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Articles
1-300 out of 322 article(s) next
| Title |
Author |
Type |
Date |
Words |
| From Rome to off-Broadway. |
|
Brief article |
Mar 15, 2013 |
141 |
| Your brain on Shakespeare. |
|
Brief article |
Mar 11, 2013 |
113 |
| Camp meets Gothic romp in The Mystery of Irma Vep. |
Barnes, Helen |
|
Jan 1, 2013 |
598 |
| Staging the convent as resistance in The Jew of Malta and Measure for Measure. |
Reigle, Kimberly |
Critical essay |
Dec 22, 2012 |
7933 |
| "Not to be altered": performance's efficacy and audience reaction in The Roman Actor. |
Dunnum, Eric |
Critical essay |
Dec 22, 2012 |
10832 |
| After death row. |
Fisher, Anthony L. |
Interview |
Dec 8, 2012 |
594 |
| 'Into the future tense': Stewart Parker's theatre of 'anticipatory illumination'. |
Richards, Shaun |
|
Sep 22, 2012 |
6803 |
| No ideology without psychology: the emotional effects of Shakespeare's Henry V. |
Muller-Wood, Anja |
Critical essay |
Sep 22, 2012 |
9080 |
| Slavic & Eastern European studies. |
|
Author abstract |
Sep 22, 2012 |
765 |
| Zen and the art of self-negation in Samuel Beckett's Not I. |
Gillette, Kyle |
Critical essay |
Sep 22, 2012 |
8179 |
| Snapshots of a Shakespearean in China. |
Homan, Sidney |
Travel narrative |
Sep 22, 2012 |
5668 |
| Fugard, Kani, Ntshona's The Island: Antigone as South African drama. |
Gordon, Robert |
Critical essay |
Sep 22, 2012 |
8157 |
| Hamlet the difference machine. |
Barker, Stephen |
Critical essay |
Sep 22, 2012 |
8843 |
| The not-so-small world of Brian Friel. |
Teachout, Terry |
Brief article |
Sep 22, 2012 |
171 |
| The Spanish ruff: Thomas Mann and Schiller's Don Carlos. |
Meyers, Jeffrey |
Essay |
Jun 22, 2012 |
4105 |
| Marlowe's Tamburlaine (1587) and Islamic theology. |
Olaqi, Fahd Mohammed Taleb Al- |
Critical essay |
Jun 1, 2012 |
11941 |
| All the world's a stage. |
Seymour, Richard |
|
Jun 1, 2012 |
1099 |
| "Almost like a fairy tale or something": defining the concept of neo-Proppian plot function in Martin McDonagh's In Bruges. |
Murphy, Terence Patrick |
Critical essay |
Mar 22, 2012 |
8518 |
| Common customers in Marston's Dutch Courtesan and Florio's Montaigne. |
Hamlin, William M. |
Report |
Mar 22, 2012 |
7377 |
| Therapeutic travel in Richard Brome's the Antipodes. |
McInnis, David |
Report |
Mar 22, 2012 |
9470 |
| Lukacs/Ibsen: tragedy, selfhood, and "real life" in The Master Builder and When We Dead Awaken. |
Storm, William |
|
Mar 22, 2012 |
9186 |
| "I just die for some authority!": barriers to Utopia in Howard Brenton's Greenland. |
Adiseshiah, Sian |
|
Mar 22, 2012 |
5603 |
| "Where's my fool?": Lear motifs in Rigoletto. |
Barry, Barbara |
|
Mar 22, 2012 |
10494 |
| Reframing Persona and adaptation. |
Coates, Paul |
Report |
Mar 22, 2012 |
6334 |
| Jonson's textual monument. |
Chalk, Brian Patrick |
Report |
Mar 22, 2012 |
7429 |
| Shakespeare's Macbeth. |
Pounds, Nancy |
Brief article |
Feb 1, 2012 |
203 |
| Introduction to "Shakespeare's female icons": sorcerers, celebrities, aliens, and upstarts. |
Royster, Francesca T. |
Essay |
Jan 1, 2012 |
4675 |
| King Leir at Gowthwaite Hall. |
Arrell, Douglas H. |
Report |
Jan 1, 2012 |
5377 |
| Shakespeare and the Cobham controversy: the Oldcastle/Falstaff and Brooke/Broome revisions. |
Gibson, James M. |
Report |
Jan 1, 2012 |
18902 |
| Why Greene was angry at Shakespeare. |
Born, Hanspeter |
Report |
Jan 1, 2012 |
18987 |
| Iconicizing kingship in Elizabethan England: strategic acting by Queen Elizabeth I. |
Kizelbach, Urszula |
Essay |
Jan 1, 2012 |
6109 |
| The lettered Paul: remnant and mission in Hannah More, Walter Scott, and critical theory. |
Stewart, Dustin D. |
Essay |
Dec 22, 2011 |
12247 |
| Fugard and the recent Afrikaans translations of his plays: a subversive exercise? |
Keuris, Marisa |
|
Dec 1, 2011 |
4987 |
| The Ophelia Motif in the Work of Iberian Galician Writers. |
Villar, Maria do Cebreiro Rabade |
Critical essay |
Dec 1, 2011 |
5473 |
| Anonymous Shakespeare? |
Berry, Ralph |
|
Dec 1, 2011 |
1714 |
| A confraternity of the fatherless. |
Goldstein, Rebecca |
Speech |
Nov 1, 2011 |
3037 |
| Intermedial representations in Asian Macbeth-s. |
Wang, I-Chun |
Critical essay |
Sep 1, 2011 |
5406 |
| The spirit of matter in Buchner. |
Nagel, Barbara Natalie |
Critical essay |
Sep 1, 2011 |
6846 |
| The modern self as puppet in Woyzeck on the Highveld/Die moderne self as toneelpop in Woyzeck on the Highveld. |
Krueger, A. |
Critical essay |
Aug 1, 2011 |
4764 |
| LaBute's The Break of Noon and Claudel's Break of Noon. |
Andreach, Robert J. |
Critical essay |
May 1, 2011 |
890 |
