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Dance Magazine:
Jerrom Herman: Disabled dancer.

When you return to a piece of choreography after a while, whether rehearsing for another performance or simply reminiscing with old company friends, it's a kind of performer time-travel. The muscle memory is potent. You are pulled back to the stage with the emotions and knowledge and language you had then; you feel the heat of the downstage light. In the present you are connected to the past and your body lies in between, understanding both what you did then and who you are now. I think this...

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