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Annual bibliography of film studies--2009.

One of the opportunities that the creation of the Annual Bibliography affords me is a chance to observe distinctive trends and new developments in recent film criticism. Both last year and this, I have had the pleasure of exploring a significant number of new film publications, and that trend continues here. This edition of the Annual Bibliography of Film Studies includes for the first time a number of new periodicals, including Filmint, Journal of African Cinemas, Journal of Chinese Cinemas, Soundtrack, Studies in Australasian Cinema, and Studies in Russian and Soviet Cinema. The majority of these are relatively recent entries in the new film and media initiative undertaken by Intellect Press, offering specialized venues for studies covering a wide variety of international film and media-related subjects. Generally well-edited and handsomely--if uniformly--produced, these journals, if these early issues are any measure, are introducing significant new voices to the field of film theory and criticism, while providing, at least in the case of a journal like Soundtrack, a sorely needed venue for specialized publication. Moreover, they are providing us simply with far more criticism, as a result of which this issue of the Annual Bibliography is our biggest ever.

As one gauge of those distinctive trends, I like to take note of the various sorts of special issues that have appeared during the year. Among a great many such efforts in 2009, we might especially note: Animation's issue on comics and animation; Cineaste's forum on the state of film editing; Film History's two-part examination of early color practices; Filmint's very timely numbers on the state of the Hong Kong Film Industry and on contemporary portrayals of the Arab; the Journal of Chinese Cinemas' number devoted to a neglected period of film history, that of early Chinese film exhibition; the Journal of Film and Video's issues on collaborative media production and television animation; Screen's special fiftieth-anniversary issue on film and media theory; Velvet Light Trap's number focusing on international censorship; and our own special issues on the mockumentary and on Japanese Popular Culture. While these special numbers suggest no obvious pattern, they do demonstrate the very wide variety of critical efforts today.

In light of the far greater number of articles indexed this year, it becomes just as difficult to get a sense of the major shifts in critical fashion simply by observing the numbers of articles as they cluster in our usual bibliographic categories. Here practically every category contains more entries than are found in last year's Annual Bibliography. However, there are several rather dramatic gains that do point to some interesting trends for 2009 scholarship. For sheer number of entries, the "International" category shows the largest increase--a result in great part attributable to those new internationally-focused journals published by Intellect. Other large percentage increases show up in a variety of categories, but the largest are in "Digital Media," "Technical," and "Theory," while other very significant gains show up in the "Documentary," "Film History," and "Genre" categories.

Meanwhile, the Annual Bibliography shows amazing stability; that is, it uses the same format that has usefully served us for more than twenty years. Each English-language film article receives a single full citation, based on the current MLA style, although many of the entries are also cross-referenced to one or more additional categories. Where necessary, entries receive a brief annotation, and, except for the cases of the "Actors / Actresses" and "Directors" categories, entries are alphabetized according to the authors' last names. The "Periodicals Indexed" listing that follows--and that continues to expand--contains abbreviations for all of the journals cited in the article listings. Also, we again invite any suggestions our readers might have for streamlining the format, adding additional journals, or employing other categories, and we do solicit titles of entries for next year's edition.

More than ever, the production of this research tool has been a group effort. I continue to rely on a variety of colleagues in different disciplines to provide me with missing journals, but I especially want to thank our Editorial Assistant and colleague Lauren Glen for her bibliographic efforts and my co-editor Gerald Duchovnay for similar help, as well as for the proddings that eventually bring this annual project to completion.

PERIODICALS INDEXED

Adaptation--Ad

American Imago--AI

American Quarterly--AQ

Animation--An

Arizona Quarterly--ArQ

Asian Cinema--AC

Boundary 2--B2

Canadian Journal of Film Studies--CJFS

Canadian Review of American Studies--CRAS

Cineaste--Cin

Cinema Journal--CJ

Communication Quarterly--CQ

Creative Screenwriting--CS

Critical Inquiry--CI

Critical Studies in Media Communication--CSMC

Cultural Critique--CC

Cultural Studies--CS

Discourse--Dis

Extrapolation--Ex

Film & History--F&H

Film Comment--FC

Film Criticism--FCr

Film History--FH

Filmint--Ft

Film Quarterly--FQ

Framework--Fr

German Quarterly--GQ

Historical Journal of Film, Radio, and Television--HJFRTV

Journal of Adaptation in Film and Performance--JAFP

Journal of Aesthetics and Art Criticism--JAAC

Journal of African Cinemas--JAfC

Journal of American Culture--JAC

Journal of American Studies--JAS

Journal of Chinese Cinemas--JCC

Journal of Communication--JoC

Journal of Film and Video--JFV

Journal of Japanese and Korean Cinema--JKC

Journal of Popular Culture--JPC

Journal of Popular Film and Television--JPFT

Journal of South Asian Film and Media--JSAFM

Journal of the Fantastic in the Arts--JFA

Literature / Film Quarterly--LFQ

Mosaic--Mo

Narrative--Nar

New Cinemas--NC

New German Critique--NGC

Northern Lights--NL

October--Oct

PMLA--PMLA

Post Script--PS

Postmodern Culture--PC

Quarterly Review of Film and Video--QRFV

Raritan--Rar

Science Fiction Film and Television--SFFTV

Science Fiction Studies--SFS

Screen--Sc

Sight and Sound--SS

Soundtrack--Sound

South Atlantic Review--SAR

Studies in American Culture--SAC

Studies in Australasian Cinema--SAuC

Studies in Documentary Film--SDF

Studies in European Cinema--SEC

Studies in French Cinema--SFC

Studies in Hispanic Cinema--SHC

Studies in Popular Culture--SPC

Studies in Russian and Soviet Cinema--SRSC

SubStance--Sub

Velvet Light Trap--VLT

ACTORS/ACTRESSES

1. Arbuckle, R.--Rapf, Joanna. "Both Sides of the Camera: Roscoe 'Fatty' Arbuckle's Evolution at Keystone." QRFV 29.4 (2009): 339-52.

2. Cardinale, C.--Buckley, Reka. "The Emergence of Film Fandom in Postwar Italy: Reading Claudia Cardinale's Fan Mail." HJFRTV 29.4 (2009): 523-59.

3. Chan, J.--Hong, Jeeson. "Trans-regional Circulation of Jackie Chan's Image in the Late Cold War Years' East Asia." AC 20.1 (2009): 74-97.

4. David, L.--Jacobson, Harlan. "Funny Games." FC 45.4 (2009): 14-15. Interview with actor Larry David.

5. Del Toro, B.--Corless, Kieron, and Michael Chanan. "The Impossible Dream." SS 19.1 (2009): 36-39. Interview with actor Benido del Toro.

6. Duranta, J.--Larson, Allen. "Hollywood Party, Jimmy Durante, and the Cultural Politics of Coherence." VLT 64 (2009): 11-22.

7. Dylan, B.--Garwood, Ian. "Great Art on a Jukebox: The Romantic(ized) Voice of Bob Dylan in I'm Not There." Ft 7.6 (2009): 6-23.

8. Hanks, T.--Schickel, Richard. "The GoTo Guy." FC 45.2 (2009): 28-34. Profile of Tom Hanks.

9. Horne, L.--Williams, Megan E. "'Meet the Real Lena Home': Representations of Lena Home in Ebony Magazine, 1945-1949." JAS 43.1 (2009): 117-30.

10. Jaoui, A.--Jacobson, Harlan. "Family Law of Parentage and Pedigree, per Agnes Jaoui." FC 45.3 (2009): 18-19. Interview with actress and writer Agnes Jaoui.

11. Lee, B.--Asay, Timothy M. "The Shimmering Scales of the Dragon: Bruce Lee's Cinematic Surfaces." CSMC 26.4 (2009): 312-30.

12. Mortensen, V.--Wrathall, John. "Body Language." SS 19.5 (2009): 40-42. Wrathall, author of the screenplay Good, tells how Viggo Mortensen approached his role in the film.

13. Plummer, C.--Porton, Richard. "Acting in the Grand Manner: An Interview with Christopher Plummer." Cin 34.3 (2009): 12-17.

14. Waltz, C.--Grissemann, Stefan. "The Good Bad Nazi." FC 45.4 (2009): 34-35. On Christoph Waltz's role in the film Inglourious Basterds.

15. Wayne, J.--Meeuf, Russell. "John Wayne as 'Supercrip': Disabled Bodies and the Construction of 'Hard' Masculinity in The Wings of Eagles." CJ 48.2 (2009): 88-113.

16. Wiazemsky, A.--Ehrenstein, David. "Pretty Young Thing." FC 45.6 (2009): 50-53. Anne Wiazemsky discusses her films and involvement with filmmaker Robert Bresson.

17. Misc.--Meyers, Erin. "'Can You Handle My Truth?': Authenticity and the Celebrity Star Image." JPC 42.5 (2009): 890-907.

Also see the following entries: 92, 301, 305, 615, 666, 712, 790.

ANIMATION

18.--Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." An 4.3 (2009): 265-81.

19.--Bigelow, Susan J. "Technologies of Perception: Miyazaki in Theory and Practice." An 4.1 (2009): 55-75.

20.--Choo, Kukhee. "Visual Evolution across the Pacific: The Influence of Anime and Video Games on US Film Media." PS 28.2 (2009): 28-37.

21.--Crawford, Allison. "'Oh Year!': Family Guy as Magical Realism?" JFV 61.2 (2009): 52-69.

22.--Cubitt, Sean. "Line and Colour in The Band Concert." An 4.1 (2009): 11-30.

23.--Ferrari, Chiara. "Dubbing The Simpsons: Or, How Groundskeeper Willie Lost His Kilt." JFV 61.2 (2009): 19-37.

24.--Fleisch, Thorsten. "Borderline Animation." An 4.2 (2009): 191-202. Experimental filmmaker discusses his use of animation.

25.--Goodwin, Dryden, and Barnaby Dicker. "Dryden Goodwin in Conversation with Barnaby Dicker." An 4.3 (2009): 303-20.

26.--Hlavacek, Laura Pontieri. "Russian Animated Films of the 1960s as a Reflection of the Thaw: Ambiguities and Violation of Boundaries in Story of a Crime." SRSC 3.1 (2009): 53-70.

27.--Ka-nin, Kenny Chow. "The Spiritual-Functional Loop: Animation Redefined in the Digital Age." An 4.1 (2009): 77-89.

28. --Lent, John A. "Animation in South Asia." JSAFM 1.1 (2009): 101-17.

29.--Lu, Amy Shirong. "What Race Do They Represent and Does Mine Have Anything to Do with It?" An 4.2 (2009): 169-90.

30.--Miller, T. S. "Frankenstein without Frankenstein: The Iron Giant and the Absent Creator." JFA 20.3 (2009): 385-405.

31.--Munso, Danny. "Sky High." CS 16.3 (2009): 28-33. Screenwriters Pete Docter and Bob Peterson discuss the writing of Up.

32.--Ndalianis, Angela. "The Frenzy of the Visible in Comic Book Worlds." An 4.3 (2009): 237-48.

33.--Osmond, Andrew. "Still Got No Strings." SS 19.4 (2009): 36-37. Reassessment of Pinocchio.

34.--Pedlar, Martyn. "The Fastest Man Alive: Stasis and Speed in Contemporary Superhero Comics." An 4.3 (2009): 249-63.

35.--Pitkethly, Clare. "Derrida, Deleuze and a Duck: The Movement of the Circulating Differential in Comic Book Analysis." An 4.3 (2009): 283-302.

36.--Power, Pat. "Animated Expressions: Expressive Style in 3D Computer Graphic Narrative Animation." An 4.2 (2009): 107-29.

37. Rice, Jonah Lee. "SpongeBob SquarePants: Pop Culture Tsunami or More?" JPC 42.6 (2009): 1092-1114.

38.--Roddick, Nick. "I Have a Dream." SS 19.3 (2009): 40-41. Interview with Jeffrey Katzenberg on 3-D animation.

39.--Sienkiewicz, Matt, and Nick Marx. "Beyond a Cutout World: Ethnic Humor and Discursive Integration in South Park." JFV 61.2 (2009): 5-18.

40.--Sobchack, Vivian. "Animation and Automation, or, the Incredible Effortfulness of Being." Sc 50.4 (2009): 375-91.

41.--Sorensen, Lars-Martin. "The Bestseller Recipe: A Natural Explanation of the Global Success of Anime." PS 28.2 (2009): 16-27.

42.--Sumera, Lara. "The Mask of Beauty: Masquerade Theory and Disney's Beauty and the Beast." QRFV 26.1 (2009): 40-46.

43.--Thompson, Ethan. "'I an not Down with That': King of the Hill and Sitcom Satire." JFV 61.2 (2009): 38-51.

44.--Walden, Elizabeth. "The Timeliness of Anachronistic Forms: On Daniel Sousa's Fable." QRFV 26.4 (2009): 311-21.

45.--Warren-Crow, Heather. "Soft Body Dynamics After 9/11." An 4.2 (2009): 131-52. Looks at the use of animation as a design tool in architecture.

46.--Wood, Chris. "The European Fantasy-Space and Identity Construction in Porco Rosso." PS 28.2 (2009): 112-20.

47.--Wu, Weihua. "In Memory of Meishu Film: Catachresis and Metaphor in Theorizing Chinese Animation." An 4.1 (2009): 31-54.

48.--Zervignon, Andres Mario. "A 'Political Struwwelpeter'? John Heartfield's Early Film Animation and the Crisis of Photographic Representation." NGC 107 (2009): 5-51.

Also see the following entries: 87, 158, 233, 234, 345.

CENSORSHIP

49. Anon. "Censorship, Regulation, and Media Policy in the Twenty-First Century: A Roundtable on Critical Approaches." VLT 63 (2009): 58-60.

50. Binggeli, Elizabeth. "Worse Than Bad: Sanctuary, the Hays Office, and the Genre of Abjection." ArQ 65.3 (2009): 87-116.

51. Bose, Nandana. "The Hindu Right and the Politics of Censorship: Three Case Studies of Policing Hindi Cinema, 1992-2002." VLT 63 (2009): 22-33.

52. Cornick, Michael. "Cut, Spliced, and Dubbed for the Sky: Film Censorship and the Airline Industry." JPFT 36.4 (2009): 174-79.

53. Cronin, Theresa. "Media Effects and the Subjectification of Film Regulation." VLT 63 (2009): 3-21.

54. Dmohowski, Joseph. "Under the Table." Cin 34.2 (2009): 16-21. Looks at the effects of the Hollywood blacklist on film authorship.

55. Filippo, Maria San. "Controversy and Compromise in the Code's Waning Years: Hollywood Takes a Walk on the Wild Side." QRFV 26.5 (2009): 372-84.

56. Kenna, Laura Cook. "Exemplary Consumer-Citizens and Protective State Stewards: How Reformers Shaped Censorship Outcomes Regarding The Untouchables." VLT 63 (2009): 34-44.

57. Weinberger, Stephen. "Joe Breen, the Ayatollah Khomeni, and Film Censorship." QRFV 26.3 (2009): 206-15.

Also see tile following entry: 654.

CRITICISM

(includes Bibliographies)

58. Andrew, Dudley, and Mary Anne Lewis. "'Writing on the Screen': An Interview with Emmanuel Burdeau." Fr 50.1-2 (2009): 229-34.

59. Lopate, Phillip. "For Your Reconsideration." FC 45.3 (2009): 36-42. Discussion about why audiences and film critics change their minds about the quality of a film or filmmaker.

60. Kuhn, Annette. "Screen and Screen Theorizing Today." Sc 50.1 (2009): 1-12. Looks at the role of the journal in advancing theorizing about media.

61. Naremore, James. "Films of the Year, 2008." FQ 62.4 (2009): 20-33.

62. Robe, Chris. "Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism." CJ 48.2 (2009): 70-87.

63. Schiavi, Michael. "Looking for Vito." CJ 49.1 (2009): 41-64. Assesses the impact of Vito Russo's early writings on screen homosexuality.

64. Shepherd, Tamara. "'Rotten Tomatoes' in the Field of Popular Cultural Production." CJFS 18.2 (2009): 26-44. Looks at the influence of the on-line film criticism site.

65. Stollery, Martin. "Technicians of the Unknown Cinema: British Critical Discourse and the Analysis of Collaboration in Film Production." FH 21.4 (2009): 373-93.

66. Telotte, J. P. "Annual Bibliography of Film Studies--2008." PS 29.1 (2009): 45-74.

Also see tile following entries: 236, 535, 677, 739, 751.

DIGITAL MEDIA

67. Abba, Tom. "Hybrid Stories: Examining the Future of Transmedia Narrative." SFFTV 2.1 (2009): 59-76. Looks at how file digital regime has affected narratives as they cross older media boundaries.

68. Anon. "New Media Critical Homologies." PC 19.2 (2009): np.

69. Aveyard, Karina. "VaultAge: Digitizing and Contextualizing Australian Audio-Visual Content." SAuC 3.2 (2009): 205-22.

