<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>Publications by African Arts</title><description>Resent articles by the &quot;African Arts&quot; from The Free Library</description><link>http://www.thefreelibrary.com</link><language>en-us</language><copyright>Farlex, Inc.</copyright><lastBuildDate>Sat, 26 Dec 2009 01:08:39 GMT</lastBuildDate><ttl>360</ttl><image><title>Free Online Library</title><link>http://www.thefreelibrary.com</link><url>http://www.thefreelibrary.com/_/static/TFLbyFarlex.gif</url><width>175</width><height>65</height></image><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Fourteen Films on African Art.</title><link>http://www.thefreelibrary.com/Fourteen+Films+on+African+Art.-a0206055428</link><description><![CDATA[<P>Fourteen Films on African Art: The Death of an African King with Sarah Adams; A Year in the Life of an African Family: The Bamogo Family of Burkina Faso; Fulani: Art and Life of a Nomadic People; Birds of the Wilderness: The Beauty Competition of the Wodaabe People of Niger; African Art in Performance: The Winiama Masks of the Village of Ouri; Artas a Verb in Africa: The Masks of the Bwa...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Flava: Wedge Curatorial Projects 1997-2007.</title><link>http://www.thefreelibrary.com/Flava%3a+Wedge+Curatorial+Projects+1997-2007.-a0206055427</link><description><![CDATA[<P>Flava: Wedge Curatorial Projects 1997-2007</P><P>Edited by Elizabeth Harney</P><P>Toronto: Wedge Curatorial Projects, 2008. 142 pp., 50 color and 80 b&amp;w photos, index. $60 cloth.</P><P>Flava: Wedge Curatorial Projects (1997-2007) presents a collection of photographic images exploring issues related to black identity and culture. The photographs, taken in Diaspora communities around the...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Luba.</title><link>http://www.thefreelibrary.com/Luba.-a0206055426</link><description><![CDATA[<P>Luba</P><P>by Mary Nooter Roberts and Allen F. Roberts</P><P>Milan: 5 Continents Editions, 2007. 145 pp., 63 b/w photos, bibliography. $34.95 paper</P><P>Luba art has been popularized through books and exhibitions on African art but serious academic studies that address the meaning of Luba art remain scattershot and largely superficial. Moreover, there is a notorious absence of an insider...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Paris Primitive: Jacques Chirac's Museum on the Quai Branly.</title><link>http://www.thefreelibrary.com/Paris+Primitive%3a+Jacques+Chirac's+Museum+on+the+Quai+Branly.-a0206055425</link><description><![CDATA[<P>Paris Primitive: Jacques Chirac's Museum on the Quai Branly</P><P>by Sally Price</P><P>Chicago: University of Chicago Press, 2007; 224 pages, 10 half-tones, 1 map; $47.50 cloth, $19.00 paper</P><P>For those following the historic debates on museum representation, colonial collecting, and cultural patrimony surrounding the opening of the Musee du Quai Branly, the narrative in Sally Price's new...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Black is Beautiful: Rubens to Dumas.</title><link>http://www.thefreelibrary.com/Black+is+Beautiful%3a+Rubens+to+Dumas.-a0206055424</link><description><![CDATA[<P>Black is Beautiful: Rubens to Dumas</P><P>De Nieuwe Kerk</P><P>Amsterdam, The Netherlands</P><P>July 26-October 26, 2008</P><P>In the summer of 2008 the exhibition "Black is Beautiful: Rubens to Dumas" showed a wide-ranging selection of paintings of blacks made by Netherlandish and contemporary Dutch painters. This exhibition was very contentious. Some of the reviews denounced the exhibition...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Studio Cameroon.</title><link>http://www.thefreelibrary.com/Studio+Cameroon.-a0206055423</link><description><![CDATA[<P>Studio Cameroon</P><P>The Everyday Photography of Jacques Touselle</P><P>November 9, 2007-June 29, 2008</P><P>Pitt Rivers Museum</P><P>University of Oxford, England</P><P>The opening of the "Studio Cameroon" exhibition on November 9 2007 was one of the major events of the year at the Pitt Rivers Museum in Oxford. This unique display of portraits by Cameroonian photographer Jacques Touselle was...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Black Womanhood: Images, Icons, and Ideologies of the African Body Hood Museum.</title><link>http://www.thefreelibrary.com/Black+Womanhood%3a+Images%2c+Icons%2c+and+Ideologies+of+the+African+Body...-a0206055422</link><description><![CDATA[<P>Black Womanhood: Images, Icons, and Ideologies of the African Body</P><P>Hood Museum</P><P>Dartmouth College</P><P>April 1-August 10, 2008</P><P>The groundbreaking recent exhibition "Black Womanhood: Images, Icons, and Ideologies of the African Body," curated by Barbara Thompson at the Hood Museum at Dartmouth College (Fig. 1), featured more than one hundred sculptures, photographs, paintings,...