| Polish language and history in A Streetcar Named Desire. |
Kolin, Philip C. |
Critical essay |
May 1, 2011 |
1337 |
| Play banned by Poundmaker chief and council. |
Grebinski, Leisha |
|
Apr 1, 2011 |
648 |
| Richard II and the book of life. |
Estill, Laura |
Critical essay |
Mar 22, 2011 |
9802 |
| Adoption and the language of horticulture in All's Well That Ends Well. |
Ellerbeck, Erin |
Critical essay |
Mar 22, 2011 |
9564 |
| Purgation, exorcism, and the civilizing process in Macbeth. |
Hampton, Bryan Adams |
Critical essay |
Mar 22, 2011 |
8661 |
| Henry VIII, Shakespeare, and the Jacobean royal Court. |
Rankin, Mark |
Critical essay |
Mar 22, 2011 |
7204 |
| Jacobean Politics of interpretation in Jonson's Masque of Blacknesse. |
Odom, Glenn A. |
Critical essay |
Mar 22, 2011 |
6806 |
| Ben Jonson's legal imagination in Volpone. |
Klotz, Lisa |
Critical essay |
Mar 22, 2011 |
9824 |
| Citizens, gentry, and the double ending of Rowley and Middleton's a Fair Quarrel. |
Nicol, David |
Critical essay |
Mar 22, 2011 |
8442 |
| New York gives KC playwright first reading of new musical, Harmony, Kansas, about a gay men's chorus in rural Kansas. |
|
Brief article |
Mar 1, 2011 |
219 |
| Two traumas one aesthetic in Walsh's operation masacre and Kaufman's the Laramie project. |
Morello, Henry James |
Critical essay |
Mar 1, 2011 |
5908 |
| Echoes of Sophocles's Antigone in Auster's invisible. |
Waller, Kathleen |
Critical essay |
Mar 1, 2011 |
5603 |
| Violence, visual metaphor, and the "true" Lucrece. |
Vasileiou, Margaret Rice |
Critical essay |
Jan 1, 2011 |
6600 |
| "A wording poet": Othello among the mountebanks. |
Mirabella, Bella |
Critical essay |
Jan 1, 2011 |
11435 |
| Marsha Norman's bi-regional vision in "night, mother. |
Radavich, David |
Report |
Jan 1, 2011 |
5009 |
| Introduction. |
Yates, Julian; Sullivan, Garrett |
Critical essay |
Jan 1, 2011 |
3399 |
| Economies of nature in Shakespeare. |
Feerick, Jean E. |
Critical essay |
Jan 1, 2011 |
4908 |
| The preternatural ecology of "A Lover's Complaint". |
Floyd-Wilson, Mary |
Critical essay |
Jan 1, 2011 |
3996 |
| Shakespeare's globe and England's woods. |
Nardizzi, Vin |
Critical essay |
Jan 1, 2011 |
3964 |
| Ecosystemic Shakespeare: vegetable memorabilia in the Sonnets. |
Calhoun, Joshua |
Critical essay |
Jan 1, 2011 |
3924 |
| "To fright the animals and to kill them up": Shakespeare and ecology. |
O'Dair, Sharon |
Critical essay |
Jan 1, 2011 |
3885 |
| Shakespeare's beach house, or the green and the blue in Macbeth. |
Mentz, Steve |
Critical essay |
Jan 1, 2011 |
3518 |
| Cognitive ecology as a framework for Shakespearean studies. |
Tribble, Evelyn; Sutton, John |
Critical essay |
Jan 1, 2011 |
3784 |
| Shakespeare @ the limits. |
Smith, Bruce R. |
Critical essay |
Jan 1, 2011 |
3413 |
| The French source of the earliest surviving Arabic Hamlet. |
Litvin, Margaret |
Critical essay |
Jan 1, 2011 |
6940 |
| "To buy, or not to buy": Hamlet and Consumer culture. |
Smith, Emma |
Critical essay |
Jan 1, 2011 |
8493 |
| Oedipus, Suez, and Hungary: T.S. Eliot's tradition and The Elder Statesman. |
Simpson, Michael |
|
Dec 22, 2010 |
7990 |
| Alberto Savinio's Alcesti di Samuele in the aftermath of the Second World War. |
Torello, Giulia |
|
Dec 22, 2010 |
1036 |
| Politics, war, and adaptation: Ewan MacColl's Operation Olive Branch, 1947. |
Warden, Claire |
|
Dec 22, 2010 |
1275 |
| Aristophanes and Douglas Young. |
Marshall, C.W. |
|
Dec 22, 2010 |
2773 |
| Oedipus, Shmedipus: ancient Greek drama on the modern Yiddish stage. |
Caplan, Debra |
|
Dec 22, 2010 |
7012 |
| "The Kingdom of Heaven within us": inner (world) peace in Gilbert Murray's Trojan Women. |
Perris, Simon |
|
Dec 22, 2010 |
6885 |
| Is Mr. Euripides a Communist? The Federal Theatre Project's 1938 Trojan Incident. |
Davis, Robert |
|
Dec 22, 2010 |
7241 |
| Oedipus and Afrikaans theater. |
Van Zyl Smit, Betine |
|
Dec 22, 2010 |
6892 |
| "Now the struggle is for all" (Aeschylus's Persians 405): what a difference a few years make when interpreting a classic. |
Van Steen, Gonda |
|
Dec 22, 2010 |
5318 |
| "Pyramids of Egypt": Shakespeare's Sonnets and a Victorian turn to obscurity. |
Williams, Rhian |
Critical essay |
Dec 22, 2010 |
8851 |
| Affirming human bonds in a time of crisis--a central action of Euripides' Heracles? |
England, Frank |
Critical essay |
Dec 1, 2010 |
7133 |
| Music and religious compromise in John Bale's plays. |
Brokaw, Katherine Steele |
|
Sep 22, 2010 |
9564 |
| Giving intention its due? |
Schalkwyk, David |
|
Sep 22, 2010 |
7371 |
| Intentionality, the theater artist, and the performance historian. |
