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Articles from Comparative Drama (March 22, 2003)

1-18 out of 18 article(s)
Title Author Type Words
"Together again": theater in postcolonial Hong Kong. MacKenzie, Clayton G.; Arthurs, Moira 4927
Albert Wertheim. The Dramatic Art of Athol Fugard: From South Africa to the World. Schvey, Henry I. Book Review 618
Bruce J. Mann, ed. Edward Albee: a Casebook. Brief Article 173
Christy Desmet and Robert Sawyer, eds. Harold Bloom's Shakespeare. Low, Jennifer Book Review 1717
Frank Occhiogrosso, ed. Shakespeare in Performance: A Collection of Essays. Brief Article 132
Goodnight Desdemona (Good Morning Juliet): from Shakespearean tragedy to postmodern satyr play. Djordjevic, Igor 10574
Gyorgy E. Szonyi and Rowland Wymer, eds. The Iconography of Power: Ideas and Images of Rulership on the English Renaissance Stage. Brief Article 174
Hardin L. Aasand, ed. Stage Directions in Hamlet: New Essays and New Directions. Brief Article 238
Joel Schechter, ed. Popular Theatre: a Sourcebook. Bibliography 399
Lisa S. Starks and Courtney Lehmann, eds. The Reel Shakespeare. Brief Article 193
Matthew Roudane, ed. The Cambridge Companion to Sam Shepard. Sponberg, Arvid F. Book Review 1294
Mocking dead bones: historical memory and the theater of the dead in Richard III. Marche, Stephen 8063
Steven T. Brown. Theatricalities of Power: the Cultural Politics of Noh. Sorgenfrei, Carol Fisher Book Review 1020
Stratos E. Constantinidis. Modern Greek Theatre: a Quest for Hellenism. Pittas-Herschbach, Mary Book Review 1501
Terry Otten. The Temptation of Innocence in the Dramas of Arthur Miller. Lanier, Gregory W. Book Review 1614
The trope of transformation in Medea: a Noh Cycle. Edelson, Loren 6412
Tom Stoppard and "postmodern science": normalizing radical epistemologies in Hapgood and Arcadia. Jernigan, Daniel 12696
William W. Demastes. Staging Consciousness: Theater and the Materialization of Mind. Plunka, Gene A. Book Review 1248

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