Dvorak's works in post-1989 audio and audio-visual commercial recordings. Femelka, Martin Critical essay Jan 1, 2012 4423
Vivaldi in Winter. Friesen, Eric Critical essay Dec 22, 2011 2418
Catch. O'Driscoll, Ciaran Poem Dec 22, 2011 251
Wanderer: An Essay On Franz Schubert's Winterreise. Leroux, Georges Critical essay Dec 22, 2011 5332
Electroacoustic music in crisis? Dohnalova, Lenka Oct 1, 2011 1520
A new edition of the Glagolitic Mass. Hajek, Jonas Essay Oct 1, 2011 2047
Musical, rhetorical, and visual material in the work of Feldman. Ozment, Kurt Critical essay Sep 1, 2011 6750
Notes for notes. Mar 1, 2011 716
MUSIC RECEIVED. Knapp, David Column Mar 1, 2011 4321
Musica NOVA 2010 ability to listen - ability to compose. Dohnalova, Lenka Jan 1, 2011 1263
Boys and girls come out to play: gender and music-making in Hamilton, New Zealand/Aotearoa. Bannister, Matthew Report Oct 19, 2010 11612
"Hey Mozart!" a program for all ages. Kuenzer, Kathy Aug 1, 2010 1097
Direct sales for church composers. Brief article May 28, 2010 145
Does the song remain the same? An empirical study of bestselling musical compositions (1913-1932) and their use in cinema (1968-2007). Heald, Paul J. Sep 22, 2009 16938
A principled approach to teaching music composition to children. Kaschub, Michele Sep 1, 2009 6773
Singin' in the brain. Franki, Richard Brief article Jun 15, 2009 139
Music and postmodernity. Lyotard, Jean-Francois Essay Mar 22, 2009 4662
Strings in the Earth and air. Connor, Steven Critical essay Mar 22, 2009 5159
The sonorous, the haptic and the intensive. Colebrook, Claire; Bennett, David Critical essay Mar 22, 2009 7180
Postnationalism, postmodernism and the German discourse(s) of Weltmusik. Hurley, Andrew W. Critical essay Mar 22, 2009 9370
James Brown--the 'illogic' of innovation. Scannell, John Critical essay Mar 22, 2009 7890
'Chair creaks, though no one sits there': decomposition and liquidity. Toop, David Essay Mar 22, 2009 5447
More pomo than thou: the status of cultural meanings in music. McClary, Susan Essay Mar 22, 2009 5144
Music as a model for postmodernist textual analysis. Breyley, Gay Essay Mar 22, 2009 7355
Naming: music and the postmodern. Lochhead, Judy Essay Mar 22, 2009 7873
Checking the post: music, postmodernism or post-postmodernism. Bennett, David Essay Mar 22, 2009 11183
A journey into composition. Olson, Anne Marie Dec 1, 2008 2150
Judged by jury of music peers: World Soundtrack nods benefit from informed votership. Burlingame, Jon Oct 6, 2008 418
Who plays contemporary music in the Czech Republic? Dobrovska, Wanda Essay Oct 1, 2008 3564
A comparison of Mexican children's music compositions and contextual songs. Riley, Patricia Report Sep 1, 2008 6549
Sculpting in time: David Buck argues for the reinvigoration of landscape through drawing and composing in time. Buck, David N. Essay Jun 1, 2008 1500
Another lullaby for Broadway. Brief article Apr 1, 2008 284
The plusses, pitfalls and prospects of electro-acoustic music: last November Musica Nova, the international competition in electro-acoustic (EA) music took place in Prague. Already in its 16th year, the competition attracted 85 pieces by composers from 26 countries. Dohnalova, Lenka Jan 1, 2008 1557
Tulane student named as winner of APHA Get Ready Song Contest: listen to the winning song online now. Late, Michele Nov 1, 2007 400
Suggested guidelines for the composition of vocal music: a paper by the American Academy of Teachers of Singing. May 1, 2007 6122