70. Bates, Marlin C. "Persistent Rhetoric for Persistent Worlds: The Mutability of the Self in Massively Multiplayer Online Role-Playing Games." QRFV 26.2 (2009): 102-17.

71. Boyer, Steven. "A Virtual Failure: Evaluating the Success of Nintendo's Virtual Boy." VLT 64 (2009): 23-33.

72. Cossar, Harper. "The Shape of New Media: Screen Space, Aspect Ratios, and Digitextuality." 61.4 (2009): 3-16.

73. Enticknap, Leo. "Electronic Enlightenment or the Digital Dark Age? Anticipating Film in an Age without Film." QRFV 26.5 (2009): 415-24.

74. Hess, Aaron. "Resistance Up in Smoke: Analyzing the Limitations of Deliberation on YouTube." CSMC 26.5 (2009): 411-34.

75. Johnson, Derek. "Starcraft Fan Craft: Game Modes, Ownership, and Totally Incomplete Conversions." VLT64 (2009): 50-63.

76. Martin, Adrian. "The Artist Between Images and Across Media: James Clayden." SAuC 3.2 (2009): 179-89.

77. Musser, Charles. "Political Documentary, YouTube and the 2008 US Presidential Election: Focus on Robert Greenwald and David N. Bossie." SDF 3.3 (2009): 199-218.

Also see the following entries: 20, 427, 435, 460, 523, 604, 732.

DIRECTORS

78. Aldrich, R.--Anderson, Melissa. "Curious George." FC 45.1 (2009): 14-15. On Aldrich's The Killiny, of Sister George.

79.--Matheson, Sue. "Individualism, Bentham's Panopticon, and Counterculture in Robert Aldrich's The Dirty Dozen." JPFT 36.4 (2009): 180-89.

80. Allen, W.--Fuller, Graham. "No City for Old Men." SS 19.2 (2009): 24-27. Examines Allen's Vicky, Cristina Barcelona.

81.--Rothermel, Dennis. "Slow Food, Slow Film." QRFV 29.4 (2009): 265-79. Examines Allen's Crimes & Misdemeanors.

82. Almereyda, M. Lethem, Jonathan. "Life's Rich Pageant." FC 45.2 (2009): 44-47. Interview with director Almereyda.

83. Almodovar, P.--Asibong, Andrew. "Unrecognizable Bonds: Bleeding Kinship in Pedro Almodovar and Gregg Araki." NC 7.3 (2009): 185-95.

84.--Delgado, Maria. "Sensory Perception." SS 19.9 (2009): 40-44. Interview with director Pedro Almodovar

85.--Smith, Paul Julian. "Airless Love." SS 19.6 (2009): 18-20. Commentary on Broken Embraces.

86.--. "Almodovar's Unpublished Short Stories and the Question of Queer Auteurism." Sc 50.4 (2009): 439-49.

87. Anderson, W.--Anderson, Wes. "Animal Planet." FC 45.6 (2009): 22-25. The director talks about his new film, Fantastic Mr. Fox.

88.--Davies, Sam. "Wild Thing." SS 19.11 (2009): 16-17, 19. Overview of director Anderson's work.

89. Apatow, J.--Goldsmith, Jeff. "Funny Guy." CS 16.4 (2009): 32-39. Looks at Apatow's work on Funny People.

Araki, G.--See entry under Almodovar, P.

90. Aronofsky, D. Clarke, Roger. "Comeback Kids." SS 19.2 (2009): 383-89. Interview with the director.

91. Arzner, D.--Casella, Donna R. "What Women Want: The Complex World of Dorothy Arzner and Her Cinematic Women." Fr 50.1-2 (2009): 235-70

92. Benigni, R.--Manai, Franco. "The Movie Pinocchio by Roberto Benigni and Its Reception in the United States." SEC 6.2-3 (2009): 153-63.

93. Bigelow, K.--Taubin, Amy. "Hard Wired." FC 45.3 (2009): 30-35. Discussion of Bigelow's The Hurt Locker.

94. Boyle, D.--Jivani, Alkarim. "Mumbai Rising." SS 19.2 (2009): 40-43. Interview with the director of Slumdog Millionaire.

95. Bresson, R.--Hampton, Howard. "Made for Each Other." FC 45.6 (2009): 44-49. Compares the styles of Robert Bresson and Samuel Fuller.

96. Brooks, R.--Adams, Dale T. "Twice Convicted, Once Executed: A Literary Naturalist's Interpretation of Richard Brooks's Film In Cold Blood." LFQ 37.4 (2009): 246-61.

86. Bunuel, L.--Jones, Julie. "The Saint and the General: Bunuel Cocks a Snook at Authority on the Road to Santiago." SHC 6.1 (2009): 19-30.

97.--Richards, Rashna Wadia. "Unsynched: The Contrapuntal Sounds of Luis Bunuel's L'Age de'Or." FCr 33.2 (2008-09): 23-43.

98.--Russell, Dominique. "Bunuel, the Gag, the Auteur." CJFS 18.2 (2009): 45-65.

99. Campion, J.--Fuller, Graham. "Too Late for Antique Vows." SS 19.12 (2009): 32-35. Examines Campion's film Bright Star.

100.--James, Nick. "Romantic Setting." SS 19.12 (2009): 35-36. Interview with the director.

101.--Lundy, Tiel. "Mired in Desire: Jane Campion's Portrait of Erotics." JAFP 2.2 (2009): 211-22.

102. Carpenter, J.--Leeder, Murray. "Skeletons Sail an Etheric Ocean: Approaching the Ghost in John Carpenter's The Fog." JPFT 37.2 (2009): 70-79.

103. Chaplin, C.--Blahova, Jindriska. "No Place for Peace-Mongers: Charlie Chaplin, Monsieur Verdoux (1947) and Czechoslovak Communist Propaganda." HJFRTV 29.3 (2009): 321-42.

104. Clair, R.--O'Brien, Charles. "Sous les toils' de Paris and Transnational Film Style: An Analysis of Film Editing Statistics." SFC 9.2 (2009): 111-25.

105. Clouzot, H.-G.--Thompson, David. "The Devil of Detail." SS 19.12 (2009): 22-24, 26. Career overview.

106. Cocteau, J.--Chapman, David. "Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith." Sound 2.1 (2009): 5-18.

107. Coen Bros.--Snee, Brian J. "Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs." LFQ 37.3 (2009): 212-23.

108.--Toscano, Margaret M. "Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?" F&H 39.2 (2009): 50-62.

109. Coppola, F. F.--Munso, Danny. "Getting Personal." CS 16.3 (2009): 39-43. On Coppola's new film Tetro.

110. Cronenberg, D.--Lowenstein, Adam. "Promises of Violence: David Cronenberg on Globalized Geopolitics." B2 36.2 (2009): 199-208.

111. Cutler, R.J.--James, Nick. "In the Line of Beauty." SS 19.10 (2009): 34-36. Interview with the director.

112. Dassin, J.--Pettey, Homer B. "Topographic Economies in Dassin's Thieves' Highway." FCr 33.2 (2008-09): 44-65.

113. De Sica, V.--Lombardi, Elena. "Of Bikes and Men: The Intersection of Three Narratives in Vittorio De Sica's Ladri di biciclette." SEC 6.2-3 (2009): 113-26.

114.--Rushing, Robert A. "De Sica's The Children are Watching Us: Neorealist Cinema and Sexual Difference." SEC 6.2-3 (2009): 97-112.

115. Denis, C.--Wheatley, Catherine. "Steady as She Goes." SS 19.8 (2009): 40-43, 45. On experimental aspects of Denis' 35 Shots of Rum.

116.--Williams, James S. "Romancing the Father in Claire Denis's 35 Shots of Rum." FQ 63.2 (2009): 44-50.

117. Dziga-Vertov.--Delgado, Sergio. "Dziga Vertov's Man with a Movie Camera and the Phenomenology of Perception." FCr 34.1 (2009): 1-16.

118. Eisenstein, S.--Doise, Eric. "Unorthodox Iconography: Russian Orthodox Icons in Battleship Potemkin." FCr 33.3 (2009): 50-66.

119.--Robertson, Robert. "The Equi valence of Space and Music: Eisenstein and Frank Lloyd Wright." Sound 2.2 (2009): 99-109.

120. Fassbinder, R.W.--Chang, Chris. "Burn after Reading: Peer Raben's Shock Tactics." FC 45.3 (2009): 16. On sound in Fassbinder's The Third Generation.

121. Fellini, F.--Surliuga, Victoria. "Simulation and Ekphrasis: Zanzotto's Poetry in Fellini's Casanova." LFQ 37.3 (2009): 224-33.

122. Fincher, D. Fuller, Graham. "Up the Hill Backwards." SS 19.3 (2009): 26-27,29. Discusses Fincher's The Curious Case of Benjamin Button.

123. Ford, J.--Konzett, Delia. "John Ford's Vernacular Orientalism and Wartime Hawai'i." QRFV 26.4 (2009): 293-310.

124.--Pippin, Robert B. "What is a Western? Politics and Self-Knowledge in John Ford's The Searchers." CI 35.2 (2009): 223-53.

Fuller, S.--See entry under Bresson, R.

125. Godard, J.-L.--Heywood, Miriam. "Holocaust and Image: Debates Surrounding Jean-Luc Godard's Histoire(s) du cinema." SFC 9.3 (2009): 273-83.

126.--Rascaroli, Laura. "Performance in and of the Essay Film: Jean-Luc Godard Plays Jean-Luc Godard in Notre musique (2004)." SFC 9.1 (2009): 49-61.

127. Greenaway, P.--Jacobson, Harlan. "Every Picture Tells a Story." FC 45. l (2009): 20-21. Interview with Greenaway concerning his documentary Rembrandt J'Accuse.

128. Griffith, D.W.--Siegel, Daniel. "Griffith, Dickens, and the Politics of Composure." PMLA 124.2 (2009): 375-89.

129. Haneke, M.--Andrew, Geoff. "The Revenge of Children." SS 19.12 (2009): 14-17. Interview with director Haneke.

130.--Grundmann, Roy. "Unsentimental Education: An Interview with Michael Haneke." Cin 35.1 (2009): 8-13.

131.--Horwath, Alexander. "The Haneke Code." FC 45.6 (2009): 26-31. Interview.

132.--Sternagel, Joerg. "From Inside Us: Experiencing the Film Actor in Michael Haneke's Cache." Ft 7.3 (2009): 50-61.

133.--Wheatley, Catherine. "Unexpected Tenderness." SS 19.12 (2009): 18-19. Commentary on tone in The While Ribbon.

134. Hawks, H.--Stevenson, Diane. "The Mixture of Genres in Two Films by Howard Hawks." Ft 7.6 (2009): 24-31.

135. Haynes, T.--MacDonald, Scott. "From Underground to Multiplex: An Interview with Todd Haynes." FQ 62.3 (2009): 54-64.

136. Herzog, W.--Armes, Eric. "Herzog, Landscape, and Documentary." CJ 48.2 (2009): 49-69.

137.--Herbert, Daniel. "Real Monster/ Fake Auteur: Humor, Hollywood, and Herzog in Incident at Loch Ness." QRFV 26.5 (2009): 353-64.

138. Hitchcock, A.--Cohen, Tom. "Zarathustran Bird Wars: Hitchcock's 'Nietzsche' and the Teletechnic Loop." Dis 31.1-2 (2009): 140-60.

139.--Erish, Andrew A. "Reclaiming Alfred Hitchcock Presents." QRFV 26.5 (2009): 385-92.

140.--Fabe, Marilyn. "Mourning Vertigo." AI 66.3 (2009): 343-67. On the psychological significance of "vertigo" in the film of that name.

141.--Pomerance, Murray. "Light, Looks, and The Lodger." QRFV 26.5 (2009): 425-33.

142.--Toles, George. "The Forgotten Lighter and Other Moral Accidents in Strangers on a Train." Rar 28.4 (2009): 111-37.

143.--Petrie, Graham. "Transfer of Guilt." SS 19.7 (2009): 46-49. Re-examines Hitchcock's Strangers on a Train.

144. Inarritu, A.--Tierney, Dolores. "Alejandro Gonzalez Inarritu: Director without Borders." NC 7.2 (2009): 101-17.

145. Jarman, D.--Cardullo, Bert. "'Outing' Edward, Outfitting Marlowe: Derek Jarman's Film of Edward II." LFQ 37.2 (2009): 86-96.

146. Jarmusch, J.--Smith, Gavin. "Jim Jarmusch." FC 45.3 (2009): 26-29. Interview with writer and director Jim Jarmusch.

147. Jonze, S.--Clines, Peter. "The Most Wild Thing of All." CS 16.5 (2009): 27-32. The director discusses his adaptation of Maurice Sendak's Where the Wild Things Are.

148. Kaufman, C. Lawrenson, Edward. "Gone in 60 Years." SS 19.6 (2009): 26-29. Commentary on Kaufman's Synecdoche, New York.

149. Kiarostami, A.--Dupont, Joan. "Country of Origin." FC 45.6 (2009): 13. On Iranian director Kiarostami and the filming of Certified Copy.

150.--Lippard, Chris. "Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami's The Wind Will Carry Us." JFV 61.4 (2009): 31-40.

151.--Romney, Jonathan. "Reality Check." SS 19.10 (2009): 40-42. Commentary on Kiarostami's new film Certified Copy.

152. Kieslowski, K.--Ballester, Cesar. "Individuality in Kieslowski's Bez Konca." SEC 6.1 (2009): 77-89.

153.--Knight, Christopher J. "'For Once, Then, Something': Krzystof Kieslowski's The Double Life of Veronique and the Apophatic Beyond." LFQ 37.4 (2009): 283-94.

154.--Rashkin, Esther. "Unmourned Dead, Filtered History, and the Screening of Anti-Semitism in Kieslowski's A Short Film About Killing." AI 66.3 (2009): 311-42. Also see entry under Lynch, D.

155. Kubrick, S. Newman, Kim. "From Romance to Ritual." SS 19.3 (2009): 22-23. Discussion of Barry Lyndon.

156.--Vint, Sherryl. "Simians, Subjectivity and Sociality: 2001: A Space Odyssey and Two Versions of Planet of the Apes." SFFTV 2.2 (2009): 225-50.

157.--Williams, Linda Ruth. "Mister Strangelove." SS 19.3 (2009): 18-22. Career overview.

158. Kurosawa, A.--Prince, Stephen. "Mecha Samurai: Kurosawa in the World of Anime." PS 28.2 (2009): 50-58.

159. Lang, F.--Cossar, Harper. "'Wait, how did I miss that?': Understanding the 'Twist' in Fritz Lang's The Woman in the Window." QRFV 26.1 (2009): 10-19.

160. Lean, D.--Crowdus, Gary. "The Editing of Lawrence of Arabia: An Interview with Anne V. Coates." Cin 34.2 (2009): 48-53.

161. Lee, A.--Sharrett, Christopher. "Death of the Strong Silent Type: The Achievement of Brokeback Mountain." Ft 7.1 (2009): 16-27.

162. Losey, J.--James, Nick. "Joseph Losey, Harold Pinter: in Search of Poshlust Times." SS 19.6 (2009): 30-32, 35-36, 38, 40. Reconsiders their collaborations.

163. Lubitsch, E. Drossier, Stefan. "Ernst Lubitsch and EFA." FH 21.3 (2009): 208-28.

164.--Jones, Kent. "Work a Day." FC 45.3 (2009): 44-50. Looks at Lubitsch's The Shop around the Corner.

165. Lucas, G.--Decker, Mark T. "They Want Unfreedom and One-Dimensional Thought? I'll Give Them Unfreedom and One-Dimensional Thought: George Lucas, THX 1138, and the Persistence of Marcusian Social Critique in American Graffiti and the Star Wars Films." Ex 50.3 (2009): 417-41.

166. Lynch, D. Bell, James. "Stars in His Eyes." SS 19.7 (2009): 30-31. Interview with David Lynch.

167.--Docarmo, Stephen N. "Postmodemist Quietism in Polanski's Chinatown and Lynch's Mulholland Drive." JPC 42.4 (2009): 646-662.

168.--Orr, John. "A Cinema of Parallel Worlds: Lynch and Kieslowski + Inland Empire." Ft 7.1 (2009): 28-43.

169. Mann, M.--James, Nick. "Johnny Too Bad." SS 19.8 (2009): 24-27. On Mann's Public Enemies as a reinvention of the gangster genre.

170.--Clines, Peter. "In the Public Eye." CS 16.4 (2009): 40-44. On the creation of Mann's new film Public Enemies.

171. Marker, C.--Warner, Rick. "Go-for-Broke Games of History: Chris Marker Between 'Old' and 'New' Media." PS 29.1 (2009): 14-26.

172. Mendes, S.--James, Nick. "All that Hollywood Allows." SS 19.2 (2009): 16-20. Examines Mendes's Revolutionary Road.

173. Mulligan, R. Jones, Kent. "Safe at Home in Robert Mulligan's Unsung Masterpiece of Moral Suspense." FC 45.2 (2009): 48-51. Looks at Mulligan's The Stalking Moon.