Mazer, Cary M. |
Essay |
Sep 22, 2010 |
3323 |
| Two "mendicants of heaven": Francois Mauriac and Jacques Maritain. |
Beneton, Philippe |
Critical essay |
Sep 22, 2010 |
5005 |
| Marguerite Ida-Helena Annabel in Gertrude Stein's Doctor Faustus Lights the Lights. |
Cardullo, Bert |
|
Sep 1, 2010 |
808 |
| Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet's English plays/Binne die familie: repressie, bloedskande en die vrees vir hibriditeit in Reza de Wet se Engelse dramas. |
Krueger, A. |
Critical essay |
Aug 1, 2010 |
6385 |
| The unqueering of As You Like It. |
Tracy, Ryan |
Critical essay |
Jul 1, 2010 |
2459 |
| Toward a prison poetics. |
Larson, Doran |
Critical essay |
Jun 22, 2010 |
11566 |
| Pericles, Paul, and Protestantism. |
Finkelstein, Richard |
Report |
Jun 22, 2010 |
12063 |
| The spirit of the chorus in D'Annunzio's La citta morta. |
Nikopoulos, James |
Report |
Jun 22, 2010 |
9882 |
| "Hilda, harnessed to a purpose": Elizabeth Robins, Ibsen, and the vote. |
Joannou, Maroula |
Report |
Jun 22, 2010 |
8491 |
| Tragedy after Darwin: Timberlake Wertenbaker remakes "Modern" tragedy. |
Freeman, Sara |
Report |
Jun 22, 2010 |
10684 |
| Tolstoy's presence in Fugard's "Master Harold" ... and the boys: Sam's pacifist Christian perseverance and "a case of illness. |
Urban, David V. |
Critical essay |
Jun 22, 2010 |
7105 |
| Parables of the theater: Diedrich Diederichsen on Rene Pollesch. |
Diederichsen, Diedrich |
|
Jun 22, 2010 |
2103 |
| Emily Wardill. |
Helfand, Glen |
|
Jun 22, 2010 |
564 |
| Manufacturing spectacle: the Georgian playhouse and urban trade and manufacturing. |
Brown, Susan E. |
Critical essay |
Jun 1, 2010 |
11195 |
| Introduction: celebrating with Frank McGuinness. |
Brannigan, John |
Work overview |
Mar 22, 2010 |
1957 |
| An Irish writer and Europe, 1999-2009. |
McGuinness, Frank |
|
Mar 22, 2010 |
7468 |
| Letters from Frank: a playwright reflects on his work. |
Lojek, Helen Heusner |
Critical essay |
Mar 22, 2010 |
3554 |
| Eggs de Valera: reflections on Dolly West's Kitchen and Dancing at Lughnasa. |
Mason, Patrick |
Critical essay |
Mar 22, 2010 |
4207 |
| The Frank McGuinness archive, UCD special collections. |
Flanagan, Evelyn |
Table |
Mar 22, 2010 |
1774 |
| Shhhhhhame: silencing the family secret in Sam Shepard's Buried Child. |
Opipari, Benjamin |
Critical essay |
Mar 22, 2010 |
7504 |
| Intentional meaning in Hamlet: an evolutionary perspective. |
Carroll, Joseph |
Critical essay |
Mar 22, 2010 |
12241 |
| Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro Society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Essay |
Mar 22, 2010 |
5633 |
| Introduction. |
Semenza, Greg Colon |
|
Jan 1, 2010 |
2334 |
| Doing it slant: reconceiving Shakespeare in the Shakespeare aftermath. |
Cartelli, Thomas |
Essay |
Jan 1, 2010 |
4400 |
| iShakespeare: digital art/games, intermediality, and the future of Shakespearean film. |
Osborne, Laurie |
|
Jan 1, 2010 |
3499 |
| YouTube, use, and the idea of the archive. |
Shohet, Lauren |
Essay |
Jan 1, 2010 |
3355 |
| Looking for Mr. Goodbard: Shakespeare films as countermemory. |
Lehmann, Courtney |
|
Jan 1, 2010 |
3690 |
| Recent Shakespeare adaptation and the mutations of cultural capital. |
Lanier, Douglas |
Essay |
Jan 1, 2010 |
3760 |
| Applying the paradigm: Shakespeare and world cinema. |
Burnett, Mark Thornton |
Essay |
Jan 1, 2010 |
3197 |
| Love and money in the Merchant of Venice. |
Harp, Richard |
Critical essay |
Jan 1, 2010 |
4907 |
| Declamation and character in the Fletcher-Massinger plays. |
Curran, John E., Jr. |
Essay |
Jan 1, 2010 |
14529 |
| Editors' introduction to "Shakespearean hearing". |
Dunn, Leslie; Folkerth, Wes |
Editorial |
Jan 1, 2010 |
2647 |
| "A verse to this note": Shakespeare's haunted songs. |
Mincar, Erin K. |
Critical essay |
Jan 1, 2010 |
7272 |
| "Here's a knocking indeed!": Macbeth and the Harrowing of Hell. |
Schreyer, Kurt |
Critical essay |
Jan 1, 2010 |
8598 |
| Shakespeare and the Numbering Clock. |
Berggren, Paula S. |
Critical essay |
Jan 1, 2010 |
6347 |
| "Dining on two dishes": Shakespeare, adaptation, and auditory reception of Purcell's the fairy-queen. |
Deutermann, Allison Kay |
Critical essay |
Jan 1, 2010 |
7561 |
| Shakespeare's inner music. |
Witmore, Michael |
Critical essay |
Jan 1, 2010 |
4852 |
| The 2009 Oregon Shakespeare Festival. |
Shurgot, Michael W. |
|
Jan 1, 2010 |
8615 |
| Hollywood breakthrough for Nigerian duo. |
|
|
Jan 1, 2010 |
536 |
| G.H. Franz's Modjadji: archetypes of time and the transcendence of history/G.H. Franz se Modjadji: die transendensie van geskiedenis deur argetipes van tyd. |
