The genre approach to writing assessed.
The objective of this paper is primarily to evaluate the strengths of the genre approach to the teaching of writing in the English as a Foreign Language (EFL EFL - Extended Fortran Language ) classroom. Theoretical and pedagogical ped·a·gog·ic also ped·a·gog·i·cal
1. Of, relating to, or characteristic of pedagogy.
2. Characterized by pedantic formality: a haughty, pedagogic manner. references will be identified and exposited upon in both first and second language learning contexts, with specific reference to Japanese learners at the college level.
In recent years the methodological field within linguistics has yielded yet another approach, the focus of which rests largely on the writing and reading/interpretive skills of the student. The genre perspective, which rose chiefly in Australia over the past fifteen years, (Martin 1986; Martin and Rothery 1986; Cairney 1992), attempts to develop literacy across a broad range of identifiable categories by raising the learner's awareness of the linguistic elements of genres. As such, its modus operandi [Latin, Method of working.] A term used by law enforcement authorities to describe the particular manner in which a crime is committed.
The term modus operandi is most commonly used in criminal cases. It is sometimes referred to by its initials, M.O. acts as a pedagogical springboard from which the learner is elevated to new heights of privity A close, direct, or successive relationship; having a mutual interest or right.
Privity refers to a connection or bond between parties to a particular transaction. Privity of contract is the relationship that exists between two or more parties to an agreement. , cognizance The power, authority, and ability of a judge to determine a particular legal matter. A judge's decision to take note of or deal with a cause.
That which is cognizable to a judge is within the scope of his or her jurisdiction. and competence. Essentially, the procedure is based on the linguistic definitions of Functional Grammar Functional grammar (FG) is the name given to any of a range of functionally-based approaches to the scientific study of language, such as the grammar model developed by Simon Dik or Michael Halliday's Systemic functional grammar; another important figure in recent linguistic (Halliday 1994), an expanded version of the descriptions of language which involve how a text is bound together to create meaning in its particular context (Halliday and Hassan 1976). This paper evaluates the effectiveness of the genre approach to the teaching of writing, particularly to non-native English-speaking students or ESL (1) An earlier family of client/server development tools for Windows and OS/2 from Ardent Software (formerly VMARK). It was originally developed by Easel Corporation, which was acquired by VMARK. students based in Japan. A sub goal will be to determine how far the genre approach can successfully couple process pedagogy as a teaching tool for the ESL writing classroom in Japan. Initially, however, a definition of genre will be presented and its evolution as an educational force described.
What Is Genre ?
The term genre goes beyond the traditional definition of a recognizable category of literary composition, to include any distinctive form which has attained a general level of identification. Degree of formality, mode of argumentation, textual structure, and purpose are all specific characteristics imposed on a genre which influence the use of language. As mentioned above, the genre approach is underpinned by a functional model of language which discusses the association between discourse and the context in which the language is used. The social constructionist con·struc·tion·ist
A person who construes a legal text or document in a specified way: a strict constructionist. position (Johns 1990, Swales 1990) which evolved out of dissatisfaction with the psychological theories of behaviourists (Lado 1964) and the naturalistic nat·u·ral·is·tic
1. Imitating or producing the effect or appearance of nature.
2. Of or in accordance with the doctrines of naturalism. pedagogy of the process methods (Murray 1980), holds that writing is a social phenomena, in which each audience and context is idiosyncratic id·i·o·syn·cra·sy
n. pl. id·i·o·syn·cra·sies
1. A structural or behavioral characteristic peculiar to an individual or group.
2. A physiological or temperamental peculiarity.
3. . That is, each discourse community The term discourse community links the terms discourse, a concept describing all forms of communication that contribute to a particular, institutionalized way of thinking; and community, which in this case refers to the people who use, and therefore help create, a particular has individual qualities. Further, Fiske (1987:114) views genre as a "means of constructing both the audience and the reading subject".
