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What's in a name: the story of Giclee.



Ever wonder why such a strange (and hard to pronounce) name became the term for a particular fine art print? Here's an explanation, adapted from Chapter 1 of Harald Johnson's book, "Mastering Digital Printing: The Photographer's and Artist's Guide to High-Quality Digital Printing."

One thing that became quickly apparent to the early digital pioneers was the lack of a proper name to describe the prints they were making. By the close of the 1980s, IRIS printers were installed all over the world and spinning off full-color proofs in commercial printing plants and prepress shops. These prints were used to check color and to get client approvals before starting the main print run. They definitely were not meant to last or to be displayed on anyone's walls. Most people called them "IRIS prints," or "IRIS proofs," or, more simply, "IRISes."

However, this wasn't good enough for the new digital fine-art printmakers like Maryann Doe of Harvest Productions and Jack Duganne, who was the first printmaker (after David Coons) at Nash Editions. They wanted to draw a distinction between the beautiful prints they were laboring over and the quickie proofs the commercial printers were cranking out. Just like artist Robert Rauschenberg
"Rauschenberg" redirects here. For other uses, see Rauschenberg (disambiguation)


Robert Milton Ernest Rauschenberg (b. October 22 1925 in Port Arthur, Texas) is an American artist who came to prominence in the 1950s transition from Abstract
 did when he came up with the term "combines" for his new assemblage art, they needed a new label, or, in marketing terms, a "brand identity." The makers of digital art needed a word of their own.

And, they got it. In 1991, Duganne had to come up with a print-medium description for a mailer (1) An e-mail program. See e-mail program.

(2) A message sent by an e-mail program.

(3) A person or organization sending e-mail.
 announcing California artist Diane Bartz' upcoming show. He wanted to stay away from words like "computer" or "digital" because of the negative connotations the art world attached to the new medium. Taking a cue from the French word for inkjet, "jet d'encre," Duganne opened his pocket Larousse and searched for a word that was generic enough to cover most inkjet technologies at the time and, hopefully, into the future. He focused on the nozzle, which most printers used. In French, that was "le gicleur." What nozzles do is spray ink, so looking up French verbs French verbs are a complex area of French grammar, with a conjugation scheme that allows for three finite moods (with anywhere from one to five synthetic tenses), three non-finite moods, three voices, and two aspects.  for "to spray," he found "gicler," which literally means "to squirt, spurt spurt Vox populi A surge or abrupt ↑ in the size or speed of a thing. See Fat spurt, Growth spurt. , or spray." The feminine noun version of the verb is "(la) giclee," (pronounced "zhee-clay") or "that which is sprayed or squirted." An industry moniker (1) A name, title or alias. See alias.

(2) A COM object that is used to create instances of other objects. Monikers save programmers time when coding various types of COM-based functions such as linking one document to another (OLE). See COM and OLE.
 was born.

However, the controversy started immediately. Graham Nash and Mac Holbert had come up with "digigraph," which was close to "serigraph ser·i·graph  
n.
A print made by the silk-screen process.



[Latin s
" and "photograph." The photographers liked that. But, the artists and printmakers doing reproductions had adopted "giclee," and the term soon became a synonym synonym (sĭn`ənĭm) [Gr.,=having the same name], word having a meaning that is the same as or very similar to the meaning of another word of the same language. Some are alike in some meanings only, as live and dwell.  for "an art print made on an IRIS inkjet printer A printer that propels droplets of ink directly onto the medium. Today, almost all inkjet printers produce color. Low-end inkjets use three ink colors (cyan, magenta and yellow), but produce a composite black that is often muddy. ."

Today, "giclee" has become established with traditional media artists, and some photographers. But, many photographers and other digital artists have not accepted it, using, instead, labels such as "original digital prints," "inkjet prints," "pigment prints," or "(substitute the name of your print process) prints."

For many artists, the debate over "giclee" continues. Some object to its suggestive, French slang meaning ("spurt"). Others believe it is still too closely linked to the IRIS printer or to the reproduction market. And some feel it is just too pretentious pre·ten·tious  
adj.
1. Claiming or demanding a position of distinction or merit, especially when unjustified.

2. Making or marked by an extravagant outward show; ostentatious. See Synonyms at showy.
. But, for many, the term "giclee" has become part of the printmaking printmaking

Art form consisting of the production of images, usually on paper but occasionally on fabric, parchment, plastic, or other support, by various techniques of multiplication, under the direct supervision of or by the hand of the artist.
 landscape, a generic word, like "Kleenex," that has evolved into a broader term that describes any high quality, digitally produced, fine-art print.

One problem, of course, is when a term becomes too broad, it loses its ability to describe a specific thing. At that point, it stops being a good marketing label--and, make no mistake about it, "giclee" is a marketing term. When everything is a giclee, the art world gets confused, and the process starts all over again, with people coming up with new labels.

This is exactly what happened when a new group formed in 2001--the Giclee Printers Association (GPA GPA
abbr.
grade point average

Noun 1. GPA - a measure of a student's academic achievement at a college or university; calculated by dividing the total number of grade points received by the total number attempted
)--and came up with its own standards and its own term: "Tru Giclee." The GPA is concerned with reproduction printing only, and its dozen or so printmaker members have approved a short list of printing equipment and materials to bear its logo.

For more information, visit www.dpandi.com/giclee/giclee.html
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Title Annotation:Product Snapshot
Publication:Digital Imaging Digest
Date:Jun 1, 2003
Words:692
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