Printer Friendly

"Piero Manzoni: when bodies became art".

STADEL MUSEUM * June 26-September 22 * Curated by Marlin Engler * Can the radical nature of Piero Manzoni's work be appreciated in a museum retrospective mounted fifty years after his death? What power do his cans of "Artist's Shit" still wield now that they no longer shock? Aiming to refocus our attention on the moment "when bodies become art," curator Martin Engler posits that Manzoni's primary target was the mythologization and commodification of the human body in postwar gestural abstraction. This exhibition brings together some 120 works--including Manzoni's Day-Glo polystyrene monochromes, as well as documentation of the people he signed and then titled "Living Sculptures"--by the Italian artist and others. Connections both to the historical and to Conceptual art will emphasize the late artist's use of diverse strategies, from travesty to debasement and humor, to savagely critique the body's reification in art. Travels to the Palazzo Reale, Milan, Oct. 2013-Jan. 2014.
COPYRIGHT 2013 Artforum International Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2013 Gale, Cengage Learning. All rights reserved.

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:FRANKFURT
Author:White, Anthony
Publication:Artforum International
Article Type:Brief article
Geographic Code:4EUGE
Date:May 1, 2013
Words:150
Previous Article:Philip-Lorca diCorcia.
Next Article:"For the time being".
Topics:

Terms of use | Privacy policy | Copyright © 2019 Farlex, Inc. | Feedback | For webmasters