174. Ophuls, M.--Cousins, Jennie. "Mechanised Corsetry: Annenkov, Ophuls and La Ronde (1950)." SFC 9.2 (2009): 127-46.

175.--Perkins, V. F. "Le Plaisir: 'The Mask' and 'The Model.'" FQ 63.1 (2009): 15-22.

176. Oshima, N.--Jacoby, Alexander. "In the Realm of Oshima." SS 19.9 (2009): 48-50. Career overview.

177. Pagnol, M.--Vincendeau, Ginette. "Marcel Pagnol, Vichy and Classical French Cinema." SFC 9.1 (2009): 5-23.

178. Peckinpah, S. Thomson, David, and David Weddle. "Sam Peckinpah." SS 19.2 (2009): 32-37. Career overview.

Polanski, R.--See entry under Lynch, D.

179. Pontecorvo, G. Riegler, Thomas. "Gillo Pontecorvo's 'Dictatorship of the Truth' a Legacy." SEC 6.1 (2009): 47-62.

180. Potter, S. Bradshaw, Nick. "Phoning It In." SS 19.10 (2009): 38-39. Potter discusses her film Rage and its innovative release strategy.

181. Powell, M.--McFarlane, Brian. "Michael Powell, Actors, and Englishness: Some Late Reflections." QRFV 26.5 (2009): 365-71.

182. Sacks, Oliver. "Doctor's Order." FC 45.3 (2009): 22-23. Looks at Powell's A Matter of Life and Death.

183. Preminger, O.--Aiello, Thomas. "Hurry Sundown: Otto Preminger, Baton Rouge, and Race, 1966-1967." FH 21.4 (2009): 394-410.

184. Combs, Richard. "Anatomy of a Director." SS 19.4 (2009): 38-41. On Preminger's status as all auteur.

185. Ray, S.--Rapold, Nicolas. "Master of the House." FC 45.2 (2009): 52-56. Profile of director Satyaj it Ray.

186.--Sengoopta, Chandak. "Satyajit Ray: Liberalism and Its Vicissitudes." Cin 34.4 (2009): 16-22.

187.--. "The Universal Film for all of us, everywhere in the world': Satyajit Ray's Pather Panchali (1955) and the Shadow of Robert Flaherty." HJFRTV 29.3 (2009): 277-93.

188. Reitman, J. Jacobson, Harlan. "All Fired Up." FC 45.6 (2009): 20-21. Interview with director Reitman.

189. Renoir, J.--Bacher, Lutz. "David L. Loew, Renoir's 'French Method,' and The Southerner." FH 21.3 (2009): 229-56.

190.--Bergstrom, Janet. "Genealogy of The Golden Coach." FH 21.3 (2009): 276-94.

191.--Oeler, Karla. "Renoir and Murder." CJ 48.2 (2009): 26-48.

192. Rohmer, E.--Bersani, Leo, and Ulysse Dutoit. "Rohmer's Salon." FQ 63.1 (2009): 23-35. Examines the treatment of love in Rohiner's films.

193.--Handyside, Fiona. "Rohmer a la plage: The Role of the Beach in Three Films by Eric Rohmer." SFC 9.2 (2009): 147-60.

194.--Norton, Glen W. "Moral Perfectionism in Eric Rohmer's Ma nuit chez Maud." SFC 9.1 (2009): 25-36.

195. Romero, G.--Pulliam, June. "Our Zombies, Ourselves: Exiting the Foucauldian Universe in George A. Romero's Land of the Dead." JFA 20.1 (2009): 42-56.

196. Rossellini, R.--Farrell, James T. "The Problem of Public Sensibility: A Review of the Film, The Open City." Oct 128 (2009): 69-83.

197.--Schapiro, Meyer. "A Note on The Open City." Oct 128 (2009): 84-89.

198. Schlesinger, J. Sasaki, Toru. "John Schlesinger's Far front the Madding Crowd: A Reassessment." LFQ 37.3 (2009): 194-200.

199. Scorsese, M.--Raymond, Marc. "Too Smart, Too Soon: The King of Comedy and American Independent Cinema." FCr 34.1 (2009): 17-35.

200. Scott, R.--Locke, Brian. "White and 'Black' versus Yellow: Metaphor and Blade Runner's Racial Politics." ArQ 65.4 (2009): 113-38.

201. Scott, T.--Anderson, Michael J. "Resurrecting the Rube: Diegesis Formation and Contemporary Trauma in Tony Scott's Deja Vu." FCr 33.2 (2008-09): 2-22.

202. Sembene, O.--Diop, Samba. "Music and Narrative in Five Films by Ousmane Sembene." JAfC 1.2 (2009): 207-24.

203. Soderbergh, S.--Clines, Peter. "The Director Speaks." CS 16.5 (2009): 25-26. Soderbergh discusses his work on The Informant.

204. Spielberg, S.--Hanlon, Dennis. "Does Anyone Have the Right to Say, 'I Don't Care'?: Resistance and Reverence at Schindler's List." F&H 39.1 (2009): 53-65.

205. Strickland, P.--James, Nick. "The Sound of Silence." SS 19.11 (2009): 32-35. Interview with director Peter Strickland.

206. Sturges, P.--Power, Dominic. "Patriotic Dissonance: The Soundtrack of Hail the Conquering Hero." Sound 2.1 (2009): 77-82.

207. Tarantino, Q. Gilbey, Ryan. "Days of Gloury." SS 19.9 (2009): 16-21. Interview with Tarantino.

208.--Goldsmith, Jeff. "Glorious." CS 16.4 (2009): 20-31. Tarantino discusses his film Inglorious Basterds.

209.--Inouye, Charles Shiro. "Promoting Virtue and Punishing Vice: Tarantino's Kill Bill and the return of Bakumatsu Aesthetics." PS 28.2 (2009): 92-100.

210. James, Nick. "Carve His Name with Pride." SS 19.7 (2009): 16-19. Discussion of Inglorious Bastards.

211.--Waiters, Ben. "Debating Inglourious Basterds." FQ 63.2 (2009): 19-22.

212. Tarkovsky, A.--Odde, Thomas. "Time Sickness in Andrey Tarkovsky's The Sacrifice." CJFS 18.2 (2009): 66-86.

213. Toback, J.--Tarantino, Quentin. "The Harder They Come." FC 45.1 (2009):58-61. Interview.

214. Trier, L. von--Bjorkman, Stig. "Making the Waves." SS 19.8 (2009): 16-19. Interview.

215. Van Sant, G. Rapold, Nicolas. "Come with Us." SS 19.2 (2009): 28-30. Discussion of Van Sant's Come With Us.

216. Varda, A.--Tyrer, Ben. "Digression and Return: Aesthetics and Politics in Agnes Varda's Les Glaneurs et la glaneuse (2000)." SFC 9.3 (2009): 161-76.

217. Verhoeven, P.--Crim, Brian E. "A World That Works: Fascism and Media Globalization in Starship Troopers." F&H 39.2 (2009): 18-25.

218.--Williams, Paul. "Starship Troopers, the War on Terror and the Spectacle of Censorship." SFFTV 2.1 (2009): 25-44.

219. Vigo, J.--Redner, Gregg. "Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante." SFC 9.2 (2009): 97-110.

220. Waters, J.--Benson-Allott, Caetlin. "Camp Integration: The Use and Misuse of Nostalgia in John Waters' Hairspray." QRFV 26.2 (2009): 143-54.

221. Welles, O.--Benamou, Catherine L. "Everybody's Orson Welles: Treasures from the Special Collections Library at the University of Michigan." MQR 48.2 (2009): 187-229. Describes two collections of Welles letters and documents donated to the Special Collections Library at UM and reprints several letters to and from Welles' coworkers.

222.--. "A Portfolio of Graphics." MQR 48.2 (2009): 230-235. Looks at Republic Pictures efforts at stressing the film noir elements of Macbeth.

223.--Tonguette, Peter. "A Very Good Daughter: An Interview with Chris Welles Feder." Cin 35.1 (2009): 46-49. Orson Welles' daughter talks about her father.

224. Wenders, W.--Martinec, Thoma. "'Some Kind of Film-Poem': The Poetry of Wim Wenders' Der Himmel Uber Berlin/Wings of Desire." SEC 6.2-3 (2009): 165-78.

225.--Varga, Darrell. "The Diary Films of Wim Wenders." QRFV 26.1 (2009): 20-27.

226. Whale, J.--Adams, Ann Marie. "What's in a Frame?: The Authorizing Presence in James Whale's Bride of Frankenstein." JPC 42.3 (2009): 403-18.

227. Wilder, B.--Brookes, Ian. "The Eye of Power: Postwar Fordism and tile Panoptic Corporation in The Apartment." JPFT 37.4 (2009): 150-60.

228. Cooke, Grayson. "We Had Faces Then: Sunset Boulevard and the Sense of the Spectral." QRFV 26.2 (2009): 89-101.

229.--Lima, Rafael. "Grab 'Em by the Throat." CS 16.2 (2009): 45-57. Examines Wilder's rules for screen success.

230. Wyler, W.--Hayes, Richard. "'These Three': The Influence of William Wyler and Gregg Toland on Lillian Hellman." LFQ 37.3 (2009): 176-83.

231.--Marcus, Daniel. "William Wyler's World War II Films and the Bombing of Civilian Populations." HJFRTV 29.1 (2009): 79-90.

232. Yates, P. O'Brien, Geoffrey. "Encore." FC 45.2 (2009): 14-15. Looks at Yates' crime film The Friends of Eddie Coyle.

233. Zemeckis, R.--Brown, William. "Beowulf. The Digital Monster Movie." An 4.2 (2009): 153-68.

234.--Forni, Kathleen. "Popularizing High Culture: Zemeckis's Beowulf." SPC 31.2 (2009): 45-60.

235. Misc.--Cousins, Mark. "The Wild Bunch." SS 19.9 (2009): 22-36. Profiles fifty directors of unconventional films.

236. Gallagher, Tag. "The Greatest Filmmakers You've Never Heard Of." SS 19.12 (2009): 38-41.

Also see the following entries: 14, 15, 16, 56, 282, 293, 295, 299, 301, 306, 384, 421, 448, 454, 471, 504, 521, 572, 628, 707, 727.

DOCUMENTARY

237. Amato, Rebecca, and Rahul Hamid. "The Business of Dinner: An Interview with Robert Kenner." Cin 34.3 (2009): 38-41.

238. Anselmi, William, and Sheena Wilson. "Performative Radicalism in Contemporary Canadian Documentary Film." Ft 7.1 (2009): 44-53.

239. Bakker, Kees. "'They are Like Horses with Blinders on': One War, Two Views: Joris Ivens and Fumio Camel, China, 1938." SDF 3.1 (2009): 19-33.

240. Beattie, Keith. "An Ambiguous National Iconography: Humphrey Jennings' Family Portrait." SDF 3.2 (2009): 147-58.

241. Beckman, Karen. "Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1 (2005), A Room of One's Own (2005), and Operation Atropos (2006)." Fr 50.1-2 (2009): 125-38.

242. Bingham, Adam. "Filmmaking as a Way of Life: Tsuchimoto, Ogawa, and Revolutions in Documentary Cinema." AC 20.1 (2009): 166-75.

243. Bondebjerg, Ib. "Behind the Headlines: Documentaries, the War on Terror and Everyday Life." SDF 3.3 (2009): 219-31.

244.--. "War on Terror--War on Democracy? The Post 9/11 Investigative Documentary." NL 7 (2009): 29-50.

245. Boyle, Deirdre. "Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh's S-21: The Khmer Rouge Killing Machine." Fr 50.1-2 (2009): 95-106.

246. Brown, Peter Robert. "'Which Way You Goin' Billy?': Masculinity, Genre, and Self-Reflexivity in Hard Core Logo." CJFS 18.2 (2009): 87-103. Looks at the representation of masculinity in the "rockumentary."

247. Burns, Rob. "On the Streets and on the Road: Identity in Transit in Turkish-German Travelogues on Screen." NC 7.1 (2009): 11-26.

248. Christensen, Christian. "The Everyday after 9/11: Cycles and Details." SDF 3.3 (2009): 233-44.

249.--. "Political Documentary, Online Organization and Activist Synergies." SDF 3.2 (2009): 77-94.

250. Coffman, Elizabeth. "Documentary and Collaboration: Placing the Camera in the Community." JFV 61.1 (2009): 62-78.

251. Comer, John. "Documenting the Political: Some Issues." SDF 3.2 (2009): 113-29.

252. Cowie, Elizabeth. "On Documentary Sounds and Images in the Gallery." Sc 50.1 (2009): 124-34.

253. Demos, T. J. "The Right to Opacity: On the Otolith Group's Nervus Rerum." Oct 129 (2009): 113-28.

254. Emmelhainz, Irmgard. "A Trialogue on Nervus Rerum." Oct 129 (2009): 129-32. Interview with the makers of the film.

255. FitzSimons, Trish. "'Braided Channels: A Genealogy of the Voice of Documentary." SDF 3.2 (2009): 131-46.

256. Gemunden, Gerd. "The 59th International Berlin Film Festival: Documentaries Rule." FCr 33.2 (2008-09): 66-73.

257. Hagedoom, Berber. "'Look What I Found!': (Re-)Crossing Boundaries Between Public/ Private History and Biography/Autobiography in Peter Forgacs' The Maelstrom." SDF 3.2 (2009): 177-92.

258. Hall, Lee. "Going Underground." SS 19.10 (2009): 24-27. Looks at films about the mining industry in the BFI National Archive.

259. Hudson, Dale. "Undesirable Bodies and Desirable Labor: Documenting the Globalization and Digi tization of Transnational American Dreams in Indian Call Centers." CJ 49.1 (2009): 82-102.

260. Johnson, David T. "Playgrounds of Unlimited Potential: Adaptation, Documentary, and Dogtown and Z-Boys." Ad 2.1 (2009): 1-16.

261. Kahana, Jonathan. "Re-staging Two Laws: An Interview with Alessandro Cavadini and Carolyn Strachan." Fr 50.1-2 (2009): 61-81.

262.--. "What Now? Presenting Reenactment." Fr 50.1-2 (2009): 46-60. On the role of reenactment in documentary film.

263. Kara, Selmin. "Reassembling the Nation: Iraq in Fragments and the Acoustics of Occupation." SDF 3.3 (2009): 259-74.

264. Kitts, Thomas M. "Documenting, Creating, and Interpreting Moments of Definition: Monterey Pop, Woodstock, and Gimme Shelter." JPC 42.4 (2009): 715-32.

265. Kepley, Vance, and Rebecca Swender. "Claiming the Found: Archive Footage and Documentary Practice." VLT 64 (2009): 3-10.

266. Leimbacher, lrina. "Face Time." FC 45.1 (2009): 52-57. Discusses the use of interviews in documentary.

267. Lybarger, Dan. "Out of the Jungle and into the Fire: An Interview with Joe Berlinger." Cin 34.4 (2009): 30-36.

268. Nelson, Rob. "No Exit." FC 45.1 (2009): 62-65. On a trilogy of documentaries by Alan Zweig.

269. Neroni, Hilary. "The Nonsensical Smile of the Torturer: Documentary Form and the Logic of Enjoyment." SDF 3.3 (2009): 245-57.

270. Nomes, Abe Mark. "Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene." FQ 63.1 (2009): 50-55.

271. Pavsek, Christopher. "The Black Holes of History: Raoul Peck's Two Lumumbas." Fr 50.1-2 (2009): 82-94.

272. Romani, Rebecca. "The Hazards of Occupation: Documentaries by and about Palestinians and Israelis in the Occupied Territories." Cin 34.3 (2009): 25-31.

273. Sergent, Jean-Pierre. "The Chinese Dream of Joris Ivens." SDF 3.1 (2009): 61-68.

274. Smith, Debbie James. "Big-eyed, Wide-eyed, Sad-eyed Children: Constructing the Humanitarian Space in Social Justice Documentaries." SDF 3.2 (2009): 159-75.

275. Tongdau, Zhang. "The Legend of a Filmmaker and a Country--Fifty Years of Ivens and China." SDF 3.1 (2009): 35-44.

276. Waugh, Thomas. "The 400 Million (1938) and the Solidarity Film: 'Halfway Between Hollywood and Newsreel.'" SDF 3.1 (2009): 7-17.

277. Winston, Brian. "'A Riddle Wrapped in a Mystery Inside an Enigma': Wiseman and Public Television." SDF 3.2 (2009): 95-111.

278. Zuber, Sharon L. "David Holzman's Diary: A Critique of Direct Cinema." PS 28.3 (2009): 31-40.

Also see the following entries: 77, 117, 125, 127, 136, 231, 504, 518, 697, 738.

FILM AND ALLIED ARTS (includes Film and Literature)

279. Binggeli, Elizabeth. "The Unadapted: Warner Bros. Reads Zora Neale Hurston." CJ 48.3 (2009): 1-15.

280. Brookes, Ian. "'All the Rest is Propaganda': Reading the Paratexts of Saturday Night and Sunday Morning." Ad 2.1 (2009): 17-33.

