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URBAN GAZEBO.


Poised among the trees, this house in Cape Town Cape Town or Capetown, city (1991 pop. 854,616), legislative capital of South Africa and capital of Western Cape, a port on the Atlantic Ocean. It was the capital of Cape Province before that province's subdivision in 1994.  combines a rational spatial and material sensitivity with a romantic approach to nature.

Cape Town's stage set topography forms a huge and dramatic amphitheatre. Residential districts clamber clam·ber  
intr.v. clam·bered, clam·ber·ing, clam·bers
To climb with difficulty, especially on all fours; scramble.

n.
A difficult, awkward climb.
 up the edges of the city bowl, grouped around the central business gridiron. Diverse communities, from the illfated District 6 to the Malay quarter known as Bo-Kaap (above Cape), historically occupied these sites cheek-by-jowl with upmarket up·mar·ket  
adj.
Appealing to or designed for high-income consumers; upscale: "He turned up in well-cut clothes . . . and upmarket felt hats" New Yorker.
 neighbourhoods. Higgovale falls into the latter category. Half hidden in its steep and leafy woods is the Tree House, the newest and most ambitious project to date by South African duo Anya Van der Merwe and Macio Miszewski.

The house represents a committed architect client relationship established over several years. Newcomers to the city, the clients were responsive to Van der Merwe Miszewski's strategy. Their design dramatizes the views, and literally heightens the sense of being 'in nature', while also affording a panorama of the city. Teetering on a precipitous slope, it is a delightful contrivance, matching structural playfulness with a studied approach to the ordering of thresholds and elevations.

Rising from a winding road teeming teem 1  
v. teemed, teem·ing, teems

v.intr.
1. To be full of things; abound or swarm: A drop of water teems with microorganisms.

2.
 with building activity, the disengaged dis·en·gage  
v. dis·en·gaged, dis·en·gag·ing, dis·en·gag·es

v.tr.
1. To release from something that holds fast, connects, or entangles. See Synonyms at extricate.

2.
 street facade cheekily masks the body of the house, rather like a slightly too small towel at the beach. Addressing the street at mock urban scale, a monolithic wall restates the language of the town house, establishing scale, privacy and security. And almost at once it violates all three. Scale is distorted in two grandiose openings, one to mark entry and the second to offer a glimpse into the private realm beyond. Privacy is manipulated both in the openings and in the tantalizing tan·ta·lize  
tr.v. tan·ta·lized, tan·ta·liz·ing, tan·ta·liz·es
To excite (another) by exposing something desirable while keeping it out of reach.
 views of the tree columns above. Security is pitted against enclosure; the wall is just the first in a series of vertical layers, which on closer inspection, form the house's principal ordering device.

The house envelope is rectangular in plan. A three-storey void drops behind the glass layer of the street elevation all the way from the entry level living area to the study and guest room two floors below. The living area inhabits the garden facade and overlooks the void towards the street, separated from it by a curvilinear curvilinear

a line appearing as a curve; nonlinear.


curvilinear regression
see curvilinear regression.
 maple ply screen. The tree columns rise against this screen, spreading their asymmetrical branches to carry the composite box-crate roof-terrace structure above, a plane oversailing the body of the house with uninterrupted views of the city bowl and bay.

The design mimics the paradoxically exposed but enclosed childhood experience of a tree-house. The interior is reinterpreted as a landscape, an artificial garden in which the living room is perched between the fabricated structural trees inside and the real pines all around, It reflects the designers' fascination with layers and the idea of a building's hidden heart, in which the promenade architecturale is a game of discovery, the home unpeeled Un`peeled

a. 1. Thoroughly stripped; pillaged.
2. Not peeled.
 like an onion.

Anya and Macio, the wife and husband partnership at the core of Van der Merwe Miszewski trace the roots of their Tree House to a concern with environmental design and the particulars of a place. The design draws out the spirit of the site in a way that brings the house into dialogue with nature. Oscillating os·cil·late  
intr.v. os·cil·lat·ed, os·cil·lat·ing, os·cil·lates
1. To swing back and forth with a steady, uninterrupted rhythm.

2.
 between Modernist machine and garden gazebo gazebo

Lookout in the form of a turret, cupola (small, lanternlike dome), or garden house set on a height to give an extensive view. Few late-18th- and 19th-century rustic gazebos survive, but 17th-century turrets built up in an angle of the garden wall are not uncommon.
, the building's nimble poise is at the heart of its charm.

Architect

Van der Merwe Miszewski, Cape Town

Photographs

Steven Inggs

1. Part garden gazebo, part Modernist machine, the house is a surprising presence among lush landscape.

2. Like a tree-house, the living room heightens the sensation of being at one with nature.

3. The glass and steel upper floors emerge from a robust masonry base.

4. Arboreal arboreal

pertaining to trees, treelike, tree-dwelling.
 roof structure mimics and abstracts nature.

5. From the street, a monolithic wall restates the language of the town house, yet it is also punctured to reveal tantalizing glimpses of the interior realm.

6. Enclosed in a cylinder of perforated steel mesh, a spiral staircase snakes through the house, vertically linking the three levels.

7. Bathroom with master bedroom beyond on the first floor. Materials and detailing display a crisp, functional elegance.
COPYRIGHT 1999 EMAP Architecture
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1999, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:BARAC, MATTHEW
Publication:The Architectural Review
Article Type:Brief Article
Date:Nov 1, 1999
Words:680
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