"Invisible Geographies: new sound art from Germany"; The Kitchen. Wilson, Michael Nov 1, 2006 672
Jabez Press announces Composition Invitational winner. Brief Article Dec 1, 2005 185
Stewart scores 'Barbarella'. Meils, Cathy Mar 15, 2004 435
Copyright, sampling and Beastie Boys. Godbey, Bob Mar 1, 2004 410
"Co-missioning" composers. (Forum focus: composer commissioning). Walker, Deanna Aug 1, 2003 784
2002-2003 MTNA Student Competitions national winners. Jun 1, 2003 2268
Marking the way: the significance of Eugene Ormandy's score annotations. Bewley, John Jun 1, 2003 8036
2003 Barlow composers competition. (Competitions). Brief Article Apr 1, 2003 178
Young Composers Awards 2003. (Competitions). Apr 1, 2003 351
Commissioning FAQ's. (Composer Commissioning). Ediger, Thomas Feb 1, 2003 839
Xenakis: ... tireless renewal at every instant, at every death ... Reynolds, Roger Critical Essay Jan 1, 2003 20775
From the land of amber and song to Prague. Mikes, Vitezslav Interview Jan 1, 2003 2695
New music meeting + and the international conference Musica Nova V. Dvorakova, Marketa Jan 1, 2003 2508
Petr Kotik's umbilical cord. Havelkova, Tereza Interview Jan 1, 2003 4033
Interview with Mario Mary (winner of the musica nova 2002 competition). Dohnalova, Lenka Interview Jan 1, 2003 693
Kunuk - an Eskimo message. Dvorakova, Marketa Nov 1, 2002 1961
Sheila Nicholls. (Q & A). Anderson-Minshall, Diane Brief Article Oct 1, 2002 691
BMI Student Composer Award winners announced. (Items of Interest). Brief Article Oct 1, 2002 123
MakeMusic! Introduces Finale 2003 for Mac. (Music Marketplace). Brief Article Oct 1, 2002 185
Looking at the record. (Composer Commissioning). Ediger, Thomas Oct 1, 2002 703
Understanding Stefan Wolpe's musical forms. Hanninen, Dora A. Critical Essay Jun 22, 2002 15294
Analysis of form for Piano by Ralph Shapey. Morehead, Patricia Critical Essay Jun 22, 2002 3335
Stefan Wolpe's dialectical logic: a look at the Second Piece for Violin Alone. Greenbaum, Matthew Jun 22, 2002 4160
Essays in actionism: Wolpe's pieces for three pianists. Clarkson, Austin Critical Essay Jun 22, 2002 3110
Wolpe and the poets of Black Mountain. Kohn, Andrew Critical Essay Jun 22, 2002 3933
Broken sequences: fragmentation, abundance, beauty. Hasty, Christopher Jun 22, 2002 6721
Wolpe's inner beauty (a response to Christopher Hasty with three entries for a Wolpe Lexicon). Brody, Martin Critical Essay Jun 22, 2002 3063
A footnote to Hasty, Whitehead, and Plato: more thoughts on Stefan Wolpe's music. Morris, Robert Critical Essay Jun 22, 2002 2133
Hearing pentatonicism through serialism: integrating different traditions in Chinese contemporary music. Rao, Nancy Yunwha Jun 22, 2002 10955
Having your cake and eating it too: the property of reflection in twelve-tone rows (or, further extensions on the Mallalieu complex). Alegant, Brian; Lofthouse, Marcus Critical Essay Jun 22, 2002 11829
Instrumental music. Leonard, Kendra Preston Jun 1, 2002 4103
Arthur Sullivan. (Briefly Noted). Anderson, Rick Mar 1, 2002 207
Matthew Locke. (Briefly Noted). Anderson, Rick Mar 1, 2002 167
The Creative Force Behind Garth - Brooks' Country Songwriters a Class Act. FEFFERMAN, DAN Interview Feb 1, 2002 2605
Focusing on freedom and movement in music: methods of transcription inside a continuum of rhythm and sound. Estrada, Julio Critical Essay Jan 1, 2002 5611