281. Campbell, Narelle. "An Object of Interest: Observing Elizabeth in Andrew Davies' Pride and Prejudice." Ad 2.2 (2009): 149-60.

282. Campbell, Nell. "From Story to Film: Brokeback Mountain's 'in-Between' Spaces." CRAS 39.2 (2009): 205-20.

283. Carroll, Rachel. "Queer Beauty: Illness, Illegitimacy and Visibility in Dickens's Bleak House and its 2005 BBC Adaptation." JAFP 2.1 (2009): 5-18.

284. Clines, Peter. "Watchmen: Adrift on the Black Freighter." CS 16.2 (2009): 21-24. Examines the history of attempts to adapt the comic to the screen.

285. Constandinides, Costas. "Adapting the Literature of the Double: Manifestations of Cinematic Forms in Fight Club and Enduring Love." JAFP 2.2 (2009): 95-107.

286. Davis, Blair. "Made-from-TV Movies: Turning 1950s Television into Films." HJFRTV 29.2 (2009): 197-218.

287. Dawes, Amy. "Revolutionary Road: Justin Haythe's Rebel Yell." CS 16.1 (2009): 33-38. On the adaptation of the Richard Yates novel.

288. Deutsch, Stephen. "A Concise History of Western Music for Film-makers." Sound 2.1 (2009): 23-38.

289. Fuller, Graham, and Philip Kemp. "The Dualist." SS 19.1 (2009): 40-44. Surveys films based on Robert Louis Stevenson's novels.

290. Geraghty, Christine. "Foregrounding the Media: Atonement (2009) as an Adaptation." Ad 2.2 (2009): 91-109.

291. Goldsmith, Jeff. "Watching the Watchmen." CS 16.2 (2009): 16-20. On the adaptation of the comic.

292. Griggs, Yvonne. "Dogmatic Shakespeare: A 'Recognition of Ghostly Presences' in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive." JAFP 2.2 (2009): 109-19.

293.--. "On the Road: Reclaiming Korol Lir." LFQ 37.2 (2009): 97-108. On Kozintsev's version of King Lear.

294. Heidt, Sarah J. "'Ca,c'est moi': The Diving Bell and the Butterfly as Autobiographical Multitext." Ad 2.2 (2009): 125-48.

295. Heine, Erik. "Controlling and Controlled: Ophelia and the Ghost as Defined by Music in Grigori Kozintsev's Hamlet." LFO 37.2 (2009): 109-23.

296. Inge, M. Thomas. "Hank Morgan in the Movies: Adaptations of A Connecticut Yankee in King Arthur's Court." SAC 32.1 (2009): 23-43.

297. Kuhn, Bernhard. "The Film-Opera Aida (1953): Intermediality and Operatics." JAFP 2.1 (2009):19-34.

298. Langer, Jessica. "Three Versions of Komatsu Sayko's Nihon Chinbotsu (Japan Sinks)." SFFTV 2.1 (2009): 45-58. Examines two film versions of Sayko's novel.

299. Larson, Katherine R. "Silly Love Songs: The Impact of Puccini's La Boheme on the Intertextual Strategies of Moulin Rouge." JPC 42.6 (2009): 1040-52.

300. Lease, Bryce. "Contemporary Utopian Dreams: Contemplating Staniewski's Golden Ass." JAFP 2.1 (2009): 35-46.

301. Malone, Toby. "'A dog, a rat.... a cat to scratch a man to death!': Olivier's Richard III and Popular Cultures." LFQ 37.2 (2009): 124-39.

302. Marshall, Kelli. "The Creative Process and the Power of Art in Shakespeare Behind Bars, or So This is What Looking for Richard Meant to Do?" LFQ 37.2 (2009): 140-50.

303. Mayer, David. "Rescued from an eBay Site." FH 21.4 (2009): 336-45. Offers evidence that the early film Rescued from an Eagle's Nest was adapted from a popular American melodrama.

304. McDonald, Keiko. "Whatever Happened to Films Inspired by Comics?: The Case of Always." PS 28.2 (2009): 38-49.

305. McEntee, Joy. "'I'll give you acts of God': God, the Father, and Revenge Tragedy in Three Billy Connolly Movies." LFQ 37.1 (2009): 49-71. On the persistence of the "revenge tragedy" formula in contemporary film.

306. Meljac, Eric Paul. "Dead Silence: James Joyce's 'The Dead' and John Huston's Adaptation as Aesthetic Rivals." LFQ 37.4 (2009): 295-304.

307. Milton, John. "Between the Cat and the Devil: Adaptation Studies and Translation Studies." JAFP 2.1 (2009): 47-64.

308. Moulthrop, Stuart. "Watchmen Meets the Aristocrats." PC 20.1 (2009): np. On adapting the graphic novel to film.

309. Parys, Thomas Van. "The Commercial Novelization: Research, History, Differentiation." LFQ 37.4 (2009): 305-17.

310. Peebles, Stacey. "Lines of Sight: Watching War in Jarhead and My War: Killing Time in Iraq." PMLA 124.5 (2009): 1662-76. Compares the film to the recent book on the Iraq war.

311. Reynolds, James. "'Kill Me Sentiment': V for Vendetta and Comic-to-Film Adaptation." JAFP 2.2 (2009): 121-36.

312. Rooks, Amanda Kane. "Macbeth's Wicked Women: Sexualized Evil in Geoffrey Wright's Macbeth." LFQ 37.2 (2009): 151-60.

313. Russell, James. "Narnia as a Site of National Struggle: Marketing, Christianity, and National Purpose in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe." CJ 48.4 (2009): 59-76.

314. Voigts-Virchow, Eckart. "Metadaptation: Adaptation and Intermediality--Cock and Bull." JAFP 2.2 (2009): 137-52.

315. Wolf, Alain. "Mobilizing Meaning?: Religious Symbolism in Film Adaptations of C. S. Lewis's The Lion, the Witch, and the Wardrobe." JAFP 2.3 (2009): 239-54.

316. Wootton, Adrian. "Trouble Is My Business." SS 19.7 (2009): 48-49. Looks at novelist and screenwriter Raymond Chandler's impact on cinema.

Also see the following entries: 32, 34, 35, 86, 96, 106, 119, 121, 128, 145, 147, 162, 198, 219, 222, 230, 336, 397, 418, 493, 630, 637, 650, 661, 695, 704, 714, 780.

FILM HISTORY (includes Film Preservation)

317. Abel, Richard. "'Zip!-Zam!-Zowie!': A New Take on Institutional American Cinema's History Before 1915." HJFRTV 29.4 (2009): 421-32.

318. Arthur, Sue. "Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain." HJFRTV 29.1 (2009): 27-39.

319. Batllori, Joan M. Minguet. "Segundo de Chomon and the Fascination for Colour." FH 21.1 (2009): 94-103.

320. Brennan, Nate. "A Penny-Dreadful House for Chinese Talkies: Notes Toward a History of Chinese-Language Film Exhibition in Interwar New York." JCC 3.2 (2009): 123-33.

321. Brown, Simon. "Colouring the Nation: Spectacle, Reality, and British Natural Colour in the Silent and Early Sound Era." FH 21.2 (2009): 139-49.

322. Ceplair, Larry. "Julian Blaustein: An Unusual Movie Producer in Cold War Hollywood." FH 21.3 (2009): 257-75.

323. Christensen, Thomas C. "Restoration of Danish Silent Films--In Colour." FH 21.1 (2009): 61-66.

324. Dass, Manishita. "The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India." CJ 48.4 (2009): 77-98.

325. Feaster, Patrick, and Jacob Smith. "Reconfiguring the History of Early Cinema through the Phonograph, 1877-1908." FH 21.4 (2009): 311-25.

326. Field, Allyson Nadia. "John Henry Goes to Carnegie Hall: Motion Picture Production at Southern Black Agricultural and Industrial Institutes (1909-13)." JPFT 37.3 (2009): 106-15.

327. Gauthier, Philippe, and Timothy Barnard. "The Movie Theater as an Institutional Space and Framework of Signification: Hale's Tours and Film Historiography." FH 21.4 (2009): 326-35.

328. Hanlon, Dennis. "The Roar of the Crowd: Urban Noise and Anti-Noise in Silent Cinema." Mo 42.2 (2009): 73-88.

329. Hanssen, Eirik Frisvold. "Symptoms of Desire: Colour, Costume, and Commodities in Fashion Newsreels of the 1910s and 1920s." FH 21.2 (2009): 107-21.

330. Hong, Guo-Juin. "Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films." JCC 3.3 (2009): 215-30.

331. Johnson, Matthew D. "'Journey to the Seat of War': The International Exhibition of China in Early Cinema." ICC 3.2 (2009): 109-22.

332. Joyce, Simon, and Jennifer Putzi. "'Greatest Combination in Motion Pictures': Film History and the Division of Labor in the New York Motion Picture Company." FH 21.3 (2009): 189-207.

333. Kim, Dong Hoon. "Segregated Cinemas, Intertwined Histories: The Ethnically Segregated Film Cultures in 1920s Korea under Japanese Colonial Rule." JKC 1.1 (2009): 7-25.

334. Kitamura, Hiroshi. "Hollywood's 'New' Orientalism: The Case of Tokyo File 212 (1951)." HJFRTV 29.4 (2009): 505-22.

335. Klawans, Stuart. "Nothing But the Truth?." FC 45.5 (2009): 48-53. Examines the cultural climate that fostered Italian Neorealism.

336. Lambert, Josh. "'Wait for the Next Pictures': Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips." CJ 48.2 (2009): 3-25.

337. Leon-Aguinaga, Pablo. "State-Corporate Relations, Film Trade and the Cold War: The Failure of MPEAA's Strategy in Spain, 1945-1960." HJFRTV 29.4 (2009): 483-504.

338. Mazzanti, Nicola. "Colours, Audiences, and (Dis)continuity in the "Cinema of the Second Period.'" FH 21.1 (2009): 67-93.

339. McKernan, Luke. "'The Modern Elixir of Life': Kinemacolor, Royalty, and the Delhi Durbar." FH 21.2 (2009): 122-36.

340. Nebesio, Bohdan Y. "Competition from Ukraine: VUFKU and the Soviet Film Industry in the 1920s." HJFRTV 29.2 (2009): 159-80.

341. Nelson, Barbara A. "Hollywood's Struggle for Romania, 1938-1945." HJFRTV 29.3 (2009): 295-319.

342. Raiklin, Benjamin E. "Soviet Cinema in the Wake of the Terror: The Artistic Council at Mosfilm, 1939-41." SRSC 3.3 (2009): 267-88.

343. Read, Paul. "'Unnatural Colours': An Introduction to Colouring Techniques in Silent Era Movies." FH 21.1 (2009): 9-46.

344. Reynolds, Glenn. "The Bantu Educational Kinema Experiment and the Struggle for Hegemony in British East and Central Africa, 1935-1937." HJFRTV 29.1 (2009): 57-78.

345. Robinson, David. "Alexander Shiryaev: Dance to Film." FH 21.4 (2009): 310-20. Overview of the pioneering film work (1906-09) of the dancer/choreographer, includes his development of puppet films.

346. Steimatsky, Noa. "The Cinecitta Refugee Camp (1944-1950)." Oct 128 (2009): 23-50. Looks at how the use of the studio's facilities for refugees affected the films made there in the postwar era.

347. Street, Sarah. "'Another Medium Entirely': Esther Harris, National Screen Service and Film Trailers in Britain, 1940-1960." HJFRTV 29.4 (2009): 433-48.

348.--. "'Color Consciousness': Natalie Kalmus and Technicolor in Britain." Sc 50.2 (2009): 191-215.

349. Toffell, Gil. "'Come see, and hear, the mother tongue!' Yiddish Cinema in Interwar London." Sc 50.3 (2009): 277-98.

350. Turvey, Gerry. "Constrained Emancipation: The Career of Ethyle Batley, Britain's Pioneering Woman Film Director." FH 21.4 (2009): 359-72.

351. Vincendeau, Ginette. "The Star Reborn." SS 19.5 (2009): 17-18, 21, 23-24. Reconsideration of the French New Wave.

352. Wasson, Haidee. "Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s." CJ 48.4 (2009): 1-21.

353. Widdis, Emma. "Faktura: Depth and Surface in Early Soviet Set Design." SRSC 3.1 (2009): 5-32.

354. Yumibe, Joshua. "'Harmonious Sensations of Sound by Means of Colors': Vernacular Colour Abstractions in Silent Cinema." FH 21.2 (2009): 164-76.

355. Zweig, Noah. "Foregounding Public Cinema and Rural Audiences: The USDA Motion Picture Service as Cinematic Modernism, 1980-38." JPFT 37.3 (2009): 116-25.

Also see the following entries: 6, 54, 55, 62, 65, 91, 128, 163, 189, 223, 279, 303, 423, 426, 552, 637, 641, 712, 718, 720, 729, 730.

GENRE

356. Anderson, Kevin Taylor. "Tickling and Teasing the Real: Mocking Reality TV in the Film Series 7." PS 28.3 (2009): 108-22.

357. Atkinson, Michael. "Thunder Roads." SS 19.8 (2009): 32-34. Looks at changes in the gangster film.

358. Backstein, Karen. "(Un)safe Sex: Romancing the Vampire." Cin 35.1 (2009): 38-41.

359. Bellin, Joshua David. "Us or Them!: Silent Spring and the "Big Bug' Films of the 1950s." Ex 50.1 (2009): 145-68.

360. Bishop, Kyle. "Dead Man Still Walking." JPFT 37.1 (2009): 16-25. On recent zombie films.

361. Bode, Lisa. "Performance, Rock, Mock-Documentary and the Australian National Imaginary in The Nominees." PS 28.3 (2009): 68-81.

362. Briefel, Aviva. "What Some Ghosts Don't Know: Spectral Incognizance and the Horror Film." Nar 17.1 (2009): 95-110.

363. Cain, Sandra. "As Real as It Gets: They Shoot Movies, Don't They? ... The Making of Mirage: Interviews with Frank Gallagher and Tom Wilson." PS 28.3 (2009): 9-13. Interviews with the makers of the mockumentary.

364. Calhoun, John. "Childhood's End: Let the Right One In and Other Deaths of Innocence." Cin 35.1 (2009): 27-31. On the use of children in recent horror films.

365. Clines, Peter. "Terminator Salvation." CS 16.3 (2009): 34-38. Screenwriters talk about their film's vision of the future.

366. Coleman, Lindsay. "Heart of Darkness with a Wink: The Evolution of the Killer Mockumentary, from Man Bites Dog to The Magician." PS 29.3 (2009): 41-46.

367. Combs, Richard. "Broken Trail Super-Westerns: New Whiskey in Old Bottles." FC 45.1 (2009): 45-47. Discusses the resurgence of the Western.

368. Courcoux, Charles-Antoine. "From Here to Antiquity: Mythical Settings and Modern Sufferings in Contemporary Hollywood's Historical Epics." F&H 39.2 (2009): 30-38.

369. DeFino, Dean. "From Trailer Trash to Trailer Park Boys." PS 28.3 (2009): 47-57.

370. Doro, Paul. "Did Anyone See the Original? Direct-to-DVD Horror Sequels to Movies that Didn't Fly." CS 16.4 (2009): 48-53.

371. Everett, Wendy. "Lost in Transition? The European Road Movie, or a Genre 'adrift in the cosmos." LFQ 37.3 (2009): 165-75.

372. Gates, Philippa. "The Maritorius Melodrama: Film Noir with a Female Detective." JFV 61.3 (2009): 24-39.

373. Greven, David. "Cyborg Masochism, Homo-Fascism: Rereading Terminator 2." PC 20.1 (2009): np.

374. Harvey, Sophia Siddique. "Mapping Cyborg Bodies, Shifting Identifies, and National Anxieties in Cyber Wars." JCC 3.1 (2009): 49-62.

375. Jackson, Kevin. "The Vampire Next Door." SS 19.11 (2009): 40-42, 44. On Modern vampire films.

376. Jorgensen, Darren. "States of Weightlessness: Cosmonauts in Film and Television." SFFTV 2.2 (2009): 205-24.

377. Kendrick, James. "Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film." FCr 33.3 (2009): 17-33.

378. Kermode, Mark. "It Is What It's Not." SS 19.5 (2009): 34-36. Examines's Tomas Alfredson's Let the Right One In.

379. Leeder, Murray. "Forget Peter Vincent: Nostalgia, Self-Reflexivity, and the Genre Past in Fright Night." JPFT 36.4 (2009): 190-99.

380. Lowenstein, Adam. "Ghosts in a Super Flat Global Village: Globalization, Surrealism, and Contemporary Japanese Horror Films." PS 28.2 (2009): 59-71.