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Man Ray, African Art, and the Modernist Lens.</title><link>http://www.thefreelibrary.com/Man+Ray%2c+African+Art%2c+and+the+Modernist+Lens.-a0206055421</link><description><![CDATA[<P>MAN RAY, AFRICAN ART, AND THE MODERNIST LENS</P><P>OCTOBER 10, 2009-JANUARY 10, 2010</P><P>THE PHILLIPS COLLECTION, WASHINGTON DC</P><P>AUGUST 7-OCTOBER 10, 2010</P><P>THE UNIVERSITY OF VIRGINIA ART MUSEUM, CHARLOTTESVILLE, VA</P><P>OCTOBER 2010-JANUARY 2011</P>]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Persona: Masks of Africa--Identities Hidden And Revealed.</title><link>http://www.thefreelibrary.com/Persona%3a+Masks+of+Africa--Identities+Hidden+And+Revealed.-a0206055420</link><description><![CDATA[<P>PERSONA</P><P>MASKS OF AFRICA--IDENTITIES HIDDEN AND REVEALED</P><P>APRIL 24, 2009--JANUARY 3, 2010</P><P>ROYAL MUSEUM FOR CENTRAL AFRICA</P><P>TERVUREN, BELGIUM</P><P>A CATALOGUE CO-PUBLISHED BY THE RMCA AND 5 CONTINENTS IN ENGLISH, FRENCH, AND DUTCH ACCOMPANIES THE EXHIBITION IS AVAILABLE FOR 39.90 [euro]</P>]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>A conservation conundrum: ephemeral art at the National Museum of African Art.</title><link>http://www.thefreelibrary.com/A+conservation+conundrum%3a+ephemeral+art+at+the+National+Museum+of...-a0206055419</link><description><![CDATA[<P>The permanent collection of the Smithsonian's National Museum of African Art includes both tradition-based and contemporary objects, which sometimes employ fugitive materials or media that tender them ephemeral. Among these exists a smaller grouping of objects which are ephemeral by design. To comprehensively fulfill its mandate to collect and preserve the visual arts of Africa, the National...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Coming together and falling apart: something about brooms and Nigeria.</title><link>http://www.thefreelibrary.com/Coming+together+and+falling+apart%3a+something+about+brooms+and+Nigeria.-a0206055418</link><description><![CDATA[<P>[FIGURE 1 OMITTED]</P><P>There is a popular saying in Nigeria, and if you spend any time on the streets there you will see it often, painted in bright script on the sides of trucks and buses, or affixed with self-sticking letters to the rear windows of cars:</P>]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>The dripping man: art, the ephemeral, and the urban soul.</title><link>http://www.thefreelibrary.com/The+dripping+man%3a+art%2c+the+ephemeral%2c+and+the+urban+soul.-a0206055417</link><description><![CDATA[<Pre> Ma mere--lune se filme et se projette sur un grand rideau blanc envahi par des mouches et des fourmis. Elle eclaire les portraits defigures dans les couloirs et labyrinthes de cette ville follement ligotee. --Herve Yamguen (2005:82) "My mother--moon films and projects herself on a wide, white sheet thick with flies and ants. She casts light on portraits whose features have lost their shape...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>The power of ephemera: permanence and decay in protective power objects.</title><link>http://www.thefreelibrary.com/The+power+of+ephemera%3a+permanence+and+decay+in+protective+power...-a0206055416</link><description><![CDATA[<P>Busu Nyumbani has been making and installing empowered objects in the name of his "father of medicine," the practitioner Nyumbani Shilinde, for more than fifteen years (Fig. 1). When he buries wooden pegs filled with empowering substances at a house compound, they are activated to protect the spatial environment, houses, and individuals who live there. (1) Like many Sukuma healers, Busu...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>Framing the ephemeral.</title><link>http://www.thefreelibrary.com/Framing+the+ephemeral.-a0206055415</link><description><![CDATA[<P>[FIGURE 1 OMITTED]</P><P>The articles assembled here and in a forthcoming issue of African Arts (vol. 43, no. 1, Spring 2010) explore the theme of ephemeral art, and are based on two panels co-organized by Christine Mullen Kreamer and myself for the Triennial meeting of the Arts Council of the African Studies Association in March 2007. Applying equally to studio and tradition-based practices,...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>More on nationalism and Nigerian art.</title><link>http://www.thefreelibrary.com/More+on+nationalism+and+Nigerian+art.