From technical to technological: the imperative of technology in experimental music composition. Hamman, Michael Critical Essay Jan 1, 2002 9926
The flowering of gending Agbekor: a musical collaboration with I Dewa Putu Berata. Humphreys, Paul Jun 22, 2001 5921
The "Giant Steps" fragment. Goodheart, Matthew Jun 22, 2001 7857
Adding pitches; some new thoughts, ten years after Perspectives of New Music's "Forum: Microtonality Today". Werntz, Julia Jun 22, 2001 13755
Residue-class sets in the music of Iannis Xenakis: an analytical algorithm and a general intervallic expression. Jones, Evan Jun 22, 2001 10505
Towards a space-time art: Iannis Xenakis's Polytopes. Sterken, Sven Jun 22, 2001 3594
John Field. KALLBERG, JEFFREY Critical Essay Sep 1, 2000 2644
Famous Composer Creates Park Tribute. UPDIKE, WILLIAM A. Jul 1, 2000 93
Nancarrow's Canons: Projections of Temporal and Formal Structures. Thomas, Margaret E. Critical Essay Jun 22, 2000 7874
Echoes of Petrarch: Martin Boykan and Musical Narrative. Anderson, Paul Thomas Jun 22, 2000 4275
INSTRUMENTAL ENSEMBLE MUSIC. MOULTON-GERTIG, SUZANNE L. Brief Article Mar 1, 2000 2575
Gyorgy Ligeti. SVARD, LOIS Brief Article Mar 1, 2000 2765
NOTES FOR AN ANALYSIS OF THE CANTI DI LIBERAZIONE. DALLAPICCOLA, LUIGI Jan 1, 2000 6929
WORKING OUT THE "IS-TOS AND AS-TOS": LOU HARRISON'S FUGUE FOR PERCUSSION. RAVENSCROFT, BRENDA Jan 1, 2000 4724
MADNESS IN THE MUSIC THEATRE WORKS OF PETER MAXWELL DAVIES. WILLIAMS, ALAN E. Jan 1, 2000 9459
A HYBRID COMPOSITIONAL SYSTEM: PITCH-CLASS COMPOSITION WITH TONAL SYNTAX. SCOTTO, CIRO Jan 1, 2000 17730
THE DYAD SYSTEM (PARTS TWO AND THREE). DASHOW, JAMES Jun 22, 1999 15282
Double Double. Apr 1, 1999 1456
TOUCHING UP THE PAINT OR A COMPLETE VINYL RESIDING? REFLECTIONS OVER META- SCIENTIFIC PROBLEMS IN MUSIC THEORY. BROMAN, PER F. Jan 1, 1999 7317
THE DYAD SYSTEM (PART ONE). DASHOW, JAMES Jan 1, 1999 13293
A GEOMETRIC APPROACH TO PCSET SIMILARITY. ROGERS, DAVID W. Jan 1, 1999 4800
THE COMPOSITION OF MEANING: CONSTRUCTION AND SEMANTICS IN KARLHEINZ STOCKHAUSEN'S LUZIFER -- GRUSS VOM SAMSTAG AUS LICHT. BANDUR, MARKUS Jan 1, 1999 5626
Marx's 'Lehre' and the science of education: towards the recuperation of music pedagogy. Spitzer, Michael Nov 1, 1998 21575
The sources of musical settings of Thomas Carew's poetry. Nixon, Scott Nov 1, 1998 16017
A unique cantus firmus usage in a 15th-century English Mass movement. Evans, Jean-Marc Aug 1, 1998 3153
KARLHEINZ IN CALIFORNIA: A PERSONAL REMINISCENCE. KRAMER, JONATHAN D. Critical Essay Jan 1, 1998 5159
'Authentic' listening? Bent, Margaret Nov 1, 1997 605
Page turns, players and ripieno parts: more questions of scoring in Bach's vocal music. Rifkin, Joshua Nov 1, 1997 3291
Performing compositions. Edidin, Aron Oct 1, 1997 6151
New light on Quantz's advocacy of Telemann's music. Zohn, Steven Aug 1, 1997 11282
Some remarks on 'Odds and Ends.'. Morris, Robert Jun 22, 1997 3623
A manuscript source for Magnificats by Victoria. Wojcicka-Hruza, Lucy Feb 1, 1997 5237
From experimental music to musical experiment. Mauceri, Frank X. Jan 1, 1997 6560
Self-similar pitch structures, their duals, and rhythmic analogues. Carey, Norman; Clampitt, David Jun 22, 1996 7733
The elegies of William Jackson and Thomas Linley the elder. McGrady, Richard May 1, 1996 8379
'Never Done Before': Elgar's other enigma. Newbould, Brian May 1, 1996 4218