Indeed, there appears to be common ground between genre analysis and schema theorists. From the perspective of the latter, genres are "textual schemata" (Chandler 1998:2) and our background knowledge plays an important role in decoding de·code
tr.v. de·cod·ed, de·cod·ing, de·codes
1. To convert from code into plain text.
2. To convert from a scrambled electronic signal into an interpretable one.
3. a text:
From the point of view of the producers of texts within a genre, an advantage of genres is that they can rely on readers already having knowledge and expectations about works within a genre (ibid: 1).
Bakhtin (1986) developed the concept of intertextuality Intertextuality is the shaping of texts' meanings by other texts. It can refer to an author’s borrowing and transformation of a prior text or to a reader’s referencing of one text in reading another. whereby the orienting framework of genre is created by units of prevailing knowledge which organize analogous expectations based on prior experience:
The linguistic significance of a given utterance is understood against the backdrop of other concrete utterances on the same theme; a background made up of contradictory opinions, points of view, and value judgements (Bakhtin 1935/1981:281).
Here, the pieces of conventional knowledge overlap and interact intertextually so that any text is interpreted in relation to others, any utterance understood in relation to other utterances. Expectations of an audience within a genre form a code; and by using this code as a guideline, the writer is able to streamline his/her work. Consequently, one advantage of the genre approach is the way in which the learner is endowed en·dow
tr.v. en·dowed, en·dow·ing, en·dows
1. To provide with property, income, or a source of income.
a. with the skill of communicating in a more efficient, focused and economical manner. The account of academic articles written by Swales (1990), may well help the learner to gain confidence in his/her own writing. Again, the role of the audience is emphasized:
The principal criterial feature that turns a collection of communicative events into a genre is some shared set of communicative purposes (Swales 1990: 46).
For Swales, the discourse community provides channels of feedback to the writer suggesting a certain amount of inter communication is to be expected between the two parties, both of whom possess common objectives. But what of scenarios where such dynamics are not present ? Wood (1998), tracing the pedagogic ped·a·gog·ic also ped·a·gog·i·cal
1. Of, relating to, or characteristic of pedagogy.
2. Characterized by pedantic formality: a haughty, pedagogic manner. potential of film reviews, observes that the film critic-reader relationship falls outside the framework provided by Swales. There are no palpable Easily perceptible, plain, obvious, readily visible, noticeable, patent, distinct, manifest.
The term palpable usually refers to some type of egregious wrong, such as a governmental error or abuse of power. avenues of feedback, no perceivable common purposes and consequently "genre conventions" may become ambiguous (Wood 1998:21).
However, he contends that text will recreate certain models due to the "conventionalising function of the genre" (ibid:30). These patterns establish reference points and produce the "contextual framing of the text, the means of conceptually structuring the text for the writer" (ibid). That is, one of the strengths of the genre approach is raising the learners' awareness of the availability of the various choices on offer:
Generic framing will have informed the writer's choices; and an awareness of how and why these choices have been made can inform the development of genre skills. And these skills ... can be practically developed (ibid:69).
So far, the significance of schemata, the audience and its relationship with the writer has been described, revealing chiefly constructive aspects of genre. Next, the focus will shift to pedagogy and uses of genre theory in the classroom to establish the strengths of the approach, with, firstly, a summary of its successful implementation in mother tongue mother tongue
1. One's native language.
2. A parent language.
the language first learned by a child
Noun 1. primary schools and, secondly, with reference to young adult Japanese learners.
The Use of Genre For Children
A fundamental target of the genre approach is to "determine what kind of texts are valued (and why?), and also to make these genres accessible to students" (Gallagher 2000:14). Various language patterns will be used by children in writing about experiences, information or ideas. Language is concerned with meaning, and such knowledge of the language pattern and meaning should be made as lucid as possible to allow for this 'accessibility' to take place, which should be facilitated by the instructor. That is, a genre based approach may open the genres of recount, report and procedure, for example, so that young learners can recognize the generic forms and ultimately create their own structures. One strategy designed to encourage children to be more autonomous about their learning experience and to heighten height·en
v. height·ened, height·en·ing, height·ens
1. To raise or increase the quantity or degree of; intensify.
2. To make high or higher; raise.
v.intr. awareness about their written work, was that of writing frames. Lewis and Wrays' (1992) definition of a writing flame is as follows:
It consists of a skeleton outline to scaffold children's non-fiction writing. The skeleton framework consists of differing key words or phrases, according to the particular generic form (Lewis and Wray 1992:1).
