<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>Publications by Black Music Research Journal</title><description>Resent articles by the &quot;Black Music Research Journal&quot; from The Free Library</description><link>http://www.thefreelibrary.com</link><language>en-us</language><copyright>Farlex, Inc.</copyright><lastBuildDate>Thu, 10 Dec 2009 13:02:43 GMT</lastBuildDate><ttl>360</ttl><image><title>Free Online Library</title><link>http://www.thefreelibrary.com</link><url>http://www.thefreelibrary.com/_/static/TFLbyFarlex.gif</url><width>175</width><height>65</height></image><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Fela's foundation: examining the revolutionary songs of Funmilayo Ransome-Kuti and the Abeokuta market women's movement in 1940s western Nigeria.</title><link>http://www.thefreelibrary.com/Fela's+foundation%3a+examining+the+revolutionary+songs+of+Funmilayo...-a0200395215</link><description><![CDATA[<P>Fela Anikulapo-Kuti's afrobeat occupies a pivotal position in Nigeria's musical continuum and socio-political discourse. Through Fela, a new medium of social and political criticism was unearthed for the critical mass of Nigerians in the 1970s. Although Nigeria was experiencing what would turn out to be a brief respite of oil-boom prosperity after the bitter Biafran civil war, Fela used his...]]></description></item><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Signifyin(g) Salvador: professional musicians and the sound of flexibility in Bahia, Brazil's popular music scenes.</title><link>http://www.thefreelibrary.com/Signifyin(g)+Salvador%3a+professional+musicians+and+the+sound+of...-a0200395214</link><description><![CDATA[<P>Over the past twenty-five years, popular music scholarship has benefited from an ever-increasing diversity of approaches. Even so, in-depth studies that address music as not only a creative endeavor but also a form of work are less common. (1) In this article, I investigate flexibility in the career paths, musical knowledge, and localized "Signifyin(g)" practices (Gates 1988, see below) of...]]></description></item><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Werner Jaegerhuber's Messe sur les airs vodouesques: the inculturation of Vodou in a Catholic mass.</title><link>http://www.thefreelibrary.com/Werner+Jaegerhuber's+Messe+sur+les+airs+vodouesques%3a+the...-a0200395213</link><description><![CDATA[<P>Werner Jaegerhuber's Messe sur les airs vodouesques is an exceptional creation due to the unprecedented integration of Haitian Vodou melodies in a Catholic mass. (1) The composition of the Messe was begun in 1947 and completed in 1953. Its relatively long period of gestation suggests that the composer undertook the task on his own initiative. Progress on this work became known to Jaegerhuber's...]]></description></item><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Reggae in Cuba and the Hispanic Caribbean: fluctuations and representations of identities.</title><link>http://www.thefreelibrary.com/Reggae+in+Cuba+and+the+Hispanic+Caribbean%3a+fluctuations+and...-a0200395212</link><description><![CDATA[<P>I vividly recall when, in 1993, I was introduced to a small group of Rastafarians in a suburban and apparently poor and marginalized neighborhood southeast of Havana. (1) That moment was the beginning of my very frequent contacts with that group. Around the block from the house of one of those Rastas, there was a small so-called amphitheater, which would later become an important center of...]]></description></item><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Sound, voice, and spirit: teaching in the black music vernacular.</title><link>http://www.thefreelibrary.com/Sound%2c+voice%2c+and+spirit%3a+teaching+in+the+black+music+vernacular.-a0200395211</link><description><![CDATA[<P>The study of African-American music and culture flourished during the twentieth century. Its varied approaches and perspectives earned its inclusion as a vibrant area of interest in the study of American music as well as its respectability in the academy. Prior to the 1960s, the bulk of studies on black music focused on field recording collections ranging from worksongs and spirituals to the...]]></description></item><item><pubDate>Sun, 22 Mar 2009 00:00:00 </pubDate><title>Interpreting the African-American musical past: a dialogue.</title><link>http://www.thefreelibrary.com/Interpreting+the+African-American+musical+past%3a+a+dialogue.-a0200395210</link><description><![CDATA[<P>The following dialogue between Samuel Floyd and Ronald Radano developed from a series of written exchanges and conversations over the course of the summer of 2008. It was prompted by Floyd's essay "Black Music and Writing Black Music History: American Music and Narrative Strategies," which appeared in the Spring 2008 issue of Black Music Research Journal (guest edited by Guthrie P. Ramsey...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Can jazz be rid of the racial imagination? Creolization, racial discourses, and semiology of music.</title><link>http://www.thefreelibrary.com/Can+jazz+be+rid+of+the+racial+imagination%3f+Creolization%2c+racial...-a0202513826</link><description><![CDATA[<BR><BR> French ethnomusicologist Bernard Lortat-Jacob likes to proclaim: "Music is always much more than music" (Lortat-Jacob 1996). In the same vein, one could declare that today "black music is always much more than black music." If by black music we mean a diversity of genres that appeared in the Americas, fashioned by the ordeals of slavery and racism, it is universally acknowledged that the...