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Tribute to the Masters: Six Original Pieces Inspired by Timeless Composers.


Tribute to the Masters: Six Original Pieces Inspired by Timeless timeless,
adj infinite, enduring, endless.
 Composers, by Alexander Peskanov, published by The Willis Music Company (P.O. Box 548, Florence, KY 41022), 2006. 23 pp. $6.95. Intermediate to Late Intermediate.

Alexander Peskanov writes beautifully in a wide variety of styles and moods; the pieces range from lyrical lyr·i·cal  
adj.
1.
a. Expressing deep personal emotion or observations: a dancer's lyrical performance; a lyrical passage in his autobiography.

b.
 to upbeat to dynamic and impassioned. Each piece is full of interesting musical ideas and harmonies.

Peskanov has composed each piece in the style of a well-known composer; the collection includes tributes to Beethoven, Bernstein, Bach, Gluck, Mozart and Liszt. In many cases, the pieces he chose as models are familiar, and the teacher may be able to identify the original. Peskanov does provide clues as to their origins in the titles (Bagatelle, Invention, Sonnet sonnet, poem of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme. There are two prominent types: the Italian, or Petrarchan, sonnet, composed of an octave and a sestet (rhyming abbaabba cdecde  and so on). However for many students, it would have been useful to provide a list of the original pieces or a short essay on compositional techniques used by each composer.

The first piece, "Invention" is a true invention, with the motive passed back and forth between the hands. The last piece, "Sonnet 140 of Petrarch" is fairly lengthy and complex. The range might better be described as intermediate to early advanced, rather than intermediate to late intermediate.

Tribute to the Masters is clearly edited and easily readable read·a·ble  
adj.
1. Easily read; legible: a readable typeface.

2. Pleasurable or interesting to read: a readable story.
. Peskanov provides a lot of fingerings in the earlier selections; as the pieces advance, the fingering becomes sparser. Pedaling is clearly marked throughout the collection. In most cases, the fingering suggestions work well, as do the suggested pedalings. They seem carefully thought out and presented.

This collection would be fascinating for a student who had exposure to the original composers and wanted to play music in a similar style. The beautiful melodies, interesting harmonies and very wide range of styles exemplified in this collection might entice the reluctant student into studying some of the original classical repertoire Repertoire may mean Repertory but may also refer to:
  • Repertoire (theatre), a system of theatrical production and performance scheduling
  • Repertoire Records, a German record label specialising in 1960s and 1970s pop and rock reissues
. This collection is an example of tasteful taste·ful  
adj.
1. Having, showing, or being in keeping with good taste.

2. Pleasing in flavor; tasty.



taste
 tributes that are well written and that stand on their own as excellent repertoire choices.

Reviewed by Meg Gray, Columbia, Missouri
This article is about the U.S. city in the state of Missouri. For other uses, see Columbia (disambiguation).


Columbia (IPA: /kə.lʌm.bi.ə) is the fifth largest city in Missouri and the largest city in central Missouri.
 
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Author:Gray, Meg
Publication:American Music Teacher
Date:Feb 1, 2007
Words:341
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