381. MacCurdy, Carol A. "Masculinity in 3:10 to Yuma." QRFV 26.4 (2009): 280-92.

382. Malecki, Wojciech. "Borat, or Pessimism: On the Paradoxes of Multiculturalism and the Ethics of Laughter." PS 28.3 (2009): 123-33.

383. Marshall, Kelli. "Something's Gotta Give and the Classic Screwball Comedy." JPFT 37.1 (2009): 9-15.

384. McCroy, Jay, and Guy Crucianelli. "'I Panic the World': Benevolent Exploitation in Tod Browning's Freaks and Harmony Korine's Gummo." JPC 42.2 (2009): 257-72.

385. McKee, Alison. "What's Love Got to Do with It?: History and Melodrama in the 1940s Woman's Film." F&H 39.2 (2009): 6-15.

386. Miller, Cynthia J. "At Play in the Fields of the Truth." PS 28.3 (2009): 3-8. An overview of the mockumentary genre.

387. Nama, Adilifu. "R is for Race, not Rocket: Black Representation in American Science Fiction Cinema." QRFV 26.2 (2009): 155-66.

388. Newman, Kim. "Give 'Em Enough Rope." SS 19.8 (2009): 22-23. On the Sacha Baron Cohen comedy Bruno.

389.--. "Horror Will Eat Itself." SS 19.5 (2009): 36-38. On recent horror films.

390. Riley, Brendan. "From Sherlock to Angel: The Twenty-First Century Detective." JPC 42.5 (2009): 908-22.

391. Server, Lee. "Bad Company." SS 19.8 (2009): 28-31. Looks at the lasting influence of the gangster movie.

392. Sharrett, Christopher. "The Problem of Saw: 'Torture Porn' and the Conservatism of Contemporary Horror Films." Cin 35.1 (2009): 32-37.

393. Smith, Richard Harland. "The Battle Inside: Infection and the Modern Horror Film." Cin 35.1 (2009): 42-45.

394. Spohrer, Erika. "Not a Gay Cowboy Movie." JPFT 37.1 (2009): 26-33. Examines homosexual imagery in westerns.

395. Striphas, Ted. "Harry Potter and the Simulacrum: Contested Copies in an Age of Intellectual Property." CSMC 26.4 (2009): 295-311.

396. Toles, George. "The Gift of Amnesia in John Brahm's The Locket." Ft 7.6 (2009): 32-55.

397. Tompkins, Joseph. "What's the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror." CJ 49.1 (2009): 65-81.

398. Tsai, Peijen Beth. "Adapting Japanese Horror: The Ring." AC 20.2 (2009): 272-89.

399. Van der Vliet, Emma. "Naked Film: Stripping with The Idiots." PS 28.3 (2009): 14-30.

400. Vizzini, Bryan E. "Cold War Fears, Cold War Passions: Conservatives and Liberals Square Off in 1950s Science Fiction." QRFV 26.1 (2009): 28-39.

401. Wetmore, Kevin J., Jr. "Technoghosts and Culture Shocks: Sodocultural Shifts in American Remakes of J-Horror." PS 28.2 (2009): 72-81.

Also see the following entries: 1, 7, 67, 102, 107, 124, 134, 156, 165, 169, 195, 200, 217, 218, 222, 226, 282, 284, 291,298, 313, 486, 535, 626, 643, 644, 647, 659, 669, 675, 678, 682, 709, 727, 759, 767, 770, 773, 775, 783, 793, 797, 799, 802.

INDEPENDENT AND EXPERIMENTAL

402. Bois, Yve-Alain. "To Sing Beside." Oct 129 (2009): 133-42. Analysis of the short experimental works of Mark Wallinger.

403. Charbonneau, Stephen Michael. "Branching Out: Young Appalachian Selves, Autoethnographic Aesthetics, and the Founding of Appalshop." JPFT 37.3 (2009): 137-45.

404. Connor, J. D. "What Becomes of Things on Film on Film: Adaptation in Owen Land (George Landow)." Ad 2.2 (2009): 161-76.

405. Crowdus, Gary. "The Human Body as Political Weapon: An Interview with Steve McQueen." Cin 34.2 (2009): 22-25.

406. Fisher, Mark. "Encounter in the Third Dimension." SS 19.6 (2009): 12-13. Looks at Iain Forsyth and Jane Pollard's 3-D installation "Radio Mania: An Abandoned Work."

407. Goldsmith, Jeff, et al. "Sundance Film Festival Roundup." CS 16.2 (2009): 3040. Series of pieces on films premiering at the festival.

408. Gonzalez, Jesus Angel. "'Happy Accidents': An Interview with Paul Auster." LFQ 37.1 (2009): 18-27.

409.--. "Words Versus Images: Paul Auster's Films from Smoke to The Book of Illusions." LFQ 37.1 (2009): 28-48.

410. James, David E. "L.A.'s Hipster Cinema." FQ 63.1 (2009): 56-67. Examines

independent film production in California.

411. James, Nick. "Backing the Future." SS 19.7 (2009): 19-20, 22, 24. Examines the shock tactics of arthouse cinema at Cannes.

412. Newman, Michael Z. "Indie Culture: In Pursuit of the Authentic Autonomous Alternative." CJ 48.3 (2009): 16-34.

413. Pierson, Michele. "Avant-Garde ReEnactment: World Mirror Cinema, Decasia, and The Heart of the World." CJ 49.1 (2009): 1-19.

414. Rawle, Steven. "Hal Hartley and the Re-Presentation of Repetition." FCr 34.1 (2009): 58-75.

415. Rayns, Tony. "Inflammable Desires." SS 19.7 (2009): 32-36. On Kenneth Anger's "Magick Lantern Cycle."

416. Romney, Jonathan. "The Arthouse Diaspora." SS 19.7 (2009): 40-41, 43-44. Looks at independent filmmaker Thomas Clay.

417. Rosenbaum, Jonathan. "A Handful of World: The Films of Peter Thompson--An Introduction and Interview." FQ 63.1 (2009): 36-43.

418. Rothman, William. "Romance, Eroticism and the Camera's Gaze in Jean Genet's Un Chant d'amour." Ft 7.6 (2009): 56-64.

419. Solbrig, Heide. "Orphans No More: Definitions, Disciplines, and Institutions." JPFT 37.3 (2009): 98-105. On the rise in avant-garde filmmaking.

420. Tomonari, Noboru. "The Avant-Garde and Resident Korean Film-Making: Kim Sujin and the Shinjuku Ryozanpaku." JKC 1.1 (2009): 65-81.

421. Uhlin, Graig. "Sound and Speech in Andy Warhol's Films." QRFV 26.4 (2009): 322-38.

Also see the following entries: 24, 76, 115, 116, 135, 567.

INDUSTRY/EXHIBITION

422. Aveyard, Karina. "'Coming to a Cinema Near You?': Digitized Exhibition and Independent Cinemas in Australia." SAuC 3.2 (2009): 191-203.

423. Chert, Tina Mai. "International Film Circuits and Global Imaginaries in the People's Republic of China, 1949-57." JCC 3.2 (2009): 149-61.

424. Harvey, Alec, and Donald Wilson. "The Party's Over." FC 45.2 (2009): 57-61. On recent economic changes in the U.S. film industry.

425. Knight, Julia. "The 'Alternative' End of Marketing: Building Audiences for Artists'/Community Film and Video in Britain since 1980." HJFRTV 29.4 (2009): 449-65.

426. Krukones, James H. "The Unspooling of Artkino: Soviet Film Distribution in America, 1940-1975." HJFRTV 29.1 (2009): 91-112.

427. Lobato, Ramon. "The Politics of Digital Distribution: Exclusionary Structures in Online Cinema." SduC 3.2 (2009): 167-78.

428. Macnab, Geoffrey. "The Big Switch." SS 19.9 (2009): 46-47. On tensions between exhibitors and distributors over new exhibition technology.

429. Meir, Christopher. "The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema." HJFRTV 29.4 (2009): 467-81.

430. Paquet, Darcy. "Market Swings: Stock-Market Listings and the Korean Film Industry." JKC 1.1 (2009): 83-91.

431. Parmalee, Stephen. "Remembrance of Films Past: Film Posters on Film." HJFRTV 29.2 (2009): 181-95.

432. Schauer, Bradley. "Dimension Films and the Exploitation Tradition in Contemporary Hollywood." QRFV 26.5 (2009): 393-405.

433. Wang, Yiman. "Made in China, Sold in the United States, and Vice Versa--Transnational 'Chinese' Cinema Between Media Capitals." JCC 3.2 (2009): 163-76.

Also see the following entries: 2, 320, 322, 327, 331, 332, 337, 340, 347, 442, 449, 518, 520, 530, 534, 654.

INTERNATIONAL (includes Film Festivals)

434. Adeoti, Gbemisola. "Home Video Films and the Democratic Imperative in Contemporary Nigeria." JAfC 1.1 (2009): 35-56.

435. Andersen, Kara Lynn. "'My Stockings. Lip Them': Consuming Japan Through Film and Video Games." PS 28.2 (2009): 82-91.

436. Andrew, Dudley. "Interview with Jia Zhang-Ke." FQ 62.4 (2009): 80-83.

437. Anon. "The Great Escape." SS 19.7 (2009): 42-43. British directors Thomas Clay, Ben Hopkins, Andrew Kotting, and Sadik Ahmed discuss making films abroad.

438. Anon. "Little Voice." FC 45.5 (2009): 16-18. Examines the independent film industry in China.

439. Arslan, Sava. "The New Cinema of Turkey." NC 7.1 (2009): 83-97.

440. Aveyard, Karina. "Going Digital: Implications and Opportunities for Cinema in Australia and New Zealand." SAuC 3.2 (2009): 151-54.

441. Banerjee, Bidisha. "Traveling Bodies: Gender, Nationalism, and Diasporic Identity Formation in Gurinder Chadha's Bhaji on the Beach." AC 20.2 (2009): 18-38.

442. Bao, Weihong. "In Search of a 'Cinematic Esperanto': Exhibiting Wartime Chongqing Cinema in Global Context." JCC 3.2 (2009): 135-47.

443. Begin, Paul. "Regarding the Pain of Others: The Art of Realism in Iciar Bollain's Te doy mis ojos." SHC 6.1 (2009): 31-44.

444. Berghahn, Daniela. "From Turkish Greengrocer to Drag Queen: Reassessing Patriarchy in Recent Turkish-German Coming-of-Age Films." NC 7.1 (2009): 55-69.

445. Bhatia, Nandi. "Nautanki and Hindi Cinema: Changing Representations." JSAFM 1.1 (2009): 9-21.

446. Bingham, Adam. "Beyond Borders: A Brief Introduction to the Work of Fujiwara Toshi." AC 20.1 (2009): 155-65.

447.--. "Distant Voices, Still Lives: Love, Loss, and Longing in the Work of Makoto Shinkai." AC 20.2 (2009): 217-25.

448. Blum-Reid, Sylvie. "Away from Home? Two French Directors in Search of their Identity." QRFV 26.1 (2009): 1-9.

449. Bose, Nandana. "Between the Godfather and the Mafia: Situating Right-Wing Interventions in the Bombay Film Industry (1992-2002)." JSAFM 1.1 (2009): 23-43.

450. Botz-Bornstein, Thorsten. "Identity mid Otherness in the Films of Kim Kiduk." AC 20.2 (2009): 83-97.

451. Bren, Frank. "The Fabulous Adventures of Benjamin Brodsky: China's First Films--Really." AC 20.2 (2009): 1-17.

452. Brennan, Bernadette. "Travelling Towards Ourselves: Rights and Recognition in Clara Law's Letters to Ali." SAuC 3.1 (2009): 15-28.

453. Brooke, Michael. "The Weight of the World." SS 19.1 (2009): 54-55, 74. Looks at Hungarian director Bela Tarr's latest work.

454. Camino, Mercedes. "Blood of an Innocent: Montxo Armendariz's Silencio Roto (2001) and Guillermo del Toro's El laberinto del fauno (2006)." SHC 6.1 (2009): 45-64.

455. Cardullo, Bert. "The Cinema of Resistance: An Interview with Jean-Pierre and Luc Dardenne." Ft 7.5 (2009): 6-16.

456. Carleton, Gregory. "A Tale of Two Wars: Sex and Death in Ninth Company and Cargo 200." SRSC 3.2 (2009): 215-28.

457. Camiel, Jessica. "A Cultural Affair to Remember: Nostalgia, Whiteness and Migration in Love's' Brother." SAuC 3.1 (2009): 93-105.

458. Castro, Paul Melo. "'Circling the City in Fernando Lopes' Belarmino (1964)." SEC 6.2-3 (2009): 179-89.

459. Chain, Andrew. "Moving with the Times." FC 45.2 (2009): 40-43. Interview with Chinese director Jia Zhangke.

460. Chan, Kim Mui E. "Transformation of Visual Culture in Relation to the Spatial Experience of Postmodern Flaneurs: The Impact of MMORGs on Contemporary Chinese Cinema." JCC 3.1 (2009): 33-48.

461. Chi, Robert. "Exhibitionism: Lust, Caution." JCC 3.2 (2009): 177-87.

462. Chirol, Marie-Magdeleine. "Ruin and Renewal in Idrissa Ouedraogo's Yaaba.'" JAfC 1.2 (2009): 159-71.

463. Ciecko, Anne. "Simple Stories for a Complicated World: An Interview with Filmmaker Izidore Musallam." AC 20.2 (2009): 166-81.

464. Condee, Nancy. "Veronika Fuses Out: Rape and Medium Specificity in The Cranes are Flying." SRSC 3.2 (2009): 173-83.

465. Cooksey, Thomas L. "'The Man of the Day to Follow': Dani Kouyate's Keita! and the Living Epic." LFQ 37.4 (2009): 262-69.

466. Corless, Kieron. "Crossing the Threshold." SS 19.10 (2009): 28-31. Interview with Portuguese director Pedro Costa.

467.--. "In a Strange Land." SS 19.12 (2009): 28-30. Interview with filmmaker Sergey Dvortsevoy.

468. Cousins, Mark. "An Interview with Tian Zhuangzhuang." JCC 3.3 (2009): 249-58.

469. Crowdus, Gary. "Exposing the Dark Secrets of Italian Political History: An Interview with Paolo Sorrentino." Cin 34.3 (2009): 32-37.

470. Cubitt, Sean. "Database Economy and Transnational Cinema." SAuC 3.2 (2009): 155-66.

471. Cupolo, Marco. "Other Youths: Italian Cultural Changes through Pasolini, Giordana, Petraglia and Rulli." SEC 6.2-3 (2009): 127-40.

472. Dalziell, Tanya. "Gunpowder and Gardens: Reading Women in The Proposition." SAuC 3.1 (2009): 121-31.

473.--, Kieran Dolin, and Tony Hughes-d'Aeth. "Compulsory Screening: Border Protection, Migration and the Australian Screen." SAuC 3.1 (2009): 7-14.

474. Desser, David. "Triads and Changing Times: The National Allegory of Hong Kong Cinema, 1996-2000/' QRFV 26.3 (2009): 179-93.

475. Diestro-Dopido, Quintin and Mar. "The Second Story." SS 19.10 (2009): 31-33. On Portuguese filmmaker Pedro Costa's films.

476. Dolin, Kieran. "Law and Identity at the Fence." SAuC 3.1 (2009): 133-46.

477. Ebanda de B'beri, Boulou. "Transgeographical Practices of Marronage in Some African Films." CS 23.5-6 (2009): 810-30.

478. Efird, Robert. "Dreams, Mirrors and Subjective Filtration in Ivan's Childhood." SRSC 3.3 (2009): 289-308.

479. Elena, Alberto. "Dream of Light: Erice, Kiarostami and the History of Cinema." SHC 6.2 (2009): 99-110.

480. Erdogan, Nezih. "Star Director as Symptom: Reflections on the Reception of Fatih Akin in the Turkish Media." NC 7.1 (2009): 27-38.

481. Forrest, David. "Shane Meadows and the British New Wave: Britain's Hidden Art Cinema." SEC 6.2-3 (2009): 191-201.

482. Ganguly, Suranjan. "The Server and the Served: Food, Feeding, and Consumption in Adoor Gopalakrishnan's Kodiyettam." AC 20.1 (2009): 60-73.

483. Garcia, Alberto N. "Mirrors That Lie: The Reflection of Reality in Andalucia, un siglo de fascinacion." PS 28.3 (2009): 82-92.

484. Gardner, William. "The Cyber Sublime and the Virtual Mirror: Information and Media in the Works of Oshii Mamoru and Kon Satoshi." CJFS 18.1 (2009): 44-70.

485. Garibotto, Vernica, and Antonio Gomez. "Historical Stasis: Solanas and the Restoration of Political Film after the 2001 Argentine Crisis." SHC 6.2 (2009): 125-38.

486. Gennari, Daniela Treveri. "A Regional Charm: Italian Comedy versus Hollywood." Oct 128 (2009): 51-68.

487. Gerow, Aaron. "The Homelessness of Style and the Problems of Studying Miike Takashi." CJFS 18.1 (2009): 24-43.

488. Givskov, Cecelie. "Genre on Time: Fiction Film Framings of Scandalous Politics in Denmark Since 2001." NL 7 (2009): 153-72.