Any given writing frame will therefore contain a unique generic set of starters, connectives and sentence modifiers which help students expand their writing whilst acting as a substitute for the teacher's interventions. Frames should be used initially with teacher-led discussions and modeling of the generic form which teaches vocabulary and connectives. Then, the child undertakes the writing phase supported by the frame. In low-level classes many oral sessions with the teacher acting as a scribe scribe (skrīb), Jewish scholar and teacher (called in Hebrew, Soferim) of law as based upon the Old Testament and accumulated traditions. The work of the scribes laid the basis for the Oral Law, as distinct from the Written Law of the Torah. may be required before pupils are ready to write using the frame. This template acts as a tool to enable children to focus on communicating their thoughts within a form rather than using incoherent structure. One aim was to practice writing frames until the children "become familiar enough with these written structures to have assimilated them into their writing repertoire" (ibid:l). It is therefore proponed that teachers wean wean (wen) to discontinue breast feeding and substitute other feeding habits.
1. To deprive permanently of breast milk and begin to nourish with other food.
2. the children off the frames as their knowledge of the generic pattern increases.
One of the great strengths of the writing frames strategy is its scopic applicability. Indeed, this course has been employed with children from key stage 1 to key stage 3 in British primary schools, but genre literacy has also been successfully applied to the grades of kindergarten through high school. Moreover, teachers "have found the frames particularly useful with children of average writing ability; [sic.] and with those who find writing difficult" (Lewis and Wray 1992:7). Additionally, it was discovered that after one or two applications of a frame, the competent language users annexed the genre and its linguistic elements into their repertoires and, "without using a frame, produce fluent writing of high quality in the genre" (ibid:8). The ultimate aim is for all the children to reach this plateau of accumulating the generic patterns and linguistic features into their proverbial pro·ver·bi·al
1. Of the nature of a proverb.
2. Expressed in a proverb.
3. Widely referred to, as if the subject of a proverb; famous. writing banks. Teachers have observed a distinct improvement in both the quality and quantity of work produced by children who have utilized the frames, a clear indication of the value of the genre approach to the teaching of writing.
A Note of Caution
One weakness of the framing project mentioned above maybe detected when teachers use the writing frames to teach the generic forms from a skills-centered platform. This direct use (or abuse) of the scaffolding blueprint will negate ne·gate
tr.v. ne·gat·ed, ne·gat·ing, ne·gates
1. To make ineffective or invalid; nullify.
2. To rule out; deny. See Synonyms at deny.
3. any sense of purpose; that is, texts studied in isolation without a goal may lead to demotivation. This caveat has been echoed by several influential genre theorists including Martin (1986:64) who states that "it is important to recognize that genres make meaning; they are not simply a set of formal structures into which meanings are poured." Gallagher's elucidation e·lu·ci·date
v. e·lu·ci·dat·ed, e·lu·ci·dat·ing, e·lu·ci·dates
To make clear or plain, especially by explanation; clarify.
To give an explanation that serves to clarify. is also illuminating:
It should be pointed out that a genre approach is not a matter of applying formulaic prescriptions of how a text should be structured. Instead, it is based on an analysis of how a text creates meaning in its context of use and then how this knowledge can be utilized by students to write in the same genre themselves (Op:Cit.: 14).