-a0206055414</link><description><![CDATA[<P>The argument between Ugiomoh and Gbadegesin about nationalism in modern Nigerian art highlights the unfortunate situation of an African art history carried out without directly engaging the primary texts that framed such discourses in specific historical contexts. The history and role of the Zaria art society (1958-1962) in modern Nigerian art is the subject of much overvaluation and it is in...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>The phenomenon of recuperation at the Dak'Art Biennale.</title><link>http://www.thefreelibrary.com/The+phenomenon+of+recuperation+at+the+Dak'Art+Biennale.-a0206055413</link><description><![CDATA[<P>In 1992, at the first edition of Dak'Art, Moustapha Dime (Senegal 1952-1998) won the Grand Prize for his sculpture La Dame d la culotte. This object, made from a large tree trunk into which the artist carved only breasts and inserted a large spike topped with a bit of scavenged plastic netting for a neck, head, and hair, achieved recognition for one of Senegal's now most famous avant-garde...]]></description></item><item><pubDate>Tue, 22 Sep 2009 00:00:00 </pubDate><title>The radiance of the King.</title><link>http://www.thefreelibrary.com/The+radiance+of+the+King.-a0206055412</link><description><![CDATA[<P>Along with many other eager fans of both the curator and his subject, I visited the Ernie Wolfe Gallery in West LA shortly after the inauguration of Barack Hussein Obama for the opening of "Out of Africa: Obama and McCain." The subheading on the fancy invite filled in a little of the back story: "Praise Portraits and Visual Narratives by the Ghanaian artists who brought us Extreme Canvas: Hand...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Africa in Paris: on expressive cultures from the early twentieth century to the present.</title><link>http://www.thefreelibrary.com/Africa+in+Paris%3a+on+expressive+cultures+from+the+early+twentieth...-a0200722860</link><description><![CDATA[<P>Africa in Paris: On Expressive Cultures from the Early Twentieth Century to the Present. From Cameroon to Paris: Mousgoum Architecture In and Out of Africa by Steven Nelson. Chicago: University of Chicago Press, 2007. 304 pp., 8 color, 101 b/w photos. $50.00 cloth</P>]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Guro: Masks, Performances and Master Carvers in Ivory Coast.</title><link>http://www.thefreelibrary.com/Guro%3a+Masks%2c+Performances+and+Master+Carvers+in+Ivory+Coast.-a0200722859</link><description><![CDATA[<P>Guro: Masks, Performances and Master Carvers in Ivory Coast by Eberhard Fischer Munich: Prestel (in collaboration with the Museum Rietberg [Zurich]), 2008. 519 pp., 560 illustrations (approximately 400 in color), 2 color maps, bibliography. US$90.00, cloth</P>]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Between Union and Liberation: Women Artists in South Africa 1910-1994.</title><link>http://www.thefreelibrary.com/Between+Union+and+Liberation%3a+Women+Artists+in+South+Africa+1910-1994.-a0200722858</link><description><![CDATA[<P>Between Union and Liberation: Women Artists in South Africa 1910-1994 Edited by Marion Arnold and Brenda Schmahmann Hants, England, and Burlington, VT: Ashgate, 2005. 230 pages, 9 color plates includinXg cover, 45 black and white illustrations, 3 maps, index, bibliography. 60 [pounds sterling]/$120, cloth</P>]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Vlles Rencontres Africaines de la Photographie.</title><link>http://www.thefreelibrary.com/Vlles+Rencontres+Africaines+de+la+Photographie.-a0200722857</link><description><![CDATA[<P>Vlles Rencontres Africaines de la Photographie</P><P>Bamako, Mali</P><P>November 24-December 23, 2007</P><P>[FIGURE 1 OMITTED]</P><P>Situated "In the City and Beyond," the 7th African Rencontres biennial embraced an all-encompassing photographic territory that could be alternatively titled "The World" or "All of the Places Where People Are and Are Not." The biennial's vague "location"...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Dak'Art 2008.</title><link>http://www.thefreelibrary.com/Dak'Art+2008.-a0200722856</link><description><![CDATA[<P>Dak'Art 2008</P><P>Musee de l'Institut Fondamental d'Afrique Noire and Galerie</P><P>Nationale, Bamako</P><P>May 9-June 9, 2008</P><P>Dakar, Senegal</P><P>First Impressions</P><P>Kinsey Katchka</P><P>[FIGURE 1 OMITTED]</P><P>The 2008 Dak'Art Biennale of Contemporary African Arts marked the eighth edition of this important event on the continent, one that has been a critical launching point for...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Creative reformation of African art traditions: the iconography of Abayomi Barber Art School.</title><link>http://www.thefreelibrary.com/Creative+reformation+of+African+art+traditions%3a+the+iconography+of...