<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>Library and information science</title><description>Resent articles in &quot;Library and information science&quot; available at The Free Library</description><link>http://www.thefreelibrary.com</link><language>en-us</language><copyright>Farlex, Inc.</copyright><lastBuildDate>Wed, 16 May 2012 12:20:12 GMT</lastBuildDate><ttl>360</ttl><image><title>Free Online Library</title><link>http://www.thefreelibrary.com</link><url>http://www.thefreelibrary.com/_/static/TFLbyFarlex.gif</url><width>175</width><height>65</height></image><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Headless ACE.&quot;</title><link>http://www.thefreelibrary.com/Headless+ACE.-a0289121247</link><description><![CDATA[<BR><BR> In a manoeuvre more arm lock than arm's length, culture secretary Jeremy Hunt has effectively sacked chair of Arts Council England&nbsp;Liz Forgan, asking her to step down when her four-year term ends in January. This was an unexpected move by Hunt considering that ACE is in the middle of a seismic restructuring following chancellor George Osborne's insistence that it cut its operating...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Smear tax.&quot;</title><link>http://www.thefreelibrary.com/Smear+tax.-a0289121248</link><description><![CDATA[<BR><BR> Jeremy Hunt's grandiose 'endowments century' (Artnotes AM349), the central strategy in his vision for the arts to rely more upon private funding, is in danger of eclipse thanks to chancellor George Osborne's recent budget. The contradictory actions of these two Tory cabinet members have arisen because the Treasury has been faced with a problem of Europe's making: rules which ensure that...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Disarm the gallery.&quot;</title><link>http://www.thefreelibrary.com/Disarm+the+gallery.-a0289121249</link><description><![CDATA[<BR><BR> Campaign Against Arms Trade&nbsp;(CAAT) continued its pressure on the National Gallery with another day of protest at the end of March. Following its Trafalgar Square&nbsp;die-in last September when the gallery hosted a corporate dinner for attendees of the DSEi arms fair in London's Docklands (Artnotes AM350), a group of protestors arrived in the square with berets, palettes and easels...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Galleries.&quot;</title><link>http://www.thefreelibrary.com/Galleries.-a0289121250</link><description><![CDATA[<BR><BR> The Photographers' Gallery will reopen in Soho, central London&nbsp;on 19 May following its 18-month, [pounds sterling]8.9m transformation. Irish architects O'Donnell and Tuomey have added two new floors to the building and reconfigured its internal layout. The venue now boasts double its previous exhibition space, a whole floor dedicated to education and, of course, its popular bookshop...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Survivors.&quot;</title><link>http://www.thefreelibrary.com/Survivors.-a0289121251</link><description><![CDATA[<BR><BR> Last year Arts Council England&nbsp;revealed that 110 organisations would receive regular ACE funding for the first time as part of its new National Portfolio funding scheme, but that a further 206 of its Regularly Funded Organisations would no longer receive regular support as its RFO&nbsp;scheme closed. One year on, and as the new regime finally kicked in last month for the 2012-13...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Battle of Berlin.&quot;</title><link>http://www.thefreelibrary.com/Battle+of+Berlin.-a0289121252</link><description><![CDATA[<BR><BR> The gentrification&nbsp;of Berlin is hitting resistance. The iconic Tacheles building, the former supermarket that became artists' studios after the fall of the Berlin Wall, has been purchased by an investor who is busy trying to clear its occupants prior to redevelopment, an action that has led to protestors barricading themselves inside the building. Supplies for the occupiers are...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Impermanent collection.&quot;</title><link>http://www.thefreelibrary.com/Impermanent+collection.-a0289121253</link><description><![CDATA[<BR><BR> The Jerwood Foundation&nbsp;has chosen to auction 18 monumental works from its Jerwood Sculpture Collection which have, in recent years, stood in the grounds of Ragley Hall&nbsp;in Warwickshire. Colin Gleadell, AM's Salerooms columnist, pointed out in the Telegraph that Jerwood was initially keen for the works to be on view more often than Ragley Hall's limited weekend-and-holidays...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Events.&quot;</title><link>http://www.thefreelibrary.com/Events.-a0289121254</link><description><![CDATA[<BR><BR> Culture24's annual Museums at Night returns this month, taking place over the weekend of 18 May. While many of the 200 events are more broadly heritage events--numerous museums are being lit by gas and candlelight as they open late--there are number of contemporary art events, notably those resulting from the Connect 10 competition in which venues bid to win a visit from one of ten...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Prizes.&quot;</title><link>http://www.thefreelibrary.com/Prizes.