To redress this chink in the armor of the genre approach, it can be argued that it is more propitious pro·pi·tious
1. Presenting favorable circumstances; auspicious. See Synonyms at favorable.
2. Kindly; gracious.
[Middle English propicius, from Old French to set the generic forms within a topic based format, adhering to the notion that "learning is always context-dependent" (Lewis and Wray 1992:6). With regard to writing frames then, contextualisation seems to be a simple but powerful solution to the problem in question.
The Relevance of Genre for Japanese Learners
In a study whose data allowed comparisons to be made between ESL learners of five nationalities, Kroll (1990) found that the written work of the Japanese group was "the most flawed" (Kroll 1990:147). Indeed, the essays produced by the Japanese subjects were the "worst in terms of rhetorical competency" (ibid:153). These findings suggest that a genre based writing course may be relevant in Japan where the greatest challenge for students resides beyond the sentence level and in the creation of coherent and cohesive texts as whole entities. This is not to suggest that Japanese students have no problems whatsoever at the sentence level, but that secondary education in Japan concentrates on grammar within the sentence, and consequently students have little experience in producing coherent texts such as essays and reports which are expected at the tertiary stage. Studies into the writer-reader relationship provided by Hinds Hinds may refer to:
People with the surname Hinds:
In a way, it is fortunate that writing even in the first language is de-emphasized in Japanese high schools. The playing field is level because few students have had experience in writing instructions, narratives, opinions and advice. Therefore, emphasizing generic structure in writing is beneficial to everyone no matter what their level of English.
Another advantage of genre in the writing class is its capacity to exploit authentic materials. Gallagher (2000:14), remarks that "an integral aspect of a genre approach is working with texts from the beginning; authentic texts that represent genres that are used outside the language classroom". Jarrell notes that authentic materials are motivating since they are "geared towards the students' interests and awareness" (op.cit.:4). Using the anecdote anecdote (ăn`ĭkdōt'), brief narrative of a particular incident. An anecdote differs from a short story in that it is unified in time and space, is uncomplicated, and deals with a single episode. section from an American magazine The American Magazine was a periodical publication founded in June of 1906, stemming from failed publications purchased a few years earlier from publishing mogul Miriam Leslie. for teenage girls, he identifies three further advantages; firstly, the basic generic pattern is abundantly demonstrated via numerous examples. Secondly, the material is flexible enough to cater for learners at differing levels and, finally, a low lexical lex·i·cal
1. Of or relating to the vocabulary, words, or morphemes of a language.
2. Of or relating to lexicography or a lexicon.
[lexic(on) + -al1. density exists within the subject matter which is "crucial to a writing task where students need a model" (ibid:4). The generic structure of these materials complies with the form for narratives, as described by Martin and Rothery (1986:254-255) as "orientation," "complication," "resolution," and "coda." The orientation element of the anecdotes mentioned above revealed habitual Regular or customary; usual.
A habitual drunkard, for example, is an individual who regularly becomes intoxicated as opposed to a person who drinks infrequently. use of the past continuous tense Noun 1. continuous tense - a tense of verbs used in describing action that is on-going
imperfect, imperfect tense, progressive, progressive tense
tense - a grammatical category of verbs used to express distinctions of time in the first sentence: Embarrassing Anecdotes
Anecdote 1 'I was swimming at a lake one Summer when I saw these two totally hot guys on shore. When I ...'
Anecdote 2 'Over the holidays I was shopping with my Mom in a record store when I ...' (Adapted from Jarrell 2000:4).
Rather than presenting this structural item in isolation, Jarrell maintains that by emphasizing the generic pattern in its writing context provides the learner with a deeper understanding of how to use the past progressive. After the vital phase of exposure to the genre by reading, considering and discussing examples of it (Gallagher 2000:14), Jarrell found that by using a generic structure, students were able to decode (1) To convert coded data back into its original form. Contrast with encode.
(2) Same as decrypt. See cryptography.
(cryptography) decode - To apply decryption. the anecdotes and that most were able to reproduce their own amusing stories in the written form. This suggests that used in an appropriate context, the incorporation of authentic materials within a genre approach can facilitate foreign students' comprehension of the anecdote genre.
