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Typographic transformations.


Transformation is a powerful process that fascinates and intrigues us. Using computers is another process with which to engage our students. Combine the two and you will have a winning graphic design project.

Inspired by Dorothy Schmiderer's art for The Alphabet alphabet [Gr. alpha-beta, like Eng. ABC], system of writing, theoretically having a one-for-one relation between character (or letter) and phoneme (see phonetics). Few alphabets have achieved the ideal exactness.  Book, I asked my students to transform a letter into a recognizable form that begins with that letter.

On the computer, we chose the Type tool and then a standard, easy-to-read font. Next, we clicked on Size and scrolled scroll  
n.
1.
a. A roll, as of parchment or papyrus, used especially for writing a document.

b. An ancient book or volume written on such a roll.

2. A list or schedule of names.

3.
 down to Other..., where we typed in 255 (See Hand-Out page 26 for a discussion of type sizes) and then OK. You may prefer a size of 250 or 245. Under Style, select Bold if you wish to thicken thick·en  
tr. & intr.v. thick·ened, thick·en·ing, thick·ens
1. To make or become thick or thicker: Thicken the sauce with cornstarch. The crowd thickened near the doorway.

2.
 your letter.

We typed in the single letter near the top of the page, and then selected it. There are two ways of selecting: either highlight it or use the rectangular "marching ants The marching ants effect is an animation technique often found in selection tools of computer graphics programs. It helps the user to distinguish the selection border from the image background by animating the border. " tool around it. If you've used the latter, you may now click on Edit>Duplicate. If you are still using the type tool and you've simply highlighted your letter to select it, you must Edit>Copy, and then Edit> Paste. Either way, you've created another letter just like the first. Move it to a spot below the first letter and then alter it somewhat by adding to or subtracting from the letter.

With the transformation begun, repeat the process by duplicating the second version and altering it still further. The fourth and final stage is merely a consecutive, changed version of number three.

This activity might be appropriate for different age groups, depending upon levels of computer skills. Assessment can be based on ability to follow directions, neatness, smoothness of transition, and complexity or level of difficulty.

We used only black and white, and we finished very quickly. Using color opens a new world of possibilities.

In the past I've asked my high school students to create intensity scales the old-fashioned way -- using tempera tempera (tĕm`pərə), painting method in which finely ground pigment is mixed with a solidifying base such as albumen, fig sap, or thin glue.  paint. Mixing a pair of complements incrementally is a great art experience...but then we got the program Adobe Illustrator A full-featured drawing program for Windows and Macintosh from Adobe. It provides sophisticated tracing and text manipulation capabilities as well as color separations. Included is Adobe Type Manager and a selection of Type 1 fonts.  6.0 and found we could recreate the assignment with a few clicks of the mouse.

To start, choose a shape. The Plug-In Tools allow you to make a many-pointed star, or polygon polygon, closed plane figure bounded by straight line segments as sides. A polygon is convex if any two points inside the polygon can be connected by a line segment that does not intersect any side. If a side is intersected, the polygon is called concave. . You can also create your own freehand See Macromedia FreeHand.  shape. While selecting the shape, drag it to the size you want and place it near the top of the page. Fill the shape with a pure color.

Near the bottom of the page, create another (different) shape and fill it with the complement (opposite) of the first color. With both shapes selected, (select one and shift/click on the other), choose the Blend Tool. Click on one point of a path on each shape. The Blend Tool dialog box A movable window that is displayed on screen in response to the user selecting a menu option. It provides the current status and available options for a particular feature in the program.  will ask how many steps you want from one to the other. We chose nine.

Voila! The students love the "shape-shifting" effects, and the blended colors are gorgeous. Will I give up tempera paint for printer ink? Never! But these computer transformations are fun, easy, and lovely to look at.
COPYRIGHT 1998 Davis Publications, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1998, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:includes related article with additional exercises; computer assignments
Author:Guhin, Paula
Publication:School Arts
Article Type:Brief Article
Date:Mar 1, 1998
Words:516
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