The best films you can't see: Ernest & Bertram is the latest in a series of acclaimed queer films banned from public view because their makers stepped on some famous toes. (film).
In January, Peter Spears's short film Ernest & Bertram was the talk of the Sundance Film Festival. Less than six months later, the short would be banned and destined des·tine
tr.v. des·tined, des·tin·ing, des·tines
1. To determine beforehand; preordain: a foolish scheme destined to fail; a film destined to become a classic.
2. never to be screened for an audience again. He might have guessed that outcome, though. For Spears's clever project--a retelling re·tell·ing
A new account or an adaptation of a story: a retelling of a Roman myth. , in eight minutes, of Lillian Hellman's classic play of unrequited gay love, The Children's Hour See also The Children's Hour (disambiguations)
Children's Hour—at first: "The Children's Hour", from a verse by Longfellow (1)—was the name of the BBC's principal recreational service for children (as distinct from "Broadcasts to , using the Sesame Street characters The following is a list of recurring Muppet, animated, and human characters on Sesame Street.
0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Picture Character Actor/Muppeteer
Abby Cadabby Leslie Carrara Bert and Ernie--was made without the permission of Sesame Workshop Sesame Workshop: see Cooney, Joan Ganz. , the organization that owns the copyright to the characters and produces the long-running TV show.
"I expected that they would have a different point of view," laments the filmmaker. "I felt it was protected under First Amendment freedom of speech parody, but I understand that they have to protect their copyright. When they served me the cease and desist Cease and desist (also called C & D) is a legal term used primarily in the United States which essentially means "to halt" or "to end" an action ("cease") and to refrain from doing it again in the future ("desist"). , I didn't have the energy or financial resources to fight it."
Ernest & Bertram was a smash at Sundance, but the ensuing flurry of attention and media interest was Spears's downfall. After the short screened at the U.S. Comedy Arts Festival An arts festival or art fair is a festival that focuses on the visual arts, but which may also focus on other arts.
Arts festivals in the visual arts are exhibitions. in Aspen, Colo., Sesame Workshop's lawyers lowered the boom, and Spears pulled it from the Cleveland Film Festival, with the understanding that the movie would have one final public outing at Outfest, the Los Angeles Los Angeles (lôs ăn`jələs, lŏs, ăn`jəlēz'), city (1990 pop. 3,485,398), seat of Los Angeles co., S Calif.; inc. 1850. gay and lesbian film festival, in July.
Spears is no stranger to courting controversy through short films. He produced the 37-minute movie Scream, Teen, Scream, a Jackie Beat and Alexis Arquette Alexis Arquette (born July 28, 1969) is an American male-to-female transgender actress, musician, and cabaret drag performer. Biography
Arquette was born Robert Arquette comedy, without getting permission to use the song "Love Roller-coaster," which is featured heavily both on the soundtrack and in the dialogue of the film. Again Spears was met with legal threats over its exhibition. How did he overcome them? "You just do it without getting the clearance," he says.
He certainly had some illustrious predecessors. Todd Haynes, director of Safe, Velvet Goldmine, and the upcoming Far From Heaven, launched his film career with the short Superstar: The Karen Carpenter Karen Anne Carpenter (March 2, 1950 – February 4, 1983) was a highly successful American singer and drummer. She and her brother, Richard, formed the popular duo The Carpenters. Story, a much-acclaimed retelling of the singer's life utilizing Barbie dolls and original music by the Carpenters--used without permission; it was taken out of circulation by Richard Carpenter Richard Carpenter can refer to:
And the banning goes on outside the United States United States, officially United States of America, republic (2005 est. pop. 295,734,000), 3,539,227 sq mi (9,166,598 sq km), North America. The United States is the world's third largest country in population and the fourth largest country in area. too. While toy giant Mattel didn't seem to mind about Barbie and Ken being used in Superstar, it has been less forgiving of Argentinian filmmaker Albertina Carri, whose recent lesbian short Barbie Can Also Be Sad was pulled from a film festival in Mexico as a result of legal action taken by the company. The Barbie ban hasn't reached the States yet--it screened at the San Francisco International Lesbian and Gay Film Festival in June.
So why do so many shorts get into trouble? "For a short film to get shown, it has to go really far to get special attention," explains Christine Vachon, the renowned producer of Haynes's films who helped him with Superstar and gets a special thank-you on the film. "Superstar was clever, well-done, and provocative in a way you were going to remember. You can't deny that Todd has tremendous compassion for Karen Carpenter in the film, and Richard Carpenter jumped to the conclusion that the movie was making fun of his sister when it wasn't."
Haynes had, says Vachon, "no idea" that he would incur the Carpenter family's wrath when he crafted his labor of love over two summers at college. Nor did he realize that Superstar would bring him his first taste of global fame. "The film has legendary status," adds Vachon.
Marcus Hu, copresident of Strand Releasing, which owns the rights to Scream, Teen, Scream, confirms that banned films continue to spark interest on college campuses and via bootleg cassettes. "They've already had their festival life and exposure," he says. "After they are banned, these forbidden shorts take on an underground life of their own."
Such notoriety will ultimately give Spears and Carri a better shot at making it into features than many other makers of short films. "The publicity about the legal problems has changed everything for my career," says Spears. "I did it as a calling card, and now I'm on the radar."
"Just go ahead," he advises other aspiring makers of shorts. "If you start seeking out all the obstacles ahead of time, you'll never make it."
Goodridge is U.S. editor of Screen International.