-a0289121256</link><description><![CDATA[<BR><BR> The inaugural Jerwood/Film and Video Umbrella Award has been announced, with Ed Atkins and Naheed Raza each winning a [pounds sterling]20,000 commission (see Impermanent&nbsp;Collection above). The shortlist was completed by Emma Hart and Corin Sworn, and the four proposals were exhibited at Jerwood Space&nbsp;in London--review p27. www.jerwoodvisualarts.org <BR><BR> The Deutsche Borse...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Say what?&quot;</title><link>http://www.thefreelibrary.com/Say+what%3f-a0289121261</link><description><![CDATA[<BR><BR> Thanks to Google, art lovers are able, with a few simple clicks of their fingers, to discover not just paintings, but also sculpture, street art, and photographs. <BR><BR> The Dulwich Picture Gallery&nbsp;press department, in announcing an expansion of the Google Art Project (Artnotes AM344), proves the old Arthur C Clarke adage about mistaking technology for magic: just snap your...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Sara MacKillop.&quot;</title><link>http://www.thefreelibrary.com/Sara+MacKillop.-a0289121262</link><description><![CDATA[<BR><BR> 'On paper'--that habitual phrase, marking out&nbsp;a terrain of virtual or hypothetical planning, not to mention the supposed calculation of success--continues to come to mind when we think of the difference between the actual and the virtual. Previously light and throwaway, paper seems--for now at least--decisively material. Solidifying, paper now reveals a hidden weight, albeit one...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Hanne Darboven.&quot;</title><link>http://www.thefreelibrary.com/Hanne+Darboven.-a0289121263</link><description><![CDATA[<BR><BR> Camden Arts Centre&nbsp;London 20 January to 18 March <BR><BR> It was Sol LeWitt&nbsp;who started Hanne Darboven's 'art showing life'. LeWitt met Darboven during the opening of a show Joseph Kosuth curated in New York&nbsp;in November 1967. She was carrying with her a small group of drawings that she showed him. Struck by the originality and depth of the work, LeWitt visited her studio...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;James Benning.&quot;</title><link>http://www.thefreelibrary.com/James+Benning.-a0289121264</link><description><![CDATA[<BR><BR> Northern Gallery for Contemporary Art&nbsp;Sunderland 1 March to 9 June Platform A Middlesbrough 1 to 31 March <BR><BR> 'We used to lead the world in making things. But we stopped making things. We don't make anything anymore. I miss that.' That is George Clooney, of all people, speaking for the US in a recent issue of Esquire. Click open the Huffington Post and you can read that US...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Zoe Leonard: Observation Point.&quot;</title><link>http://www.thefreelibrary.com/Zoe+Leonard%3a+Observation+Point.-a0289121265</link><description><![CDATA[<BR><BR> Camden Arts Centre&nbsp;London 31 March to 24 June <BR><BR> Of all the subjects that do not readily lend themselves to representation, the sun ranks as among the most difficult to picture. Indeed, the absurdity of reducing the sublime to the pictorial realm, the modalities of seeing and the meaning of landscape, are all themes running through Zoe Leonard's solo exhibition 'Observation...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Song Dong: Waste Not.&quot;</title><link>http://www.thefreelibrary.com/Song+Dong%3a+Waste+Not.-a0289121266</link><description><![CDATA[<BR><BR> The Curve Barbican&nbsp;London 15 February to 12 June <BR><BR> What does a lifetime's worth of possessions look like? Most of us will never know, as limitations of space and a desire for tidiness lead to a constant ebb and flow&nbsp;of objects: as new ones come in, old ones are discarded. The installation Waste Not by Song Dong (Profile AM348) offers a hint, however. The work is...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Amikam Toren: Moving in the Right Direction.&quot;</title><link>http://www.thefreelibrary.com/Amikam+Toren%3a+Moving+in+the+Right+Direction.-a0289121267</link><description><![CDATA[<BR><BR> Although the title of Amikam Toren's current exhibition at Anthony Reynolds Gallery, 'Moving in the Right Direction', is borrowed from a work Toren completed this year and which is included in the show, the second central element of this display develops a sculpture that is six years old. Deus Ex Machina, 2006, a curious pseudo-readymade formed from a rectified clothes horse, is...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Sarah Lucas: Make Love.&quot;</title><link>http://www.thefreelibrary.com/Sarah+Lucas%3a+Make+Love.-a0289121268</link><description><![CDATA[<BR><BR> Situation London 17 March to December <BR><BR> Several uncertainties tugged at my mind while trudging back up the insalubrious&nbsp;staircase to 'Make Love'--the second incarnation of Sarah Lucas's Situation project, a year-long residency in the yet-to-be-developed rooms above Sadie Coles's gallery on Burlington Place. How could the principle of contingency attributed to site-specific...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Trisha Baga: Rock.&quot;</title><link>http://www.thefreelibrary.com/Trisha+Baga%3a+Rock.-a0289121269</link><description><![CDATA[<BR><BR> Vilma Gold London 4 April to 20 May <BR><BR> What kind of new creature are you, in our digital landscape? Are you a digital native, gliding around, elegant as a shimmering&nbsp;fish in water, or a digital immigrant, transitioning awkwardly from one environment to the other? Either way, Trisha Baga's installations, characterised by fragments of sound, images of glittering water and light...