Thorvald Steen. "Don Carlos" and "Giovanni.".
These two short novels take the form of letters written by Giovanni Graciani, an Italian emigre living in Argentina, to his brother Roberto. Don Carlos, set in 1833, introduces us to Giovanni, who is living hand-to-mouth as a shipyard worker in Buenos Aires. While the city is consumed by civil war, he finds an acquaintance and later a benefactor in a naturalist known as Don Carlos. Carlos turns out to be the young Charles Darwin, whose earnest scientific inquiries serve as a foil for Giovanni's increasingly vitriolic ruminations on personal and national destinies. Giovanni picks up the story several years later, after Argentina has been taken over by the dictatorship of Juan Manuel de Rosas. Implicated in a foiled assassination attempt on Rosas, Giovanni writes a second letter as he awaits capture. Steen's protagonist evokes both Borges and Sartre's Roquentin as he contemplates human idealism and the everyday brutality that belies it. Steen's choice of form is by no means incidental. Giovanni's letters juxtapose anecdote and history, lyricism and violence, to startling effect. "There is something about Don Carlos I find almost moving," he observes at one point. "While total chaos reigns in the world about him, he collects, sorts and classifies his finds." But the world Darwin classifies is no place for the likes of Giovanni: "I began to think of the cactus that feeds on itself like a flame. Burnt out and dry, it blooms. I am no cactus." Giovanni's fitness to survive is questionable, but his alternately ranting and resigned musings in this provocative pair of epistolary novels have a staying power all their own. [Pedro Ponce]
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|Publication:||The Review of Contemporary Fiction|
|Article Type:||Book Review|
|Date:||Sep 22, 2005|
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