Three common mistakes in e-mail design. (Online Publishing).Ariad Custom Publishing, Toronto-based publisher of dozens of print and online nonsubscription newsletters, believes that good design makes the message easier and more pleasurable pleas·ur·a·ble adj. Agreeable; gratifying. pleas ur·a·bil to read. In other words Adv. 1. in other words - otherwise stated; "in other words, we are broke"put differently , strong design gets people to read the text. So what happens if an enewsletter or other pieces of emarketing communications is poorly designed? The recipient is confused or frustrated frus·trate tr.v. frus·trat·ed, frus·trat·ing, frus·trates 1. a. To prevent from accomplishing a purpose or fulfilling a desire; thwart: or, even worse, completely uninterested in opening the e-mail. Response rates are low, and opt-out or unsubscribe To cancel a service. It is often possible to unsubscribe to an e-mail service by typing the word "unsubscribe" into a reply message. Contrast with subscribe. See opt-out. rates are high. And the real shame, Ariad says, is that with HTML-format e-mails, you have enhanced design capabilities available. Here are the major design flaws in HTML-format e-mails that Ariad sees again and again--along with Ariad's suggestions for avoiding them. Mistake #1: E-mails that look like web pages. E-mail newsletters or promotions that look like web pages (even the home page of a website) are far too common. They may have too many columns (three or more), several illustrations or graphic items that fight for attention, densely packed type, and too many navigation options. In addition, an e-mail will look more like a web page if it lacks an introduction or letter, and if it's not personalized per·son·al·ize tr.v. per·son·al·ized, per·son·al·iz·ing, per·son·al·iz·es 1. To take (a general remark or characterization) in a personal manner. 2. To attribute human or personal qualities to; personify. . Websites, of course, vary widely, but typically their purpose is to be more comprehensive than an e-mail. Think of the e-mail as the advertisement or commercial--with a more targeted message. By contrast, the website is the main feature. Here's a case in point: When we created Email Marketer, we gave it a look that's distinct from www.ariad.ca, while keeping some key branding points (such as colors and image style). We designed it to offer targeted information about issues in email marketing, while the website provides general information about our company. Mistake #2: E-mails with confusing navigation. Too many e-mails have uninviting or even non-existent navigation. Make sure that your e-mail is reader-friendly, by taking advantage of these tips: --Use internal jumps--that is, links within the e-mail itself A table of contents below the title (or nameplate) of an e-newsletter can double as a set of jump links, letting readers jump down to the articles of interest, right within the e-newsletter. That's why we place a table of contents at the top of Email Marketer. --Label buttons clearly Think of links and buttons as doors that you want the reader to open. Label them accurately and clearly, without being clever. Also be sure that your links are visually identifiable as links. You don't have to stick to the standard blue underlined text, but you should be consistent. In Email Marketer, for example, we use orange for all links within the text and for buttons. --Lead your readers clearly. If your readers get lost in a maze of links, chances are they will not follow through in the way you wanted. Your e-mail should have a primary purpose, and you should lead subscribers to the right information or call to action as directly as possible. That's why, in Email Marketer, we continue our longer stories on the landing page itself. Mistake #3: E-mails that are hard to read. Online communication puts more visual control in the hands of the reader and less in the hands of the creator. Still, marketers need to put as much care into the appearance of their e-mail pieces as they do in print direct mail, to ensure easy readability read·a·ble adj. 1. Easily read; legible: a readable typeface. 2. Pleasurable or interesting to read: a readable story. . Here are our top tips for creating legible leg·i·ble adj. 1. Possible to read or decipher: legible handwriting. 2. Plainly discernible; apparent: legible weaknesses in character and disposition. e-mails: --Avoid light-colored text. --Avoid dark screens behind text. --Avoid reversed type. --Use a typeface The design of a set of printed characters, such as Courier, Helvetica and Times Roman. The terms "typeface" and "font" are used interchangeably, but the typeface is the primary design, while the font is the particular implementation and variation of the typeface, such as bold or italics that won't break up onscreen--the default HTML HTML in full HyperText Markup Language Markup language derived from SGML that is used to prepare hypertext documents. Relatively easy for nonprogrammers to master, HTML is the language used for documents on the World Wide Web. sans serif Short horizontal lines added to the tops and bottoms of traditional typefaces, such as Times Roman. Contrast with sans-serif. adj. 1. Easily read; legible: a readable typeface. 2. Pleasurable or interesting to read: a readable story. . --Pictures must be "readable" too. Make sure they're big enough for readers to see what they are. Hugh Fumeaux. president. Ariad Custom Publishing. 1000.119 Spodina Ave. Toronto. ON M5V 2L1, Canada. 416-971-9294, fax 416-971-9292. www.ariad.ca |
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