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Vaulting ambition.


CONCRETE VAULTED CONSTRUCTION IN IMPERIAL ROME: INNOVATIONS IN CONTEXT

By Lynne C. Lancaster. Cambridge: Cambridge University Press Cambridge University Press (known colloquially as CUP) is a publisher given a Royal Charter by Henry VIII in 1534, and one of the two privileged presses (the other being Oxford University Press). . 2005. [pounds sterling]55

This substantial work pulls together research and analysis of vaulted buildings constructed in or around Rome from 27 BC to AD 330. It is an interdisciplinary study, and the author (who is an architect turned Classical Archaeology 'Classical archaeology' is a term given to archaeological investigation of the great Mediterranean civilizations of Ancient Greece and Ancient Rome. Nineteenth century archaeologists such as Heinrich Schliemann were drawn to study the societies they had read about in Latin and  scholar) has drawn on fellow academics' expertise in engineering and geology. Much of it is highly technical. One appendix describes how you can carry out your own 'thrust line analysis' of an arch, while another tabulates Lancaster's analysis of rubble samples from key buildings to show that building materials Building materials used in the construction industry to create .

These categories of materials and products are used by and construction project managers to specify the materials and methods used for .
 were being imported into Rome from Vesuvius throughout the study period. Despite the inclusion of statements such as 'all contain sanidine san·i·dine  
n.
A glassy variety of orthoclase feldspar, known as moonstone when translucent.



[Greek sanis, sanid-, board (from its flat crystals) + -ine2.]
 in the groundmass groundmass: see porphyry.  as well as significant amounts of plagioclase plagioclase

Any member of the series of abundant feldspar minerals that usually occur as light- to medium-grey-coloured, transparent to translucent grains or crystals. Plagioclase ranges in composition from albite to anorthite.
 ... the presence of olvine and the lack of phenocrysts of sanidine rules out the Sabatini system' (a conclusion of the rubble study), the book aims to serve both a specialist and a general reader, and is generally successful in this.

For instance, it's an easy one-liner to say that the Romans invented concrete, but, as Lancaster points out, the Roman material is 'different from what we think of today as concrete'. It was not a homogeneous mix, which could be poured in place, but rather layers of rubble held together with mortar, the two ingredients laid separately. Many of the structures studied, including the Pantheon and the Baths of Trajan The Baths of Trajan, begun in AD 104 and dedicated during the Kalends of July in 109, were a massive Roman bathing and leisure complex, built in Rome. Commissioned by Emperor Trajan, the complex of baths occupied space on the southern side of the Oppian Hill on the  and Caracalla, are well known and much visited and the argument that Lancaster makes for why they came about is compelling and accessible. She accesses the situation in terms of four criteria for technological innovation previously applied to the study of agricultural development. These are 'accumulated knowledge', 'evident need', 'economic possibility' and 'cultural/social/political acceptability'--and Rome had them all. It was the contemporaneous development of the arch and discovery of pozzolana Pozzolana, also known as pozzolanic ash, is a fine, sandy volcanic ash, originally discovered and dug in Italy at Pozzuoli in the region around Vesuvius, but later at a number of other sites. Vitruvius speaks of four types of pozzolana.  mortar, with a new need for large gathering spaces for social institutions, and the availability of wealth from conquests and taxation which provided the wherewithal for buildings that met a compelling 'desire to match the architectural accomplishments of conquered territories in the Hellenistic Greek world'. As Lancaster summarises it, 'In Imperial Rome, all the natural advantages and cultural influences came together and manifested themselves in imposing concrete vaulted structures'.

So what can the twenty-first century architect get from this study? Lancaster notes that it was as an admirer of Louis Kahn Louis Isadore Kahn (born Itze-Leib Schmuilowsky) (February 20, 1901 or 1902 – March 17, 1974) was a world-renowned architect based in Philadelphia, Pennsylvania. After working in various capacities for several firms in Philadelphia, he founded his own firm in 1935.  that she was first drawn to look at Roman brick arches. These had inspired him when he was at the American Academy in Rome American Academy in Rome, founded in 1894 as the American School of Architecture in Rome by Charles F. McKim and enlarged in 1897 with the founding of the American Academy in Rome for students of architecture, sculpture, and painting.  in 1950. But clearly for Kahn it was a visceral and aesthetic response which fuelled his imagination; he certainly did not have the detailed knowledge displayed here and in fact may have had all sorts of misconceptions. For instance Lancaster notes her own initial attraction to an 'honesty' in the use of materials but adds that she now realises that the Romans 'were probably not remotely interested in this modernist concept'.

This is a rigorous fascinating study, and excellent background for a trip to Rome, rather than a pictorial source book.

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Title Annotation:Concrete Vaulted Construction in Imperial Rome : Innovations in Context
Author:Croft, Catherine
Publication:The Architectural Review
Article Type:Book Review
Date:Dec 1, 2005
Words:554
Previous Article:Modernist monument.
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