Boshego, L.P.; Lloyd, D.W. |
Critical essay |
Dec 1, 2009 |
8558 |
| Country ham: after a series of reinventions, actor--carpenter--porn star--playwright Tom Judson pulls up stakes and heads west. |
Judson, Tom |
Essay |
Oct 1, 2009 |
837 |
| Shakespeare: the first folio. |
Berry, Ralph |
Essay |
Sep 22, 2009 |
2339 |
| Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Critical essay |
Sep 22, 2009 |
5637 |
| Contesting constancy in The Merchant of Venice. |
Blanchard, Jane |
Critical essay |
Jun 22, 2009 |
4966 |
| Shakespeare, Faulkner, and the expression of the tragic. |
Chesney, Duncan McColl |
Critical essay |
Jun 22, 2009 |
12739 |
| Hamlet and Horace Walpole's The Castle of Otranto. |
Hamm, Robert B., Jr. |
Critical essay |
Jun 22, 2009 |
11411 |
| Tarell Alvin McCraney. |
|
Brief article |
Jun 1, 2009 |
275 |
| Cultural memory and circular time in Suzan-Lori Parks's betting on the dust commander. |
Kolin, Philip C. |
Critical essay |
May 1, 2009 |
1265 |
| Richard Foreman and John Zorn: Ontological-Hysteric Theater. |
Schwabsky, Barry |
|
May 1, 2009 |
610 |
| Reviving the Bard; Adapting Shakespeare's Plays for the modern age. |
Teisch, Jessica |
Recommended readings |
May 1, 2009 |
4976 |
| He's not bad, he just writes that way: on the eve of his Broadway debut, playwright and screenwriter Neil LaBute takes on his critics' charges that he's a misogynist, a homophobe, and an embodiment of the worst aspects of male behavior. |
Voss, Brandon |
|
Apr 1, 2009 |
1372 |
| Putting black culture on stage: August Wilson's Pittsburgh Cycle. |
Gantt, Patricia M. |
Essay |
Mar 22, 2009 |
11906 |
| Framing African American cultural identity: The Bookends Plays in August Wilson's 10-Play Cycle. |
Shannon, Sandra G. |
Essay |
Mar 22, 2009 |
6229 |
| "She make you right with yourself": Aunt Ester, masculine loss and cultural redemption in August Wilson's cycle plays. |
Caywood, Cynthia L.; Floy, Carlton |
Critical essay |
Mar 22, 2009 |
10704 |
| "Their baggage a long line of separation and dispersement": haunting and trans-generational trauma in Joe Turner's come and gone. |
Grant, Sinikka |
Critical essay |
Mar 22, 2009 |
10030 |
| The shattered mirror: what August Wilson means and willed to mean. |
Burbank, Sergei |
Critical essay |
Mar 22, 2009 |
5748 |
| Introduction; special issue on August Wilson. |
Caywood, Cynthia L.; Elkins, Marilyn; Floyd, Carlton |
|
Mar 22, 2009 |
2853 |
| Allusion and sacrifice in Titus Andronicus. |
Hilaire, Danielle A. St. |
Critical essay |
Mar 22, 2009 |
9435 |
| Music and the crisis of meaning in Othello. |
Minear, Erin |
Critical essay |
Mar 22, 2009 |
6682 |
| Thomas Heywood in the house of the Wise-woman. |
Gibbons, Daniel R. |
Critical essay |
Mar 22, 2009 |
11203 |
| Dramatic nostalgia and spectacular conversion in Dekker and Massinger's: the virgin Martyr. |
Pickett, Holly Crawford |
Critical essay |
Mar 22, 2009 |
11257 |
| Staging the Jesuitess in A Game at Chess. |
Bicks, Caroline |
Critical essay |
Mar 22, 2009 |
9234 |
| Walden in the woods (and onstage). |
|
|
Mar 22, 2009 |
410 |
| Roman world, Egyptian earth: cognitive difference and empire in Shakespeare's Antony and Cleopatra. |
Thomas Crane, Mary |
|
Mar 22, 2009 |
6847 |
| Dumb reading: the noise of the mute in Jonson's Epicene. |
Curtin, Adrian |
Essay |
Mar 22, 2009 |
7196 |
| The Scriblerian stage and page: Three Hours After Marriage, Pope's "minor" poems, and the problem of genre-history. |
Mannheimer, Katherine |
|
Mar 22, 2009 |
10448 |
| The failure of representation in Jack B. Yeats's The Green Wave and In Sand. |
Walsh, Ian R. |
Critical essay |
Mar 22, 2009 |
4343 |
| On the trail of the prodigal son. |
Leroux, Georges |
Critical essay |
Mar 22, 2009 |
2968 |
| Bigamy in Miller's The Ride Down Mt. Morgan. |
Meyers, Jeffrey |
Critical essay |
Mar 1, 2009 |
873 |
| The lost manuscript: Oscar Wilde's ode to a grande dame is unearthed after 50 years. |
|
Brief article |
Mar 1, 2009 |
132 |
| Spaces, doors and places in early modern English staging. |
Fitzpatrick, Tim; Johnston, Daniel |
Critical essay |
Feb 1, 2009 |
7561 |
| Again, poets and Julius Caesar. |
Maurer, Margaret |
Critical essay |
Jan 1, 2009 |
6097 |
| "A Carrion Death": the theme of the gold casket in The Merchant of Venice. |
Stone, James W. |
Critical essay |
Jan 1, 2009 |
8259 |
| Where Iago Lies: Home, honesty and the Turk in Othello. |
|
Critical essay |
Jan 1, 2009 |
7866 |
| "Goodlie anticke apparrell"?: Sophocles' Ajax at early modern Oxford and Cambridge. |
Knight, Sarah |
Critical essay |
Jan 1, 2009 |
6880 |