Critics of the genre based approach state that it is akin to that of product-oriented pedagogy, teacher-led with a list of formal recipes. Conversely, Process oriented instructors attempt to foster learners' creativity followed by guiding them on the path of refining their writing. Britton et al. (1975) emphasize the significance of expressive language use over fake prescribed forms. The generation and exploration of new thoughts and ideas becomes the goal of writing. They suggest that written composition is a process with several stages, and that the capacity to use written sources adequately develops over time. Bartholomae (1985) also highlights difficulties college students have acquiring appropriate academic discourse. Ultimately, the eradication of copying is developmental. Although writing from personal experience is an essential element in the process of becoming a competent writer, it is vital for instructors to judge when ESL students require assistance in adopting other genres. In Japan, where college students lack experience of different English genres of non-fiction and their structural organization, writing frames and genre based pedagogy may well reduce their textual inexperience Inexperience
See also Innocence, Naïveté.
Bowes, Major Edward
(1874–1946) originator and master of ceremonies of the Amateur Hour on radio. [Am. and improve their rhetorical competence. Like the elimination of copying, the use of frames is a developmental process. As the genre and its linguistic features are approximated greater responsibility passes over to the student and the frame is eventually discarded.
The description of the pedagogic strengths of genre literacy has so far embraced adult/tertiary level EFL learners as well as young mother tongue students. This suggests that when implemented, success is not confined con·fine
v. con·fined, con·fin·ing, con·fines
1. To keep within bounds; restrict: Please confine your remarks to the issues at hand. See Synonyms at limit. to one grade alone; indeed, the genre approach has been equally effective across the educational spectrum.
The present paper, in assessing the strengths of the genre method to teaching writing, identifies numerous advantages. Undeniably some limitations exist, but they are far less substantial than their antipodal an·tip·o·dal
1. Of, relating to, or situated on the opposite side or sides of the earth: Australia and Great Britain occupy antipodal regions.
2. Diametrically opposed; exactly opposite. numbers. It would appear that the use of generic patterns can complement the dicta Opinions of a judge that do not embody the resolution or determination of the specific case before the court. Expressions in a court's opinion that go beyond the facts before the court and therefore are individual views of the author of the opinion and not binding in subsequent cases prescribed by the Process approach, and coordinating the approaches offers learners genuine opportunities to develop skills to reproduce coherent and cohesive texts. This approach is relevant for foreign learners who lack exposure to practical writing tasks, which is particularly the case in Japan, where one study found that Japanese learners had low cohesive writing capabilities. The conclusion that students' writing proficiency will only benefit from genre is based on the evidence presented above; most notably from data collected 'in the field' by Jarrell and the project with British primary school children. These studies which used generic frameworks produced significant results. Additionally, its broad applicability and ability to employ authentic materials are further reasons confirming the importance of this approach. There remains some latitude for further research to validate the claims of the genre movement made here, particularly with more research on whether teaching via the genre approach actually helps Japanese students become better rhetors. In conclusion, a genre structured framework is viewed in an indisputably favorable light, and the opinion held here suggests that Japanese college students of writing can only profit by its implementation.
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A man who has been freed from slavery.
pl -men History a man freed from slavery
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Aston University has both standard and en-suite accommodation on campus. Language Studies Unit.
Roberto Rabbini, Bunan Senior High School, Saitama Prefecture Saitama Prefecture (埼玉県 Saitama-ken , Japan
Roberto is Coordinator of the EFL Course at Bunan SHS SHS Shares (stock)
SHS SAW (Surface Acoustic Wave) Humidity Sensor
SHS Sciences Humaines et Sociales (French: Social Sciences)
SHS Student Health Service
SHS Second Hand Smoke & holds an MA in Linguistics (TESOL TESOL
1. Teachers of English to Speakers of Other Languages
2. teaching English to speakers of other languages ). Other research interests include bilinguistic development.