Erik Satie and golden section analysis. Adams, Courtney S. May 1, 1996 7002
The sounds of the sounds themselves: analyzing the early music of Morton Feldman. Hirata, Catherine Costello Jan 1, 1996 8280
Composing the music school: proposals for a feminist composition curriculum. Parenti, Susan Jan 1, 1996 1991
Goethe, Boretz, and the "sensuous idea." Don, Gary W. Jan 1, 1996 5753
Generalized diatonic and pentatonic scales: a group-theoretic approach. Zweifel, Paul F. Jan 1, 1996 6431
Compositional spaces and other territories. Morris, Robert Jan 1, 1995 5509
On different approaches to computer music as different models of compositional design. Scipio, Agostino Di Jan 1, 1995 9838
Bach to chaos: chaotic variations on a classical theme. Peterson, Ivars Dec 24, 1994 1451
Tones, modes, clefs and pitch in Roman cyclic Magnificats of the 16th century. Kurtzman, Jeffrey G. Nov 1, 1994 12394
Applying psychoacoustics in composition: "harmonic" progressions of "nonharmonic" sonorities. Parncutt, Richard; Strasbuger, Hans Jun 22, 1994 12911
A theory of complexity to constrain the approximation of arbitrary sequences of timepoints. Nauert, Paul Jun 22, 1994 10813
The completion of John Cage's 'Freeman Etudes.' Pritchett, James Jun 22, 1994 2497
Why complexity? Boros, James Jan 1, 1994 4044
Composing a viable (if transitory) self: Brian Ferneyhough in conversation with James Boros. Boros, James Interview Jan 1, 1994 6083
Developing an interpretive context: learning Brian Ferneyhough's 'Bone Alphabet.' (Complexity Forum) Schick, Steven Jan 1, 1994 5256
"Prima le parole ..." (on the sketches for Ferneyhough's Carceri d'invenzione I-III)(Brian Ferneyhough) (Complexity Forum) Toop, Richard Jan 1, 1994 6942
The inner and outer complexity of music. Truax, Barry Jan 1, 1994 7132
A view from the piano bench, or, playing John Zorn's 'Carny' for fun and profit. Drury, Stephen Jan 1, 1994 2063
Some thoughts on the new complexity. Ulman, Erik Jan 1, 1994 1634
Long enough to reach the ground or how long should a man's ... legs be? Sims, Ezra Jan 1, 1994 966
Against definition (1992). Smith, Stuart Saunders Jan 1, 1994 1119
Art-tickle: points to ponder. Semegen, Daria Jan 1, 1994 317
A reply to Boros. Bohn, James Jan 1, 1994 337
A response to Bohn. Boros, James Jan 1, 1994 270
Open form and Earle Brown's 'Modules I and II' (1967). Welsh, John P. Jan 1, 1994 8560
A conversation with Claudio Spies. Peles, Stephen Interview Jan 1, 1994 9531
Temporality and I: from the composer's workshop. Yuasa, Joji Jun 22, 1993 3908
Why complexity? Boros, James Jan 1, 1993 866
Il tempo della figura. Ferneyhough, Brian Jan 1, 1993 3819
The tactility of time. Ferneyhough, Brian Jan 1, 1993 3607
Form-figure-style: an intermediate assessment. Ferneyhough, Brian Jan 1, 1993 3306
On complexity. Toop, Richard Jan 1, 1993 6606
Mere complexities. Burge, David Jan 1, 1993 1634
The complexity of experience. DeLio, Thomas Jan 1, 1993 1202
States, events, transformations. Ligeti, Gyorgy; Bernard, Jonathan W. Jan 1, 1993 1771
Interval and form in Ligeti's 'Continuum' and 'Coulee.' (Gyorgy Ligeti) (Ligeti Forum) Hicks, Michael Jan 1, 1993 5727
The pattern-meccanico compositions of Gyorgy Ligeti. Clendinning, Jane Piper Jan 1, 1993 10923
Unmasking rigor: composition, analysis, and the poetry of experience. Fisher, Alfred Jun 22, 1992 6121
Heartbeat symphony. Goethals, Henry Mar 1, 1990 274

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