| The cook and the cannibal: Titus Andronicus and the new world. |
Goldstein, David B. |
Critical essay |
Jan 1, 2009 |
13479 |
| Speaking process. |
Orkin, Martin |
Critical essay |
Jan 1, 2009 |
10106 |
| Shakespeare's multiple metamorphoses: authenticity agonistes. |
Fedderson, Kim; Richardson, J. Michael |
|
Jan 1, 2009 |
7773 |
| The Perseus Garner: early modern resources in the digital age. |
Wulfman, Clifford E. |
|
Jan 1, 2009 |
2943 |
| Standing in rich place: electrifying the multiple-text edition or, every text is multiple. |
Best, Michael |
|
Jan 1, 2009 |
5604 |
| Signal to noise: designing a digital edition of the Taming of a Shrew (1594). |
Galey, Alan |
|
Jan 1, 2009 |
12089 |
| Shakespeare on the road: tracking the tours with the REED web project. |
MacLean, Sally-Beth; Somerset, Alan |
|
Jan 1, 2009 |
3984 |
| "The web of our life is of a Mingled Yarn": the Canadian Adaptations of Shakespeare project, Humanities scholarship, and ColdFusion. |
Fischlin, Daniel; Hadfield, Dorothy; Lester, Gordon; McCutcheon, Mark A. |
|
Jan 1, 2009 |
12020 |
| The Shakespeare Dialogues:(Re)producing the Tempest in secondary and university education. |
Desmet, Christy; Bailey, Roger |
|
Jan 1, 2009 |
8719 |
| After the revolution: Jerusalema and the entrepreneurial present. |
de Villiers, Dawid W. |
Critical essay |
Jan 1, 2009 |
6680 |
| Frederick B. Philander--maverick playwright of Namibia. |
Schauffer, Dennis |
Critical essay |
Jan 1, 2009 |
4319 |
| Domestic economies in The Taming of the Shrew: amassing cultural credit. |
Chamberlain, Stephanie |
Critical essay |
Jan 1, 2009 |
9774 |
| "I woo'd thee with my sword, / and won thy love doing thee injuries": the erotic economies of A Midsummer Night's Dream. |
Rieger, Gabriel |
Critical essay |
Jan 1, 2009 |
5679 |
| "Duble Vantage": Tennis and Sonnet 88. |
Blick, Fred |
Critical essay |
Jan 1, 2009 |
3582 |
| The 2009 Alabama Shakespeare Festival: Othello. |
Barrow, Craig; Hampton, Bryan Adams |
|
Jan 1, 2009 |
2408 |
| Kaos, Pirandello and the mother: questions of Identity in the Tavianis Sicily. |
Cadel, Francesca |
Critical essay |
Dec 22, 2008 |
7356 |
| A Preacher of Spiritual Non-Commitment. |
Robinson, Besty |
Brief article |
Nov 1, 2008 |
294 |
| Irving and a dead body. |
Smith, Helen R. |
Critical essay |
Oct 1, 2008 |
380 |
| Beckett's other revelation: The Capital of the Ruins. |
Gribben, Darren |
Critical essay |
Sep 22, 2008 |
4270 |
| The banning of George Bernard Shaw's The Adventures of the Black Girl in Her Search for God and the decline of the Irish Academy of Letters. |
Kent, Brad |
Critical essay |
Sep 22, 2008 |
9021 |
| 'Put to silence': murder, madness, and 'moral neutrality' in Shakespeare's Titus Andronicus and Martin McDonagh's the Lieutenant of Inishmore. |
Wilcock, Mike |
Critical essay |
Sep 22, 2008 |
20348 |
| Theme for this issue: drama & Shakespeare. |
Fairhall, Anne |
Editorial |
Sep 22, 2008 |
498 |
| Standing up for Shakespeare: the Royal Shakespeare Company's Playback project. |
Johnson, Mary |
|
Sep 22, 2008 |
2249 |
| Shakespeare unleashed. |
Barton, Geoff |
|
Sep 22, 2008 |
1678 |
| Shakespeare in context. |
Woledge, Elizabeth |
|
Sep 22, 2008 |
1075 |
| Something wicked this way comes ... taking Shakespeare out of the classroom. |
Adamson, Elizabeth |
|
Sep 22, 2008 |
569 |
| 'The road less travelled': a new series of articles by Julie Blake begins here, focusing on texts which deserve more popularity, having much to offer both teachers and students. |
Blake, Julie |
|
Sep 22, 2008 |
1677 |
| It's all down to Shakespeare. |
Millward, Margaret |
|
Sep 22, 2008 |
1148 |
| Selling Shakespeare to Key Stage 3 (Begin with Doctor Who ...). |
Tippings, Lisa |
|
Sep 22, 2008 |
1564 |
| Shakespearience in the GCSE classroom: Shakespeare and GCSE coursework. |
Thomas, Peter |
|
Sep 22, 2008 |
1769 |
| Dialectics of social class in the Gilbert and Sullivan collaboration. |
Fischler, Alan |
Critical essay |
Sep 22, 2008 |
3733 |
| Ireland Honors Terrence McNally's Corpus Christi. |
Susoyev, Steve |
|
Sep 1, 2008 |
1043 |
| Tennessee Williams' women in a man's world. |
DiSchiavi, Michael |
Critical essay |
Jul 1, 2008 |
1301 |
| Rethinking Shakespeare. |
Posner, Michael |
Cover story |
Jun 22, 2008 |
3166 |
| The secular morality of Middleton's city comedies. |
Alwes, Derek B. |
|
Jun 22, 2008 |
7737 |
| Zimmerman's Metamorphoses: mythic revision as a ritual for grief. |
Chirico, Miriam M. |
|
Jun 22, 2008 |
10670 |
| Staging a new literary history: Suzan-Lori Parks's Venus, In the Blood, and Fucking A. |
Schafer, Carol |
|
Jun 22, 2008 |
9948 |
| "The end of Nigerian history": Wole Soyinka and Yoruba historiography. |
