Vivaldi: Concerti con molt strumenti, Vol. 2.Vivaldi: Concerti con molt strumenti, Vol. 2. Fabio Biondi Fabio Biondi (born March 15, 1961) is an Italian violinist and conductor. Born in Palermo, Sicily, Biondi began his international career at the age of 12 playing a concerto with the RAI Symphony Orchestra. , Europa Galante Europa Galante is an Italian period instrument baroque orchestra founded by violinist Fabio Biondi in 1990 and directed by him since that time. The ensemble has been invited to play at important festivals and concert halls and has performed at La Scala in Milan, the . Virgin Classics 7243 5 45723-2. I suppose one should pursue what one is good at. In the case of Fabio Biondi and his Europa Galante ensemble, that is clearly the work of Antonio Vivaldi. Nearly half of Europa Galante's recorded output for Virgin Classics and Opus 111 are in works of Vivaldi. Darn good thing he and his group do it so well. In this instance they're into their second volume of Concertos for various instruments, the various instruments being violins, violos, flutes, oboes, cellos, horns, bassoons, timpani timpani: see kettledrum. timpani or kettledrums Large bowl-shaped drums with pedal mechanisms for altering their pitch by changing the membrane's tension. The timpani are the principal orchestral percussion instruments. , harp, and harpsichord harpsichord, stringed musical instrument played from a keyboard. Its strings, two or more to a note, are plucked by quills or jacks. The harpsichord originated in the 14th cent. and by the 16th cent. Venice was the center of its manufacture. , all in assorted combinations in seven separate concertos. As usual, I came away from the album unable to tell remember one piece from another, except in the case of the opening work, the Concerto grosso a 10 strumenti, per violino principlae, 2 corni da caccia, tympano, 2 oboi Oboi (Ma: All of the concertos are performed in typically lively style by Biondi and his players, a hallmark of his success. While the readings may not be as polished as those by some other Baroque interpreters, Biondi's enthusiasm makes up for any small deficiencies and quickly wins the day. Although I must say, in his defense, that he has calmed down somewhat since his first heady days on Opus 111. Nevertheless, the speedy tempos and wide dynamic contrasts remain, if not quite at so breakneck break·neck adj. 1. Dangerously fast: a breakneck pace. 2. Likely to cause an accident: a breakneck curve. a pace. The sound is robust, to say the least. It is slightly closer than I'd like to hear, rather large in a melodramatic sense, fairly well detailed but a tad soft around the edges. For listeners who like their Vivaldi big and bold, Europa Galante should again fill the bill. |
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