489. Gong, Haomin. "Commerce and the Critical Edge: Negotiating the Politics of Postsocialist Film, the Case of Feng Xiaogang." JCC 3.3 (2009): 193-214.

490.--. "Social Critiques and Sentimentalism: On Wang Xiaochuai's So Close to Paradise." AC 20.2 (2009): 182-92.

491. Goss, Brian Michael. "Rebel Yell: The Politics of The Celebration/Festen (1998)." SEC 6.2-3 (2009): 215-27.

492. Grandena, Florian. "Zooming In, Coming Out: Languages in Olivier Ducastel and Jacques Martineau's Ma vrai vie a Rouen/The True Story of My Life in Rouen (2003)." SFC 9.1 (2009): 75-86.

493. Hainge, Greg. "Airport Music: Muzak, 'non-lieux' and Film Sound in Stephanik's Stand-by and Lioret's Tombes du ciel." SFC 9.3 (2009): 201-14.

494. Hallam, Lindsay. "'100% Sadist': Violence is Sex in Takashi Miike's Ichi the Killer." AC 20.2 (2009): 206-16.

495. Halle, Randall. "Experiments in Turkish-German Filmmaking: Ayse Polat, Kutlug Ataman, Neco Celik, Aysun Bademsoy, and Kanak Attak." NC 7.1 (2009): 39-53.

496. Harold, Rahul. "A Filmmaker at the Barricades: The Cinematic and Political Evolution of Mohsen Makhmalbaf." Cin 34.4 (2009): 6-9.

497. Hansen, James. "Interview with Pedro Costa." FQ 63.2 (2009): 54-56.

498. Hassam, Andrew. "Melbourne, Indian Popular Cinema and the Marketing of 'An Enviable Cosmopolitan Lifestyle.'" JSAFM 1.1 (2009): 45-64.

499. Hicks, Jeremy. "Confronting the Holocaust: Mark Donskoi's The Unvanquished." SRSC 3.1 (2009): 33-51.

500. Higbee, Will. "Displaced Audio: Exploring Soundscapes in Maghrebi-French Film-Making." SFC 9.3 (2009): 225-41.

501. Hockenhull, Stella. "An Aesthetic Approach to Contemporary British Social Realism: London to Brighton." Ft 7.6 (2009): 65-75.

502. Hodgkins, John. "Not Fade Away: Adapting History and Trauma in Laszlo Krasznahorkai's The Melancholy of Resistance and Bela Tarr's Werckmeister Harmonies." Ad 2.1 (2009): 49-64.

503. Hofer, Stefanie. "'Memory Talk': Terrorism, Trauma, and Generational Struggle in Petzold's The State I am in and von Trotta's Marianne and Juliane." FCr 34.1 (2009): 36-57.

504. Hongyun, Sun. "Two Chinas? Joris Ivens' Yukong and Antonioni's China." SDF 3.1 (2009): 45-59.

505. Huang, Uing, and Kwang Woo Noh. "Cultural Proximity and Distance: The Reception of Korean Films in China Through the Lens of My Sassy Girl." AC 20.2 (2009): 193-205.

506. Hughes-d'Aeth, Tony. "Stowaways on Their Father's Ships: European Immigration and Australian Film." SAuC 3.1 (2009): 75-92.

507. Huijser, Hank. "The Aussie Battler Personified: Why Everyone Loves Kenny." PS 28.3 (2009): 58-67.

508. Isakava, Volha. "The Body in the Dark: Body, Sexuality and Trauma in Perestroika Cinema." SRSC 3.2 (2009): 210-14.

509. Johnson, Mariana. "Documenting Cuban Transnationalism: Our House in Havana, Cuban Roots/Bronx Stories, and 90 Miles." SHC 6.2 (2009): 153-66.

510. Johnson, Matthew D., and Paul G. Pickowicz. "Exhibiting Chinese Cinemas: Reconstructing Reception." JCC 3.2 (2009): 99-107.

511. Khan, Shahnaz. "Nationalism and Hindi Cinema: Narrative Strategies in Fanaa." ISAFM 1.1 (2009): 85-99.

512. Kim, Lee-Von. "Giving Spaces / Spaces of Giving: Accommodation in Floating Life." SAuC 3.1 (2009): 107-19.

513. Knee, Adam. "Film Festival Downsizing: A Tale of Two Southeast Asian Cities." AC 20.1 (2009): 219-25.

514. Knollmueller, Marit. "Death is a Dream: Placing Abre los ojos in a Spanish Tradition." SEC 6.2-3 (2009): 203-14.

515. Kraenzle, Christina. "At Home in the New Germany? Local Stories and Global Concerns in Yuksel Yavuz's Aprilkinder and Kleine Freiheit." GQ 82.1 (2009): 90-108.

516. La Trecchia, Patrizia. "Sites of Glocal Representations and Artistic Resistance: The Neapolitan Urban Imaginary in Antonio Capuano's Sacred Silence." SEC 6.1 (2009): 31-45.

517. Landman, Jane. "Borders of the National Family in King of the Coral Sea (1954)." SAuC 3.1 (2009): 61-73.

518. Lee, Daw-Ming. "A Preliminary Study of the Market for Documentaries in Taiwan." AC 20.2 (2009): 68-82.

519. Lee, Wood-hung, and Yomei Shaw. "Revisiting the Tale of Obasute in the Japanese Imagination." AC 20.1 (2009): 98-126.

520. Lequeret, Elisabeth. "Franconomics: French Cinema Goes to Market." FC 45.2 (2009): 19-20. On the current state of the French film industry.

521. Lessard, John. "Iron Curtain Auteurs." Cin 34.3 (2009): 5-11. On filmmaking in East Germany during the Cold War.

522. Lethier, Pierre, and Clara Laurent. "Marthe Richard vs. Mata Hari: The (De)mythologizing of a French Spy." SFC 9.1 (2009): 63-73.

523. Leung, Helen Hok-Sze, and Audrey Yue. "Introduction: Chinese Cinemas as New Media." JOCC 3.1 (2009): 5-13.

524. Levich, Jacob. "Shooting Star." FC 45.5 (2009): 60-64. Career overview on Bollywood's Guru Dutt.

525. Li, Chi. "The Other Face of Modernity in 1950s' Mainland Chinese Films." AC 20.2 (2009): 290-300.

526. Li, Jinying. "Clowns, Crimes, and Capital: Popular Crime-Comedies in PostCrisis Korea." Ft 7.2 (2009): 20-35.

527. Lieberman, Evan. "Mask and Masculinity: Culture, Modernity, and Gender Identity in the Mexican Lucha libre Films of El Santo." SHC 6.1 (2009): 3-17.

528. Lo, Kwai-Cheung. "Two Moments of Ethnic Representation in Tian Zhuangzhuang's Minority Films." JCC 3.3 (2009): 231-47.

529. Lopez-Vicua, Ignacio. "Raul Ruiz's Lost Chilean Film: Memory and Multiplicity in Palomita Blanca." SHC 6.2 (2009): 111-24.

530. Magor, Maggie, and Philip Schlesinger. "'For this relief much thanks': Taxation, Film Policy and the UK Government." Sc 50.3 (2009): 299-317.

531. Marchant, Steven. "Nothing Counts: Shot and Event in Werckmeister Harmonies." NC 7.2 (2009): 137-54.

532. Marr, Matthew J. "Representation and the Cultural Politics of Aging in Justino, un asesino de la tercera edad (La Cuadrilla, 1994)." SHC 6.2 (2009): 139-54.

533. Martin, Adrian. "A Cinema of Intimate Spectacle: The Poetics of Philippe Garrel." Cin 34.4 (2009): 37-41.

534. Martin, Daniel. "Another Week, Another Johnnie to Film: The Marketing and Distribution of Hong Kong Action Cinema." Ft 7.4 (2009): 30-39.

535.--. "Japan's Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring." CJ 48.3 (2009): 35-51.

536. Martin, James P. "Crossing Bridges/ Crossing Cultures: The Films of Fatih Akin." SAR74.2 (2009).

537. Mazierska, Ewa. "Polish Martial Law of 1981 Seen from Abroad." NC 7.3 (2009): 197-209.

538. McCann, Ben. "(Under)Scoring Poetic Realism--Maurice Jaubert and 1930s' French Cinema." SFC 9.1 (2009): 37-48.

539. McGraw, Andrew Clay. "Music and Meaning in the Independence-Era Malaysian Films of P. Ramlee." AC 20.1 (2009): 35-59.

540. McReynolds, Louise. "Demanding Men, Desiring Women and Social Collapse in the Films of Evgenii Bauer, 1913-17." SRSC 3.2 (2009): 145-56.

541. Mehta, Monika. "A Certification of Anomaly: The Self-Sacrificial Female Body in Bombay Cinema." JSAFM 1.1 (2009): 119-44.

542. Menne, Jeff, and Nicole Seymour. "'Show Yourself and Say What You Want': Mocking the Objective Claim in Cache." PS 28.3 (2009): 93-107. Reads this French film in the tradition of the mockumentary.

543. Merrill, Jason. "Gender and Nationality in Iurii Kuzin's The Ark." SRSC 3.3 (2009): 335-52.

544. Mhando, Martin. "Globalization and African Cinema: Distribution and Reception in the Anglophone Region." J AfC 1.1 (2009): 19-34.

545. Michaels, Paula A. "Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s." HJFRTV 29.3 (2009): 343-64.

546. Misiak, Anna. "Our Own Courtyard: Post-Traumatic Polish Cinema." NC 7.3 (2009): 237-56.

547. Miyao, Daisuke. "From Doppelganger to Monster: Kitano Takeshi's Takeshis." CJFS 18.1 (2009). 6-23.

548. M611er, Olaf. "All the Time in the World: Slovenia's Film-Scene Kingpin Vlado Skafar Goes with the Flow." FC 45.3 (2009): 12-15.

549.--. "Limit Experience." FC 45.5 (2009): 24-25. Examines the work of Singapore filmmaker Ho Tzu Nyen.

550.--. "Reconstruction Time." FC 45.1 (2009): 12-13. On Paolo Benvenuti's Puccini and tile Girl.

551. Morcom, Anna. "Bollywood, Tibet, and the Spatial and Temporal Dimensions of Global Modernity." JSAFM 1.1 (2009): 145-72.

552. Moss, Anne Eakin. "Stalin's Harem: The Spectator's Dilemma in Late 1930s Soviet Film." SRSC 3.2 (2009): 157-72.

553. Mushengyezi, Aaron. "Problematizing a 'Fundemantalist' Ideology: A Close Analysis of Atef Hetata's The Close Doors and Phil Mullaly's The Martyrs of Uganda." JAFC 1.2 (2009): 173-88.

554. Nicodemus, Katja. "Death Wish." FC 45.5 (2009): 54-59. Considers the fascination of the German cinema with the Red Army Faction.

555. Nie, Jing. "A Space of a Thousand Faces: Spatial Poetics in A Thousand Years of Good Prayers and The Princess of Nebraska." AC 20.2 (2009): 98-113.

556. Nkunzimana, Obed. "Beyond Colonial Stereotypes: Reflections on Postcolonial Cinema in the African Great Lakes Region." J AfC 1.1 (2009): 79-94.

557. Noh, Kwang Woo. "Compressed Transformation of Korean Film Industry from Old to New Regime." AC 20.1 (2009): 137-54.

558. Okada, Jun. "'Noble and Uplifting and Boring as Hell': Asian-American Film and Video, 1971-1982." CJ 49.1 (2009): 20-40.

559. Papaioannou, P. Julie. "From Orality to Visuality: The Question of Aesthetics in African Cinema." J AfC 1.2 (2009): 141-57.

560. Park, Nohchool. "The New Waves at the Margin: An Historical Overview of South Korean Cinema Movements, 1975-84." JKC 1.1 (2009): 45-63.

561. Pearson, Lyle. "Two Coming-Out Shorts Related to India." AC 20.2 (2009): 241-43.

562. Peatling, G. K. "Ordinary Relationships: 'Pro-Americans,' 'Anti-Americanism,' and 'Left-Wing Continentalism' in British Cinema and Culture." JPC 42.6 (2009): 1073-91.

563. Perks, Sarah. "Visible Secrets: Hong Kong's Women Film-Makers." Ft 7.4 (2009): 48-57.

564. Petty, Sheila. "The Rise of the African Musical: Postcolonial Disjunction in Karmen Gei and Madame Brouette." J AfC 1.1 (2009): 95-112.

565. Pomerance, Murray. "Baghdad Bad." Ft 7.5 (2009): 27-49.

566. Porton, Richard. "Inside 'The System.'" Cin 34.2 (2009): 12-15. Interview with filmmaker Matteo Garrone.

567. Pui-see, Teresa Kwong. "Age of Independents: New Hong Kong Film and Video." Ft 7.4 (2009): 40-47.

568. Pujol, Anton. "Ventura Pons's Barcelona: Trapped in the Crystal." SHC 6.1 (2009): 65-76.

569. Qian, Kun. "Love or Hate: The First Emperor on Screen--Three Movies on the Attempted Assassination of the First Emperor Qin Shihuang." AC 20.2 (2009): 39-67.

570. Quinlivan, Davina. "Material Hauntings: The Kinaesthesia of Sound in Innocence." SFC 9.3 (2009): 215-24.

571. Rhee, Jooyeon. "Arirang and the Making of a National Narrative in South and North Korea." JKC 1.1 (2009): 27-43.

572. Richie, Donald. "Imamura Revisited." FQ 63.1 (2009): 44-49. Reconsideration of his work.

573. Roddick, Nick. "Do We Know Where We're Going?" SS 19.10 (2009): 19-20. On Social Realism and Andrea Arnold's films

574. Romney, Jonathan. "Round and Round the Garden." SS 19.1 (2009): 46-50. On the career of director Otar Iosseliani.

575.--. "Rural Retreats." SS 19.2 (2009): 46-47, 49. Commentary on British producer/director Duane Hopkins' Better Things.

576.--. "Staying Alive." SS 19.5 (2009): 46-47, 80. Looks at Chilean director Pablo Larrain's latest work.

577.--, and Nick James. "Autumn Almanac: Venice and Toronto." SS 19.11 (2009): 26-30. Report on the 2009 Venice and Toronto film festivals.

578. Rosenbaum, Jonathan. "Sexism in the French New Wave." FQ 62.3 (2009): 16-18.

579. Rydzewska, Joanna. "Imagining Englishness: The Mapping of Identity in My Summer of Love." NC 7.2 (2009): 119-36.

580. Sanchez-Biosca, Vicente. "The Cinematic Image of Jose Antonio Primo de Rivera: Somewhere Between a Leader and a Saint." Sc 50.3 (2009): 318-33.

581. Sandberg, Claudia. "Far from Home? Functions of Escapism and Portrayal of the Tropics in La Habanera (1937)." SEC 6.1 (2009): 63-76.

582. Schmidt, Gary. "Between Authors and Agents: Gender and Affirmative Culture in Das Leben der Anderen." GQ 82.2 (2009): 231-49. On gender identity in recent German film.

583. Shah, Nishant. "Now Streaming on Your Nearest Screen: Contextualizing New Digital Cinema through Kuso." JCC 3.1 (2009): 15-31.

584. Shcherbenok, Andrey. "Russian / Soviet Screened Sexuality: An Introduction." SRSC 3.2 (2009): 135-44.

585. Shi, Xialing. "Song Liling and Cheng Dieyi: An Orientalized Asian and His Native Informant--Comparing M. Butterfly with Farewell My Concubine." AC 20.2 (2009): 226-40.

586. Shiau, Hong-Chi. "Spectatorships, Pleasures, and Social Uses of Cinema: A Tentative Study of the Reception of Cape No. 7." AC 20.1 (2009): 189-202.

587. Sim, Gerald. "Yasmin Ahmad's 'Orked' Trilogy." FQ 62.3 (2009): 48-53.

588. Skakov, Nariman. "The (Im)possible Translation of Nostalgia." SRSC 3.3 (2009): 309-33.

589. Smith, Paul Julian. "Film Culture in Madrid." FQ 62.4 (2009): 63-68.

590. Stefanson, Blandine. "Renewal in African Cinema: Genres and Aesthetics." J AfC 1.1 (2009): 9-18.

591.--. "Violence in Souleymane Cisse's Films: A Cultural Perspective." J AfC 1.2 (2009): 189-205.

592. Stokes, Lisa Odham. "Time with Terence Chang." AC 20.1 (2009): 127-36.

593. Strand, Dana. "Etre et parler: Being and Speaking French in Abdellatif Kechiche's L'Esquive (2004) and Laurent Cantet's Entre les tours (2008)." SFC 9.3 (2009): 259-72.

594. Strausz, Laszlo. "The Politics of Style in Miklos Jancso's The Red and the White and Tile Lord's Lantern in Budapest." FQ 62.3 (2009): 41-47.