Odom, Glenn A. |
|
Jun 22, 2008 |
10218 |
| The papers of Louis Nowra. |
Vaughan, Donna |
|
Jun 1, 2008 |
727 |
| The paradoxes of slavery in Thomas Southerne's Oroonoko. |
Jaher, Diana |
|
Mar 22, 2008 |
8089 |
| Performing the West Indies: comedy, feeling, and British identity. |
Marsden, Jean |
|
Mar 22, 2008 |
6087 |
| Sheridan, The School for Scandal, and aggression. |
Thompson, James |
|
Mar 22, 2008 |
3891 |
| "Somewhat like war": the aesthetics of segregation, black liberation, and A Raisin in the Sun. |
Gordon, Michelle |
Critical essay |
Mar 22, 2008 |
7526 |
| Robert Anderson, "The Cumberland Bard": an overlooked source for sporting life in the rural margins of late eighteenth century England. |
Huggins, Mike |
Critical essay |
Mar 22, 2008 |
4864 |
| Human malevolence and providence in King Lear. |
Beauregard, David N. |
|
Mar 22, 2008 |
10333 |
| Doctor Faustus and the printer's devil. |
Wall-Randell, Sarah |
Critical essay |
Mar 22, 2008 |
9401 |
| Patient Grissil and Jonsonian satire. |
Rutter, Tom |
Critical essay |
Mar 22, 2008 |
8418 |
| Siring the grandchild in the Winter's Tale and The Fawn. |
Reeder, Robert W. |
Critical essay |
Mar 22, 2008 |
9123 |
| Single parenting, homeschooling: Prospero, Caliban, Miranda. |
Shin, Hiewon |
Critical essay |
Mar 22, 2008 |
8419 |
| The end of the English history play in Perkin Warbeck. |
Taylor, Miles |
Critical essay |
Mar 22, 2008 |
9209 |
| Performance, performativity, and identity in Margaret Cavendish's The Convent of Pleasure. |
Kellett, Katherine R. |
Critical essay |
Mar 22, 2008 |
9845 |
| Re-imagining the female hysteric: Helene Cixous' Portrait of Dora. |
French, Sarah |
Critical essay |
Jan 1, 2008 |
5906 |
| Reform, perform: sincerity and the ethnic subject of history: address at plenary session IFTR 2007 (Stellenbosch). |
Taylor, Jane |
Report |
Jan 1, 2008 |
6488 |
| Community plays by Robert J. Pearce: expressions of consciousness (an initial examination)/Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn ('n eerste verkenning). |
Coetser, J.L. |
Critical essay |
Jan 1, 2008 |
9835 |
| The defence of religious orthodoxy in John Heywood's The Pardoner and the Frere. |
Caputo, Nicoletta |
|
Jan 1, 2008 |
7378 |
| 'Whosoever resisteth shall get to themselfes dampnacioun': tyranny and resistance in Cambises and Horestes. |
Ward, Allyna |
Critical essay |
Jan 1, 2008 |
8874 |
| 'A world of ground': terrestrial space in Marlowe's Tamburlaine plays. |
Jones, Emrys |
Critical essay |
Jan 1, 2008 |
6976 |
| Christopher Marlowe and the succession to the English crown. |
Hopkins, Lisa |
Critical essay |
Jan 1, 2008 |
7755 |
| Reading Tudor writing politically: the case of 2 Henry IV. |
Burrow, Colin |
Critical essay |
Jan 1, 2008 |
9077 |
| Foul papers, promptbooks, and Thomas Heywood's The Captives. |
Purkis, James |
Critical essay |
Jan 1, 2008 |
13844 |
| Brian Vickers, Approaching Shakespeare's late style. |
Vickers, Brian |
|
Jan 1, 2008 |
8462 |
| The Merchant Formerly Known as Jew[1]: Redefining the Rhetoric of Merchantry in Shakespeare's Merchant of Venice. |
Rich, Jennifer |
|
Jan 1, 2008 |
10219 |
| The Theatricality of Transformation: cross-dressing, sexual misdemeanourand gender/sexuality spectra on the Elizabethan stage, Bridewell Hospital CourtRecords, and the Repertories of the Court of the Aldermen, 1574-1607. |
Gorman, Sara |
|
Jan 1, 2008 |
13265 |
| "I desyre to be paid": interpreting the language of remuneration in early modern dramatic archives. |
Northway, Kara |
Critical essay |
Dec 22, 2007 |
6605 |
| Wherefore Verona in The Two Gentlemen of Verona? |
Bergeron, David M. |
|
Dec 22, 2007 |
6540 |
| The Merchant of Venice, the Arab-Israeli conflict, and the perils of Shakespearean appropriation. |
Bayer, Mark |
|
Dec 22, 2007 |
11359 |
| People killing people they knew: J. T. Rogers' riveting play 'The Overwhelming' looks at the days preceding the Rwandan genocide. |
Blaney, Retta |
|
Nov 16, 2007 |
946 |
| Sam Cree: sex, sects, and comedy. |
York, Richard |
|
Sep 22, 2007 |
6523 |
| Playing and singing toward devolution: Stewart Parker's ethical aesthetics in Kingdom Come and Northern star. |
Russell, Richard Rankin |
|
Sep 22, 2007 |
13144 |
| Brian Friel's rituals of memory. |
Tracy, Robert |
|
Sep 22, 2007 |
7644 |
| 'The claim of eternity': language and death in Marina Carr's Portia Coughlan. |
Maxwell, Margaret |
|
Sep 22, 2007 |
7007 |
| A hermaphrodite? Lope de Vega and the controversy of tragicomedy. |
Kluge, Sofie |
Critical essay |
Sep 22, 2007 |
16936 |
| G. B. Shaw's Heartbreak House and Harold Pinter's The Homecoming: comedies of implosion. |
