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UNITY BY INCLUSION.


SIR NINIAN COMPER Sir John Ninian Comper, (June 10, 1864 – December 22, 1960), was a Scottish architect of church buildings and furnishings. His commissions include a line of windows in the north wall of the nave of Westminster Abbey, St Peter's Parish Church Huddersfield's baldochino - High : AN INTRODUCTION TO HIS LIFE AND WORK WITH COMPLETE GAZETTEER gazetteer (găz'ĭtēr`), dictionary or encyclopedia listing alphabetically the names of places, political divisions, and physical features of the earth and giving some information about each.  

By Anthony Symondson and Stephen Bucknall. Reading and London: Spire Books and The Ecclesiological ec·cle·si·ol·o·gy  
n.
1. The branch of theology that is concerned with the nature, constitution, and functions of a church.

2. The study of ecclesiastical architecture and ornamentation.
 Society. 2006. [pounds sterling]29.95

A distinguished architect and ecclesiological scholar, John Ninian Comper (1864-1960) was a major influence on the liturgical revival when the Anglican Church was still imbued with a vital Anglo-Catholicism, now largely dissipated. His masterpiece is St Mary's, Wellingborough, Northamptonshire (1904-40), expressing his belief in 'unity by inclusion', drawing on various styles. It is sobering to reflect on the fact that everything Comper sought to create in his designs, drawing upon his prodigious scholarship, is no longer thought to be of any importance by the contemporary Church of England Church of England: see England, Church of. : refinement, learning, and liturgical traditions have all been abandoned in favour of a wet, nauseating, and vulgar populism populism

Political program or movement that champions the common person, usually by favourable contrast with an elite. Populism usually combines elements of the left and right, opposing large business and financial interests but also frequently being hostile to established
 that is as repulsive as it is destructive. Comper believed that it was by beauty that hearts and minds were won, and that it was by mediocrity, half-truths, and ugliness that they were turned away. Unfortunately, many, if not most, modern clergy are suspicious and even terrified ter·ri·fy  
tr.v. ter·ri·fied, ter·ri·fy·ing, ter·ri·fies
1. To fill with terror; make deeply afraid. See Synonyms at frighten.

2. To menace or threaten; intimidate.
 of beauty, with deplorable results.

Fr Symondson's erudite er·u·dite  
adj.
Characterized by erudition; learned. See Synonyms at learned.



[Middle English erudit, from Latin
 prose, the plentiful illustrations (many of which were made when the buildings and artefacts were just completed), and the Gazetteer by S. A. Bucknall contribute to the making of a most useful study celebrating Comper and his architecture. This splendid book also contains Comper's important essay Of the Atmosphere of a Church, first published in 1947. It is regrettable, however, that apart from Martin Charles's stunning cover picture of the interior of St Mary's, Wellingborough, there are no colour plates: Comper and colour went together, and black-and-white pictures hardly do justice to his marvellous, joyous, beautiful work. Symondson's penetrating intelligence, however, illuminates every page. He exposes Betjeman's two-faced behaviour, and suggests that his championing of Comper was not entirely helpful to the great man's reputation. It is to be hoped that Symondson will eventually give us the major monograph on Comper we have been awaiting, with colour plates and detailed references. As it is, this new publication is warmly welcomed.
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Author:Curl, James Stevens
Publication:The Architectural Review
Date:Jan 1, 2007
Words:354
Previous Article:ROGERS THE HUMANIST.
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