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Dedicated to the struggle: black music, transculturation, and the aural making and unmaking of the third world.</title><link>http://www.thefreelibrary.com/Dedicated+to+the+struggle%3a+black+music%2c+transculturation%2c+and+the...-a0202513825</link><description><![CDATA[<P>But the black musician, he picks up his horn and starts blowing some sounds that be never thought of before. He improvises, he creates, it comes from within. It's his soul, it's that soul music. ... Well, likewise he can do the same thing if given intellectual independence.... He can invent a society, a social system, an economic system, a political system that is different from anything that...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Shaping uplift through music.</title><link>http://www.thefreelibrary.com/Shaping+uplift+through+music.-a0202513824</link><description><![CDATA[<P>Doris Evans McGinty and others have documented the corps of black musicians and educators who embraced the repertoire of western European composers as a means to facilitate a self-help philosophy known as racial uplift propelling African-American upward mobility after Emancipation. This paper continues her work on the Washington Conservatory, a privately funded music school for black students...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>African diaspora and Colombian popular music in the twentieth century.</title><link>http://www.thefreelibrary.com/African+diaspora+and+Colombian+popular+music+in+the+twentieth+century.-a0202513823</link><description><![CDATA[<P>In this paper I argue that the concept of disapora is problematic insofar as it implies a process of traffic outwards from an origin point (usually seen as geographical, cultural and/or "racial"). This origin is often seen as being a key to the definition of diaspora--without it, the concept descends into generalized incoherence (Brubaker 2005). I want to argue for the continued usefulness of...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Iyesa complexes: reexamining perceptions of tradition in Cuban Iyesa Music.</title><link>http://www.thefreelibrary.com/Iyesa+complexes%3a+reexamining+perceptions+of+tradition+in+Cuban+Iyesa...-a0202513822</link><description><![CDATA[<P>This essay examines specific music and religious rituals within the Cuban religion commonly known as Santeria or Regla de Ocha/Ocha. Focusing upon the rhythms, liturgy, musical instruments, and traditions introduced to Cuba by the Iyesa (the Cuban descendents of the Ijesa people of Nigeria), this work attempts a critical historiography of one ethnic component of the Santeria/Ocha religion. In...]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Editor's note.</title><link>http://www.thefreelibrary.com/Editor's+note.-a0202513821</link><description><![CDATA[<P>Regular readers of BMRJ will note the absence of the name Calvert Bean as Associate Editor. Until his death in November 2007, Professor Bean served BMRJ with great devotion, reviewing all submissions and providing judicious evaluations. His was an invisible but invaluable contribution. He will be greatly missed.</P>]]></description></item><item><pubDate>Mon, 22 Sep 2008 00:00:00 </pubDate><title>Errata.</title><link>http://www.thefreelibrary.com/Errata.-a0202513820</link><description><![CDATA[<P>Page 50 of Black Music Research Journal, vol. 28, no. 1, contains the following sentence:</P><P>"There were over fifty New York performances of the Rhapsodie Negre in 1929 alone (Howard 1954, 422)."</P><P>In fact, a New York Times article from Jan. 29, 1929 ("'Rhapsodie Negre' Given Brilliantly: Powell Work Has 50th Performance at Orchestral Society's Concert") states that this performance was...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Books and articles on black music.</title><link>http://www.thefreelibrary.com/Books+and+articles+on+black+music.-a0202488084</link><description><![CDATA[<BR><BR> Articles on Black Music in North America&nbsp;and the Circum-Caribbean in Major Music Journals, 1990-2007 <BR><BR> Included in this bibliography are articles on music created by or performed by people who identify themselves as "black" and who are from North America or the Circum-Caribbean. The bibliography reveals a great deal about the state of research on black music among scholars in...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Signs, symphonies, signifyin(g): African-American cultural topics as analytical approach to the music of black composers.</title><link>http://www.thefreelibrary.com/Signs%2c+symphonies%2c+signifyin(g)%3a+African-American+cultural+topics+as...-a0202488083</link><description><![CDATA[<P>Considering the volume and strength of the recent work in black music scholarship, much work is still needed in many areas, particularly those of scholarly criticism, interpretation, and analysis of concert works by black composers. Certainly, turning our attention to more details of pitch, harmony, rhythm, and form will enlighten our interpretations of works by black composers and fortify the...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Black music and writing black music history: American music and narrative strategies.