Roy, Emil |
Critical essay |
Sep 22, 2007 |
4999 |
| Incest disguised: Ottonian influence at Gandersheim and Hrotsvit's Abraham. |
Evitt, Regula Meyer |
Critical essay |
Sep 22, 2007 |
7720 |
| Guare's "The Talking Dog": an adaptation that only partially adapts. |
Andreach, Robert J. |
Critical essay |
Sep 1, 2007 |
987 |
| A modern Orpheus descends. |
Canning, Richard |
|
Sep 1, 2007 |
2137 |
| "Banish all the wor(l)d": Falstaff's iconoclastic threat to kingship in I Henry IV. |
Caldwell, Ellen M. |
|
Jun 22, 2007 |
12859 |
| Aphra Behn's The City Heiress: feminism and the Dynamics of Popular Success on the Late Seventeenth-Century Stage. |
Markley, Robert |
Critical essay |
Jun 22, 2007 |
9765 |
| "To kindle an industrious desire": the poetry of work in Lord Mayors' shows. |
Northway, Kara |
Critical essay |
Jun 22, 2007 |
9363 |
| Comparing poverty: fictions of a "poor theater" in Ruzante and Shakespeare. |
Henke, Robert |
Critical essay |
Jun 22, 2007 |
9747 |
| Transplanting the work of "that rooted man": the reception of John Millington Synge's drama in Hungary. |
Kurdi, Maria |
Critical essay |
Jun 22, 2007 |
8900 |
| 'Our theatrical attempts in this distant Quarter': the British stage in eighteenth-century Calcutta. |
Forbes, Derek |
Essay |
Jun 1, 2007 |
6837 |
| Wager's drama of conscience, convention, and state constitution. |
Murakami, Ineke |
Critical essay |
Mar 22, 2007 |
10923 |
| "Is everything history?": Churchill, Barker, and the modern history play. |
Hammond, Brean S. |
|
Mar 22, 2007 |
9105 |
| Shakespeare's Julius Caesar, Erasmus's De Copia, and sentential ambiguity. |
Yu, Jeffrey J. |
|
Mar 22, 2007 |
10806 |
| A playwright's spiritual coming out: 'Matthew Passion' looks at redemption through the prism of homosexuality. |
Blaney, Retta |
|
Mar 16, 2007 |
809 |
| My fair Sadie: Allan Sherman and a paradox of American Jewish culture. |
Cohen, Mark |
|
Mar 1, 2007 |
8812 |
| Oscar Wilde: a celebrity in the making. |
Frigo, Nick |
Essay |
Jan 1, 2007 |
6550 |
| The time of Shakespeare's Jewry. |
Harris, Jonathan Gil |
|
Jan 1, 2007 |
2997 |
| Utopian cosmopolitanism. |
Bartolovich, Crystal |
|
Jan 1, 2007 |
4112 |
| THWS, CWWS, WSAF, and WSCI in the Shakespeare book biz. |
Smith, Bruce R. |
|
Jan 1, 2007 |
10920 |
| The threat of rape in Leonor de la Cueva's La firmeza en la ausencia. |
Aronson, Stacey L. Parker |
Critical essay |
Jan 1, 2007 |
4490 |
| The politics of folklore in Abdou Anta Ka's La Fille des Dieux. |
Walker, Martha |
Critical essay |
Jan 1, 2007 |
3528 |
| Serving Don Juan: decorum in Tirso de Molina and Moliere. |
Bayliss, Robert |
Critical essay |
Jun 22, 2006 |
9773 |
| 'A word by which you will be revealed': the problem of language in Will Eno's monologues. |
Silverstein, Marc |
Critical essay |
Jun 22, 2006 |
10717 |
| 'Greene's Baboone': Thomas Greene, ape impersonator? |
Steggle, Matthew |
Critical essay |
Jun 1, 2006 |
1508 |
| Boyle's Guzman at Lincoln's Inn Fields 1669. |
Keenan, Tim |
Critical essay |
Jun 1, 2006 |
7436 |
| Review of Cambridge Shakespeare, Spring 2006. |
|
|
May 1, 2006 |
562 |
| Super powered: with his newest play, the gifted Roberto Aguirre-Sacasa works emotional territory all his own--painful gay romance, the strain of success, and a lasting love of comics. |
Goldberg, Isa |
|
Apr 25, 2006 |
346 |
| Romp and roll. |
Raymond, Gerard |
Brief article |
Feb 28, 2006 |
166 |
| Wal-Mart send-up. |
DiNovella, Elizabeth |
|
Feb 1, 2006 |
902 |
| David Auburn's Proof: Taming Cinderella. |
Schafer, Carol |
|
Jan 1, 2006 |
5434 |
| Tennessee Williams's Sweet Bird of Youth and William Inge's Bus Riley's Back in Town: coincidences from a friendship. |
Voss, Ralph F. |
|
Jan 1, 2006 |
4138 |
| A. R. Ammons and Arthur Miller: unexpected metaphysical connections. |
Castellitto, George P. |
|
Jan 1, 2006 |
3435 |
| Craig Lucas: playwright with a movie in him. |
Esther, John |
Interview |
Nov 1, 2005 |
1510 |
| Underworld hero. |
Raymond, Gerard |
Brief Article |
Oct 11, 2005 |
154 |
| Justin's time: Justin Tanner's outrageously hilarious plays--including Zombie Attack! and Oklahomo!--have made him an L.A. cult phenomenon. And now he's got an entire season of shows to play with. |
Hensley, Dennis |
|
Oct 11, 2005 |
691 |
| Latina rising: writer-director-star Odalys Nanin gets fresh with the ladies again in her new play. |
Abley, Sean |
Brief Article |
Oct 11, 2005 |
301 |
| The word workers: Ossie Davis and Ruby Dee shared many things, among them a reverence for seeing language breathed into life. |
Johnson, Sharon D. |
Cover Story |
May 1, 2005 |
