Bringing in daylight: three painters show how.
For a studio in Woodacre, California, architect Gary Kneeland found a way to get maximum north light and flexibility: he installed a 15- by 16-foot metal and glass overhead sectional door. This type of door is usually used in service stations; here it makes sense as a prefabricated glass was that can disappear in warm weather or when large canvases need to be carried in or out. Look in the yellow pages under Doors, then look for suppliers of overhead sectional doors.
A 10- by 14-foot angled window wall dominates Gaile Dubrow's studio in Phoenix. The window mullions tie into an overhead beam spanning the 14-foot-high room. The angle allows the window to tuck under the roof for overhead shading. Architect Ned Sawyer designed the room.
Los Angeles architect Marc Appleton incorporated a gracefully arched window--salvaged from a house that was being demolished--into the studio wall shown at lower left. By adding three rectangular windows, one at the bottom and one on each side of the curve window, he created an extensive wall of glass with a traditional, almost classical feeling. The flanking panes are casements; the arched window and the pane below are fixed.
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|Date:||Sep 1, 1984|
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