-a0200722855</link><description><![CDATA[<P>[FIGURE 2 OMITTED]</P><P>Since the colonial period, many African artists have been caught in a dilemma (Adepegba 1996) which, up to the 1960s, was phrased as a two-world disposition between tradition and modernity, and reflected in literary works. (1) During this period, the fervor of African nationalism reached a crescendo of expectations and desires for the creation of the new Africa (Vogel...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Moms with guns: women's political agency in anti-apartheid visual culture.</title><link>http://www.thefreelibrary.com/Moms+with+guns%3a+women's+political+agency+in+anti-apartheid+visual...-a0200722854</link><description><![CDATA[<P>The cover image from Sechaba, an anti-apartheid magazine published by the African National Congress (ANC) in 1968 (Fig. 1), features a common subject embraced by artists and familiar to art historians across historical eras and geographical locations: motherhood. (1) Like other mother and child images appearing in a wide range of visual media, the woman here conveys qualities that are...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Guro masked performers: sculpted bodies serving spirits and people.</title><link>http://www.thefreelibrary.com/Guro+masked+performers%3a+sculpted+bodies+serving+spirits+and+people.-a0200722853</link><description><![CDATA[<P>There was great commotion at Zuenoula on Saturday, February 13, 1999. (1) The car park was emptied of vehicles, making room for colorful bunting and a shaded platform from which various political figures could harangue the crowd, offer political speeches, and propose catchy slogans. Among these movers and shakers was a "native son," as people call the Minister of Youth and Culture, the...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Grass Roots: African Origins of an American Art.</title><link>http://www.thefreelibrary.com/Grass+Roots%3a+African+Origins+of+an+American+Art.-a0200722852</link><description><![CDATA[<P>GRASS ROOTS: AFRICAN ORIGINS OF AN AMERICAN ART</P><P>GIBBES MUSEUM OF ART</P><P>CHARLESTON, SC</P><P>AUGUST-NOVEMBER 2008</P><P>NATIONAL UNDERGROUND RAILROAD FREEDOM CENTER</P><P>CINCINNATI, OH</P><P>FEBRUARY s-APRIL 20, 2009</P><P>FOWLER MUSEUM AT UCLA</P>]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Embodying the Sacred in Yoruba Art: featuring the Bernard and Patricia Wagner Collection: a case study in museum practice.</title><link>http://www.thefreelibrary.com/Embodying+the+Sacred+in+Yoruba+Art%3a+featuring+the+Bernard+and...-a0200722851</link><description><![CDATA[<P>Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals and religion. The external is that complex of devices, techniques, mechanisms and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Exile, memory, and healing in Algeria: Denis Martinez and La Fenetre du Vent.</title><link>http://www.thefreelibrary.com/Exile%2c+memory%2c+and+healing+in+Algeria%3a+Denis+Martinez+and+La+Fenetre...-a0200722850</link><description><![CDATA[<P>Fearing assassination by religious extremists, Denis Martinez (b. 1941), the Algerian-born artist and former professor at the Ecole nationale superieure des Beaux-arts in Algiers, fled Algeria and immigrated to France in 1993. He left behind a well-established artistic career as the co-founder, in 1967, of the Algerian artistic movement known as Aouchem ('tattoo' in Arabic). For members of...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Willie Cole's Africa remix: trickster and &quot;tribe&quot;.</title><link>http://www.thefreelibrary.com/Willie+Cole's+Africa+remix%3a+trickster+and+%22tribe%22.-a0200722849</link><description><![CDATA[<P>[FIGURE 1 OMITTED]</P><P>Willie Cole (Fig. 1), like many African-American artists of his generation--those born or spending their early childhoods in the 1950s--reflects on the necessarily intertwined subjects of sub-Saharan Africa and the history of Africans in the Americas in his work in ways that take full advantage of personal history, the twin developments of the fields of American...]]></description></item><item><pubDate>Mon, 22 Jun 2009 00:00:00 </pubDate><title>Dollar Falls, transnational dynamics, and mediums of national art.</title><link>http://www.thefreelibrary.com/Dollar+Falls%2c+transnational+dynamics%2c+and+mediums+of+national+art.-a0200722848</link><description><![CDATA[<P>My response to "[Dis]placement of National Art in a Transnational Artworld" is framed by the provocative mixed-medium installation Dollar Falls commissioned by the National Gallery of Zimbabwe (NGZ), Harare, for its fiftieth anniversary exhibition, January-February 2008. The large-scale, collaborative installation, bearing witness to the nation's fathomless crises, engaged the viewing public...]]></description></item></channel></rss>