2600 |
| Catch the keynote, Ossie Davis: a mighty laborer in the field of the arts, a majestic voice for integrity has gone on ahead. |
Madhubuti, Haki R. |
Obituary |
May 1, 2005 |
1406 |
| Inspiration for drama: playwrights ponder the literary influences that inform their work. |
Blake, Joseph P. |
|
May 1, 2005 |
788 |
| "In better places": space, identity, and alienation in Sarah Kane's Blasted. |
Wixson, Christopher |
|
Mar 22, 2005 |
6751 |
| Thomas Heywood's The Royall King, and the Loyall Subject and the fall of Robert Devereux, second earl of Essex. |
Lindberg, Kevin |
|
Mar 22, 2005 |
9099 |
| Jonson's Volpone and Dante. |
Baker, Christopher; Harp, Richard |
|
Mar 22, 2005 |
8443 |
| Discordia concors: characterization problems of two Shakespearean gentlewomen. |
Yu, Sheng-yen |
Critical essay |
Jan 1, 2005 |
9358 |
| From ethnic to mainstream theater: negotiating 'Asian American' in the plays of Philip Kan Gotanda. |
Dunbar, Ann-Marie |
|
Jan 1, 2005 |
5408 |
| David Mamet's Old Neighborhood: journey and geography. |
Pearce, Howard |
|
Jan 1, 2005 |
6075 |
| Expressing "the misery and confusion truthfully": an interview with Beth Henley. |
Bryer, Jackson R. |
Interview |
Jan 1, 2005 |
6865 |
| Peter Pan at 100: one of the great destructive myths of our time. |
Goodden, Herman |
|
Dec 1, 2004 |
1012 |
| Peachtree's players: the gay couple behind the Atlanta stage phenomenon Peachtree Battle cast a satiric eye in every direction. |
Behrens, Web |
Interview |
Oct 26, 2004 |
393 |
| Magic mirrors in Richard II. |
Schuler, Robert M. |
|
Jun 22, 2004 |
12723 |
| Meanings of All for Love, 1677-1813. |
Caldwell, Tanya |
|
Jun 22, 2004 |
11702 |
| Anti-colonist discourse, tragicomedy, and the "American" Behn. |
Beach, Adam R. |
|
Jun 22, 2004 |
8705 |
| Politesse and the woman at risk: the social comedies of Marie-Therese De Camp. |
Scullion, Adrienne |
|
Jun 22, 2004 |
10146 |
| An American in Ireland: the representation of the American in Brian Friel's plays. |
Germanou, Maria |
|
Jun 22, 2004 |
7187 |
| Serious Money becomes "business by other means": Caryl Churchill's metatheatrical subject. |
Jernigan, Daniel |
|
Jun 22, 2004 |
8703 |
| Robson Books acquires memoirs of Jack Rosenthal. |
|
Brief Article |
Jun 21, 2004 |
107 |
| Found in translation: Chekhov revisited by Reza de Wet and Janet Suzman. |
Keuris, Marisa |
|
Jun 1, 2004 |
7109 |
| Hugo novel adapted for Chinese stage. |
|
Brief Article |
Apr 14, 2004 |
86 |
| Culture clunk: the Stendhal Syndrome artlessly revives two Terrence McNally playlets about our reaction to art. |
Shewey, Don |
|
Mar 30, 2004 |
444 |
| The trouble with Big Bill: tennis great Bill Tilden was disgraced because of his sexuality. Now playwright A.R. Gurney and star John Michael Higgins are telling his story. |
Drake, David |
|
Feb 17, 2004 |
740 |
| Foreword. |
Zimmerman, Susan |
|
Jan 1, 2004 |
388 |
| The editor. |
|
|
Jan 1, 2004 |
99 |
| East meets West: Japanese theater in the time of Shakespeare. |
Kamachi, Mitsuru |
|
Jan 1, 2004 |
4506 |
| "Look on fertile France": French theater in Shakespeare's time. |
O'Hara, Stephanie |
|
Jan 1, 2004 |
4178 |
| The work in transmission and its recovery. |
Love, Harold |
|
Jan 1, 2004 |
2895 |
| Going down the drain in 1616: widow Henslowe and the Sewers Commission. |
Cerasano, S.P. |
|
Jan 1, 2004 |
6542 |
| Economies of desire in A Midsummer Night's Dream. |
Boehrer, Bruce |
|
Jan 1, 2004 |
7088 |
| The Fey Beauty of A Midsummer Night's Dream: a Shakespearean comedy in its courtly context. |
Conlan, J.P. |
|
Jan 1, 2004 |
23023 |
| "Your captain is brave and vows reformation": Jack Cade, the Hacket rising, and Shakespeare's vision of popular rebellion in 2 Henry VI. |
Fitter, Chris |
|
Jan 1, 2004 |
18819 |
| The backward voice of Coriol-anus. |
Hunt, Maurice |
|
Jan 1, 2004 |
8062 |
| The popular mechanics of rude mechanicals: Shakespeare, the present, and the walls of academe. |
Albanese, Denise |
|
Jan 1, 2004 |
10994 |
| Faces of angels: conversations with the stars of HBO's Angels in America. |
|
Cover Story |
Dec 9, 2003 |
6849 |
| Finding Nilo: the first Latino to win the Pulitzer Prize for drama, Nilo Cruz opens Anna in the Tropics in New York. |
Stevenson, Bill |
Interview |
Dec 9, 2003 |
657 |
| Puppets and politics: set at Christmas, Paula Vogel's new play focuses on three children, played at times by puppets, but its real target is homophobia. |
Raymond, Gerard |
Interview |
Nov 25, 2003 |
600 |
| Haunted and haunting O'Neill. |
Lynch, Vivian Valvano |
Critical Essay |
Sep 22, 2003 |
1269 |
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