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Where the Girls Are: Growing Up Female with the Mass Media.


Susan Douglas, "Pundit An expert or knowledgeable person. From "pandit" in Hindi. See guru.  Watch" columnist for The Progressive, has written a witty, perceptive account of the conflicting images the media have displayed about women from the 1950s to the present. Rather than taking a reductionist re·duc·tion·ism  
n.
An attempt or tendency to explain a complex set of facts, entities, phenomena, or structures by another, simpler set: "For the last 400 years science has advanced by reductionism ...
 view of the media, Douglas points out that the media conveyed both feminist and antifeminist an·ti·fem·i·nist  
adj.
Characterized by ideas or behavior reflecting a disbelief in the economic, political, and social equality of the sexes.



an
 messages. "The common wisdom about the unremitting sexism of popular culture, and our lemming-like acquiescence to it, can't be quite right," she says, since girls who devoured the media's offerings soon became feminists. "The truth is that growing up female with the mass media helped make me a feminist, and it helped make millions of other women feminists, too." The media have been schizophrenic about women, providing a vast array of mixed messages, thus explaining the love-hate relationship that many women have toward the media.

Showing an appallingly encyclopedic en·cy·clo·pe·dic  
adj.
1. Of, relating to, or characteristic of an encyclopedia.

2. Embracing many subjects; comprehensive: "an ignorance almost as encyclopedic as his erudition" 
 grasp of popular culture, Douglas takes the reader on a breezy tour through the sitcoms, the nightly news shows, the fashion magazines, the popular music scene. "In my tour through the images of the past four decades, my goal is to expose, review, and, at times, make fun of the media-induced schizophrenia so may of us feel." She succeeds admirably. She has a lovely section on what she calls the "girl group music" of the 1960s ("Will You Love Me Tomorrow?" and "He's So Fine" and "Sweet Talking Guy"), seeing them as catalysts for women to get together, as precursors of the consciousness-raising groups of the 1970s. Her nuanced reading of I Love Lucy I Love Lucy is a television situation comedy, starring Lucille Ball and Desi Arnaz, also featuring Vivian Vance and William Frawley. The series originally ran from October 15, 1951, to May 6, 1957, on CBS (181 episodes, including the "lost" Christmas episode and original , The Honeymooners, Bewitched be·witch  
tr.v. be·witched, be·witch·ing, be·witch·es
1. To place under one's power by or as if by magic; cast a spell over.

2. To captivate completely; entrance. See Synonyms at charm.
, The Mary Tyler Moore This article is about the actress. For her 1970s television series, also known as "Mary Tyler Moore", see The Mary Tyler Moore Show.

Mary Tyler Moore
 Show, Maude, and myriad other sitcoms and movies act as a counterbalance to those who would render a hasty, totalitarian judgment on the sexist messages of the culture.

Douglas is less kind to the nightly newscasts. She presents ample evidence of the primitive sexism with which newscasters greeted the onset of the feminist movement (Harry Reasoner, Eric Severaid, Walter Cronkite), and the tendency of the media to put down feminism and pit feminist women against antifeminist women in "cat fights."

But Douglas does not write off the news and entertainment media: "They are still our worst enemy and our best ally in our ongoing struggle for equality, respect, power, and love."
COPYRIGHT 1995 The Progressive, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1995, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Rothschild, Matthew
Publication:The Progressive
Article Type:Book Review
Date:Jan 1, 1995
Words:371
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