595. Su, Chiaoning. "Beyond South of the Border: A Textual Analysis of the Taiwanese Blockbuster Cape No. 7." AC 20.1 (2009): 176-88.

596. Suner, Asuman. "Silenced Memories: Notes on Remembering in New Turkish Cinema." NC 7.1 (2009): 71-81.

597. Tchouaffe, Jean Olivier. "Reframing African Cinema and Democracy: The Case of Cameroon." J AfC 1.1 (2009): 57-77.

598. Teodoro, Jose. "On Earth as it is in Heaven." FC 45.1 (2009): 48-51. Examines the work of the Mexican producer/ director Carlos Reygadas.

599. Tepperman, Charles. "'Stolen from the Realm of Night': Modernity, Visual Culture and the Reception of Cinema in Ottawa." CJFS 18.2 (2009): 2-25.

600. Thompson, Currie. "From the Margins to the Margins: The Representation of Blacks in Classic Argentine Cinema." PS 29.1 (2009): 2-13.

601. Tumini, Angela. "A Landscape of Their Own: Space and Identity in Ozpetek's Hamam: The Turkish Bath and Julio Medem's Cows." Ft 7.5 (2009): 50-57.

602. Vanderschelden, Isabelle. "The "Cinema du milieu' is Falling Down: New Challenges for Auteur and Independent French Cinema in the 2000s." SFC 9.3 (2009): 243-57.

603. Vincendeau, Ginette. "The Rules of the Game." SS 19.3 (2009): 34-36. Looks at the recent French film The Class.

604. Wada-Marciano, Mitsuyo. "Capturing 'Authenticity': Digital Aesthetics in the Post-Studio Japanese Cinema." CJFS 18.1 (2009): 71-93.

605.--. "Ethnically Marked 'Heroes': From Rikidozan to Shunpei in Blood and Bones." PS 28.2 (2009): 101-11.

606. Wagner, Brigitta B. "New Paths for German Cinema." FQ 62.4 (2009): 69-71.

607. Wang, Sharon Chialan. "Cape No. 7 and Taiwan's National Consciousness." AC 20.2 (2009): 244-59.

608. Wang, Ying-bei. "Love Letters from the Colonizer: The Cultural Identity Issue in Cape No. 7." AC 20.2 (2009): 260-71.

609. West, Dennis. "I Make Cinema in Order to Breathe: An Interview with Mohsen Makhmalbaf." Cin 34.4 (2009): 10-15.

610. Whittaker, Tom. "Geograpies of Anxiety: Space, Modernization and Sexuality in Antxon Eceiza's El proximo otono/Next Autumn and De cuerpo presente/Present in Body." SEC 6.1 (2009): 7-16.

611. Williams, James S. "His Life to Film: The Extreme Art of Jacques Nolot." SFC 9.2 (2009): 177-90.

612. Williams, Linda Ruth. "Kids with Guns." SS 19.11 (2009): 36-38. Looks at Jean-Stephane Sauvaire's recent work.

613. Williams, Tony. "Battle Royale 2--Revenge: The Last Testament of Kinji Fukasaku." AC 20.2 (2009): 131-65.

614. Willis, Andy. "Hong Kong Cinema Since 1997: Troughs and Peaks." Ft 7.4 (2009): 6-18.

615. Wing-fai, Leung. "From Wah Dee to DEO: Andy Lau and Performing the Authentic Hong Kong Star." Ft 7.4 (2009): 19-29.

616. Yau Shuk-ting, Kinnia. "Psychological, Cultural, and Social Perspectives for Understanding the Representation of Women in Miike Takashi's Box." AC 20.1 (2009): 203-18.

617.--. "A Study of the Post-Handover Hong Kong Action Cinem a, 1997-2007." AC 20.2 (2009): 114-30.

618. Zajec, Spela. "Boosting the Image of a Nation: The Use of History in Contemporary Serbian Film." NL 7 (2009): 173-89.

619. Zhang, Ling. "Collecting the Ashes of Time: The Temporality and Materiality of Industrial Ruins in Wang Bing's West of the Tracks." AC 20.1 (2009): 16-34.

Also see the following entries: 2, 3, 19, 26, 28, 46, 47, 51, 69, 83, 84, 85, 86, 92, 103, 104, 110, 113, 114, 121, 129, 130, 132, 133, 134, 144, 149, 150, 151, 177, 185, 186, 187, 202, 209, 239, 242, 247, 256, 270, 271,273, 275, 298, 319, 320, 324, 330, 331,335, 337, 340, 341,342, 344, 346, 347, 348, 349, 351,353, 361,380, 398, 401,411, 420, 422, 423, 425, 426, 430, 433, 639, 676, 681, 684, 693, 760, 762, 763, 777, 796, 798.

PEDAGOGY

620. Andrew, Dudley. "The Core and the Flow of Film Studies." CI 35.4 (2009): 879-917.

621. Edwards, Emily. "Intercollegiate and Community Collaboration: Film Productions for Students and Community Volunteers." JFV 61.1 (2009): 51-61.

622. Hardin, Ted. "Notes on Collaboration: Assessing Student Behaviors." JFV 61.1 (2009): 31-50. Looks at student behavior in collaborative media production.

623. Kock, Gertrude. "Carnivore or Chameleon: The Fate of Cinema Studies." CI 35.4 (2009): 918-30.

624. Raw, Laurence. "Towards a Pedagogy for Teaching Adaptations." JAFP 2.3 (2009): 223-37.

SCREENWRITING

625. Bonsaver, Guido. "Prince of Darkness." SS 19.4 (2009): 42-44. Interview with screenwriter Paolo Sorrentino.

626. Clines, Peter. "Doubling Up." CS 16.3 (2009): 20-27. Several screenwriters talk about writing "summer movies."

627.--. "The Game's Afoot." CS 16.6 (2009): 30-35. Four screenwriters discuss their work on the new Sherlock Holmes.

628.--. "The Inside Man." CS 16.5 (2009): 20-24. Looks at the work of screenwriter Scott Z. Burns on the new Soderbergh film The Informant.

629.--. "It's Not All That Complicated." CS 16.6 (2009): 25-29. Writer/director Nancy Meyers talks about the script for her new film It's Complicated.

630.--. "No Time for Play." CS 16.2 (2009): 25-29. Screenwriters talk about creating the script for State of Play.

631. Collins, Stacey. "Making Money at Something Else While You Write." CS 16.3 (2009): 44-55.

632. DiMaggio, Madeline. "How to Write for Television: The Hooks that Sell." CS 16.1 (2009): 39-41.

633. Gabert, Shelley. "Know Your Show ... and Write It Like a Pro." CS 16.1 (2009): 42-50.

634. Goldsmith, Jeff. "Flying High." CS 16.6 (2009): 18-24. Examines the writing for Up in the Air.

635.--. "Still Slumming." CS 16.2 (2009): 41-44. On writing the hit Slumdog Millionaire.

636. Hankin, Kelly. "Adapting Lesbians: Maria Maggenti and the Practice of Lesbian Screenwriting." Ad 2.2 (2009): 110-24.

637. Ingle, Zachary. "'White Fear' and the Studio System: A Re-evaluation of Hansberry's Original Screenplay of A Raisin in the Sun." LFQ 37.3 (2009): 184-93.

638. James, Nick. "Bloody Yorkshire." SS 19.3 (2009): 30-33. Interview with screenwriter Tony Grisoni.

639. Kelkar, Supriya. "An American Writer in Bollywood." CS 16.4 (2009): 45-47.

640. Lichtenstein, Barney. "Top 10 Checklist: Is Your Script Reader-Ready?" CS 16.1 (2009): 51-61.

641. Maras, Steven. "In Search of 'Screenplay': Terminological Traces in the Library of Congress Catalog of Copyright Entries: Cumulative Series, 1912-20." FH 21.4 (2009): 346-58.

642. Munso, Danny. "Life After Death." CS 16.6 (2009): 36-39. Fran Walsh and Philippa Boyens discuss writing The Lovely Bones.

643.--. "Marriage Counselors." CS 16.5 (2009): 42-45. Looks at the writing of the comedy Couples Retreat.

644.--. "Truth Sayers." CS 16.5 (2009): 33-41. Discusses the work of Ricky Gervais and Matt Robinson on the comedy The Invention of Lying.

645. Rabinowitz, Ted. "Know Your Show." CS 16.6 (2009): 40-47. Offers guides to writing for such shows as True Blood and Burn Notice.

Also see the following entries: 31, 170, 229, 287, 316, 365, 668, 696.

SPECIAL TOPICS

646. Andreasen, Liana Vrajitoru. "Revenge of the Patriarchy: Is Big Love Big Enough?" QRFV 26.5 (2009): 406-14.

647. Arnett, Robert P. "Casino Royale and Franchise Remix: James Bond as Superhero." FCr 33.3 (2009): 1-16.

648. Bissonnette, Sylvie. "Cyborg Brain in Robert Lepage's Possible Worlds." Sc 50.4 (2009): 392-410. Examines the film's implications for film's depiction of multiple subjectivities.

649. Borda, Jennifer L. "Negotiating Politics in the Third Wave: Labor Struggle and Solidarity in Live Nude Girls Unite!" CQ 57.2 (2009): 117-35.

650. Briley, Ron. "The Legend of Sacco and Vanzetti: Keeping the Story Alive on the Political Left in Literature, Song, and Film." SPC 31.2 (2009): 101-22.

651. Brown, William. "Contemporary Mainstream Cinema is Good for You: Connections Between Surrealism and Today's Digital Blockbusters." SEC 6.1 (2009): 17-30.

652. Convents, Guido, and Tom Van Beeck.

"Documenting Catholic Media Activities All Over the World: The Signis, Ocic, and Unda Archives." t-tJFRTV29.1 (2009): 113-21.

653. Diffrient, David Scott. "Autobiography, Corporeality, Seriality: Nanni Moretti's Dear Diary as a Narrative Archipelago." JFV 61.4 (2009): 17-30.

654. Dwyer, Tessa, and Ioana Uricaru. "Slashings and Subtitles: Romanian Media Piracy, Censorship, and Translation." VLT 63 (2009): 45-57.

655. Erickson, Ruth. "The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe's The Third Memory." Fr 50.1-2 (2009): 107-24.

656. Evans, Alex. "How Homo Can Hollywood Be? Remaking Queer Authentic from To Wong Foo to Brokeback Mountain." JFV 61.4 (2009): 41-54.

657. Fojas, Camilla. "Sports of Spectatorship: Boxing Women of Color in Girlfight and Beyond." CJ 49.1 (2009): 103-15.

658. Gannon, Susanne. "Doing 'the Other' Over: Narrative Conservatism in Radical Popular Films." SAuC 3.1 (2009): 29-45.

659. Garland, Tony W. "'The Coldest Weapon of All': The Bond Girl Villain in James Bond Films." JPFT 37.4 (2009): 179-88.

660. Garry, John P., lie "The Possibility of Redemption: Strange Days and the Post-Revisionist Era." Ft 7.3 (2009): 36-49.

661. Goldner, Ellen J. "Screening Huck Finn in 1993: National Debts, Cultural Amnesia, and the Dismantling of the Civil Rights Agenda." LFQ 37.1 (2009): 5-17.

662. Golub, Adam. "They Turned a School into a Jungle! How The Blackboard Jungle Redefined the Educational Crisis in Postwar America." F&H 39.1 (2009): 21-30.

663. Greene, Liz. "Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema." Sound 2.1 (2009): 63-76.

664. Greven, David. "Contemporary Hollywood Masculinity and the Double-Protagonist Film." CJ 48.4 (2009): 22-43.

665. Grieveson, Lee. "On Governmentality and Screens." Sc 50.1 (2009): 180-87.

666. Heffelfinger, Elizabeth. "Home Town Story: General Motors, Marilyn Monroe, and the Production of Economic Citizenship." JPFT 37.3 (2009): 126-36.

667. Hjort, Mette. "Living with Diversity: What Difference Can Film-Making Make?" NL 7 (2009): 9-27.

668. Hodge, Carroll. "Film Collaboration and Creative Conflict." JFV 61.1 (2009): 18-30.

669. Holland, Mary. "Morality in a (TV) Box, or, 'I'm Not Your Fucking Mommy!': Lessons on Media and Mothering from The Ring and The Ring Two." JPC 42.4 (2009): 680-98.

670. Huston, Shaun. "Filming Postbourgeois Suburbia: Office Space and the New American Suburb." JPC 42.3 (2009): 497-514.

671. Jankowiak, Steve. "Cult Film and Politically Correct Remakes." Ft 7.3 (2009): 28-35.

672. Jenkins, Tricia. "Get Smart: A Look at the Current Relationship between Hollywood and the CIA." HJFRTV 29.2 (2009): 229-43.

673. Johae, Antony. "Reading Carnival into Notting Hill." LFQ 37.4 (2009): 270-82. A reading of the film in light of Bakhtin's notion of "carnival."

674. Johnson, Chue. "Seeing Blindness on Screen: The Cinematic Gaze of Blind Female Protagonists." JPC 42.3 (2009): 480-96.

675. Johnson, Kimberly R., and Bjarne M. Hohnes. "Contradictory Messages: A Content Analysis of Hollywood-Produced Romantic Comedy Feature Films." CQ 57.3 (2009): 352-73.

676. Kaganovsky, Lilya. "The Cultural Logic of Late Socialism." SRSC 3.2 (2009): 185-99. Examines the cinematic treatment of sexuality as a cultural symptom of late Soviet socialism.

677. Kaplan, E. Ann. "Women, Trauma, and Late Modernity: Sontag, Duras, and Silence in Cinema, 1960-1980." Fr 50.1-2 (2009): 158-74.

678. Lawrence, Novotny. "Fear of a Blaxploitation Monster: Blackness as Generic Revision in AIP's Blacula." Ft 7.3 (2009): 14-27.

679. Manghani, Sunil. "Making Metapictures Political: Public Screenings of the Fall of the Berlin Wall." NL 7 (2009): 113-31.

680. McMahon, Gary. "Magical Realism in New York." Ft 7.5 (2009): 17-26.

681.--. "Nostalgia over Berlin." Ft 7.3 (2009): 6-13.

682. Moddelmog, Debra A. "Can Romantic Comedy be Gay?: Hollywood Romance, Citizenship, and Same-Sex Marriage Panic." IPFT 36.4 (2009): 162-73.

683. Moore, Colin Hugh. "The Talkie Cure: Psychoanalysis and the Art of Noise." Mo42.1 (2009): 67-81. Examines how sound cinema functions in psychoanalytic terms.

684. Moscowitz, David. "'You Talkin' to Me?' Mediating Postmodern Blackface in La Haine." CSMC 26.1 (2009): 1-18.

685. Muntean, Nick. "'It Was Just Like a Movie.'" JPFT 37.2 (2009): 50-59. Looks at recent images of terrorism in film.

686. Nasson, Bill. "The Deal (2007): Gladstone, Disraeli and a South African Historian in the Court of Hollywood." HJFRTV 29.3 (2009): 365-79.

687. Orgeron, Marsha. "'You are Invited to Participate': Interactive Fandom in the Age of the Movie Magazine." JFV 61.3 (2009): 3-23.

688. Ostmeier, Dorothee. "Magic Realities Reconsidered: Ever After." Mo 42.4 (2009): 113-28.

689. Past, Elena. "Lives Aquatic: Mediterranean Cinema and an Ethics of Underwater Existence." CJ 48.3 (2009): 52-65.

690. Pellegrini, Ann. "The Dogs of War and the Dogs at Home: Thresholds of Loss." AI 66.2 (2009): 231-51. Looks at the importance of the dog's image in film.

691. Petersen, Anne Helen. "Their Words, Our Story: Freedom Writers as Scenario of Pedagogical Reform." F&H 39.1 (2009): 31-43.

692. Phillips, Kristen. "Domesticating Refugees: The Border-Crossing Other in Marking Time." SAuC 3.1 (2009): 47-59.

693. Porton, Richard. "Reframing Anti-Semitism: An Interview with Yoav Shamir." Cin 35.1 (2009): 50-54.

694. Robison, Lori. "Bodies, Southern Nostalgia, and the Construction of Whiteness in Divine Secrets of the Ya-Ya Sisterhood." JPC 42.6 (2009): 1115-33.

695. Rooks, Amanda Kane. "Sexual Consciousness and the 'New' Lady Chatterly." FCr 33.3 (2009): 34-49.

696. Sabal, Rob. "The Individual in Collaborative Media Production." JFV 61.1 (2009): 6-17.

697. Sarlin, Paige. "New Left-Wing Melancholy: Mark Tribe's The Port Huron Project and the Politics of Reenactment." Fr 50.1-2 (2009): 139-57.

698. Scott, lan. "Filming Los Angeles: History, Hollywood, and the City's Disastrous Imagination." LFQ 37.3 (2009): 201-11.

