The devil in the disco: the outrageous new film Party Monster pairs Macaulay Culkin and Seth Green as club-kid murderer Michael Alig and his very gay Boswell, James St. James."I'm a simple girl with a simple look," says James St. James James St. James (born James Clark, August 1, 1966) was a Club Kid of the Manhattan club scene in the late 1980s/early 1990s and the author of Disco Bloodbath (now published under the title Party Monster). . "At an early screening I remember protesting out loud, 'I would never wear Moschino!'" He's talking about Party Monster. Due to hit theaters this fall, it's adapted from St. James's This article is about the area of central London; there is also a hospital in Leeds of the same name. Coordinates: St. James's is an area of central London in the City of Westminster. 1999 book Disco Bloodbath blood·bath also blood bath n. Savage, indiscriminate killing; a massacre. Noun 1. bloodbath - indiscriminate slaughter; "a bloodbath took place when the leaders of the plot surrendered"; "ten days after the , about the costume--crazy early-'90s New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of club-kid scene and its disintegration following the vicious murder of drug dealer Angel Melendez Andre Melendez (c. 1963 - March 17 1996), better known as Angel Melendez, was a Club Kid and drug dealer who lived and worked in New York City. Melendez and his family arrived in New York from Colombia when Melendez was eight years old. by St. James's best friend, scene king Michael Alig. It's a story St. James, along with directors Randy Barbato and Fenton Bailey, has been telling for about five years in one form or another. Under their Los Angeles-based production banner, World of Wonder, Bailey and Barbato have directed two Alig-based projects--a 1998 documentary, also titled Party Monster, and now the feature, starring Macaulay Culkin as Alig. From the start there has been resistance. "People thought the characters were too self-indulgent or plain despicable," says Barbato. "But before there was a murder, before there was the darkness, what the club kids did was brilliant, turning themselves into post--Warhol stars and inviting everyone to a democratic party where anyone could shine. A celebristocracy. They were predicting the future, from reality television to the 'two seconds of fame' phenomenon." Seth Green, who nearly hijacks the picture with his delicious turn in the role of St. James, elaborated in an Advocate interview at the 2003 Sundance Film Festival. "It's important to note what happened at that time in New York," Green says, "because it was such a safe haven for artists and creative people and alienated loners--people who could be categorized as losers in any other setting--but there they were superstars. And I enjoyed the pork-chop outfit." Pork-chop costumes? St. James explains, "We created a look that was part drag, part clown, part infantilism infantilism /in·fan·ti·lism/ (in´fan-til-izm) (in-fan´til-izm) persistence of childhood characters into adult life, marked by mental retardation, underdevelopment of sex organs, and often dwarfism. . It was not sexual. We were just being creative." Contemporary taste makers are watching Party Monster partly because it marks the return of Macaulay Culkin to acting after a self-imposed adolescent retirement. Formerly the world's most famous child star, Culkin "came to the public as this little Dickensian orphan," says St. James. "In this movie, when you see him lying in a jock strap smoking crack, it's a bit disconcerting dis·con·cert tr.v. dis·con·cert·ed, dis·con·cert·ing, dis·con·certs 1. To upset the self-possession of; ruffle. See Synonyms at embarrass. 2. ." With Alig now in solitary confinement solitary confinement n. the placement of a prisoner in a Federal or state prison in a cell away from other prisoners, usually as a form of internal penal discipline, but occasionally to protect the convict from other prisoners or to prevent the prisoner from causing writing his own account, the story may still be retold--but not by World of Wonder. "We're club-kidded out," says Barbato, laughing. White writes about film for E! Online. |
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