The Physics of Superheroes.THE PHYSICS OF SUPERHEROES JAMES KAKALIOS How strong did the gravitational grav·i·ta·tion n. 1. Physics a. The natural phenomenon of attraction between physical objects with mass or energy. b. The act or process of moving under the influence of this attraction. 2. force on Superman's home planet of Krypton krypton (krĭp`tŏn) [Gr.,=hidden], gaseous chemical element; symbol Kr; at. no. 36; at. wt. 83.80; m.p. −156.6°C;; b.p. −152.3°C;; density 3.73 grams per liter at STP; valence usually 0. have to be, if he could leap tall buildings in a single bound on Earth? How much tensile strength would Spiderman's webbing need to enable him to swing effortlessly from skyscraper to skyscraper? Kakalios, author of The Physics of Star Trek, answers these questions and more in this engaging and informative look at the surprising role of physics in comic books. He demonstrates that, more often than not, the amazing feats performed by fictional superheroes are theoretically possible. For example, Flash's technique for stopping speeding bullets is consistent with Newton's laws of motion Newton's laws of motion: see motion. Newton's laws of motion Relations between the forces acting on a body and the motion of the body, formulated by Isaac Newton. , and Electro, the utility worker who shoots lightning bolts, can indeed create enough of a magnetic field to scale an iron building. Kakalios also describes, with equal measures of academic rigor and humor, how the modern physics of superconductivity superconductivity, abnormally high electrical conductivity of certain substances. The phenomenon was discovered in 1911 by Kamerlingh Onnes, who found that the resistance of mercury dropped suddenly to zero at a temperature of about 4.2°K;. and string theory can be explained through the feats of Superman and Iron Man. And comics anticipated the notion of parallel universes, says Kakalios. The surprisingly comprehensive text includes a section on superhero bloopers: the few instances where even a suspension of disbelief Suspension of disbelief is an aesthetic theory intended to characterize people's relationships to art. It was coined by the poet and aesthetic philosopher Samuel Taylor Coleridge in 1817 to refer to what he called "dramatic truth". isn't enough to make a character's feats consistent with what is possible in the physical world. Gotham, 2005, 384 p., b&w illus., hardcover, $26.00. |
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