Book of Danny.
A Fingerprint Films presentation of a Yaffe/Diamond production. Produced by Lalou Diamond, Michael Young. Executive producer, Malya Penchik.
Directed, written by Adam Yaffe. Camera (color), Peter Agliata; editor, Ben Slatkin; music, John Kimbrough; production designer, Christ Lyngas; costume designer, Oshrit Shay; sound (DTS), William Britt; line producer, Jon Jolles; associate producers, Melanie deCoppet, Leilani Hill; assistant director, William G.M. Hardy III; casting, Karen Meisels. Reviewed at Nantucket Film Festival, June 19, 2003. Running time: 54 MIN.
Danny Daniel Randell Harry Larry Block Fritzi Marcia Jean Kurtz Monique Elaina Erika Davis Mort Madison Arnold Phyllis Maria Tucci Wrenstchler Adam Busch
Transporting a brand of lower-middle class Jewish comedy--that's perhaps more germane to New York--to the Washington, D.C., suburbs, Columbia film grad Adam Yaffe's "Book of Danny" amusingly chronicles the perils faced by a teenage weed-head when he goes to live with his estranged father. Limited by its brief running time to probable cable dates, this rough-edged but likable medium-length feature occasionally has a sitcom feel but gets by on the writer-director's idiosyncratic sense of humor and capable scripting skills.
Danny (Daniel Randell) is an uncontrollable embarrassment to his mother (Marcia Jean Kurtz). He gets expelled from school, moons spectators at a soccer match and, during a Parents Without Partners mixer, gets stoned and makes out with an eligible congressman's daughter.
To give him structure and give his mother a break, Danny is sent to live with his unreliable father Harry (Larry Block), a grand-schemer with a series of bad debts and failed enterprises behind him. Inept shyster Harry attempts to instill entrepreneurial instincts in Danny by enlisting his fund-raising help for a leather manufacturing business.
Despite clashing with his stepmother (Elaina Erika Davis), Danny tries to build the kind of father-son bond he recalls wistfully from early childhood by plunging enthusiastically into the enterprise. But the boy's eyes are opened to his father's failings when the scheme is revealed to hinge upon unlikely political favors.
Yaffe's film has a loose, free-wheeling spirit, both in the shooting style and narrative approach, and a genuine affection for the characters, through even their most undignified behavior. Action is humorously punctuated with B&W footage of salesmanship training films or cowboys and cattle runs to suggest the wild, outlaw aspect of Harry's leather goods scheme.
Despite the light touch that dominates, there's a melancholy undertone to the depiction of a dysfunctional family and of a teen searching for his course in life and looking to the wrong person as a guide. The latter aspect is warmly resolved as Danny acquires unexpected direction from the experience. Engaging cast plays it fairly broad and shticky, with newcomer Randell striking an appealing balance between an indifferent slacker and a needy kid reaching out.