699. Sennett, Alan. "Play It Again, Uncle Sam." JPFT 37.1 (2009): 2-8. On propaganda in American World War II films.

700. Sexton, Jared. "The Ruse of Engagement: Black Masculinity and the Cinema of Policing." AQ 61.1 (2009): 39-63. On contemporary images of black Americans in film.

701. Shouse, Roger C. "Beyond Legend: Stand and Deliver as a Study in School Organizational Culture." F&H 39.1 (2009): 45-52.

702. Simpson, Mark. "Attackability." CRAS 39.3 (2009): 299-319. On images of war in recent film.

703. Smith, Jillian. "Tolerating the Intolerable, Enduring the Unendurable: Representing the Accident in Driver's Education Films." PC 20.1 (2009): np.

704. Sonnet, Esther. "Evelyn Piper's Bunny Lake is Missing (1957): Adaptation, Feminism, and the Politics of the 'Progressive Text.'" Ad 2.1 (2009): 65-86.

705. Stanitzek, Georg. "Reading the Title Sequence." CJ 48.4 (2009): 44-58.

706. Stewart, Garrett. "Digital Fatigue: Imaging War in Recent American Film." FQ 62.4 (2009): 45-55.

707. Sullivan, Daniel, Jeff Greenberg, and Mark J. Landau. "Toward a New Understanding of Two Films from the Dark Side: Utilizing Terror Management Theory to Analyze Rosemary's Baby and Straw Dogs." JPFT 37.4 (2009): 189-98.

708. Supanick, Jim. "Last Year at Mansfield: William E. Jones's Tearoom." Ft 7.1 (2009): 12-15.

709. Tyree, J. M. "American Heroes." FQ 62.3 (2009): 28-34. Looks at the recent spate of superhero filins.

710. Weaver, Heather. "Beyond Apples and Ice Cream: The Teacher-Student Relationship as Cinematic Romance, 19091939." F&H 39.1 (2009): 9-20.

711. Wheeler, Duncan. "The Representation of Domestic Violence in Popular English-Language Cinema." NC 7.2 (2009): 155-75.

712. Williams, Michael. "The Idol Body: Stars, Statuary and the Classical Epic." F&H 39.2 (2009): 39-48. On the relationship between the male star's body and classical figures, as interpreted by studio production designers.

713. Williams, R. John. "Global English Ideography and the Dissolve Translation in Hollywood Film." CC 72 (2009): 89-136.

714. Williams, Tony. "Beyond Fuller and M.A.S.H.: Korean War Representations in Film, Genre, and Comic Strip." AC 20.1 (2009): 1-15.

715. Wright, Geoffrey A. "The Desert of Experience: Jarhead and the Geography of the Persian Gulf War." PMLA 124.5 (2009): 1677-89.

Also see the following entries: 63, 227, 248, 310, 376, 472, 477, 499, 508, 522, 578, 584, 600, 742, 769, 771, 775, 801,803.

TECHNICAL (includes Special Effects)

716. Acland, Charles R. "Curtains, Carts and the Mobile Screen." Sc 50.1 (2009): 148-66.

717. Anon. "The Art and Craft of Film Editing." Cin 34.2 (2009): 54-64. Roundtable discussion on the state of film editing.

718. Askari, Kaveh. "Early 16ram Colour by a Career Amateur." FH 21.2 (2009): 150-63.

719. Clarke, Roger. "Cinematography: Talking Shop." SS 19.4 (2009): 19-24. Panel discussion featuring 13 international cinematographers

720. Dana, Jorge, and Niki Kolaitis. "Colour by Stencil: Germaine Berger and Pathecolor." FH 21.2 (2009): 180-83.

721. Dancyger, Kenneth. "Editing for Subtext: Altering the Meaning of the Narrative." Cin 34.2 (2009): 38-42.

722. Deshays, Daniel. "Staging Sound: A Matter of Dissociation." Sound 2.1 (2009): 57-62.

723. Hanssen, Tina Rigby. "The Omnipresent Soundscape of Drones: Reflections on Bill Viola's Sound Design in Five Angels for the Millennium." Sound 2.2 (2009): 127-41.

724. Lobrutto, Vincent. "'Invisible' or 'Visible' Editing: The Development of Editorial Styles and Strategies." Cin 34.2 (2009): 43-47.

725. Manolos, Christos, and Sandra Pauletto. "Enlarging the Diegetic Space: Uses of the Multi-Channel Soundtrack in Cinematic Narrative." Sound 2.1 (2009): 39-55.

726. Oldham, Gabriella. "Cutting Remarks on W." Cin 34.2 (2009): 33-37.

727. Pearlman, Karen. "Cutting Rhythms in Chicago and Cabaret." Cin 34.2 (2009): 28-32.

728. Pink, Matthew. "Electronic Realities and Identity Fugue in Chris Petit's Radio On." Sound 2.2 (2009): 143-52.

729. Ruedel, Ulrich. "The Technicolor Notebooks at the George Eastman House." FH 21.1 (2009): 47-60.

730. Salmon, Stephanie. "Tinting and Toning at Pathe: The Jacques Mayer Notebook." FH 21.2 (2009): 177-79.

731. Salt, Barry. "Cinematography: A Very Brief History of Cinematography." SS 19.4 (2009): 24, 26.

732. Sebok, Bryan. "Convergent Consortia: Format Battles in High Definition." VLT 64 (2009): 34-49. Looks at battle over high definition recording formats.

733. Thom, Randy. "On Sound Designing: Cast Away." Sound 2.1 (2009): 19-21.

734. Toop, David. "Cold World: The Deathly Void of Sound." Sound 2.2 (2009): 87-97.

735. Walters, Ben. "The Great Leap Forward." SS 19.3 (2009): 38-43. New possibilities in digital production and exhibition.

736. Westerkamp, Hildegard. "School of Sound Symposium, London, 2009: Keynote Lecture." Sound 2.2 (2009): 111-26.

Also see the following entries: 36, 72,160, 206, 230, 325, 339, 343, 348, 353, 440, 570.

THEORY

737. Balsom, Erika. "A Cinema in the Gallery, a Cinema in Ruins." Sc 50.4 (2009): 411-27. Examines a contemporary fetishization of the materiality of cinema.

738. Beugnet, Martine, and Elizabeth Ezra. "A Portrait of the Twenty-first Century." Sc 50.1 (2009): 77-85. A reappraisal of film theory's abstract tendencies by focusing on a recent documentary.

739. Caldwell, John T. "Screen Studies and Industrial 'Theorizing.'" Sc 50.1 (2009): 167-79.

740. Casetti, Francesco. "Filmic Experience." Sc 50.1 (2009): 56-66.

741. Ellis, John. "What are We Expected to Feel? Witness, Textuality and the Audiovisual." Sc 50.1 (2009): 67-76.

742. Elsaesser, Thomas. "Freud as Media Theorist: Mystic Writing-pads and the Matter of Memory." Sc 50.1 (2009): 100-13.

743. Geuens, Jean-Pierre. "Georg Lukacs and Contemporary Film Praxis." QRFV 26.3 (2009): 216-25.

744. Hudson, Dale, and Patricia R. Zimmermann. "Cinephilia, Technophilia and Collaborative Remix Zones." Sc 50.1 (2009): 135-46.

745. Kim, Ji-hoon. "The Post-Medium Condition and the Explosion of Cinema." Sc 50.1 (2009): 114-23.

746. Koch, Gertrud. "Uneasy Pleasing: Film as Mass Art." NGC 108 (2009): 73-83. Draws from Adorno and Deleuze a theory of film's reflexive function.

747. Lapsley, Rob. "Cinema, the Impossible, and a Psychoanalysis to Come." Sc 50.1 (2009): 14-24.

748. Lebeau, Vicky. "The Arts of Looking: D. W. Winnicott and Michael Haneke." Sc 50.1 (2009): 35-44.

749. Marks, Laura U. "Information, Secrets and Enigmas: An Enfolding-Unfolding Aesthetics for Cinema." Sc 50.1 (2009): 86-98.

750. Nakassis, Constantine V. "Theorizing Film Realism Empirically." NC 7.3 (2009): 211-35.

751. Nayar, Sheila J. "Epistemic Capital: The Etiology of an 'Elitist' Film Canon's Aesthetic Criteria." PS 29.1 (2009): 27-44.

752. Petit, Chris. "Interiors." FC 45.3 (2009): 52-59. Proposes the concept of postcinema to account for the exhaustion of the filmmaking impulse in American cinema.

753. Ross, Alison. "The Aesthetic Fable: Cinema in Jacques Ranciere's 'Aesthetic Politics.'" Sub 38.1 (2009): 128-50.

754. Rushton, Richard. "Deleuzian Spectatorship." Sc 50.1 (2009): 45-53.

755. Smutts, Aaron. "Film as Philosophy: In Defense of a Bold Thesis." JAAC 67.4 (2009): 409-20.

756. Soukup, Charles. "Techno-Scopophilia: The Semiotics of Technological Pleasure in Film." CSMC 26.1 (2009): 19-35.

Also see the following entries: 27, 40, 60, 716, 725.

VIDEO

757. Abate, Michelle Ann. "Taking Silliness Seriously: Jim Henson's The Muppet Show, the Anglo-American Tradition of Nonsense, and Cultural Critique." JPC 42.4 (2009): 589-613.

758. Bellman, Steven, Anika Schweda, and Duane Varan. "Viewing Angle Matters--Screen Type Does Not." JoC 59.3 (2009): 609-34. On television advertising effectiveness.

759. Bishop, Kyle. "Technophobia and the Cyborg Menace: Buffy Summers as Neo-Human Avatar." JFA 19.3 (2008): 349-62.

760. Bjork, Ulf Jonas. "'It's Better to Steal the Idea': Swedish Television Copies Programs from America, 1957-1969." HJFRTV 29.2 (2009): 219-27.

761. Carreno-Rodriguez, Antonio. "Costella + Panza = Costanza." JPFT 37.2 (2009): 80-89. Looks at the comic construction of character in Seinfeld.

762. Chapman, James. "Not 'Another Bloody Cop Show': Life on Mars and British Television Drama." Ft 7.2 (2009): 6-19.

763. Cobley, Paul. "'It's a Fine Line Between Safety and Terror': Crime and Anxiety Re-drawn in Spool's." Ft 7.2 (2009): 3645.

764. Colletta, Lisa. "Political Satire and Postmodern Irony in the Age of Stephen Colbert and Jon Stewart." JPC 42.5 (2009): 856-74.

765. Conway, Kyle. "Public Service Broadcasting and the Failure of Political Representation." VLT 64 (2009): 64-75.

766. Cooke, Lez. "Three Ring Circus: The Ur-Text of Modernist Television Drama." Sc 50.4 (2009): 428-38.

767. Crarmy-Francis, Anne. "Why the Cybermen Stomp: Sound in the New Doctor Who." Mo 42.2 (2009): 119-34.

768. Dean-Ruzicka, Rachel. "Vengeance, Healing and Justice: Post 9/11 Culture Through the Lens of CSI." QRFV 26.2 (2009): 118-30.

769. Hastie, Amelie. "TV on the Brain." Sc 50.2 (2009): 216-32. Examines televisual representations of the process of perception.

770. Hill, Matthew B. "'! am a Leaf on the Wind': Cultural Trauma and Mobility in Joss Whedon's Firefly." Ex 50.3 (2009): 484-511.

771. Holbrook, Alice, and Amy E. Singer. "When Bad Girls Go Good." JPFT 37.1 (2009): 34-43. On recent female character types on television.

772. Jenkins, Tricia. "The Suburban Spy and the Rise of the New Right: Negotiating Gender Politics in Scarecrow and Mrs. King." JPFT 36.4 (2009): 200-08.

773. Johnston, Derek. "Experimental Moments: R.U.R. and the Birth of British Television Science Fiction." SFFTV 2.2 (2009): 251-68.

774. Kerr, Paul. "The Last Slave (2007): The Genealogy of a British Television History Programme." HJFRTV 29.3 (2009): 381-97.

775. Kerry, Stephen. "'There's Genderqueers on the Starboard Bow': The Pregnant Male in Star Trek." ]PC 42.4 (2009): 699-714.

776. Kocela, Christopher. "Cynics Encouraged to Apply: The Office as Reality Viewer Training." JPFT 37.4 (2009): 150-60.

777. Kraidy, Marwan. "Reality Television, Gender, and Authenticity in Saudi Arabia." JoC 59.2 (2009): 345-66.

778. Lavigne, Carlen. "Death Wore Black Chiffon: Sex and Gender in CSI." CRAS 39.4 (2009): 383-98.

779. Lindgren, Simon, and Maxime Lelievre. "In the Laboratory of Masculinity: Renegotiating Gender Subjectivities in MTV's Jackass." CSMC 26.5 (2009): 393-410.

780. Louttit, Chris. "Cranford, Popular Culture, and the Politics of Adapting the Victorian Novel for Television." Ad 2.1 (2009): 34-48.

781. Manis, Shelley. '"These are [Our] Stories': Engaging Cultural Debate and Performing Contradictions in Law & Order." QRFV 26.3 (2009): 194-205.

782. Marriott, Stephanie. "The Audience of One: Adult Chat Television and the Architecture of Participation." Sc 50.1 (2009): 25-34.

783. McCutcheon, Mark A. "Downloading Doppelgangers: New Media Anxieties and Transnational Ironies in Battlestar Galactica." SFFTV 2.1 (2009): 1-24.

784. Meyers, Oren, Eyal Zandberg, and Motti Neiger. "Prime Time Commemoration: An Analysis of Television Broadcasts on Israel's Memorial Day for the Holocaust and Heroism." JoC 59.3 (2009): 456-80.

785. Palmer-Mehta, Valerie. "Men Behaving Badly: Mediocre Masculinity and The Man Show." JPC 42.6 (2009): 1053-72.

786. Park, Ji Hoon. "The Uncomfortable Encounter Between an Urban Black and a Rural White: The Ideological Implications of Racial Conflict on MTV's The Real World." JoC 59.1 (2009): 152-71.

787. Petersen, Jennifer. "Media as Sentimental Education: The Political Lessons of HBO's The Laramie Project and PBS's Two Towns of Jasper." CSMC 26.3 (2009): 255-74.

788. Piper, Helen. "'How long since you were last alive?' Fitz and Tennison Ten Years on." Sc 50.2 (2009): 233-50. Looks at spectatorial positioning in two recent British series.

789. Raw, Laurence. "Form and Function in the 1950s Anthology Series." JPFT 37.2 (2009): 90-96.

790. Reed, Jennifer. "Lesbian Television Personalities--A Queer New Subject." JAC 32.4 (2009): 307-17.

791.--. "Reading Gender Politics on The L Word: The Moira/Max Transitions." JPFT 37.4 (2009): 169-78.

792. Robinson, Piers, Peter Goddard, Katy Parry, and Craig Murray. "Testing Models of Media Performance in Wartime: U.K. TV News and the 2003 Invasion of Iraq." JoC 59.3 (2009): 534-63.

793. Selznick, Barbara. "Branding the Future: Syfy in the Post-Network Era." SFFTV 2.2 (2009): 177-204.

794. Skews, Elizabeth A. "Presidential Candidates and the Press on The West Wing and in the Real World." QRFV 26.2 (2009): 131-42.

795. Swenson, Rebecca. "Domestic Divo? Televised Treatments of Masculinity, Femininity, and Food." CSMC 26.1 (2009): 36-53.

796. Sydney-Smith, Susan. "Buddies, Bitches, Broads: The British Female Cop Show." Ft 7.2 (2009): 46-59.

797. Takacs, Stacy. "Monsters, Monsters Everywhere: Spooky TV and the Politics of Fear in Post-9/11 America." SFS 36.1 (2009): 1-20. This essay looks at a variety of alien invasion series in the wake of 9/11.

798. Tapper, Michael. "'More than ABBA and Skinny-Dipping in Mountain Lakes': Swedish Dystopia, Henning Mankell and the British Wallander Series." Ft 7.2 (2009): 60-69.

799. Tibbetts, John. "The Watchers: Tales of Tomorrow on Television." JFA 19.3 (2008): 379-98.

800. Tinker, Emma. "Talking Cookie Jars and Tongue-Tied Bodies: Posthumanism and The Office." JPC 42.4 (2009): 756-72.

801. Tropiano, Stephen. "Playing It Straight." JPFT 37.2 (2009): 60-69. On the portrayal of sexual orientation in recent television series.

802. Tryon, Chuck. "Video from the Void: Video Spectatorship, Domestic Film Cultures, and Contemporary Horror Film." JFV 61.3 (2009): 40-51.

803. Zhang, Yuanyuan, Travis L. Dixon, and Kate Conrad. "Rap Music Videos and African American Women's Body Image: The Moderating Role of Ethnic Identity." JoC 59.2 (2009): 262-78.

Also see the following entries: 21, 23, 39, 43, 139, 277, 283, 286, 291, 376, 390, 567, 632, 645, 741.

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Author:Telotte, J.P.
Publication:Post Script
Article Type:Bibliography
Geographic Code:1USA
Date:Sep 22, 2010
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