</title><link>http://www.thefreelibrary.com/Black+music+and+writing+black+music+history%3a+American+music+and...-a0202488082</link><description><![CDATA[<P>My aim in this paper is to draw attention to ways of writing American music history and to draw from its narrative approaches implications for black music research. In the process, I touch upon three subjects: narrative strategies for writing American music history, an impediment to the writing of a complete history of American music, and an idea for the construction of a model for the latter...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>The &quot;robot voodoo power&quot; thesis: Afrofuturism and anti-anti-essentialism from Sun Ra to Kool Keith.</title><link>http://www.thefreelibrary.com/The+%22robot+voodoo+power%22+thesis%3a+Afrofuturism+and...-a0202488081</link><description><![CDATA[<P>In 1999 Alondra Nelson, then a graduate student in American studies at New York University, launched an online community dedicated to the study of what might be best described to the uninitiated as black science fiction. Nelson named the forum the "AfroFuturism" listserv after a term coined by Mark Dery in his set of interviews about black artists whose works displayed a uniquely...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Appropriating the master's tools: Sun Ra, the Black Panthers, and black consciousness, 1952-1973.</title><link>http://www.thefreelibrary.com/Appropriating+the+master's+tools%3a+Sun+Ra%2c+the+Black+Panthers%2c+and...-a0202488080</link><description><![CDATA[<P>In 1971 avant-garde jazz musician Sun Ra was expelled from a house in Oakland, California, owned by the Black Panther Party (Szwed 1997, 330). It was the same year that he taught a course entitled "Sun Ra 171" in Afro-American Studies at the University of California, Berkeley, the readings for which reflected his eclectic interest in subjects including black literature, bible studies, ancient...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Unequal temperament: the somatic acoustics of racial difference in the symphonic music of John Powell.</title><link>http://www.thefreelibrary.com/Unequal+temperament%3a+the+somatic+acoustics+of+racial+difference+in...-a0202488079</link><description><![CDATA[<P>You know, composition is only one of my many interests. In time I hope to do my bit in helping to solve the race problem.</P><P>--John Powell, interviewed in the Musical Courier, May 2, 1918 (Kushner 1984, 104)</P><P>In 1924 the Congress of the United States passed the Johnson-Reed Act, which restricted the immigration of "non-white" Europeans such as the Irish, Italians, and Slavs. This was...]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>&quot;Bridging the gap&quot;: Creed Taylor, Grover Washington Jr., and the crossover roots of smooth jazz.</title><link>http://www.thefreelibrary.com/%22Bridging+the+gap%22%3a+Creed+Taylor%2c+Grover+Washington+Jr.%2c+and+the...-a0202488078</link><description><![CDATA[<P>"As jazz, his music is not very interesting. He is a capable but rather anonymous sounding player with an undistinguished sound on the tenor, occasional intonation problems on the soprano, and a determinedly low-keyed approach.... and at present the saxophonist is the best-selling artist on Taylor's CTI label."</P>]]></description></item><item><pubDate>Sat, 22 Mar 2008 00:00:00 </pubDate><title>Editor's introduction.</title><link>http://www.thefreelibrary.com/Editor's+introduction.-a0202488077</link><description><![CDATA[<P>This issue of Black Music Research Journal represents an important benchmark in the history of this publication. Since its inaugural issue in 2980, BMRJ has featured articles that treated the philosophy, aesthetics, history, and criticism of black music. Much of the scholarship in the early days of the journal could assume that readers would take the term "black music" at face value, so to...]]></description></item><item><pubDate>Sat, 22 Sep 2007 00:00:00 </pubDate><title>Black diasporic encounters: a study of the music of Fela Sowande.</title><link>http://www.thefreelibrary.com/Black+diasporic+encounters%3a+a+study+of+the+music+of+Fela+Sowande.-a0176049639</link><description><![CDATA[<BR><BR> Fela Sowande&nbsp;is now generally acknowledged as the most important twentieth-century West African&nbsp;composer of concert music and performer of jazz. Born in Oyo, western Nigeria, in March 1905, he went to London in 1934 and enrolled as an external candidate at the University of London&nbsp;and the Royal College of Music. He was one of the most notable figures on the black diaspora...]]></description></item><item><pubDate>Sat, 22 Sep 2007 00:00:00 </pubDate><title>Black pop songwriting 1963-1966: an analysis of U.S. top forty hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland.</title><link>http://www.thefreelibrary.com/Black+pop+songwriting+1963-1966%3a+an+analysis+of+U.S.+top+forty+hits...-a0176049638</link><description><![CDATA[<BR><BR> Black songwriter-performers such as Fats Domino, Little Richard, and Chuck Berry&nbsp;achieved success on the U.S. pop charts (1) as leading contributors to the development of 1950s rock and roll. Rock and roll's impact had waned by the late 1950s, however, and white songwriter-producers dominated the creation of U.S. pop hits. Many of the successful songwriters from this period have...]]></description></item></channel></rss>