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Value-able still life.


Let's face it, it's hard work traveling between elementary schools elementary school: see school. , artrooms, and grade levels. We switch media, motivation, expectations, lessons, and sometimes, even furniture as one grade level leaves the artroom and another enters. When I developed a set of lessons around the still life for many grade levels several years ago, I was able to leave a table laden with fall fruits, baskets, flowers, containers, and other objects in the middle of the room for the entire morning. This year, I made a major improvement to my fifth-grade lesson plan by providing a hands-on Internet experience before students worked on their own oil pastel Oil pastel (also called wax oil crayon) is a painting and drawing medium with characteristics similar to pastels and wax crayons. Unlike "soft" or "French" pastel sticks, which are made with a gum or methyl cellulose binder, oil pastels consist of pigment mixed with a  still life. It was a success with beautiful finished products and highly motivated, engaged students.

The Visual Problem

This lesson involves drawing from life and creating value, depth, contrast, and form through the use of color not of the white race; - commonly meaning, esp. in the United States, of negro blood, pure or mixed.

See also: Color
 intensity, tints, and shades.

Materials

12 x 18" (30.5 x 46 cm) construction paper in a variety of colors o white chalk for initial drawing of still life (chalk is easy to see and erase on dark colored papers)

* white and black oil pastels for each student one colored oil pastel per student

* viewfinders made by cutting tiny rectangles out of scrap paper scrap paper npedazos mpl de papel

scrap paper npapier m brouillon

scrap paper scrap n
 

Getting Started

We reviewed various drawing techniques that students used in the past, as well as the use of a handmade viewfinder The preview window on a camera that is used to frame, focus and take the picture. On analog cameras, the viewfinder is an eye-sized window that must be pressed against the face. Point-and-shoot digital cameras use small LCD screens that are viewed several inches from the eyes.  to choose a portion of the still life to draw. Students chose a color of construction paper that was the complementary color complementary color
n.
1. Either one of two colors whose mixture in the right proportions produces white (in the case of light) or gray (in the case of pigment).

2.
 of the oil pastel that they would later use to define their values. Students were required to draw objects going off the edges of their paper with white chalk. This part of the lesson emphasized drawing from life, symmetry of forms, and the use of overlap, placement, and size comparisons.

The Hook--Using the Web

I introduced the central part of the lesson by using a projector hooked up to a computer with a wonderful website (listed at the end of the article). It was a hands-on introduction to creating value with tints and shades
“Tint” redirects here. For other uses, see tint (disambiguation)
In color theory, a tint is the mixture of a color with white (also called a pastel color) , and a shade is the mixture of a color with black.
. The projector provided an advantage by allowing the entire class to view the site.

This site has three components: the visual component, with audio and animation, to view the use of the element in a selected famous artwork; the "find" component, with arrows for students to find examples in three different artworks; and the "create" component, where students can create artworks by manipulating colors, shapes, line, etc., to experiment with the principles or elements of design. Students experimented with the site at home and in the classroom.

Students took turns at the computer, tinting tint  
n.
1. A shade of a color, especially a pale or delicate variation.

2. A gradation of a color made by adding white to it to lessen its saturation.

3. A slight coloration; a tinge.

4.
 and shading while the rest of the class completed their chalk drawings. Students at the computer were surprised at the variations in value and intensity they created by alternately adding more shade, tint 1. TINT - Interpreted version of JOVIAL.

[Sammet 1969, p. 528].
2. tint - hue
, or color in Verb 1. color in - add color to; "The child colored the drawings"; "Fall colored the trees"; "colorize black and white film"
color, colorise, colorize, colour in, colourise, colourize, colour
 random orders and amounts. The computer experience encouraged them to focus more intently, and for a much longer period.

Completing the Drawings

After students completed their chalk drawing, they outlined them in black oil pastel. Students rendered their drawings into forms with their three oil pastels: black, white, and their chosen color. They were asked to use the oil pastels in combination as they shaded and tinted tint  
n.
1. A shade of a color, especially a pale or delicate variation.

2. A gradation of a color made by adding white to it to lessen its saturation.

3. A slight coloration; a tinge.

4.
 their still life drawings. At first, they were encouraged to use the sides of the oil pastels and to put down thin layers. As they built up the layers, students observed the limitless range and began to focus on saturation and intensity of color as well. Students who made errors in using additional colors were encouraged to go back and layer in some of their correct color. That experience allowed students to see that color can be shaded and tinted with color choices other than black and white.

Students' artwork progressed and improved with continuous delineation of values. It took two to three class periods to complete the still life as students saw for themselves that creating mid-range values of color was as important as creating strong contrast. We were all amazed a·maze  
v. a·mazed, a·maz·ing, a·maz·es

v.tr.
1. To affect with great wonder; astonish. See Synonyms at surprise.

2. Obsolete To bewilder; perplex.

v.intr.
 at the different techniques, styles, and beautiful results.

NATIONAL STANDARD

Students intentionally take advantage of the qualities and characteristics of art media, techniques, and processes to enhance communication of their experiences and ideas.

WEB LINK

www.artsconnected.org/toolkit/tint sandshades.

Susan Gardner is an elementary art teacher at Englewood Elementary School in the Northmont City School District in Northmont, Ohio. Sgardner@northmont.k12.oh.us
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Article Details
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Title Annotation:Elementary; still life drawing
Author:Gardner, Susan
Publication:School Arts
Geographic Code:1USA
Date:Mar 1, 2005
Words:738
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