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Heather &amp; Ivan Morison Ben rivers, David Thorpe.&quot;</title><link>http://www.thefreelibrary.com/Heather+%26+Ivan+Morison+Ben+rivers%2c+David+Thorpe.-a0289121270</link><description><![CDATA[<BR><BR> The Hepworth Wakefield 11 February to 10 June <BR><BR> I looked up 'dystopia', and it didn't quite mean what I'd thought it did. Conjoining the ancient Greek for 'hard' and 'place', the term refers not to a failed utopia but specifically to a reversed one, run on repressive lines--the Orwellian opposite of free. So, despite the D-word featuring in the publicity materials, maybe we need...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Tomorrow Never Knows.&quot;</title><link>http://www.thefreelibrary.com/Tomorrow+Never+Knows.-a0289121271</link><description><![CDATA[<BR><BR> Jerwood Space London 14 March to 22 April <BR><BR> It is unusual to be presented with an exhibition of moving-image work that announces itself as a display of pre-production proposals for new work in the future but which, at the same time, exhibits the presented works in the mode of completed pieces. The four artists selected for the new Jerwood/Film and Video Umbrella Awards, Ed Atkins,...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;On the Edgware Road.&quot;</title><link>http://www.thefreelibrary.com/On+the+Edgware+Road.-a0289121272</link><description><![CDATA[<BR><BR> Serpentine Gallery&nbsp;London 6 to 28 March <BR><BR> 'We are connecting with our community, which we always do, but this time in a different way.' These were the words of Julia Peyton-Jones, Serpentine Gallery director, during her speech on the opening night of the exhibition 'On the Edgware Road'. These words, accompanied by a short but frantically delivered speech by Hans Ulrich...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;On the Edgware Road.&quot;</title><link>http://www.thefreelibrary.com/On+the+Edgware+Road.-a0289121273</link><description><![CDATA[<BR><BR> Serpentine Gallery London 6 to 28 March <BR><BR> Well-used amplifiers and scuffed musical instruments are secured on old ladders, repaired in a makeshift way with microphone and guitar leads; Hiwa K's It's spring and the weather is great so let's close all object matters, 2012, is a welcoming tableau. In Susan Hefuna's Edgware Road@ (several locations), 2010, four videos...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Cutting Across Media.&quot;</title><link>http://www.thefreelibrary.com/Cutting+Across+Media.-a0289121274</link><description><![CDATA[<BR><BR> As its subtitle suggests, Cutting Across Media--appropriation art, interventionist collage, and copyright law casts its net wide across different facets of both contemporary and historical cultural production. Its emphasis veers more towards the latter part of the subtitle, with various essays addressing musical sampling, literary collage, social intervention and their skirmishes with...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Hal Foster: The Art Architecture Complex.&quot;</title><link>http://www.thefreelibrary.com/Hal+Foster%3a+The+Art+Architecture+Complex.-a0289121275</link><description><![CDATA[<BR><BR> Hal Foster's previous book to step beyond his field of expertise--Design and Crime (and Other Diatribes), 2002--received a poor response in the design world. One reviewer, in the graphic design magazine Emigre, even bemoaned: 'The paucity of context or specificity in Foster's critique of design is only surpassed by its stunning lack of originality. Once again, design as "scapegoat" is...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Artists' Film International.&quot;</title><link>http://www.thefreelibrary.com/Artists'+Film+International.-a0289121276</link><description><![CDATA[<BR><BR> Whitechapel Gallery London 28 March to 16 June <BR><BR> The current iteration of Artists' Film International explores, via five films, themes of displacement, migration, transience and loss. At the same time, the works crystallise some current threads in artists' moving image practice: the documentary and the 'social turn'; the abiding importance of the performative; and a rekindled...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Max Hattler: Shift.&quot;</title><link>http://www.thefreelibrary.com/Max+Hattler%3a+Shift.-a0289121277</link><description><![CDATA[<BR><BR> Tenderpixel London 9 March to 28 April <BR><BR> For his first solo London exhibition, animator and media artist Max Hattler presents Shift. The film is the first in five new commissions by Channel 4, in collaboration with Animate Projects, as part of the broadcaster's Random Acts strand, the daily three-minute slot that is an updating of its now-defunct 3 Minute Wonders series dedicated...]]></description></item><item><pubDate>Tue, 1 May 2012 00:00:00 </pubDate><title>Art Monthly, &quot;Immaterial production.&quot;</title><link>http://www.thefreelibrary.com/Immaterial+production.-a0289121278</link><description><![CDATA[<BR><BR> The premise of this half-day symposium was to explore changing conditions of artistic production, asking how artists 'both embody and contest the precarious working conditions of immaterial labour' and whether art, within this state of affairs, has the capacity to serve as 'immanent critique of capitalism'. Immaterial labour is a concept that has gained currency in the art world since at...]]></description></item></channel></rss>
