WIFREDO AND HELENA: MY LIFE WITH WIFREDO LAM, 1939-1950.WIFREDO AND HELENA: MY LIFE WITH WILFREDO LAM, 1939-1950 by Helena Benitez Acatos Editions, August 2000, $60.00, ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m 2-940-03357-9 Helena Benitez' memoir of the ten years she spent with the artist is a tale of admiration, adoration adoration, n a prayer of worship and praise. and usury usury: see interest. usury In law, the crime of charging an unlawfully high rate of interest. In Old English law, the taking of any compensation whatsoever was termed usury. . The text, filled with rare photos and illustrations, canvases the couple's first meeting in Barcelona, their bonding in and escape from Nazi-occupied France and their eventual marriage and breakup breakup The division of a company into separate parts. The most famous breakup to date was the 1984 division of AT&T (formerly, American Telephone & Telegraph Company). This breakup was intended to increase competition in the communications industry. in Lam's homeland of Cuba. In the process, Benitez dates and sites the inspirational sources for important works created during this very prolific period in Lam's career (although, more often than not, the author credits herself with being his inspiration). In Benitez's writing one can not help but notice her need for nonstop name-dropping. She repeatedly mentions famous artists such as Picasso and Breton. Although Lam was associated with these artists while in Paris, the book's tone implies that it is primarily because of these associations that Lam is as well collected and respected as he has been. In essence, Benitez illustrates the circumference of whiteness that surrounded Lam during the ascension Ascension, in Christianity Ascension, name usually given to the departure of Jesus from earth as related in the Gospels according to Mark (16) and Luke (24) and in Acts 1.1–11. of his career. She rehashes the notion put forth by critics of Lam, an Afro-Chinese Cuban artist, as "other" or "exotic" leaving readers and fans alike with a bad taste which lingers no matter the important information she provides, filling gaps in the artist's process. |
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