Virgilio in Inghilterra.This volume contains twelve essays examining the knowledge of and interest in Virgil on the part of such writers as Marlowe, Shakespeare, Milton, Swift, Pope, Thomson, Wordsworth, Byron, Shelley, Keats, Tennyson, and Hardy. All but the essay on Shelley are adaptations of entries in the Enciclopedia Virgiliana (vol. 1-4, Rome, 1984-90); in addition, Portale provides a hefty bibliography of the authors at the end of the work. Each chapter is self-contained, linked to the next only by the common thread of the presence of Virgil. As much as Portale has tried to make the essays into chapters, they still have the distinct ring of encyclopedia encyclopedia, compendium of knowledge, either general (attempting to cover all fields) or specialized (aiming to be comprehensive in a particular field). Encyclopedias and Other Reference Books entries. This is not necessarily a liability, but it does define the readership for whom this book is intended; scholars of English literature English literature, literature written in English since c.1450 by the inhabitants of the British Isles; it was during the 15th cent. that the English language acquired much of its modern form. will find each chapter's introductory material elementary, but such sketches would on the other hand be useful to someone unfamiliar with, for example, the early life of Shakespeare and his frequently-cited relationship with "small Latine and lesse Greeke." Beginning with a biographical sketch of each individual author, all essays proceed to discuss those authors' relationships with Virgil, from grammar school training to Virgilian themes in their works to sometimes word-for-word "translations" of Virgiljan phrases. Interspersed in the chapters are critics' reactions to the Virgilian presence in each author's works. Of the more intriguing in·trigue n. 1. a. A secret or underhand scheme; a plot. b. The practice of or involvement in such schemes. 2. A clandestine love affair. v. types of information provided are quotations culled from the letters, diaries, and other sources concerning the individual authors' debts to and plans for Virgil in their works. Taking Alexander Pope as our example, we see the young man reading poets in English, French, Italian, Latin, and Greek, and then beginning his own poetic experiments by "hunt[ing] in the authors for a syntax syntax: see grammar. syntax Arrangement of words in sentences, clauses, and phrases, and the study of the formation of sentences and the relationship of their component parts. of my own" before proceeding on to "[translate] any parts that pleased me particularly in the best Greek and Latin Poets" (89). What unfolds through the various quotations chosen by Portale is Pope's personal authorial relationship with the idea of imitatio and his own (dis)comfort with that idea. He writes to a friend, "I would beg your opinion as to another point: it is how far the liberty of borrowing may extend?" and later notes in the preface pref·ace n. 1. a. A preliminary statement or essay introducing a book that explains its scope, intention, or background and is usually written by the author. b. An introductory section, as of a speech. 2. to his Works in the 1717 edition that "those who say our thoughts are not our own because they resemble the Ancients . . . may as well say our faces are not our own, because they are like our fathers" (88). While Portale presents us with these fascinating glimpses into the mind of Pope, he does very little to develop them because his scope is limited to defining Pope's relationship with Virgil via quotation without then fully exploring the implications of that relationship in the life of the author. Other important components of each chapter are the critical surveys provided, with critics ranging from those contemporary with the particular author to those of the present day. We thus get a quick and concise overview of several hundred years of literary criticism, which, combined with the lengthy bibliography at the end of the volume, will give the neophyte ne·o·phyte n. 1. A recent convert to a belief; a proselyte. 2. A beginner or novice: a neophyte at politics. 3. a. Roman Catholic Church A newly ordained priest. a good start on understanding the relationship of one or all of the English authors with Virgil. Portale more than realizes his goal of "rintracciare, in tutti tut·ti Music adv. & adj. All. Used chiefly as a direction to indicate that all performers are to take part. n. pl. tut·tis 1. gli autori, la conoscenza e l'interesse per Virgilio" (ix). But he goes much further in piquing our interest in the links between the English classics and the ancients. The little tidbits TidBITS is an award-winning electronic newsletter and web site dealing primarily with Apple Computer and Macintosh-related topics. Internet publication TidBITS has been published weekly since April 16, 1990, which makes it one of the longest running Internet publications. that he throws out, either in the form of quotations from the English authors' works or from the critics, tempt tempt v. tempt·ed, tempt·ing, tempts v.tr. 1. To try to get (someone) to do wrong, especially by a promise of reward. 2. us to delve deeper into some of the more complicated arguments that arise from the ideas of roots, imitations, conceits, and authorial credibility. The book is ideal for an audience who needs an introduction to great English literary figures, especially in regard to extent that their works are influenced by the classics. Even beyond that, there is much to draw the knowledgeable literary critic Noun 1. literary critic - a critic of literature critic - a person who is professionally engaged in the analysis and interpretation of works of art into the world of imitatio. ELIZABETH H.D. MAZZOCCO University of Massachusetts The system includes UMass Amherst, UMass Boston, UMass Dartmouth (affiliated with Cape Cod Community College), UMass Lowell, and the UMass Medical School. It also has an online school called UMassOnline. , Amherst |
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